Search
Search results
Darren (1599 KP) rated A Monster Calls (2016) in Movies
Jun 20, 2019
Story – The story here is clear for everyone watching, this is one family a son, mother, grandmother and dad dealing with the impending death of a loved one. We get to see how Conor the son deals with everything in his own way that means he doesn’t get punished for anything, we get to see how the mother must stay strong for her son until the very end and how the grandmother must deal with the upcoming death of her daughter while being the only one there for grandson. This will make you cry it is as simple as that because his is one of the hardest hitting emotional punches you will ever receive.
Fantasy – We are thrown into a fantasy world that Conor creates to help him deal with the tragic events that are happening within his life, we are left to decide for ourselves which side of the story is real or not with the fantasy element too.
Characters/Performance – Conor is a character that we could see in so many situations when a parent is terminally ill, he struggles to find his place when he knows his future but can’t face it. When we look at the adults we get to see the struggling mother with her health, the father who isn’t around and the grandmother who doesn’t really know how to act because she will be losing her daughter but needing to be strong for her grandson. The tree monster is a great character in its own right, even if it is created to help Conor deal with the problems in his life.
When you look at the performance youngest Lewis MacDougall is brilliant in this role going through the full range of emotions while the bigger name actors let him take the centre stage.
Settings – The settings used make us feel like this is just a normal family that has had to deal with its ups and downs but now it will be taking on the biggest down. We don’t get any iconic settings but we get everything we need to feel the pain the characters go through.
Special Effects – The special effects here are brilliant making us fully believe there is in fact a monster with Conor helping him through this difficult time.
Final Thoughts – This is easily one of the most heart-breaking films of the year but shows just how difficult the situation would be for a young boy.
Overall: Bring your tissues to this film that will leave you emotional exhausted by the end.
https://moviesreview101.com/2017/01/26/a-monster-calls-2016/
Fantasy – We are thrown into a fantasy world that Conor creates to help him deal with the tragic events that are happening within his life, we are left to decide for ourselves which side of the story is real or not with the fantasy element too.
Characters/Performance – Conor is a character that we could see in so many situations when a parent is terminally ill, he struggles to find his place when he knows his future but can’t face it. When we look at the adults we get to see the struggling mother with her health, the father who isn’t around and the grandmother who doesn’t really know how to act because she will be losing her daughter but needing to be strong for her grandson. The tree monster is a great character in its own right, even if it is created to help Conor deal with the problems in his life.
When you look at the performance youngest Lewis MacDougall is brilliant in this role going through the full range of emotions while the bigger name actors let him take the centre stage.
Settings – The settings used make us feel like this is just a normal family that has had to deal with its ups and downs but now it will be taking on the biggest down. We don’t get any iconic settings but we get everything we need to feel the pain the characters go through.
Special Effects – The special effects here are brilliant making us fully believe there is in fact a monster with Conor helping him through this difficult time.
Final Thoughts – This is easily one of the most heart-breaking films of the year but shows just how difficult the situation would be for a young boy.
Overall: Bring your tissues to this film that will leave you emotional exhausted by the end.
https://moviesreview101.com/2017/01/26/a-monster-calls-2016/
Gareth von Kallenbach (980 KP) rated Joy (2015) in Movies
Aug 6, 2019
Jennifer Lawrence (Joy), Robert De Niro (Rudy, Joy’s father),
Bradley Cooper (Neil Walker, Joy’s eventual boss), Edgar Ramirez (Tony,
Joy’s ex-husband), Isabella Rossellini (Trudy, Rudy’s girlfriend), Diane
Ladd (Mimi, Joy’s grandmother), Virginia Madsen (Terry, Joys mother),
and Elisabeth Röhm (Peggy, Joys half-sister)
Also making appearances that were notable to me were Susan Lucci as
Danica, a character seen on the TV soap opera that Joys mother Terry is
constantly watching, and Melissa Rivers, playing her mother Joan Rivers
on the TV channel QVC.
David O. Russel wrote, directed and produced the film, bringing the
headliners back for yet another go ‘round, after the successes of Silver
Linings Playbook and American Hustle.
Joy is a divorced mother of 2, living in a house with her Grandmother
Mimi, who she adores, her mother, who practically never leaves her room,
her 2 kids, and her ex-husband in the basement. Shortly after the film
begins, her father Rudy also moves into the basement.
