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Kristy H (1252 KP) rated Emma in the Night in Books
Feb 13, 2018
Cassandra Tanner and her sister, Emma, disappeared on the same night three years ago. Cass was fifteen and her lovely, enigmatic older sister seventeen. Suddenly, Cass shows up on her mother's doorstep, desperately begging her family to find Emma, whom she claims is being against her will on a remote island in Maine. Immediately, the FBI is called back to the case, including forensic psychiatrist Abby Winter, who has been haunted by the investigation since Emma and Cass went missing. Abby had a lot of theories about Emma and Cass' case--and saw similarities in their mother to her own--but kept most of these thoughts to herself. But now that Cass is back, with a story that doesn't completely add up, Abby realizes she might not be so off track after all. And that there might be a lot more to Emma and Cass' disappearance then everyone thinks.
This book is a tough one for me. It started off in great fashion--completely sucking me in. It's an interesting novel, as in some ways it seems like a rather straightforward tale of two missing girls, but it's also incredibly puzzling and keeps you guessing from the start. I think my brow was probably actually furrowed as I was reading. It's hard to trust <i>anyone</i> in this novel, or know who to believe, and that has you frantically turning pages, trying to figure out what on earth is the actual truth.
The story flips between Cass' point of view and that of Abby's. I was intrigued by Cass' story, though not particularly attached to her and while I sympathized with Abby, wasn't really drawn to her as a character, either. I actually sort of wanted to rush through her sections so I could get back to Cass and what was actually happening (or had happened) to her, and by proxy, Emma.
Make no mistake--the Tanner/Martin family saga is a twisted one. This book will shock and bewilder you--this is not a nice set of characters. Emma and Cass' mother is hateful and downright despicable, as are many of the supporting characters. Even Emma--via stories--is tough to care for at times. The premise is that Ms. Martin, the mother, has narcissistic personality disorder--the same disorder that affected Abby's mother as well. At first, this works, as you're shocked by the treatment of Emma and Cass and what it's done to each girl.
But, admittedly, after a while, I grew a little weary of this plot device. The disorder and its effects are explained repeatedly. If Walker could have explained it and moved on, I would have enjoyed the novel a lot more. I found myself skimming over some of the repetitive psychological descriptions, so I could get on with the story. As the story continues, the family almost seems <i>too</i> fractured and horrible; I was shocked at the continuing tale of horror regarding her mother, stepfather, stepbrother, and sister that Cass kept weaving. Goodness--they come across as diabolical, but not real.
I actually really enjoyed Walker's previous novel, <a href="https://www.goodreads.com/book/show/26114146-all-is-not-forgotten">ALL IS NOT FORGOTTEN</a> - particularly because the ending lived up to the earlier parts of the novel and shocked me. Here, I am pretty sure the intent was the same, but it didn't quite pan out. By the time we reached the end, I was tired of the psychological drama and ramblings. I hadn't exactly figured out what had happened--I'll definitely give Walker that--but I knew something was up. I also felt so much of all of this could have been avoided from the start by Cass, but I won't go into that for spoilers sake.
So, alas. As I started this one, I really thought it was going to be a novel that I was going to recommend to everyone. By the end, I was a bit let down. I'll go with 3 stars overall, since it certainly did keep me flipping the pages.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 08/08/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
This book is a tough one for me. It started off in great fashion--completely sucking me in. It's an interesting novel, as in some ways it seems like a rather straightforward tale of two missing girls, but it's also incredibly puzzling and keeps you guessing from the start. I think my brow was probably actually furrowed as I was reading. It's hard to trust <i>anyone</i> in this novel, or know who to believe, and that has you frantically turning pages, trying to figure out what on earth is the actual truth.
The story flips between Cass' point of view and that of Abby's. I was intrigued by Cass' story, though not particularly attached to her and while I sympathized with Abby, wasn't really drawn to her as a character, either. I actually sort of wanted to rush through her sections so I could get back to Cass and what was actually happening (or had happened) to her, and by proxy, Emma.
Make no mistake--the Tanner/Martin family saga is a twisted one. This book will shock and bewilder you--this is not a nice set of characters. Emma and Cass' mother is hateful and downright despicable, as are many of the supporting characters. Even Emma--via stories--is tough to care for at times. The premise is that Ms. Martin, the mother, has narcissistic personality disorder--the same disorder that affected Abby's mother as well. At first, this works, as you're shocked by the treatment of Emma and Cass and what it's done to each girl.
But, admittedly, after a while, I grew a little weary of this plot device. The disorder and its effects are explained repeatedly. If Walker could have explained it and moved on, I would have enjoyed the novel a lot more. I found myself skimming over some of the repetitive psychological descriptions, so I could get on with the story. As the story continues, the family almost seems <i>too</i> fractured and horrible; I was shocked at the continuing tale of horror regarding her mother, stepfather, stepbrother, and sister that Cass kept weaving. Goodness--they come across as diabolical, but not real.
