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tapestry100 (306 KP) rated The Marsh King's Daughter in Books
Aug 2, 2017
Originally reviewed on http://www.frommybookshelf.com
Helena Pelletier's life is more or less exactly what she wants: a husband and two daughters she loves deeply, a home business that keeps her busy during the days, her past a secret that she keeps hidden from everyone. Helena has worked hard for these things and she prides herself in her accomplishments, until the day her father escapes from prison and she immediately understands that her past is going to catch up to her, whether she wants it to or not. She also knows that the only way to keep her family safe and put her father back in prison is to find and deal with her father herself, since he was the one who trained her to live in the marshes of Michigan's Upper Peninsula, where he was keeping her mother captive after he had kidnapped her as a young girl.
With the main part of the story taking place over 24 hours "real time" with Helena tracking her father, the actual meat of the story all takes place in flashbacks as Helena thinks back on her childhood in the marshes of the UP and how her father treated her and her mother, who her father kidnapped as a young girl and made his wife. As she closes in on her father, she goes over various aspects of the only life she knew as a child, until her mother's past starts to catch up to her and Helena realizes that much of her life has been a lie perpetrated by both her father and mother and isn't exactly what they told her it was. As she grows older and finally starts to understand that even though this is the only life she's ever known, it may not be the life that either she or her mother deserves, and when she finally escapes her father's control she discovers that there is in fact an entire world she never knew about outside the marsh.
To be honest, the story of Helena's childhood is what really makes this book. Personally, I felt the entire portion of the book that is taking place in "real time" where Helena knows that she's the only one who can find her father, regardless of the large police force searching for him, and that she knows exactly where to look for him in the entire area surrounding her home and the prison he escaped from all seemed far to convenient, and only plausible in order to make this portion of the story move forward. Helena's memories of her childhood and the psychological aspects of being a child who has been raised in an extreme situation, but one that seems normal to her only because it's all that she knows, was fascinating. Her recollections of her father teaching her how to hunt and live in the wilderness, and her childhood idolization of him in this respect juxtaposed against her later feeling towards him as she starts to mature and gain some sense of adolescent independence, and her eventual discovery that her whole life has been based on lies and the kidnapping of her mother, was remarkable storytelling, and Karen Dionne delivers this entire sequence of events deftly and with sharp storytelling. While the "real time" story requires quite a hefty amount of suspension of disbelief, the background story well makes up for this and creates a truly mesmerizing and atmospheric story that will keep you up late into the night, turning the page for more.
Helena Pelletier's life is more or less exactly what she wants: a husband and two daughters she loves deeply, a home business that keeps her busy during the days, her past a secret that she keeps hidden from everyone. Helena has worked hard for these things and she prides herself in her accomplishments, until the day her father escapes from prison and she immediately understands that her past is going to catch up to her, whether she wants it to or not. She also knows that the only way to keep her family safe and put her father back in prison is to find and deal with her father herself, since he was the one who trained her to live in the marshes of Michigan's Upper Peninsula, where he was keeping her mother captive after he had kidnapped her as a young girl.
With the main part of the story taking place over 24 hours "real time" with Helena tracking her father, the actual meat of the story all takes place in flashbacks as Helena thinks back on her childhood in the marshes of the UP and how her father treated her and her mother, who her father kidnapped as a young girl and made his wife. As she closes in on her father, she goes over various aspects of the only life she knew as a child, until her mother's past starts to catch up to her and Helena realizes that much of her life has been a lie perpetrated by both her father and mother and isn't exactly what they told her it was. As she grows older and finally starts to understand that even though this is the only life she's ever known, it may not be the life that either she or her mother deserves, and when she finally escapes her father's control she discovers that there is in fact an entire world she never knew about outside the marsh.
To be honest, the story of Helena's childhood is what really makes this book. Personally, I felt the entire portion of the book that is taking place in "real time" where Helena knows that she's the only one who can find her father, regardless of the large police force searching for him, and that she knows exactly where to look for him in the entire area surrounding her home and the prison he escaped from all seemed far to convenient, and only plausible in order to make this portion of the story move forward. Helena's memories of her childhood and the psychological aspects of being a child who has been raised in an extreme situation, but one that seems normal to her only because it's all that she knows, was fascinating. Her recollections of her father teaching her how to hunt and live in the wilderness, and her childhood idolization of him in this respect juxtaposed against her later feeling towards him as she starts to mature and gain some sense of adolescent independence, and her eventual discovery that her whole life has been based on lies and the kidnapping of her mother, was remarkable storytelling, and Karen Dionne delivers this entire sequence of events deftly and with sharp storytelling. While the "real time" story requires quite a hefty amount of suspension of disbelief, the background story well makes up for this and creates a truly mesmerizing and atmospheric story that will keep you up late into the night, turning the page for more.