Joy struggles through her life every day, never quite able to get ahead,
and always just barely making ends meet. Her grandmother has big dreams
for her and insists that Joy will “rise above” and “make something” of
her life, but Joy struggles to have faith, and indeed, to even begin to
figure out how to go about such a seeming monumental task.
The story follows Joy and her family through somewhat ridiculous
scenarios, and while it was acted well by Jennifer Lawrence, De Niro,
and most of the rest of the cast, I had a hard time really getting into
the film.
I kept finding myself wondering why Joys family wasn’t more supportive
and why they all, with the exception of her Mimi and her ex-husband,
seemed to be more trying to bring her down and keep her down, than
giving her a boost and a push up. I always have liked Robert De Niro,
but in this film found myself seriously disliking him. I suppose that
speaks to his ability as an actor and being able to portray a role in
which he is “supposed to be” less than 100% likeable.
Jennifer Lawrence as Joy shows tenaciousness, grit and a will to succeed
and “rise above”, at least once she gets to the point in the film where
she has “HAD ENOUGH” of being walked on and disregarded, and plays the
part wonderfully.
I kept hoping to like the movie better, but sadly, also kept waiting for
it to GET better.
Bradley Cooper (Neil Walker, Joy’s eventual boss), Edgar Ramirez (Tony,
Joy’s ex-husband), Isabella Rossellini (Trudy, Rudy’s girlfriend), Diane
Ladd (Mimi, Joy’s grandmother), Virginia Madsen (Terry, Joys mother),
and Elisabeth Röhm (Peggy, Joys half-sister)
Also making appearances that were notable to me were Susan Lucci as
Danica, a character seen on the TV soap opera that Joys mother Terry is
constantly watching, and Melissa Rivers, playing her mother Joan Rivers
on the TV channel QVC.
David O. Russel wrote, directed and produced the film, bringing the
headliners back for yet another go ‘round, after the successes of Silver
Linings Playbook and American Hustle.
Joy is a divorced mother of 2, living in a house with her Grandmother
Mimi, who she adores, her mother, who practically never leaves her room,
her 2 kids, and her ex-husband in the basement. Shortly after the film
begins, her father Rudy also moves into the basement.
Joy struggles through her life every day, never quite able to get ahead,
and always just barely making ends meet. Her grandmother has big dreams
for her and insists that Joy will “rise above” and “make something” of
her life, but Joy struggles to have faith, and indeed, to even begin to
figure out how to go about such a seeming monumental task.
The story follows Joy and her family through somewhat ridiculous
scenarios, and while it was acted well by Jennifer Lawrence, De Niro,
and most of the rest of the cast, I had a hard time really getting into
the film.
I kept finding myself wondering why Joys family wasn’t more supportive
and why they all, with the exception of her Mimi and her ex-husband,
seemed to be more trying to bring her down and keep her down, than
giving her a boost and a push up. I always have liked Robert De Niro,
but in this film found myself seriously disliking him. I suppose that
speaks to his ability as an actor and being able to portray a role in
which he is “supposed to be” less than 100% likeable.
Jennifer Lawrence as Joy shows tenaciousness, grit and a will to succeed
and “rise above”, at least once she gets to the point in the film where
she has “HAD ENOUGH” of being walked on and disregarded, and plays the
part wonderfully.
I kept hoping to like the movie better, but sadly, also kept waiting for
it to GET better.
Gareth von Kallenbach (980 KP) rated Greenland (2020) in Movies
Dec 17, 2020
John Garrity (Gerard Butler) is a man trying to put his life in order. Despite being a successful structural engineer; he has recently moved back home with his wife Allison (Morena Baccarin), and their son Nathan (Roger Dale Floyd).
John and Allison are attempting to rebuild their marriage and despite some awkwardness at first they are moving ahead. In the new film “Greenland” life is about to become far more complicated for the Garrity family in the form of a comet that is set to pass very close to earth.
The authorities have told the public there is no cause for concern but John notices a large group of military aircraft in the skies shortly before he receives an automated call from Homeland Security telling him to come to an evacuation location with his wife and son.
Not sure what to make of the message; things become abundantly clear when a “harmless fragment” strikes and destroys a city on live television.
With panic setting in the Garrity family head to the evacuation site only to face complications which leave them separated and facing many dangers and obstacles as they attempt to reunite and get to safety before the big chunk hits in two days.
The film is very engaging and what really stood out for me was how the film relied on the cast versus an array of special effects and action sequences which are so common for films in the disaster genre.