I actually really enjoyed Walker's previous novel, <a href="https://www.goodreads.com/book/show/26114146-all-is-not-forgotten">ALL IS NOT FORGOTTEN</a> - particularly because the ending lived up to the earlier parts of the novel and shocked me. Here, I am pretty sure the intent was the same, but it didn't quite pan out. By the time we reached the end, I was tired of the psychological drama and ramblings. I hadn't exactly figured out what had happened--I'll definitely give Walker that--but I knew something was up. I also felt so much of all of this could have been avoided from the start by Cass, but I won't go into that for spoilers sake.
So, alas. As I started this one, I really thought it was going to be a novel that I was going to recommend to everyone. By the end, I was a bit let down. I'll go with 3 stars overall, since it certainly did keep me flipping the pages.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 08/08/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
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Lyndsey Gollogly (2893 KP) rated Next Door in Books
Jun 10, 2021
82 of 250
Kindle
Next Door
Compiled by Matt Shaw
Once read a review will be written via Smashbomb and link posted in comments
From the mind behind "MASTERS OF HORROR" comes a new horror anthology to keep you up at night!
Whilst Matt Shaw is busy producing, writing and directing the feature film NEXT DOOR he decided to put together a horror anthology of the same name, and with the same theme as the motion picture. None of the stories in this collection feature in the film; the two products are completely separate other than the central concept of exploring who does live NEXT DOOR to us?
Given the fact these are some of the biggest names in horror, you can bet that whomever is living next door probably won't be the friendliest of characters...
The year is 2019 and technology has come so far that we spend more time staring at our mobile devices, and screens in general, than getting to know our next door neighbour. Gone are the days of knowing everyone who lives on the same street, or in the same village. Instead we leave our houses, avoid eye-contact or give the bare minimum of grunts to those we see and go about our daily lives without a care for anyone else. No more street parties, no more kindly neighbours checking in on you, no more Christmas cards from the little old lady who lives across the street. There's only "us" and our technology.
This anthology takes a look at who lives NEXT DOOR and what secrets they may be keeping. And who knows, maybe it will serve as warning to you that, really, you should be paying attention to those living close-by. After all, Fred West was someone's neighbour once...
Featuring stories by:
Tim Lebbon
Shaun Hutson
Ryan C. Thomas
Jeremy Bates
David Moody
Guy N. Smith
Matthew Stokoe
Justin Woodward
Gary McMahon
Rich Hawkins
Jim Goforth
Matt Shaw
1. A Family-Friendly Neighbourhood by Ryan C Thomas
This was actually quite funny and sweet in a gruesome clever way. All the toys turning into little knife wielding creepy thing only to find out they are their kids souls! They just want to be together 😂
2. Final Feast by Guy N. Smith
Quick little story of the cannibal next door! I loved it!
3. Insurgents by Rich Hawkins
A story of a war ruined mind, a soldier dealing with his demons. Well written just not my normal read.
4. Mirror Image by David Moody
A couple move into a new house with an extra handy neighbour. I enjoyed this one funny how my husband is so crap at DIY too 😂😂
5. Neighbour Hood by Tim Lebbon
Omg this has to be the creepiest one so far and the whole reason I never use my attics’!!!
6. Dinner Date by Jeremy Bates
A bit slower than the others think I just got a little bored. Never accept dinner invitations before getting to know the guy no matter how hot he is! Silly girl!
7. Why Does Randolph Draw by Matthew Stokeoe
Got to be honest I didn’t finish it I just got so bored after page 5! Just wasn’t catching me.
8. Saturday Night Whiskey by Justin M.Woodward
This was really god and well put together a kids last cry for help from his dodgy uncle!
9. Sixteen by Jim Goforth
This felt so rushed even for a short story! Although it’s a good lesson of don’t get involved with swinging neighbours 😂
10. Pornography by Matt Saw
Haha she didn’t see that coming
11. Somewhere in Here by Gary McMahon
This was one creepy ass story and for one so short I’m throughly creeped out!!
12 By Darkness Hidden by Shaun Hutson
This was pretty good a urban legend type story. Villages can be super strange places.
I really enjoyed this compilation got some great new authors added to my list too.
Kindle
Next Door
Compiled by Matt Shaw
Once read a review will be written via Smashbomb and link posted in comments
From the mind behind "MASTERS OF HORROR" comes a new horror anthology to keep you up at night!
Whilst Matt Shaw is busy producing, writing and directing the feature film NEXT DOOR he decided to put together a horror anthology of the same name, and with the same theme as the motion picture. None of the stories in this collection feature in the film; the two products are completely separate other than the central concept of exploring who does live NEXT DOOR to us?
Given the fact these are some of the biggest names in horror, you can bet that whomever is living next door probably won't be the friendliest of characters...