JT (287 KP) rated The Intouchables (2012) in Movies
Mar 17, 2020
Beautifully acted (2 more)
Well-directed
Heart warming
A foreign film that everyone should watch
I don’t think there has been one foreign film that I have watched that I have not liked or one that has not moved me in some way. It’s good to be able to pull away from mainstream Hollywood films and delve into another language.
This time I went for a heartwarming tale about a French aristocrat and a man from the projects who form an unlikely bond. Driss (Omar Sy) struggles in life, he lives at home with a large extended family and does his best to make ends meet.
Looking to show the benefits office that he is trying to find work so he can claim is not the easiest way to make money. On the other side, Philippe (François Cluzet) is dependent on everyone in his life, since a paragliding accident left him paralyzed from the neck down.
During an interview process to find his next carer in which Driss applies for the pair seemingly hit it off, and so begins a wonderful and awe-inspiring story. Driss who has never really needed to take responsibility after being pushed out on the street by his Aunt finds a new companion in Philippe.
Philippe too has found someone to share a smile with again, a laugh and most importantly someone that does not pity him which he feels is the most important. There is no particular story in this to adhere to, it’s about the growing relationship between two different people from opposite ends of the financial spectrum and how important they realise they are to each other.
Driss has to come to grips with the lifestyle that Philippe leads, how he has to be on call at every hour of the day, but living inside the large Parisian mansion he gets a taste of what his life is like to be wealthy and to seemingly have it all.
When Driss discovers that Philippe has an epistolary relationship with a woman he forces him to speak to her on the phone as opposed to the continual writing of letters, even going so far as to set him up on a date. Dris and Philippe force each other to step out of their comfort zones and to realize there is so much more in life.
The film’s serious nature is broken in parts by some beautiful light-hearted comedy, Driss realizing what the rubber gloves are for, and that foot cream is not shampoo. It’s been a while since I genuinely laughed out loud at any film.
When Philippe and Driss decide it is time to part ways there is a deflating sense of sadness that their relationship is over, but both men soon discover that they need each other in their life more than ever. Based on a true story it’s a brilliantly written and well-directed film that tugs at the heartstrings but will have you smiling all the way through.
This time I went for a heartwarming tale about a French aristocrat and a man from the projects who form an unlikely bond. Driss (Omar Sy) struggles in life, he lives at home with a large extended family and does his best to make ends meet.
Looking to show the benefits office that he is trying to find work so he can claim is not the easiest way to make money. On the other side, Philippe (François Cluzet) is dependent on everyone in his life, since a paragliding accident left him paralyzed from the neck down.
During an interview process to find his next carer in which Driss applies for the pair seemingly hit it off, and so begins a wonderful and awe-inspiring story. Driss who has never really needed to take responsibility after being pushed out on the street by his Aunt finds a new companion in Philippe.
Philippe too has found someone to share a smile with again, a laugh and most importantly someone that does not pity him which he feels is the most important. There is no particular story in this to adhere to, it’s about the growing relationship between two different people from opposite ends of the financial spectrum and how important they realise they are to each other.
Driss has to come to grips with the lifestyle that Philippe leads, how he has to be on call at every hour of the day, but living inside the large Parisian mansion he gets a taste of what his life is like to be wealthy and to seemingly have it all.
When Driss discovers that Philippe has an epistolary relationship with a woman he forces him to speak to her on the phone as opposed to the continual writing of letters, even going so far as to set him up on a date. Dris and Philippe force each other to step out of their comfort zones and to realize there is so much more in life.
The film’s serious nature is broken in parts by some beautiful light-hearted comedy, Driss realizing what the rubber gloves are for, and that foot cream is not shampoo. It’s been a while since I genuinely laughed out loud at any film.
When Philippe and Driss decide it is time to part ways there is a deflating sense of sadness that their relationship is over, but both men soon discover that they need each other in their life more than ever. Based on a true story it’s a brilliantly written and well-directed film that tugs at the heartstrings but will have you smiling all the way through.
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Darren (1599 KP) rated Paddington 2 (2017) in Movies
Nov 26, 2019
Verdict: Charming and Entertaining
Story: Paddington 2 starts as Paddington is a welcome member of the Brown family, the neighbours are always willing to accept his help and now Paddington sees a gift for his Aunt Lucy in Mr Gruber (Broadbent) antique shop and decides to get a job to pay for it.
