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Debbiereadsbook (1416 KP) rated His Lordship's Master (His Lordship’s Mysteries #2) in Books
Mar 31, 2022
I could see that things were really not as they were portrayed to be.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the His Lordship's Mysteries series, and while this can be read as a stand alone, I really think you SHOULD read book one, His Lordship's Secret before this one. Lots happened in that book that is referenced here, but not fully explained. You could probably piece things together, but I think to get the full effect of Alfie and Dominick, you need to read that book first.
Still recovering from what happened in London, Alfie and Dominick retreat to his family house in Scotland. And find themselves in the middle of an age-old mystery. What with ghosts and missing people and now a dead butler, Alfie and Dominick jump headlong into another caper!
I really was enjoying this a bit more than book one, but something triggered with me, and I found myself thinking about another book. With another ago-old mystery, with another painting, in another castle. And I'm stumped as to which book it was, but after that point, I found I didn't enjoy it quite so much.
Oh don't get me wrong, please. It's really well written, from both Alfie and Dominick's point of view. There are more things revealed about both Alfie and Dom's lives in the time they were apart. There is much love here, even if they sometimes forget that.
I again quote my review for Secret:
I loved that the whodunnit was so NOT who I was expecting, nor was it WHY! I love being kept on my toes!
Because I really did not see that one coming at me. But the whole Wicked Master thing? I could see that coming at me, even before the point I mentioned before. I could see that things were really not as they were portrayed to be.
There are almost two stories going on here. The missing woman and the dead butler, then the Wicked Master thing. I liked that, along with the growing deepening connection between Alfie and Dom, which evokes some mighty powerful feelings here!
So, even though things were a little blurry, I did enjoy it and I'll still give it. . .
4 solid stars
*same worded review will appear elsewhere
This is book 2 in the His Lordship's Mysteries series, and while this can be read as a stand alone, I really think you SHOULD read book one, His Lordship's Secret before this one. Lots happened in that book that is referenced here, but not fully explained. You could probably piece things together, but I think to get the full effect of Alfie and Dominick, you need to read that book first.
Still recovering from what happened in London, Alfie and Dominick retreat to his family house in Scotland. And find themselves in the middle of an age-old mystery. What with ghosts and missing people and now a dead butler, Alfie and Dominick jump headlong into another caper!
I really was enjoying this a bit more than book one, but something triggered with me, and I found myself thinking about another book. With another ago-old mystery, with another painting, in another castle. And I'm stumped as to which book it was, but after that point, I found I didn't enjoy it quite so much.
Oh don't get me wrong, please. It's really well written, from both Alfie and Dominick's point of view. There are more things revealed about both Alfie and Dom's lives in the time they were apart. There is much love here, even if they sometimes forget that.
I again quote my review for Secret:
I loved that the whodunnit was so NOT who I was expecting, nor was it WHY! I love being kept on my toes!
Because I really did not see that one coming at me. But the whole Wicked Master thing? I could see that coming at me, even before the point I mentioned before. I could see that things were really not as they were portrayed to be.
There are almost two stories going on here. The missing woman and the dead butler, then the Wicked Master thing. I liked that, along with the growing deepening connection between Alfie and Dom, which evokes some mighty powerful feelings here!
So, even though things were a little blurry, I did enjoy it and I'll still give it. . .
4 solid stars
*same worded review will appear elsewhere
Stones, Stars and the Storms Between
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How does one live with knowing that the price for power often comes at the expense of others? The...
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Debbiereadsbook (1416 KP) rated The Gentleman's Gentleman (His Lordship's Realm #1) in Books
Apr 27, 2024
thoroughly enjoyable tale!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This book kinda follows on from anoth series by this author called His Lordship’s Mysteries but it’s not necessary to read those before this one. While Dominick and Alfie are mentioned, and this book takes place in Balcarres House where they live, they take no part in it. I’ve read books one and two in that set, but not all the series.
I really enjoyed this book! Set in Victorian times, it comes with all the problems that being a man of a certain persuasion brings.
And it’s those problems that hold for much of this book. Given as the only way to save Jarrett from the noose is to put his own neck in it, Gil keeps quiet about seeing Jarrett the night that man in the chapel died at the hands of another. And it wrecks his head, it really does. His attraction to Jarrett has been bubbling under his skin for months but seeing him in the one place he never thought he would, brings that attraction front and centre.