The year is 2019 and technology has come so far that we spend more time staring at our mobile devices, and screens in general, than getting to know our next door neighbour. Gone are the days of knowing everyone who lives on the same street, or in the same village. Instead we leave our houses, avoid eye-contact or give the bare minimum of grunts to those we see and go about our daily lives without a care for anyone else. No more street parties, no more kindly neighbours checking in on you, no more Christmas cards from the little old lady who lives across the street. There's only "us" and our technology.
This anthology takes a look at who lives NEXT DOOR and what secrets they may be keeping. And who knows, maybe it will serve as warning to you that, really, you should be paying attention to those living close-by. After all, Fred West was someone's neighbour once...
Featuring stories by:
Tim Lebbon
Shaun Hutson
Ryan C. Thomas
Jeremy Bates
David Moody
Guy N. Smith
Matthew Stokoe
Justin Woodward
Gary McMahon
Rich Hawkins
Jim Goforth
Matt Shaw
1. A Family-Friendly Neighbourhood by Ryan C Thomas
This was actually quite funny and sweet in a gruesome clever way. All the toys turning into little knife wielding creepy thing only to find out they are their kids souls! They just want to be together 😂
2. Final Feast by Guy N. Smith
Quick little story of the cannibal next door! I loved it!
3. Insurgents by Rich Hawkins
A story of a war ruined mind, a soldier dealing with his demons. Well written just not my normal read.
4. Mirror Image by David Moody
A couple move into a new house with an extra handy neighbour. I enjoyed this one funny how my husband is so crap at DIY too 😂😂
5. Neighbour Hood by Tim Lebbon
Omg this has to be the creepiest one so far and the whole reason I never use my attics’!!!
6. Dinner Date by Jeremy Bates
A bit slower than the others think I just got a little bored. Never accept dinner invitations before getting to know the guy no matter how hot he is! Silly girl!
7. Why Does Randolph Draw by Matthew Stokeoe
Got to be honest I didn’t finish it I just got so bored after page 5! Just wasn’t catching me.
8. Saturday Night Whiskey by Justin M.Woodward
This was really god and well put together a kids last cry for help from his dodgy uncle!
9. Sixteen by Jim Goforth
This felt so rushed even for a short story! Although it’s a good lesson of don’t get involved with swinging neighbours 😂
10. Pornography by Matt Saw
Haha she didn’t see that coming
11. Somewhere in Here by Gary McMahon
This was one creepy ass story and for one so short I’m throughly creeped out!!
12 By Darkness Hidden by Shaun Hutson
This was pretty good a urban legend type story. Villages can be super strange places.
I really enjoyed this compilation got some great new authors added to my list too.
Emma @ The Movies (1786 KP) rated Breakthrough (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
The fact that this film is based on a true story is incredible to think about. I haven't read the book that was written by the boy's mother or read about the actual incident and events online, I'm not sure I want to. I usually like finding out the differences to the actual stories but I wonder if in this instance it might make me change the way I feel about the film.
John is off with his friends having fun, and what's more fun than playing out on a frozen lake? By the time they hear the crack it's too late, the three boys go under. With the emergency services on their way it's a countdown to rescuing them. Two of them have their head above water, but John, knocked unconscious while trying to help his friend out of the water, is sinking. When water rescue appears it may already be too late. They take the search slowly, but John could be anywhere, it's almost certainly too late. Tommy is about to call an end to the search when he hears someone telling him to go back, and there he is.
Rushed to the hospital, the doctors and staff work on trying to bring him back, but as the time elapses there is nothing to do but continue until his family arrive. Joyce, his mother, is devastated and not willing to accept that it's the end... and she prays, asking god to save her son... the monitor beeps to life.
Everywhere I see descriptions of this it says "christian drama". I honestly don't see that the word "christian" needs to be in there. Sure, Joyce prays a fair bit, and their pastor is in it a lot too, but it's still just a drama about something miraculous happening.
By far the best performance for me was Chrissy Metz. Joyce comes across as a very determined woman in everything that she does, and Metz really makes that stand out. From the happiness to the heartbreak, it's all believeable, which sometimes doesn't happen with films that are based on true stories.
I enjoyed Mike Colter as Tommy too. As a non-religious man trying to deal with what happened to him, and what he sees happening to John, the thought process was clear on his face and I liked how he visually interacted with those around him in those moments.
By far the strongest scene for me was the one I mentioned above in the hospital. I think it's always quite challenging to create something that has an impact on the viewer when they already know what the outcome is going to be. In this instance we already know that John doesn't die, we just don't know how the situation is remedied. The hospital staff have left the room and Joyce is with her son, she doesn't want to accept what's before her eyes. We cut between her and the staff outside in the hall in what builds up to an incredible moment. The staff reacting to Joyce as she wails in pain is something that was just stuck in my chest, I could really feel it.