Just about to buy the present, Paddington catches a thief breaking into the store and goes in chase, only to find himself captured and thrown in prison. Paddington soon makes friends with the prisoners including the feared Knuckles (Gleeson), while the Brown family Henry (Bonneville) and Mary (Hawkins) try to free Paddington, learning that the once famous actor Phoenix Buchanan (Grant) is behind the crime.
Thoughts on Paddington 2
Characters – Paddington is the kind-hearted marmalade loving bear living in London, he has made countless friends both human and animal, he wants to get a present for his Aunt which sees him trying to get a job. He does try to do the right thing by helping with a robbery only to be found guilty. Paddington always the people bear makes friends, while believing that everybody has good about them. Henry, Mary Brown and Mrs Bird treat Paddington like their third child and will do everything to help get him out of prison. Phoenix Buchanan is the once famous actor that has moved in next door to the Browns, he is very eccentric and trying to rebuild his fortune which sees him stealing the book and learning about the clues in the book, always trying to stay ahead of the people trying to capture him, using his different costumes from his career. Knuckles McGinty is the prison chef, he is feared by the other inmates, but Paddington breaks down those barriers showing him to be a good man inside, one that could bring the prisoners together.
Performances – When we go into the performances, the original cast are all wonderfully, but it is the addition members of the cast that truly shine, Hugh Grant practically steals every scene, while Brendan Gleeson proves that he can be the funniest man on camera, these two are outstanding in every single scene they are in.
Story – The story here follows Paddington’s next adventure as he tries to give his Aunt a present of seeing London only for him to get framed and thrown in prison, while the Brown family try to figure out who really committed the crime. This is a coming together story, it shows how somebody’s good nature can change everything in life and without them around you will notice the change in life. The idea that Paddington is facing off against an evil washed up actor is entertaining too, though it would have been nice to see more of the treasure hunt side of the story. While most of the story is largely predictable it does have a huge heart behind it and shows that good people will rub off on others to show kindness can be a change to life for the better.
Adventure/Comedy – The adventure side of the film seems to be focused more on the villains adventure, more than seeing what Paddington must get up to, the comedy comes from seeing just what Paddington gets himself into and the trouble he causes with his innocent nature.
Settings – We keep London as the main backdrop for the film, while we do have Paddington in a prison and the major landmarks being used as clues to a treasure, most places are locations we are expecting to see in any London based movie.
Special Effects – The effects are brilliant putting Paddington in every scene like he is really there, it never looks out of place which shows just how far this technology has come.
Scene of the Movie – Lets make marmalade.
That Moment That Annoyed Me – Surely, Mr Gruber would be the one who decides whether to press charges against Paddington?
Final Thoughts – This is a entertaining, big hearted movie that could be enjoyed by the whole family and would leave a smile on everybody’s face.
Overall: Big Heart Movie.
Story: Paddington 2 starts as Paddington is a welcome member of the Brown family, the neighbours are always willing to accept his help and now Paddington sees a gift for his Aunt Lucy in Mr Gruber (Broadbent) antique shop and decides to get a job to pay for it.
Just about to buy the present, Paddington catches a thief breaking into the store and goes in chase, only to find himself captured and thrown in prison. Paddington soon makes friends with the prisoners including the feared Knuckles (Gleeson), while the Brown family Henry (Bonneville) and Mary (Hawkins) try to free Paddington, learning that the once famous actor Phoenix Buchanan (Grant) is behind the crime.
Thoughts on Paddington 2
Characters – Paddington is the kind-hearted marmalade loving bear living in London, he has made countless friends both human and animal, he wants to get a present for his Aunt which sees him trying to get a job. He does try to do the right thing by helping with a robbery only to be found guilty. Paddington always the people bear makes friends, while believing that everybody has good about them. Henry, Mary Brown and Mrs Bird treat Paddington like their third child and will do everything to help get him out of prison. Phoenix Buchanan is the once famous actor that has moved in next door to the Browns, he is very eccentric and trying to rebuild his fortune which sees him stealing the book and learning about the clues in the book, always trying to stay ahead of the people trying to capture him, using his different costumes from his career. Knuckles McGinty is the prison chef, he is feared by the other inmates, but Paddington breaks down those barriers showing him to be a good man inside, one that could bring the prisoners together.
Performances – When we go into the performances, the original cast are all wonderfully, but it is the addition members of the cast that truly shine, Hugh Grant practically steals every scene, while Brendan Gleeson proves that he can be the funniest man on camera, these two are outstanding in every single scene they are in.