Despite the circumstances the characters were very relatable and the tension of the pending impact helped shape their actions instead of being a countdown to an elaborate array of FX sequences showing cities being devastated. While there is footage of this sort; it is generally confined to news reports versus being the focal points.
Butler was very strong in a departure from his usual action oriented parts as a father trying to make things right in a world that is falling apart around him. It was also nice to hear him using his natural accent for a change as well.
While some may wonder about the timing of releasing a disaster film at the end of 2020 and during the Holiday Season the film is so engaging that it did not matter to me in the slightest.
“Greenland” is a film that came in under the radar in terms of hype and expectation but has delivered an enjoyable and memorable viewing experience that is not to be missed.
John and Allison are attempting to rebuild their marriage and despite some awkwardness at first they are moving ahead. In the new film “Greenland” life is about to become far more complicated for the Garrity family in the form of a comet that is set to pass very close to earth.
The authorities have told the public there is no cause for concern but John notices a large group of military aircraft in the skies shortly before he receives an automated call from Homeland Security telling him to come to an evacuation location with his wife and son.
Not sure what to make of the message; things become abundantly clear when a “harmless fragment” strikes and destroys a city on live television.
With panic setting in the Garrity family head to the evacuation site only to face complications which leave them separated and facing many dangers and obstacles as they attempt to reunite and get to safety before the big chunk hits in two days.
The film is very engaging and what really stood out for me was how the film relied on the cast versus an array of special effects and action sequences which are so common for films in the disaster genre.
Despite the circumstances the characters were very relatable and the tension of the pending impact helped shape their actions instead of being a countdown to an elaborate array of FX sequences showing cities being devastated. While there is footage of this sort; it is generally confined to news reports versus being the focal points.
Butler was very strong in a departure from his usual action oriented parts as a father trying to make things right in a world that is falling apart around him. It was also nice to hear him using his natural accent for a change as well.
While some may wonder about the timing of releasing a disaster film at the end of 2020 and during the Holiday Season the film is so engaging that it did not matter to me in the slightest.
“Greenland” is a film that came in under the radar in terms of hype and expectation but has delivered an enjoyable and memorable viewing experience that is not to be missed.
Bones: Brothers, Horses, Cartels, and the Borderland Dream
Book
The dramatic true story of two brothers living parallel lives on either side of the U.S.-Mexico...
Politics social issues
Dominicana
8.0
Rate It
Book
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2020 'A story for now, an important story . . ....
Historical Fiction New York Literary Fiction Adult Fiction The Dominican Republic Coming of Age
Gareth von Kallenbach (980 KP) rated Fast X (2023) in Movies
May 17, 2023
Dominic Toretto (Vin Diesel) is enjoying the good life as a husband and a
father and has found himself happy with his life but admits that he
worries about losing the ones he loves. In “FastX” which is the latest
film in the long-running series; the sins of the past are about to return
to wreak revenge upon Dominic and his crew.
Linking the events of the sixth film in the series, the crew find
themselves setup and framed after an extended and intense action sequence
in Rome and are on the run from the very agency they have been working
for.
The enigmatic and flamboyant Dante (Jason Mom); always seems to be
one step ahead of the team which finds themselves scattered at various
locations around the world which gives them plenty of time to fight,
drive, tech, and plan their next step in what is increasingly becoming a
deadly game from which there seems to be no way to survive.
The film has a very large cast and it is great to see the faces old and new
pop in and out of the film while they focus on the core characters. The
film does have some slow segments between the action but this is done to
establish new characters and develop the family relationships between
others as a family is a large theme of the series.
This is both a good and bad thing as it is nice to see so many characters
but some have little more than a brief cameo and others get more time than
is necessary. With so many moving parts and locations; the film does
deliver what fans will expect as the creators know the formula that has
made the series such a success and make sure that the over-the-top,
absurd, bombastic, adrenaline ride of the series remains even though it
requires the audience to throw logic and reason out the window and just go
along with the intense stunts and action sequences.
The film sets up the planned next film well and there are some interesting
side stories that I am curious to see how they will be developed in the
next film which had been reported to be the finale of the series before
spin-offs would carry the franchise forward.
It has been reported that Universal has asked for a twelfth film to make
the finale a trilogy and based on the latest outing, there is still enough
gas in the tank to give fans a flawed yet enjoyable summer Popcorn movie.