While some are saying that Breakthrough is a christian film, but personally it feels more like a film about community. It's about family, about friends, about everyone around us. It also captures some of the things you have to deal with in these situations. Although fleeting at the end of the film, we see John coming to terms with the fact he survived, his miracle is hard to take for other people and they feel like they need answers, but from where? Him?
Everything about the film felt thoughtful and real, even though some bits felt a little cramped at times. By that I mean they clearly wanted to show the "negativity" and realistic thinking of those around John, he didn't have good odds and everyone would be talking about that. But getting that in felt a little cluttered with everything else going on.
I enjoyed this "christian" film, or as I like to call it "film". I spent a significant amount of time with my sleeves pressed up under my eyes, and when the doctors on screen were telling people to breathe I was doing it to recover. It's not a pushy film, I didn't feel the urge to go and join a congregation after watching it, it's just a wonderful reminder that miracles can happen, and while you wait for them there will be people all around you for support even when you don't expect it.
What you should do
It may not be a film to watch for some, I imagine the content may bring back memories that are difficult, but if you're up to it then it's well worth a watch.
Movie thing you wish you could take home
Just a smidge of Joyce's determination would be good.
John is off with his friends having fun, and what's more fun than playing out on a frozen lake? By the time they hear the crack it's too late, the three boys go under. With the emergency services on their way it's a countdown to rescuing them. Two of them have their head above water, but John, knocked unconscious while trying to help his friend out of the water, is sinking. When water rescue appears it may already be too late. They take the search slowly, but John could be anywhere, it's almost certainly too late. Tommy is about to call an end to the search when he hears someone telling him to go back, and there he is.
Rushed to the hospital, the doctors and staff work on trying to bring him back, but as the time elapses there is nothing to do but continue until his family arrive. Joyce, his mother, is devastated and not willing to accept that it's the end... and she prays, asking god to save her son... the monitor beeps to life.
Everywhere I see descriptions of this it says "christian drama". I honestly don't see that the word "christian" needs to be in there. Sure, Joyce prays a fair bit, and their pastor is in it a lot too, but it's still just a drama about something miraculous happening.
By far the best performance for me was Chrissy Metz. Joyce comes across as a very determined woman in everything that she does, and Metz really makes that stand out. From the happiness to the heartbreak, it's all believeable, which sometimes doesn't happen with films that are based on true stories.
I enjoyed Mike Colter as Tommy too. As a non-religious man trying to deal with what happened to him, and what he sees happening to John, the thought process was clear on his face and I liked how he visually interacted with those around him in those moments.
By far the strongest scene for me was the one I mentioned above in the hospital. I think it's always quite challenging to create something that has an impact on the viewer when they already know what the outcome is going to be. In this instance we already know that John doesn't die, we just don't know how the situation is remedied. The hospital staff have left the room and Joyce is with her son, she doesn't want to accept what's before her eyes. We cut between her and the staff outside in the hall in what builds up to an incredible moment. The staff reacting to Joyce as she wails in pain is something that was just stuck in my chest, I could really feel it.
While some are saying that Breakthrough is a christian film, but personally it feels more like a film about community. It's about family, about friends, about everyone around us. It also captures some of the things you have to deal with in these situations. Although fleeting at the end of the film, we see John coming to terms with the fact he survived, his miracle is hard to take for other people and they feel like they need answers, but from where? Him?
Everything about the film felt thoughtful and real, even though some bits felt a little cramped at times. By that I mean they clearly wanted to show the "negativity" and realistic thinking of those around John, he didn't have good odds and everyone would be talking about that. But getting that in felt a little cluttered with everything else going on.
I enjoyed this "christian" film, or as I like to call it "film". I spent a significant amount of time with my sleeves pressed up under my eyes, and when the doctors on screen were telling people to breathe I was doing it to recover. It's not a pushy film, I didn't feel the urge to go and join a congregation after watching it, it's just a wonderful reminder that miracles can happen, and while you wait for them there will be people all around you for support even when you don't expect it.
What you should do
It may not be a film to watch for some, I imagine the content may bring back memories that are difficult, but if you're up to it then it's well worth a watch.
Movie thing you wish you could take home
Just a smidge of Joyce's determination would be good.
Cumberland (1142 KP) created a post in The Smashbomb Book Club
Jun 13, 2019
Mandy and G.D. Burkhead (26 KP) rated Hottest Blood: The Ultimate in Erotic Horror in Books
May 20, 2018
Shelf Life – Hottest Blood: The Ultimate in Erotic Horror is Neither of Those Things
(I’m gonna go ahead and throw a disclaimer on up here: You are about to read something that deals with purportedly “erotic” subject matter. If you don’t like the sound of that word, you might wanna go elsewhere. If it’s actually-erotic things that offend you, though, you’ll be fine.)