Story – The story here follows Paddington’s next adventure as he tries to give his Aunt a present of seeing London only for him to get framed and thrown in prison, while the Brown family try to figure out who really committed the crime. This is a coming together story, it shows how somebody’s good nature can change everything in life and without them around you will notice the change in life. The idea that Paddington is facing off against an evil washed up actor is entertaining too, though it would have been nice to see more of the treasure hunt side of the story. While most of the story is largely predictable it does have a huge heart behind it and shows that good people will rub off on others to show kindness can be a change to life for the better.
Adventure/Comedy – The adventure side of the film seems to be focused more on the villains adventure, more than seeing what Paddington must get up to, the comedy comes from seeing just what Paddington gets himself into and the trouble he causes with his innocent nature.
Settings – We keep London as the main backdrop for the film, while we do have Paddington in a prison and the major landmarks being used as clues to a treasure, most places are locations we are expecting to see in any London based movie.
Special Effects – The effects are brilliant putting Paddington in every scene like he is really there, it never looks out of place which shows just how far this technology has come.
Scene of the Movie – Lets make marmalade.
That Moment That Annoyed Me – Surely, Mr Gruber would be the one who decides whether to press charges against Paddington?
Final Thoughts – This is a entertaining, big hearted movie that could be enjoyed by the whole family and would leave a smile on everybody’s face.
Overall: Big Heart Movie.
Kristy H (1252 KP) rated Sweet Little Lies in Books
Mar 18, 2019
Perplexing, well-written tale
Young Detective Constable Catrina (Cat) Kinsella hasn't had the easiest of lives--she didn't get along well with her father and her mother has since passed away. At twenty-six, Cat is in counseling after a traumatic incident while on the job, and she spends most of her nights alone, plagued by insomnia. She isn't close to her family, including her father, sister, or brother. Her latest case is that of thirty-five-year old Alice Lapaine, who is found murdered and dumped in Leamington Square. Alice too led a solitary life, spending weeks away from her husband, Thomas, who quickly becomes the team's top suspect. But then they receive a call--Alice isn't Alice, but rather Maryanne Doyle, a teenager who went missing in Ireland nearly twenty years ago. Suddenly, Cat's world is upside down. After all, she knew Maryanne, whom her family met while visiting Cat's grandmother when Cat was eight. And Cat has always suspected her father had something to do with Maryanne's sudden disappearance. Cat chooses not to tell her DCI about the linkages between Maryanne and her father, but this choice may have serious consequences: for Cat, her career, and her entire family.
"I feel it's necessary to make clear that I know nothing about what happened to Maryanne Doyle, the girl who went to Riley's for hairspray and never came back. I have my suspicions, of course. I speculate plenty, especially after white wine. But when it comes right down to it, I actually know nothing. The same cannot be said of my father."
This was an interesting, complicated tale. The mystery aspect of it was actually really fascinating, with the linkages slowly building between Alice and Maryanne, as we try to figure out what happened between Maryanne disappearing as a teen, her becoming Alice and then winding up murdered. Overall, I really enjoyed that part of the book. Frear has a lot of good surprises for us, and I was kept guessing for most of the novel.
The personal side of the book was a little harder for me. Don't get me wrong, I did like Cat. She certainly is a complicated character. I have to admit that characters that don't tell the truth or narratives that revolve around this aspect of keeping the truth hidden can be a bit of a pet peeve of mine. So basically an entire book that involves the main character keeping such a big secret (my Dad knew my murder victim, who was found a few paces outside the pub he owns)--that was tough for me. The more involved Cat gets in her case and the more entwined the case becomes with her own life and past: ugh. It all felt a little wrong and icky for me.
Honestly, I probably would have enjoyed this book more if the personal ties to Cat weren't there, or weren't so strong. I recognize they existed to give her depth and add more to the story and case, but they just made me uncomfortable and almost added an extra layer to the mystery that I felt wasn't necessary. Things were already twisty enough, it seemed as we didn't need this whole additional convoluted element with Cat's family. But maybe that's just me and my aversion to lying and such. (I don't even like when this happens in movies and eventually you know it's all going to come out and bad things will happen.)
This is not a simple book, and the story told is a perplexing and sophisticated one: you really have to be ready to follow along. On the plus side, it's original, and the characters are rather unique. I'm intrigued that it looks like Cat will be part of a series. I did like this book, even if some elements were a little harder for me to enjoy, and it was well-written. I'd certainly pick up the next book in a series and perhaps if her family wasn't so entwined in her case, enjoy it even more.
I received a copy of this book from the publisher and Edelweiss in return for an unbiased review (thank you!).
"I feel it's necessary to make clear that I know nothing about what happened to Maryanne Doyle, the girl who went to Riley's for hairspray and never came back. I have my suspicions, of course. I speculate plenty, especially after white wine. But when it comes right down to it, I actually know nothing. The same cannot be said of my father."