3.5 stars out of 5
father and has found himself happy with his life but admits that he
worries about losing the ones he loves. In “FastX” which is the latest
film in the long-running series; the sins of the past are about to return
to wreak revenge upon Dominic and his crew.
Linking the events of the sixth film in the series, the crew find
themselves setup and framed after an extended and intense action sequence
in Rome and are on the run from the very agency they have been working
for.
The enigmatic and flamboyant Dante (Jason Mom); always seems to be
one step ahead of the team which finds themselves scattered at various
locations around the world which gives them plenty of time to fight,
drive, tech, and plan their next step in what is increasingly becoming a
deadly game from which there seems to be no way to survive.
The film has a very large cast and it is great to see the faces old and new
pop in and out of the film while they focus on the core characters. The
film does have some slow segments between the action but this is done to
establish new characters and develop the family relationships between
others as a family is a large theme of the series.
This is both a good and bad thing as it is nice to see so many characters
but some have little more than a brief cameo and others get more time than
is necessary. With so many moving parts and locations; the film does
deliver what fans will expect as the creators know the formula that has
made the series such a success and make sure that the over-the-top,
absurd, bombastic, adrenaline ride of the series remains even though it
requires the audience to throw logic and reason out the window and just go
along with the intense stunts and action sequences.
The film sets up the planned next film well and there are some interesting
side stories that I am curious to see how they will be developed in the
next film which had been reported to be the finale of the series before
spin-offs would carry the franchise forward.
It has been reported that Universal has asked for a twelfth film to make
the finale a trilogy and based on the latest outing, there is still enough
gas in the tank to give fans a flawed yet enjoyable summer Popcorn movie.
3.5 stars out of 5
Sassy Brit (97 KP) rated The Things We Cannot Say in Books
Jun 5, 2019
The Things We Cannot Say by Kelly Rimmer delves into how loved ones are never forgotten within the backdrop of WWII. At the drop of a hat someone’s life can change all of sudden, which is what happened to a family after the Nazis occupied Poland.
Based on her own family, Rimmer tells how “my grandparents were Polish Catholic. They never spoke a lot about what happened to them before they immigrated to Australia. We did not know about how they lived. They would not talk about the war and seemed to put it behind them. I saw this picture of my grandparents in the sunshine and so relaxed. This got me thinking about their story, how they had hope and despair. I decided to travel to the village where they lived in Poland with my aunt and sister. I was able to capture what life was like including Auschwitz and Birkenau, which was such a shocking experience. It is impossible to get my head around the violence of that era, the utter brutality and cruelty.”
The story alternates between war-torn Poland in the 1930s and 1940s and modern-day Florida. The main characters are Alina, having to endure the horrific Nazi occupation; Alice, and her grandmother Hanna, who has made a dying wish, find Tomasz, her soul mate in Poland.
Alice is living in Florida, juggling between being the mother of a six-year-old boy, Eddie, who has autism and her ten-year-old daughter, Callie, who is extremely gifted. Hanna, her grandmother, at the age ninety-five, has suffered a debilitating stroke where she can no longer speak. These present-day characters are somehow related to the past through Alina.
Enduring the Nazis, Alina is struggling to survive and find hope that she and Tomasz can marry at the war’s conclusion. But as their situation gets worse hope begins to dwindle and they wonder, after being separated, will they ever see each other again. This story does not spare the reader all the horrors of the Nazis where they killed in cold blood and used the tools of starvation, rape, and disease.
What makes this story stand out are the relationships. It is heartwarming to read how Eddie has connected with his grandmother and the love between them. Alice and Hanna also have a special relationship since she was the one who gave her granddaughter unconditional love and support, while Alice’s mother became a career mom. Alina and Tomasz also had a special love that was deep and touching.
“I wanted to write about autism and how Eddie is a real person who had the people around him benefit from his life. He and Hanna understood and accepted each other. I also wanted to show how technology helped both he and Hanna communicate through an App. I had some experience with not being able to communicate. Just before I left for Poland I collapsed from a seizure of temporal lobe epilepsy, and was not able to speak for half an hour. I realized how frustrating it is and how scary.”
This emotional historical novel brings together the present and the past. It encompasses loyalty, love, and devotion.
Based on her own family, Rimmer tells how “my grandparents were Polish Catholic. They never spoke a lot about what happened to them before they immigrated to Australia. We did not know about how they lived. They would not talk about the war and seemed to put it behind them. I saw this picture of my grandparents in the sunshine and so relaxed. This got me thinking about their story, how they had hope and despair. I decided to travel to the village where they lived in Poland with my aunt and sister. I was able to capture what life was like including Auschwitz and Birkenau, which was such a shocking experience. It is impossible to get my head around the violence of that era, the utter brutality and cruelty.”