I like short story compilations because you get a variety of content that’s just as easy to breeze through if you have the time as it is to get to a stopping point and put down if you don’t. I like horror fiction because it usually involves the super-natural, which interests me, and intense emotional responses, which are almost always a good thing in writing. And I like eroticism because I am a warm-blooded human being with a pulse. However, on the whole, I do not like Hottest Blood.
I wanted to, I did. Look at that cover. It’s equal amounts scary and sexy, both in completely safe, PG-13-at-most kind of ways. Unfortunately, Softcore Succubus here is both the scariest and the sexiest thing about this book
Bluntly analogized, you know that feeling you get when you come across something on the internet that disturbs and/or disgusts you, and then you learn that there’s a dedicated group of people that gets off on it? Most of the stories in this book are that feeling captured in words.
Case in point, the story “Damaged Goods” by Elizabeth Massie, which as far as I can tell is about a couple of physically abused, emotionally damaged, developmentally stunted kids somewhere around their early teens who live with a religious fringe cult being led out to a field to have sex with each other while a nameless U.S. President watches and masturbates before both kids are drowned in a river by their preacher/pimp caretaker.
Or there’s “Mr. Right” by Chris Lacher, which tells the story of a college student named Russ who has a secret fetish for the deformed women in the freak show at a nearby carnival – a fascination which leads to him getting held down and forcibly raped by a group of unwashed subhuman mutants, which the detailed descriptions make sure you understand are completely revolting to all five senses. The story ends with him being dumped out behind the fairgrounds while a small, legless girl happily informs him that this is how all carnival workers reproduce, and he can look forward to seeing his own mutant rape-spawn in the show next year.
Or there’s “Abuse” by Matthew Costello, which simply shows us how the arrest of a Peewee Herman surrogate goes down in an adult movie theater before ending with another man jerking off with the cold, dry, severed hand in his pocket as he contemplates getting a new one to replace it.
The tone of these three are pretty much par for the course for the rest of the book: thoroughly disturbing, and sex is involved, but the disturbing feeling stems from revulsion rather than fear, and the sex bits are so far on the other end of the spectrum from erotic that it feels like the authors are trying to punish their readers for even expecting to be aroused in any way.
Of course, I said myself earlier that intense emotional responses are “almost always a good thing in writing.” By that merit alone, this book technically succeeds; in fact, if it had billed itself as shock fiction instead of erotic horror, I’d begrudgingly give it a medal in its class. The “aw, what the hell?!” moments are not as artistically executed as, say, a Chuck Palahniuk read, and they tend not to have as much depth to them, but strictly in terms of making you wish that you could unread words, they get the job done.
But that isn’t the job that Hottest Blood was hired to do, and that’s not what it put on its resume. It said it was going to “heat the blood and chill the mind,” and promised that “terror never felt this sexy!” It would have been more appropriate to say that “sex never felt this terrible.”
All of that said, if you abandon any hope of seeing anything resembling erotica or horror (scary horror, anyway), there are a few stories in here that are decent reads – mostly because they try to say something with their subject matter rather than use it to see how thoroughly they can ruin the idea of sex for the reader. To give a few quick nods of approval:
Nancy Holder’s “I Hear the Mermaids Singing,” which opens the anthology, is a dark and modern re-imagining of “The Little Mermaid” that brutally points up the drawbacks to throwing away your whole life and family in order to pursue someone that you know nothing about outside of a few fleeting glimpses and lustful inner fantasies.
J.L. Comeau’s “Black Cars” is the narrative of a high-class chauffeur as he tells his passenger an increasingly mysterious story about a couple of his regular customers, culminating in a creepy twist payoff that, in retrospect, actually makes it count as a legitimate horror story, and a decently gripping one at that.
And “Safe at Home” by Steve and Melanie Tem, while decidedly and disturbingly unsexy, at least has good reason to be; it’s a short character study of a young woman who’d been molested as a child, and the lasting and complex psychological damage resulting thereof that prevents her from having any normal social life or relationships, even with someone whom she legitimately likes, someone who knows what’s happened and sincerely cares for her.
So for the handful of intriguing stories that don’t make you quit (or wish you had) mid-read out of revolted disappointment, I can’t completely condemn Hottest Blood. If you want to test your own threshold for repulsion but are understandably hesitant to use online image searches to this end, I heartily recommend it.
If you are legitimately turned on by the idea of a man eating a woman alive and then gestating her alien spawn inside his own bloated body until his head detaches and crawls away (“How Deep the Taste of Love,” John Shirley), I suppose I still heartily recommend it, though I do so from a safe distance.
If you want to read one of the few stories involved that aren’t horrible, I heartily recommend trying to find them on their own somewhere else first.
But if you want “the ultimate in erotic horror,” stay the hell away. Softcore Succubus is a trap.
I like short story compilations because you get a variety of content that’s just as easy to breeze through if you have the time as it is to get to a stopping point and put down if you don’t. I like horror fiction because it usually involves the super-natural, which interests me, and intense emotional responses, which are almost always a good thing in writing. And I like eroticism because I am a warm-blooded human being with a pulse. However, on the whole, I do not like Hottest Blood.