This was an interesting, complicated tale. The mystery aspect of it was actually really fascinating, with the linkages slowly building between Alice and Maryanne, as we try to figure out what happened between Maryanne disappearing as a teen, her becoming Alice and then winding up murdered. Overall, I really enjoyed that part of the book. Frear has a lot of good surprises for us, and I was kept guessing for most of the novel.
The personal side of the book was a little harder for me. Don't get me wrong, I did like Cat. She certainly is a complicated character. I have to admit that characters that don't tell the truth or narratives that revolve around this aspect of keeping the truth hidden can be a bit of a pet peeve of mine. So basically an entire book that involves the main character keeping such a big secret (my Dad knew my murder victim, who was found a few paces outside the pub he owns)--that was tough for me. The more involved Cat gets in her case and the more entwined the case becomes with her own life and past: ugh. It all felt a little wrong and icky for me.
Honestly, I probably would have enjoyed this book more if the personal ties to Cat weren't there, or weren't so strong. I recognize they existed to give her depth and add more to the story and case, but they just made me uncomfortable and almost added an extra layer to the mystery that I felt wasn't necessary. Things were already twisty enough, it seemed as we didn't need this whole additional convoluted element with Cat's family. But maybe that's just me and my aversion to lying and such. (I don't even like when this happens in movies and eventually you know it's all going to come out and bad things will happen.)
This is not a simple book, and the story told is a perplexing and sophisticated one: you really have to be ready to follow along. On the plus side, it's original, and the characters are rather unique. I'm intrigued that it looks like Cat will be part of a series. I did like this book, even if some elements were a little harder for me to enjoy, and it was well-written. I'd certainly pick up the next book in a series and perhaps if her family wasn't so entwined in her case, enjoy it even more.
I received a copy of this book from the publisher and Edelweiss in return for an unbiased review (thank you!).
Lee (2222 KP) rated Brightburn (2019) in Movies
Jun 11, 2019
What if Clark Kent grew up to be evil? What if, instead of growing up to be this all powerful protector of Earth and humanity, he decided he wanted to take the world, cruelly toying with and destroying humanity in the process? That's the premise behind Brightburn, a superhero horror movie from producer James Gunn, of Guardians of the Galaxy fame. Comic books are littered with plenty of 'what if' story-lines and alternate takes on popular superheroes, but up until now probably the most famous onscreen version of an evil Superman we've seen was in Superman III. And even then we only really got a drunk, unshaven, but still family friendly Superman, who felt a bit mischievous and blew out the Olympic torch for a bit of a laugh. Brightburn goes a lot darker, leaning heavily into horror with some wonderful, wince-inducing gory moments. If you're looking for Dark Phoenix levels of dark - moody, crying in the corner, that kind of thing - then you're going to be disappointed.
Brightburn begins by mirroring the origin story of Superman very closely - even the soundtrack reminded me of the music from 2013 movie Man of Steel on more than one occasion! Tori (Elizabeth Banks) and Kyle Bryer (David Denman) are a happily married couple, living on a farm and longing for a child of their own. And then one night, a meteor crash lands out in the nearby woods, bringing them a baby boy who they adopt as their own. We see home movies of a normal baby/toddler as he grows up as part of a normal, loving family. And then we move forward 10 years to present day.
As an adolescent, Brandon (Jackson A. Dunn) begins to experience some change in his life. His parents put it down to hormones, and attempt to give him the talk on girls and the facts of life, but it's a lot more than that. The rock shaped vessel which carried Brandon to Earth as a baby has been locked away in the family barn all these years, hidden from Brandon, but has now started glowing red. At the same time, something within Brandon appears to have been activated, and a number of small but disturbing incidents that follow leave his parents worried. They also realise that they've never actually seen their son bleed, or even hurt before. From there, the severity of these incidents increases greatly, and it becomes clear that there is definitely something very, very wrong with Brandon.
What I loved about Brightburn was the confined, low key setting of it all. The action is restricted primarily to the town of Brightburn, never really expanding into the worldwide, CGI heavy destruction of other superhero movies. We have an incredibly relatable mother who is out to love and protect her son until the bitter end, a father who becomes scared and horrified by everything that is unfolding, and then this powerful boy tearing the family apart - unpredictable and showing no sign of remorse or inner turmoil over everything that is happening. Outside of that, the action is confined to a relatively small cast - the local police, extended family and some other kids from school who we all follow throughout the movie - there's a lot of character depth to be found in Brightburn, which greatly adds to its overall enjoyment.