The story alternates between war-torn Poland in the 1930s and 1940s and modern-day Florida. The main characters are Alina, having to endure the horrific Nazi occupation; Alice, and her grandmother Hanna, who has made a dying wish, find Tomasz, her soul mate in Poland.
Alice is living in Florida, juggling between being the mother of a six-year-old boy, Eddie, who has autism and her ten-year-old daughter, Callie, who is extremely gifted. Hanna, her grandmother, at the age ninety-five, has suffered a debilitating stroke where she can no longer speak. These present-day characters are somehow related to the past through Alina.
Enduring the Nazis, Alina is struggling to survive and find hope that she and Tomasz can marry at the war’s conclusion. But as their situation gets worse hope begins to dwindle and they wonder, after being separated, will they ever see each other again. This story does not spare the reader all the horrors of the Nazis where they killed in cold blood and used the tools of starvation, rape, and disease.
What makes this story stand out are the relationships. It is heartwarming to read how Eddie has connected with his grandmother and the love between them. Alice and Hanna also have a special relationship since she was the one who gave her granddaughter unconditional love and support, while Alice’s mother became a career mom. Alina and Tomasz also had a special love that was deep and touching.
“I wanted to write about autism and how Eddie is a real person who had the people around him benefit from his life. He and Hanna understood and accepted each other. I also wanted to show how technology helped both he and Hanna communicate through an App. I had some experience with not being able to communicate. Just before I left for Poland I collapsed from a seizure of temporal lobe epilepsy, and was not able to speak for half an hour. I realized how frustrating it is and how scary.”
This emotional historical novel brings together the present and the past. It encompasses loyalty, love, and devotion.
Gareth von Kallenbach (980 KP) rated Turning Red (2022) in Movies
Mar 7, 2022
The digital animation geniuses at Pixar are back with “Turning Red” and it marks a departure for the studio known for the “Toy Story” and “Cars”, franchises.
Set in 1990s Toronto, the film centers around 8th grader Mei (Rosalie Chiang), who considers herself an adult at 13 and eagerly applies herself to school when she is not helping her family tour business at a local Temple or hanging with her friends.
Life comes crashing to a halt when after a traumatic day of embarrassment; Mei awakens in the form of a large Red Panda. In a panic, Mei attempts to hide her situation which causes her over-protective mother to assume it is Puberty related and that her hormones are kicking in.
Mei desperately wants to get her life back to normal and learns that as long as she is calm her Panda is under control. However, this proves to be harder than expected and soon Mei learns that the Panda is the result of a family bloodline but there is a way to end it during a Lunar ceremony in a couple of weeks.
Chaos soon follows as Mei struggles with her situation and must find a way to cope with the changes that are going on and make some very important decisions about her life and her future.
The film is a difficult one to review for me as never having been a teenage girl dealing with puberty, raging estrogen, and the issues that go with it. That being said the film struggles to find a balance as it tacks on the capers of Mei in Panda form without being overly funny or charming and keeps the focus on Teen Angst, puberty-related issues and becoming an adult.
The film lacks the interesting characters, charm, and appeal that have set the foundation for so many Pixar films and it is surprising that a company that can elicit a range of emotions in an animated short fail to really connect with their latest feature. There were some amusing parts but the film as a whole was rather dull and lacked much in the way of humor and was very predictable.
The decision to put the film directly on Disney+ as the studio’s recent “Soul” and “Luca” was raised some controversy but in the end, I do believe it was the right decision as “Turning Red” is not likely to be a film that draws people to the cinema beyond the opening weekend.
It is a film that is a bold step for the company, but one that lacks the charm and humor of previous films as not everyone is going to want to sit through a feature-length film on teenage angst and dealing with changing bodies and the emotional turmoil that follows. However, the target audience is likely to connect with the characters and it will be interesting to see what the reaction to the film is long-term.
3 stars out of 5
“Turning Red” will debut on Disney+ on March 11th
Set in 1990s Toronto, the film centers around 8th grader Mei (Rosalie Chiang), who considers herself an adult at 13 and eagerly applies herself to school when she is not helping her family tour business at a local Temple or hanging with her friends.
