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Sorry to Disrupt the Peace
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Helen's adoptive brother has killed himself. According to the internet, there are six possible...
Canyon Road
1.0
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Book
Three Proposals– A Canyon Road Christmas Love Story – Book 4 in the Canyon Road Love Stories...
The Irish Times ePaper
News
App
Experience The Irish Times in its original format with the ePaper, a digital replica of the printed...
Videogyan - Nursery Rhymes & Baby Songs
7.0
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YouTube Channel
Videogyan produces HD animation videos such as Kid’s Nursery Rhymes. We have recently launched 3D...
Time In My Hands: Vol. 1 (Volume One)
10.0
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Book
Ever since he could remember, David Wilson was obsessed with time travel. Sharing in this passion is...
Bethr1986 (305 KP) rated Freeze Before Burning (Sam Tate Mystery #3) in Books
Dec 22, 2021
Sam is on a break visiting her family trying to figure out things from her past when she finds her self in the middle of an investigation involving somebody who has been penned as the dry ice killer.
This is a gripping story from the start definitely has you thinking who the perpetrator could be. A completely different way to murder people from the usual shootings stabbings etc. It's amazing how well the teams pull together and how close they all become. It does get you on the edge of your seat but it's a cope-able one. I am definitely interested in reading all the other stories in this series as Sam certainly has a knack for solving crimes.
Fantastic writing
This is a gripping story from the start definitely has you thinking who the perpetrator could be. A completely different way to murder people from the usual shootings stabbings etc. It's amazing how well the teams pull together and how close they all become. It does get you on the edge of your seat but it's a cope-able one. I am definitely interested in reading all the other stories in this series as Sam certainly has a knack for solving crimes.
Fantastic writing
Hawker Fare: Stories & Recipes from a Refugee Chef's Isan Thai & Lao Roots
Book
From chef James Syhabout of two-Michelin-star restaurant Commis, an Asian-American cookbook like no...
food and drink
Mark @ Carstairs Considers (2200 KP) rated Finding Zelda in Books
Oct 2, 2019 (Updated Oct 2, 2019)
Zelda’s About to Experience a Bunch of Bad Holidays
We first meet the Bowen family at Easter as Zelda and her two sisters, Norma and Bea, are arguing over who will wear the bunny costume that year for the kids. Normally, that is something their father would do, but he has vanished without a word to anyone. Even though the three women are grown, two of them with families of their own, his absence has repercussions in all of their lives and in their family overall. As the year progresses, how will they deal with what happened?
I was excited to see this novel come out. It started life as four short stories in a series called Holidays from Hell. Those stories, plus some additional scenes to help fill in the gaps, make up the first half of the novel, and I was anxious to find out what happened to Zelda. I wasn’t disappointed. While author Sue Ann Jaffarian is best known for her mystery novels, this isn’t a mystery. Instead, it’s a dysfunctional family dramedy. And yes, there are scenes that will make you laugh and scenes that will make you feel for the characters and what they are going through, especially Zelda. As our main characters, she is the most sympathetic, but all the characters have their moments as the book unfolds and all of them are great. This book definitely falls into the PG-13 realm with a smattering of foul language and some scenes that discuss characters’ sex lives. I could have done without those elements, but they are worth noting only in passing. Despite the fact that the book takes place roughly over the course of a year, we get a clear plot and only the scenes we need for the story. While originally conceived as a standalone novel, we are going to get more of Zelda’s adventures. I’m not sure where things can go from here, but I’m looking forward to visiting her again.
I was excited to see this novel come out. It started life as four short stories in a series called Holidays from Hell. Those stories, plus some additional scenes to help fill in the gaps, make up the first half of the novel, and I was anxious to find out what happened to Zelda. I wasn’t disappointed. While author Sue Ann Jaffarian is best known for her mystery novels, this isn’t a mystery. Instead, it’s a dysfunctional family dramedy. And yes, there are scenes that will make you laugh and scenes that will make you feel for the characters and what they are going through, especially Zelda. As our main characters, she is the most sympathetic, but all the characters have their moments as the book unfolds and all of them are great. This book definitely falls into the PG-13 realm with a smattering of foul language and some scenes that discuss characters’ sex lives. I could have done without those elements, but they are worth noting only in passing. Despite the fact that the book takes place roughly over the course of a year, we get a clear plot and only the scenes we need for the story. While originally conceived as a standalone novel, we are going to get more of Zelda’s adventures. I’m not sure where things can go from here, but I’m looking forward to visiting her again.
Chris Sawin (602 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 11, 2019 (Updated Aug 11, 2019)
The monsters. (1 more)
Special effects - blend of CG and practical.