As is the norm these days though, the trailer does give away the majority of Brandon's targets and where he attacks them, meaning you kind of know what to expect for a lot of it. However, what the trailer doesn't give away is the atmosphere and the eeriness that builds to each of those shocking (and gory) moments and there are still plenty of jump scares and shocking scenes to keep you on your toes throughout. It builds to a climax which once again isn't a CGI overload, relying on shock and horror to deliver it's interesting conclusion. And, most importantly, it leaves the door open for what could be a very interesting sequel. I'm all up for that, and the direction that hints at, as I found Brightburn to be a very enjoyable and fresh take on the superhero genre.
Brightburn begins by mirroring the origin story of Superman very closely - even the soundtrack reminded me of the music from 2013 movie Man of Steel on more than one occasion! Tori (Elizabeth Banks) and Kyle Bryer (David Denman) are a happily married couple, living on a farm and longing for a child of their own. And then one night, a meteor crash lands out in the nearby woods, bringing them a baby boy who they adopt as their own. We see home movies of a normal baby/toddler as he grows up as part of a normal, loving family. And then we move forward 10 years to present day.
As an adolescent, Brandon (Jackson A. Dunn) begins to experience some change in his life. His parents put it down to hormones, and attempt to give him the talk on girls and the facts of life, but it's a lot more than that. The rock shaped vessel which carried Brandon to Earth as a baby has been locked away in the family barn all these years, hidden from Brandon, but has now started glowing red. At the same time, something within Brandon appears to have been activated, and a number of small but disturbing incidents that follow leave his parents worried. They also realise that they've never actually seen their son bleed, or even hurt before. From there, the severity of these incidents increases greatly, and it becomes clear that there is definitely something very, very wrong with Brandon.
What I loved about Brightburn was the confined, low key setting of it all. The action is restricted primarily to the town of Brightburn, never really expanding into the worldwide, CGI heavy destruction of other superhero movies. We have an incredibly relatable mother who is out to love and protect her son until the bitter end, a father who becomes scared and horrified by everything that is unfolding, and then this powerful boy tearing the family apart - unpredictable and showing no sign of remorse or inner turmoil over everything that is happening. Outside of that, the action is confined to a relatively small cast - the local police, extended family and some other kids from school who we all follow throughout the movie - there's a lot of character depth to be found in Brightburn, which greatly adds to its overall enjoyment.
As is the norm these days though, the trailer does give away the majority of Brandon's targets and where he attacks them, meaning you kind of know what to expect for a lot of it. However, what the trailer doesn't give away is the atmosphere and the eeriness that builds to each of those shocking (and gory) moments and there are still plenty of jump scares and shocking scenes to keep you on your toes throughout. It builds to a climax which once again isn't a CGI overload, relying on shock and horror to deliver it's interesting conclusion. And, most importantly, it leaves the door open for what could be a very interesting sequel. I'm all up for that, and the direction that hints at, as I found Brightburn to be a very enjoyable and fresh take on the superhero genre.
Ivana A. | Diary of Difference (1171 KP) rated Chat Love in Books
Oct 2, 2020
I wanted to read this book immediately after reading the synopsis, and I was honoured when the author, Justine Faeth, approached me and sent me an ebook copy in exchange for an honest review.
The book synopsis is a very promising one. Lucia is having trouble finding a man. After a few disastrous dates, she chooses to follow her friend’s advice and tries Chat Love, an online dating service.
As promising as the synopsis sounds, this book didn’t quite deliver. With Chat Love, I found the whole setting of the book unrealistic. There is a nice background story and a great idea, but it hasn’t been properly executed.
Lucia is an Italian lady. She is a city girl and a business woman. She is searching for love. See, Lucia is under pressure by her Italian family to get married. And I can completely understand that pressure, being born in a country where I have met people with similar beliefs. Lucia’s family thinks that a woman is made to be a mother, and not have a career. They think that if you are thirty and you haven’t got a boyfriend yet, you are useless and unworthy.
And I completely agree with Lucia when she tries to stand up to them and tell them how it’s important for her to find a man she will really love, not just marry in order to please her family. In some scenes though, it appears as if she hates her family, and has very bad attitude towards them. I understand completely where her frustration comes from.
But then, on the other hand, we have a Lucia that is being a hypocrite.
And while this whole book seems like she is searching for her true love, when someone appears and cares about her, she is acting as if she’s not interested. Woman, WHAT DO YOU WANT? She wants true love, and she doesn’t want to be used as a one-night stand, which is completely acceptable. But going on a date with a man for the first time, and telling him you want to get serious is creepy. Even if that is your long-term goal, you DO NOT say it on the first date. It scares people away. It makes people think you are a creep.