Jarrett, on the other hand, found himself getting all tongue tied and flustered around Gil, even if he wanted to get his hands on the son of a baron, Jarrett knows that he never will, since he is just a lowly valet.
Things move quickly in places, and slower in others and I liked that I was able to take a breath before the next bit ran away with itself. Once things started to come together, though, there was no catching that breath and I did not know whodunnit til everything became clear in the book! So very well played for keeping me on my toes!
Both Jarrett and Gil get a say, so we get it all in glorious detail. How Jarrett feels about the man who gets him out of jail. How Gil feels about his family and about the man whose kiss he will never forget, and we get it all, when each man teaches the other about their way. I loved how different they both are!
A thoroughly enjoyable read! I really must go back and read the other stories about Alfie and Dominick.
4 very good stars
*same worded review will appear elsewhere
This book kinda follows on from anoth series by this author called His Lordship’s Mysteries but it’s not necessary to read those before this one. While Dominick and Alfie are mentioned, and this book takes place in Balcarres House where they live, they take no part in it. I’ve read books one and two in that set, but not all the series.
I really enjoyed this book! Set in Victorian times, it comes with all the problems that being a man of a certain persuasion brings.
And it’s those problems that hold for much of this book. Given as the only way to save Jarrett from the noose is to put his own neck in it, Gil keeps quiet about seeing Jarrett the night that man in the chapel died at the hands of another. And it wrecks his head, it really does. His attraction to Jarrett has been bubbling under his skin for months but seeing him in the one place he never thought he would, brings that attraction front and centre.
Jarrett, on the other hand, found himself getting all tongue tied and flustered around Gil, even if he wanted to get his hands on the son of a baron, Jarrett knows that he never will, since he is just a lowly valet.
Things move quickly in places, and slower in others and I liked that I was able to take a breath before the next bit ran away with itself. Once things started to come together, though, there was no catching that breath and I did not know whodunnit til everything became clear in the book! So very well played for keeping me on my toes!
Both Jarrett and Gil get a say, so we get it all in glorious detail. How Jarrett feels about the man who gets him out of jail. How Gil feels about his family and about the man whose kiss he will never forget, and we get it all, when each man teaches the other about their way. I loved how different they both are!
A thoroughly enjoyable read! I really must go back and read the other stories about Alfie and Dominick.
4 very good stars
*same worded review will appear elsewhere
Gareth von Kallenbach (980 KP) rated Cloud Atlas (2012) in Movies
Aug 7, 2019
While I am not familiar with the novel, I was not excited to review the film adaptation of David Mitchell’s Cloud Atlas. Though the Screenplay was written and directed by the Wachowskis (The Matrix) and Tom Tykwer (Run Lola Run) I did not know exactly what I was getting into. The trailer shows it as an epic sci-fi film crossing the time and lives of several stories and how everything and everyone is connected. Needless to say my curiosity was piqued. But I was nervous because I knew it would take a grand effort to keep this epic and ambitious project from falling flat. And well, I can honestly say that I am not quite sure if the combined effort succeeded.
Allow me to explain. About an hour into the film I had a young film reviewer to my left and I noticed he started to nod his head in approval at each new developing story throughout the film. To my right was a friend of mine, I would consider as an average film viewer, who at this same time I could tell was counting the minutes till the lights came up but felt trapped with nowhere to go but forward. And for me, I can see both sides of these reactions.
The plot is comprised of a multi-narrative of six stories, each with a complete beginning, middle and end. These stories are told from different timelines following a group of souls throughout the ages to show how everything is woven together and the connection between them; From the 1849 slave trader, to a young composer in 1936 Britain, to a 1973 journalist attempting to uncover corruption of the big business ruling class, to a 2012 literary publisher who’s life becomes a daring escape from a geriatric home, to a 2144 Neo-Soul synthetic learning to become human, to a post-apocalyptic tribesman trying to save his world and family… Lost yet? Believe me you will want to focus during the first hour of this film as we are introduced to the sudden shift of timelines. All of the main actors appear as varying characters of significance in every narrative, each with different accents and types of language. It is a bit of an unexpected bother to keep everything straight at first, however if you pay attention it is fairly easy to follow. This first hour is where I feel the film becomes a make or break for those actively thinking about what they are watching and the average movie viewer who is just there to be entertained and see the new Tom Hanks (Extremely Loud and Incredibly Close) or Halle Berry (Perfect Stanger) movie. For those who make it through that first hour still engaged, the film moves along at a steady pace and provides everything from romance to action that keeps you guessing and intrigued at what is next to come.