Life comes crashing to a halt when after a traumatic day of embarrassment; Mei awakens in the form of a large Red Panda. In a panic, Mei attempts to hide her situation which causes her over-protective mother to assume it is Puberty related and that her hormones are kicking in.
Mei desperately wants to get her life back to normal and learns that as long as she is calm her Panda is under control. However, this proves to be harder than expected and soon Mei learns that the Panda is the result of a family bloodline but there is a way to end it during a Lunar ceremony in a couple of weeks.
Chaos soon follows as Mei struggles with her situation and must find a way to cope with the changes that are going on and make some very important decisions about her life and her future.
The film is a difficult one to review for me as never having been a teenage girl dealing with puberty, raging estrogen, and the issues that go with it. That being said the film struggles to find a balance as it tacks on the capers of Mei in Panda form without being overly funny or charming and keeps the focus on Teen Angst, puberty-related issues and becoming an adult.
The film lacks the interesting characters, charm, and appeal that have set the foundation for so many Pixar films and it is surprising that a company that can elicit a range of emotions in an animated short fail to really connect with their latest feature. There were some amusing parts but the film as a whole was rather dull and lacked much in the way of humor and was very predictable.
The decision to put the film directly on Disney+ as the studio’s recent “Soul” and “Luca” was raised some controversy but in the end, I do believe it was the right decision as “Turning Red” is not likely to be a film that draws people to the cinema beyond the opening weekend.
It is a film that is a bold step for the company, but one that lacks the charm and humor of previous films as not everyone is going to want to sit through a feature-length film on teenage angst and dealing with changing bodies and the emotional turmoil that follows. However, the target audience is likely to connect with the characters and it will be interesting to see what the reaction to the film is long-term.
3 stars out of 5
“Turning Red” will debut on Disney+ on March 11th
Merissa (12051 KP) rated Of Land and Sky (Wraidd Elfennol #3) in Books
Dec 21, 2017
Of Land and Sky (Wraidd Elfennol #3) by Morgan Sheppard
Of Land and Sky is the third book in the Wraidd Elfennol series, and it starts approximately sixty years after Water Weaver.
The world of Wraidd Elfennol has been in balance since the original Chosen went on their quest, but now new Chosen of Earth and Air have been announced. Bran and Rhosyn don't get on very well to begin with, but they have to learn to work together. With their Partners ever ready with words of wisdom, we stay with them as they bring the trees back to life.
This is a very different book to Water Weaver - more introverted. I wasn't sure how this would turn out, but I'm really pleased with the results. There are many lessons in this book if you choose to see them, from family to love.
Fair warning though - this book had me sobbing towards the end. I knew it would happen, but that didn't lessen the impact in any way!
A brilliant addition to the series, and definitely recommended by me.
* A copy of this book was provided to me with no requirements fora review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
The world of Wraidd Elfennol has been in balance since the original Chosen went on their quest, but now new Chosen of Earth and Air have been announced. Bran and Rhosyn don't get on very well to begin with, but they have to learn to work together. With their Partners ever ready with words of wisdom, we stay with them as they bring the trees back to life.
This is a very different book to Water Weaver - more introverted. I wasn't sure how this would turn out, but I'm really pleased with the results. There are many lessons in this book if you choose to see them, from family to love.
Fair warning though - this book had me sobbing towards the end. I knew it would happen, but that didn't lessen the impact in any way!
A brilliant addition to the series, and definitely recommended by me.
* A copy of this book was provided to me with no requirements fora review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
chandler ellis (3 KP) rated Spider-Man: Homecoming (2017) in Movies
Jul 14, 2017
Michael Keaton's portrayal of his character: The Vulture. (1 more)
The idea that his Peter Parker, tried to prove himself worthy for the Avengers, and that he wouldn't let someone die just because their bad.
Spiderman swings into a 9/10 place, giving a comical take on the teenage superhero
Contains spoilers, click to show
Spiderman Homecoming swung into theatres last week, and provided a comical take on the young superhero. It gives us an opening on Peter, enjoying his time and experience through the events of Civil War. But this comes to an end, when it shows him as a normal teen. Michael Keaton, gives a hatred to play-boy millionaire Tony Stark. So he retrieves pieces of weaponry and tech, from previous Marvel films. And he sells them to make money, and give his family a good life. Through this Peter learns of the idea of trust, bravery, and of course doing the right thing no matter what. All in all, Spiderman Homecoming makes a great film for the new generation and for some in the old generation.