I wanted to, I did. Look at that cover. It’s equal amounts scary and sexy, both in completely safe, PG-13-at-most kind of ways. Unfortunately, Softcore Succubus here is both the scariest and the sexiest thing about this book
Bluntly analogized, you know that feeling you get when you come across something on the internet that disturbs and/or disgusts you, and then you learn that there’s a dedicated group of people that gets off on it? Most of the stories in this book are that feeling captured in words.
Case in point, the story “Damaged Goods” by Elizabeth Massie, which as far as I can tell is about a couple of physically abused, emotionally damaged, developmentally stunted kids somewhere around their early teens who live with a religious fringe cult being led out to a field to have sex with each other while a nameless U.S. President watches and masturbates before both kids are drowned in a river by their preacher/pimp caretaker.
Or there’s “Mr. Right” by Chris Lacher, which tells the story of a college student named Russ who has a secret fetish for the deformed women in the freak show at a nearby carnival – a fascination which leads to him getting held down and forcibly raped by a group of unwashed subhuman mutants, which the detailed descriptions make sure you understand are completely revolting to all five senses. The story ends with him being dumped out behind the fairgrounds while a small, legless girl happily informs him that this is how all carnival workers reproduce, and he can look forward to seeing his own mutant rape-spawn in the show next year.
Or there’s “Abuse” by Matthew Costello, which simply shows us how the arrest of a Peewee Herman surrogate goes down in an adult movie theater before ending with another man jerking off with the cold, dry, severed hand in his pocket as he contemplates getting a new one to replace it.
The tone of these three are pretty much par for the course for the rest of the book: thoroughly disturbing, and sex is involved, but the disturbing feeling stems from revulsion rather than fear, and the sex bits are so far on the other end of the spectrum from erotic that it feels like the authors are trying to punish their readers for even expecting to be aroused in any way.
Of course, I said myself earlier that intense emotional responses are “almost always a good thing in writing.” By that merit alone, this book technically succeeds; in fact, if it had billed itself as shock fiction instead of erotic horror, I’d begrudgingly give it a medal in its class. The “aw, what the hell?!” moments are not as artistically executed as, say, a Chuck Palahniuk read, and they tend not to have as much depth to them, but strictly in terms of making you wish that you could unread words, they get the job done.
But that isn’t the job that Hottest Blood was hired to do, and that’s not what it put on its resume. It said it was going to “heat the blood and chill the mind,” and promised that “terror never felt this sexy!” It would have been more appropriate to say that “sex never felt this terrible.”
All of that said, if you abandon any hope of seeing anything resembling erotica or horror (scary horror, anyway), there are a few stories in here that are decent reads – mostly because they try to say something with their subject matter rather than use it to see how thoroughly they can ruin the idea of sex for the reader. To give a few quick nods of approval:
Nancy Holder’s “I Hear the Mermaids Singing,” which opens the anthology, is a dark and modern re-imagining of “The Little Mermaid” that brutally points up the drawbacks to throwing away your whole life and family in order to pursue someone that you know nothing about outside of a few fleeting glimpses and lustful inner fantasies.
J.L. Comeau’s “Black Cars” is the narrative of a high-class chauffeur as he tells his passenger an increasingly mysterious story about a couple of his regular customers, culminating in a creepy twist payoff that, in retrospect, actually makes it count as a legitimate horror story, and a decently gripping one at that.
And “Safe at Home” by Steve and Melanie Tem, while decidedly and disturbingly unsexy, at least has good reason to be; it’s a short character study of a young woman who’d been molested as a child, and the lasting and complex psychological damage resulting thereof that prevents her from having any normal social life or relationships, even with someone whom she legitimately likes, someone who knows what’s happened and sincerely cares for her.
So for the handful of intriguing stories that don’t make you quit (or wish you had) mid-read out of revolted disappointment, I can’t completely condemn Hottest Blood. If you want to test your own threshold for repulsion but are understandably hesitant to use online image searches to this end, I heartily recommend it.
If you are legitimately turned on by the idea of a man eating a woman alive and then gestating her alien spawn inside his own bloated body until his head detaches and crawls away (“How Deep the Taste of Love,” John Shirley), I suppose I still heartily recommend it, though I do so from a safe distance.
If you want to read one of the few stories involved that aren’t horrible, I heartily recommend trying to find them on their own somewhere else first.
But if you want “the ultimate in erotic horror,” stay the hell away. Softcore Succubus is a trap.
Rachel (48 KP) rated Forsaken (Shadow Cove Saga #1) in Books
May 27, 2017
Absolutely loved it
I absolutely adored this novel, it felt like it was written just for me!
This is the first J.D. Barker I have read but it certainly won't be the last. I will be adding any sequels to my wish list immediately.