The Wachowskis and Tykwer do an outstanding job of visually fleshing out each timeline in its own visual style, especially the futuristic ones, which subtlety organize each narrative for the viewer. Additionally, there are so many talented actors in this film and it is somewhat fascinating to try and pick them out throughout the film. It is almost like a giant game of Where’s Waldo on screen as the makeup and special effects artists do a fantastic job of making the actors fit each character in every timeline. In fact, during the fourth or fifth timeline a lady in my row asked her partner if the man on screen was Forrest Gump, which was surprising because Hanks was the easiest character to pick out among them all.
Tom Hanks delivers one of his better performances in years. We watch his character’s soul transition from a sinister and vile doctor to a tribesman making the righteous choice while struggling with that inkling of evil that is the devil within us all. It was refreshing to see Hanks play parts that were not just an “everyman” that he has played in recent years.
Halle Berry’s performance is mostly average in her parts with the exception of 1973 journalist role where she is the main protagonist. Hugo Weaving channels a bit of his Agent Smith role from The Matrix as he plays a villain throughout the timelines. Hugh Grant (Love Actually) makes unexpected soild appearances throughout the timelines. With Jim Sturgess (One Day), James D’Arcy (Mansfield Park) and Ben Whishaw (who is the new Q in the upcoming James Bond film Skyfall) rounding out the cast with a young contrast to the already heavy acting handled by the bigger names of this film. Each of these young actors hold’s their own against their older more notable counterparts. Whishaw’s performance as the lead in the 1936 composer role is especially noteworthy.
The other stand out performance in the film comes from Jim Broadbent best known in the states as Professor Slughorn in the Harry Potter Films. His performance in the 1936 composer and 2012 literary publisher are excellent. The Publisher story was my favorite timeline throughout the film. Not only did it deliver some much needed comic relief to an emotionally engaging and heavy film, but it also made me care the most about the elderly characters trying to escape the clutches of the geriatric prison of a nursing home. Unfortunately, other than the aforementioned comic relief this timeline seemed the most unnecessary to the overarching story at hand.
When I left the film and talked it over with my friend I was indifferent to the film. It was not great, it was not bad either. As my friend described it, it was a movie that was trying too hard. We agreed that somewhere in the six storylines there may be a great film, but we were not sure if we watched it.
However as the days have passed I have found myself thinking about the stories constantly. More specifically about how the main protagonist played by a different actor in each narrative has the same birthmark of a shooting star that in some way symbolizes some universal soul encompassing a new shell of a body in each timeline. Like some kind of reincarnation of that soul is fighting the same revolution throughout the ages against the powerful class and illusion of natural order. Additionally how each of the central characters found themselves connected with the main characters in the stories that preceded them through some kind of medium; whether it was by an old journal, or love letters, or a written story, or film, or message of hope. These subtle insights of growth and change for this main soul leaping into a new life in each timeline has caused me to examine our world and how we as people can be truly connected to one another not only today, but throughout the ages. I want to view the film again and am inspired to read the novel in some sort of effort to better understand these concepts.
Nevertheless as a film that is almost three hours long it does its best to be an epic sci-fi film and give something for everyone. And while it succeeds in many aspects of feel, it also falls short in aspects that are probably best accomplished in a literary form. As I said above, somewhere in the six storylines there may be a great film, but I am not sure if I watched it. Or maybe I am not intelligent enough to comprehend it. Because of that I can only give it an average score. Though I believe if you ask me after a second viewing, I may be inclined to raise it.
Allow me to explain. About an hour into the film I had a young film reviewer to my left and I noticed he started to nod his head in approval at each new developing story throughout the film. To my right was a friend of mine, I would consider as an average film viewer, who at this same time I could tell was counting the minutes till the lights came up but felt trapped with nowhere to go but forward. And for me, I can see both sides of these reactions.