Also, given the fact that the synopsis promises an online app, this left me disappointed. During this book, we don’t get to really see a single chat happen through this app. Apart from a few letters from Jake. Honestly, I expected a back and forth conversations with men before a date happens. In the book, we get to see Lucia dating a lot of men. I didn’t stop to count them, but there must’ve been around twenty dates. And all these men had something wrong with them. But she never screwed up.
I will be honest with you now, and you people need to be honest with yourselves. In your life, you will meet people, and some people will make you giggle. Others might make you gag. But sometimes, the reason for a bad date is you. I am only trying to be honest here. I have screwed up a few dates myself, and you must have done the same thing too. That’s life though. We have to move on and try not to blame others for our mistakes. I wish this been represented in this book.
I really wish I loved this book.
I have mixed feelings, because despite all, this book did make me think and bring up discussions with people around the various topics, from family beliefs, to being creepy on first dates, to finding out what you really like. In a summary, as much as I didn’t enjoy it, I also am grateful for this book, for bringing out a lot of things to think about.
If you love chick-lit and short romance funny novels, you might enjoy it. If you think any of this discussion points is intriguing, you might enjoy it. I would love to have a chat and see what you think of this book.
The book synopsis is a very promising one. Lucia is having trouble finding a man. After a few disastrous dates, she chooses to follow her friend’s advice and tries Chat Love, an online dating service.
As promising as the synopsis sounds, this book didn’t quite deliver. With Chat Love, I found the whole setting of the book unrealistic. There is a nice background story and a great idea, but it hasn’t been properly executed.
Lucia is an Italian lady. She is a city girl and a business woman. She is searching for love. See, Lucia is under pressure by her Italian family to get married. And I can completely understand that pressure, being born in a country where I have met people with similar beliefs. Lucia’s family thinks that a woman is made to be a mother, and not have a career. They think that if you are thirty and you haven’t got a boyfriend yet, you are useless and unworthy.
And I completely agree with Lucia when she tries to stand up to them and tell them how it’s important for her to find a man she will really love, not just marry in order to please her family. In some scenes though, it appears as if she hates her family, and has very bad attitude towards them. I understand completely where her frustration comes from.
But then, on the other hand, we have a Lucia that is being a hypocrite.
And while this whole book seems like she is searching for her true love, when someone appears and cares about her, she is acting as if she’s not interested. Woman, WHAT DO YOU WANT? She wants true love, and she doesn’t want to be used as a one-night stand, which is completely acceptable. But going on a date with a man for the first time, and telling him you want to get serious is creepy. Even if that is your long-term goal, you DO NOT say it on the first date. It scares people away. It makes people think you are a creep.
Also, given the fact that the synopsis promises an online app, this left me disappointed. During this book, we don’t get to really see a single chat happen through this app. Apart from a few letters from Jake. Honestly, I expected a back and forth conversations with men before a date happens. In the book, we get to see Lucia dating a lot of men. I didn’t stop to count them, but there must’ve been around twenty dates. And all these men had something wrong with them. But she never screwed up.
I will be honest with you now, and you people need to be honest with yourselves. In your life, you will meet people, and some people will make you giggle. Others might make you gag. But sometimes, the reason for a bad date is you. I am only trying to be honest here. I have screwed up a few dates myself, and you must have done the same thing too. That’s life though. We have to move on and try not to blame others for our mistakes. I wish this been represented in this book.
I really wish I loved this book.
I have mixed feelings, because despite all, this book did make me think and bring up discussions with people around the various topics, from family beliefs, to being creepy on first dates, to finding out what you really like. In a summary, as much as I didn’t enjoy it, I also am grateful for this book, for bringing out a lot of things to think about.
If you love chick-lit and short romance funny novels, you might enjoy it. If you think any of this discussion points is intriguing, you might enjoy it. I would love to have a chat and see what you think of this book.
The Devotionals (1 more)
The Research
I don’t often review non-fiction books. It’s just not something I like to do. I’m a fiction gal. I love reading a book where I can lost and escape reality for a few hours a day. But, when I have a favorite author, such as Jill Eileen Smith, I will give even a non-fiction book a try. And, I was actually rather excited to read this one, because let me tell you. My life, definitely does not match my dreams. Sure, I have a wonderful husband and two amazing children and a loving father and two gorgeous sisters. But, my health is not great, and my dreams? I dream so much more than this. I fell like I’ll be like this forever and never accomplish anything.
Smith has done a wonderful job with this book. It brings us the stories of 12 women of the Bible and how they dreamed for so much more, but it didn’t match up to what God had in store for them. You see, He is the creator of us all and He is the one that can see our future, know our plans, know what our lives will be like. And, through the tender words that Smith uses, along with the 12 women and phenomenal research she incorporated into the book, we see how life can be when we are disappointed that our dreams are following into line with our life.