Forsaken This novel starts with a reference that any horror lover will recognise immediately. I was slightly confused by this - the dates do not work - but don't worry, all is explained by the end of the book.
The story started slowly and gradually built momentum, like all good stories should. It starts innocently enough with a bad dream of Rachael's, who is married to an author called Thad and nearing the end of her pregnancy of their second child. Eight year old Ashley and Buster the dog complete the family.
I very quickly found myself liking the character's. They are well rounded and believable. All of the conversation between them is natural and background information about them is presented at just the right pace.
I read just under 70% of the book in one sitting. I would have finished it in a day if annoying illness hadn't of made holding my Kindle impossible! It really is that kind of book, you need to keep reading because you need to know what is going to happen next. It managed to surprise me a number of times without resorting to wild twists.
Some of the novel is told through the eyes of a scribe in the 1600's and this adds to the excitement of reading - I both wanted to hear more from him whilst being desperate to get back to the main storyline. His sections are not written in olde English which is a good thing. It's rare for that to work and not become an annoyance.
It is a fast paced story without feeling rushed. I never felt confused about what was going on. Well, actually, that did happen once but was due to it being 5am and me not reading a characters name correctly!
The ending is a cliffhanger of sorts but, as this is #1 of a series, that really is to be expected. I am genuinely excited about reading the next book and I am going to look it up as soon as I finish this review.
I love horror/supernatural books and am constantly searching for 'the perfect' story. I'm not sure if many books could be described as such but this came close.
This is the first J.D. Barker I have read but it certainly won't be the last. I will be adding any sequels to my wish list immediately.
Forsaken This novel starts with a reference that any horror lover will recognise immediately. I was slightly confused by this - the dates do not work - but don't worry, all is explained by the end of the book.
The story started slowly and gradually built momentum, like all good stories should. It starts innocently enough with a bad dream of Rachael's, who is married to an author called Thad and nearing the end of her pregnancy of their second child. Eight year old Ashley and Buster the dog complete the family.
I very quickly found myself liking the character's. They are well rounded and believable. All of the conversation between them is natural and background information about them is presented at just the right pace.
I read just under 70% of the book in one sitting. I would have finished it in a day if annoying illness hadn't of made holding my Kindle impossible! It really is that kind of book, you need to keep reading because you need to know what is going to happen next. It managed to surprise me a number of times without resorting to wild twists.
Some of the novel is told through the eyes of a scribe in the 1600's and this adds to the excitement of reading - I both wanted to hear more from him whilst being desperate to get back to the main storyline. His sections are not written in olde English which is a good thing. It's rare for that to work and not become an annoyance.
It is a fast paced story without feeling rushed. I never felt confused about what was going on. Well, actually, that did happen once but was due to it being 5am and me not reading a characters name correctly!
The ending is a cliffhanger of sorts but, as this is #1 of a series, that really is to be expected. I am genuinely excited about reading the next book and I am going to look it up as soon as I finish this review.
I love horror/supernatural books and am constantly searching for 'the perfect' story. I'm not sure if many books could be described as such but this came close.
Haley Mathiot (9 KP) rated 101 Family Meal-Time Devotions in Books
Apr 27, 2018
This book is such a great idea. The idea of spending meal-time talking about important things resonates with me, because that’s what my family did. They didn’t do it from a book, or from a list of questions. But I think on the days when our conversations didn’t happen organically, it would have been very useful to have this sort of book.
The stories are (I feel) mainly for younger children who are still feeling their way around in their personality and relationship with God, and still trying to apply basic truths like speaking with love, not getting frustrated, not being afraid to be friends with someone who is a little different.
There are some devotionals that kids read to adults, which I think awesome! Some of the most important moments for me as a kid (and even now) was when my parents were honest with me about their struggles. Some things I’ve heard from my parents that have impacted my life:
-“I wanted so badly to be mean to that person, and it was really hard not to.”
-“Your father frustrated me today but God told me to love him and respect him, and sometimes that means forgiving him even when he makes me upset.”
-“Your mother and I are very different people. But we don’t fight or argue. We love each other and that means sometimes we sit down and have to talk out our problems. Because it’s not about being right, it’s about keeping our relationship healthy and God-glorifying.”
-“Haley, I snapped at you this evening and that was wrong. Forgive me?”
And the thing about devotionals like this is, you don’t use them by themselves: they are a diving board you use to get to the good stuff. For instance, a devotional about wanting to snap at someone could remind you of a time you did snap at someone, and how you should have handled the situation, and then a story of a victory in a similar situation.
The text itself wasn’t edited very well, and I’m assuming it’s because I was reading an ARC. and even if those typos don’t get fixed, it won’t take away from the content.
I think this book is an awesome tool for young kids (ages 4-12) and their parents to get into the habit of having God-glorifying conversations that build each other up and prepare them for life, and empower them to make worshipful decisions.