The plot is comprised of a multi-narrative of six stories, each with a complete beginning, middle and end. These stories are told from different timelines following a group of souls throughout the ages to show how everything is woven together and the connection between them; From the 1849 slave trader, to a young composer in 1936 Britain, to a 1973 journalist attempting to uncover corruption of the big business ruling class, to a 2012 literary publisher who’s life becomes a daring escape from a geriatric home, to a 2144 Neo-Soul synthetic learning to become human, to a post-apocalyptic tribesman trying to save his world and family… Lost yet? Believe me you will want to focus during the first hour of this film as we are introduced to the sudden shift of timelines. All of the main actors appear as varying characters of significance in every narrative, each with different accents and types of language. It is a bit of an unexpected bother to keep everything straight at first, however if you pay attention it is fairly easy to follow. This first hour is where I feel the film becomes a make or break for those actively thinking about what they are watching and the average movie viewer who is just there to be entertained and see the new Tom Hanks (Extremely Loud and Incredibly Close) or Halle Berry (Perfect Stanger) movie. For those who make it through that first hour still engaged, the film moves along at a steady pace and provides everything from romance to action that keeps you guessing and intrigued at what is next to come.
The Wachowskis and Tykwer do an outstanding job of visually fleshing out each timeline in its own visual style, especially the futuristic ones, which subtlety organize each narrative for the viewer. Additionally, there are so many talented actors in this film and it is somewhat fascinating to try and pick them out throughout the film. It is almost like a giant game of Where’s Waldo on screen as the makeup and special effects artists do a fantastic job of making the actors fit each character in every timeline. In fact, during the fourth or fifth timeline a lady in my row asked her partner if the man on screen was Forrest Gump, which was surprising because Hanks was the easiest character to pick out among them all.
Tom Hanks delivers one of his better performances in years. We watch his character’s soul transition from a sinister and vile doctor to a tribesman making the righteous choice while struggling with that inkling of evil that is the devil within us all. It was refreshing to see Hanks play parts that were not just an “everyman” that he has played in recent years.
Halle Berry’s performance is mostly average in her parts with the exception of 1973 journalist role where she is the main protagonist. Hugo Weaving channels a bit of his Agent Smith role from The Matrix as he plays a villain throughout the timelines. Hugh Grant (Love Actually) makes unexpected soild appearances throughout the timelines. With Jim Sturgess (One Day), James D’Arcy (Mansfield Park) and Ben Whishaw (who is the new Q in the upcoming James Bond film Skyfall) rounding out the cast with a young contrast to the already heavy acting handled by the bigger names of this film. Each of these young actors hold’s their own against their older more notable counterparts. Whishaw’s performance as the lead in the 1936 composer role is especially noteworthy.
The other stand out performance in the film comes from Jim Broadbent best known in the states as Professor Slughorn in the Harry Potter Films. His performance in the 1936 composer and 2012 literary publisher are excellent. The Publisher story was my favorite timeline throughout the film. Not only did it deliver some much needed comic relief to an emotionally engaging and heavy film, but it also made me care the most about the elderly characters trying to escape the clutches of the geriatric prison of a nursing home. Unfortunately, other than the aforementioned comic relief this timeline seemed the most unnecessary to the overarching story at hand.
When I left the film and talked it over with my friend I was indifferent to the film. It was not great, it was not bad either. As my friend described it, it was a movie that was trying too hard. We agreed that somewhere in the six storylines there may be a great film, but we were not sure if we watched it.
However as the days have passed I have found myself thinking about the stories constantly. More specifically about how the main protagonist played by a different actor in each narrative has the same birthmark of a shooting star that in some way symbolizes some universal soul encompassing a new shell of a body in each timeline. Like some kind of reincarnation of that soul is fighting the same revolution throughout the ages against the powerful class and illusion of natural order. Additionally how each of the central characters found themselves connected with the main characters in the stories that preceded them through some kind of medium; whether it was by an old journal, or love letters, or a written story, or film, or message of hope. These subtle insights of growth and change for this main soul leaping into a new life in each timeline has caused me to examine our world and how we as people can be truly connected to one another not only today, but throughout the ages. I want to view the film again and am inspired to read the novel in some sort of effort to better understand these concepts.
Nevertheless as a film that is almost three hours long it does its best to be an epic sci-fi film and give something for everyone. And while it succeeds in many aspects of feel, it also falls short in aspects that are probably best accomplished in a literary form. As I said above, somewhere in the six storylines there may be a great film, but I am not sure if I watched it. Or maybe I am not intelligent enough to comprehend it. Because of that I can only give it an average score. Though I believe if you ask me after a second viewing, I may be inclined to raise it.