Through this devotional, I was able to better understand my own life. I know what I want, I know what I wish I had, I know that I’m going to be disappointed because I’m not fully relying on God to help me with that. If I trust in Him, if I seek out his love and guidance, I won’t be so disappointed when a hope or dream falls short. Smith has once again used her incredible talent to hook me on a book. Her research is exquisite and her writing is filled with emotion and raw feelings.
This is a 5 star devotional book I would recommend to all the women out there. Get lost among the pages, see how these 12 women made mistakes, made choices that effect them and their families and see what God had in store for them. You may find the same hope and encouragement I did. Definitely a book for the keeper shelf and one I’ll share with my family and friends!
*I received a complimentary copy of this book from Revell Publishing and was under no obligation to post a review, positive or negative.*
Smith has done a wonderful job with this book. It brings us the stories of 12 women of the Bible and how they dreamed for so much more, but it didn’t match up to what God had in store for them. You see, He is the creator of us all and He is the one that can see our future, know our plans, know what our lives will be like. And, through the tender words that Smith uses, along with the 12 women and phenomenal research she incorporated into the book, we see how life can be when we are disappointed that our dreams are following into line with our life.
Through this devotional, I was able to better understand my own life. I know what I want, I know what I wish I had, I know that I’m going to be disappointed because I’m not fully relying on God to help me with that. If I trust in Him, if I seek out his love and guidance, I won’t be so disappointed when a hope or dream falls short. Smith has once again used her incredible talent to hook me on a book. Her research is exquisite and her writing is filled with emotion and raw feelings.
This is a 5 star devotional book I would recommend to all the women out there. Get lost among the pages, see how these 12 women made mistakes, made choices that effect them and their families and see what God had in store for them. You may find the same hope and encouragement I did. Definitely a book for the keeper shelf and one I’ll share with my family and friends!
*I received a complimentary copy of this book from Revell Publishing and was under no obligation to post a review, positive or negative.*
Robert Capa: A Graphic Biography
Book
'If your pictures aren't good enough, you aren't close enough.' - Robert Capa. 'Robert Capa: A...
Sexist, self-absorbed codswallop
This is probably one of the worst books I've read this year unfortunately. It's full of contradictions, too many to go through each and every one. But here are a few.
For one, it claims to be an anti-self-help book but in fact it is, not only that it repeats phrases that other books use often but it reiterates it in a much more uglier fashion by replacing every other word with "f**k".
Secondly, the author is actually incredibly sexist throughout the whole book - revealing that this book is for a privileged white, male audience. He flashes his wealth throughout the book by even saying "I come from a wealthy family" and 'this doesn't apply to an Indian family who need an extra $10'. And then talks about his sexual exploits with women, saying that one of his former goals was to "be with more women" - like women are collective objects. He's boastful about sleeping around throughout, referring to women in a derogatory way.
The chapter on false memories and child sexual abuse is shocking, absolutely no disclaimers, just a rookie spouting off information that he clearly had no idea about. He discounts thousands of horrific accounts as if they're something imagined up and to be gotten over with. An extremely precarious viewpoint.
The irony is that the author describes himself perfectly here: "People declare themselves experts, entrepreneurs, inventors, innovators, mavericks, and coaches without any real-life experience. And they do this not because they actually think they are greater than everybody else; they do it because they feel that they need to be great to be accepted in a world that broadcasts only the extraordinary." And this pretty much sums up the book.
For one, it claims to be an anti-self-help book but in fact it is, not only that it repeats phrases that other books use often but it reiterates it in a much more uglier fashion by replacing every other word with "f**k".
Secondly, the author is actually incredibly sexist throughout the whole book - revealing that this book is for a privileged white, male audience. He flashes his wealth throughout the book by even saying "I come from a wealthy family" and 'this doesn't apply to an Indian family who need an extra $10'. And then talks about his sexual exploits with women, saying that one of his former goals was to "be with more women" - like women are collective objects. He's boastful about sleeping around throughout, referring to women in a derogatory way.
The chapter on false memories and child sexual abuse is shocking, absolutely no disclaimers, just a rookie spouting off information that he clearly had no idea about. He discounts thousands of horrific accounts as if they're something imagined up and to be gotten over with. An extremely precarious viewpoint.
The irony is that the author describes himself perfectly here: "People declare themselves experts, entrepreneurs, inventors, innovators, mavericks, and coaches without any real-life experience. And they do this not because they actually think they are greater than everybody else; they do it because they feel that they need to be great to be accepted in a world that broadcasts only the extraordinary." And this pretty much sums up the book.