The stories are (I feel) mainly for younger children who are still feeling their way around in their personality and relationship with God, and still trying to apply basic truths like speaking with love, not getting frustrated, not being afraid to be friends with someone who is a little different.
There are some devotionals that kids read to adults, which I think awesome! Some of the most important moments for me as a kid (and even now) was when my parents were honest with me about their struggles. Some things I’ve heard from my parents that have impacted my life:
-“I wanted so badly to be mean to that person, and it was really hard not to.”
-“Your father frustrated me today but God told me to love him and respect him, and sometimes that means forgiving him even when he makes me upset.”
-“Your mother and I are very different people. But we don’t fight or argue. We love each other and that means sometimes we sit down and have to talk out our problems. Because it’s not about being right, it’s about keeping our relationship healthy and God-glorifying.”
-“Haley, I snapped at you this evening and that was wrong. Forgive me?”
And the thing about devotionals like this is, you don’t use them by themselves: they are a diving board you use to get to the good stuff. For instance, a devotional about wanting to snap at someone could remind you of a time you did snap at someone, and how you should have handled the situation, and then a story of a victory in a similar situation.
The text itself wasn’t edited very well, and I’m assuming it’s because I was reading an ARC. and even if those typos don’t get fixed, it won’t take away from the content.
I think this book is an awesome tool for young kids (ages 4-12) and their parents to get into the habit of having God-glorifying conversations that build each other up and prepare them for life, and empower them to make worshipful decisions.
Kristy H (1252 KP) rated I Have Lost My Way in Books
Apr 10, 2018
Lovely novel about three very different individuals
Freya, Harun, and Nathaniel. Three very different individuals whose paths are about to collide in New York City. Freya is an aspiring singer who has just lost her voice. Harun is running away-literally-from his loving, yet overbearing family. And Nathaniel is coming to New York following a misguided plan. Soon Freya will fall off a bridge and fatefully bring the three together. Each feels lost and alone in this giant city. Will accidentally finding each other change that?
I very much love Gayle Forman and am always excited when she has a new novel. This one almost felt like a novella, with my hardcopy clocking in at a little over 250 pages. It was a fast, easy read, as I quickly became immersed in the lives of these three different and diverse characters.. The book is told over the course of one day--the day these three individuals meet, but we get flashbacks into their pasts, as well. Each character gets a chance to tell things from their point of view.
Forman is a lovely storyteller, and it's easy to get lost in this book. If anything, the day--and the book--is over too quickly. I found myself drawn to each character for different reasons. They are each vulnerable in their own way, and it's easy to get lost in their stories. I loved how the characters had diverse backgrounds and ethnic origins, as well. It's a beautiful novel, really, with gorgeous writing. The storylines are often touching and heartbreaking, yet the book felt light and airy--buoyed by the unlikely trio's friendship.
The book seems brief and is over very quickly; it left me wanting to know more about all three individuals. It flies by, especially since you skip from one narrator to the next, limiting what you learn about each, and getting snippets doled out over the course of the story. It all comes together by the end, but at that point, I found myself still wanting to learn more about each of our three characters, or have more time in their lives. It's easy to get invested when the characters are so well-formed.
Overall, this is a very easy-to-read book as it flawlessly draws you in with its diverse characters and excellent writing. It often reminded me of another beautiful tale, The Sun Is Also a Star. It's over all too quickly, but is quite enjoyable while it lasts. Definitely a worthy read.
I very much love Gayle Forman and am always excited when she has a new novel. This one almost felt like a novella, with my hardcopy clocking in at a little over 250 pages. It was a fast, easy read, as I quickly became immersed in the lives of these three different and diverse characters.. The book is told over the course of one day--the day these three individuals meet, but we get flashbacks into their pasts, as well. Each character gets a chance to tell things from their point of view.
Forman is a lovely storyteller, and it's easy to get lost in this book. If anything, the day--and the book--is over too quickly. I found myself drawn to each character for different reasons. They are each vulnerable in their own way, and it's easy to get lost in their stories. I loved how the characters had diverse backgrounds and ethnic origins, as well. It's a beautiful novel, really, with gorgeous writing. The storylines are often touching and heartbreaking, yet the book felt light and airy--buoyed by the unlikely trio's friendship.
The book seems brief and is over very quickly; it left me wanting to know more about all three individuals. It flies by, especially since you skip from one narrator to the next, limiting what you learn about each, and getting snippets doled out over the course of the story. It all comes together by the end, but at that point, I found myself still wanting to learn more about each of our three characters, or have more time in their lives. It's easy to get invested when the characters are so well-formed.
Overall, this is a very easy-to-read book as it flawlessly draws you in with its diverse characters and excellent writing. It often reminded me of another beautiful tale, The Sun Is Also a Star. It's over all too quickly, but is quite enjoyable while it lasts. Definitely a worthy read.