The Pale Lady. (2 more)
Basic rinse and repeat horror formula.
No emotional attachment to characters.
Fishing for Turds
Scary Stories to Tell in the Dark is probably considered the introduction to horror fiction for anyone who was in middle school in the mid to late 1990s. I distinctly remember checking out at least one of the books before I was a teenager, but the story that has stuck with me multiple decades later has and always will be, “The Red Spot.” The thing about the Scary Stories books is that they were just these random collections of creepy tales meant to make the reader anxious, uneasy, or even frightened, so the fact that somebody attempted to make a coherent film out of a jumbled mix of stories from all three books is kind of incredible.
The horror film directed by André Øvredal (Trollhunter, The Autopsy of Jane Doe) follows a group of teenagers in the small town of Mill Valley, Pennsylvania during Halloween in 1968. Stella (Zoe Colletti) is a die-hard fan of the horror genre, Auggie (Gabriel Rush) is a bit too infatuated with girls for his own good, and Chuck (Austin Zajur) lives on candy and pranks when he’s not driving his older sister Ruth (Natalie Ganzhorn) insane. They cross paths with a mysterious drifter named Ramon (Michael Garza) who joins the group seemingly out of boredom.
They initially use trick or treating as a front for revenge against local jock and full-time bully Tommy (Austin Abrams), which leads them to a condemned and rumored to be haunted house of the Bellows family. Sarah Bellows lived in isolation and dramatically killed herself because of her family. Sarah turned her devastating life into inspiration for a series of terrifying stories. After Stella discovers the book Sarah wrote her stories in, strange things begin happening in Mill Valley and everyone in the Bellows house from that night becomes a target.
The monsters of the film attempt to be as explicitly accurate as possible to Stephen Gammell’s original illustrations from the Scary Stories books. This typically pays off, especially with Harold the Scarecrow and The Toe Monster but it seems to backfire with The Pale Lady. While she does still look like a living incarnation of Gammell’s artwork, the story has the weakest conclusion of the entire film. Scary Stories makes up for this by introducing The Jangly Man, who is seriously worth the price of admission alone even if you typically can’t understand a word that he says. The Jangly Man contorts his body in the most inhuman of ways, can separate all of his limbs from his torso, and has this bloodcurdling voice that rattles your insides.
There’s been an emphasis on the lack of a narrative in Scary Stories to Tell in the Dark. That may be true, but the film is based on a trilogy of books that is close to thirty years old and is supposed to be aimed at younger readers. The film adapts the stories in a way that isn’t totally successful, but it is surprisingly great at times. Despite some recognizable names in the supporting cast such as Dean Norris (Breaking Bad), Gil Bellows (The Shawshank Redemption), and Lorraine Toussaint (Orange is the New Black), the main cast is mostly filled with unknowns. Some reviews claim that the acting isn’t up to par, but I was pleasantly surprised. Austin Zajur can be annoying as the mischievous Chuck, but he was also rather humorous the majority of the time. Zoe Colletti goes a little overboard when she cries, but she’s also solid when she gushes over horror. Austin Abrams is seriously nasty as Tommy. He is always sweaty and has no remorse for anyone. He takes bullying to frightening heights.
I guess I expected the film to be corny (pun intended) with lame PG-13 kills and a cast that had no idea what they were doing. The film managed to make me a fan during the Harold segment. That surround sound in the cornfield is masterful with the wind blowing through corn stalks in every direction and the rusty creaking of the scarecrow as he tries to walk. How these teenagers are terrorized manages to transcend what movie ratings typically mean for a given film; this would be unsettling regardless of what it’s rated or how old the viewer is.
Scary Stories to Tell in the Dark is not a perfect horror anthology since it’s extremely simple in concept. A monster shows up, a kid disappears, and then it’s rinse and repeat for an hour and 47 minutes. At the same time though, it’s probably the scariest film of the summer and could potentially become the next big horror franchise. Scary Stories to Tell in the Dark could easily take over where the Final Destination films left off or even be this generation’s answer to that. The practical effects mixed with just the right amount of CGI for the monsters are what really sell the film. Despite being as disjointed and unnatural as The Jangly Man, Scary Stories to Tell in the Dark is way more amusing and eerie than it has any right to be.
The horror film directed by André Øvredal (Trollhunter, The Autopsy of Jane Doe) follows a group of teenagers in the small town of Mill Valley, Pennsylvania during Halloween in 1968. Stella (Zoe Colletti) is a die-hard fan of the horror genre, Auggie (Gabriel Rush) is a bit too infatuated with girls for his own good, and Chuck (Austin Zajur) lives on candy and pranks when he’s not driving his older sister Ruth (Natalie Ganzhorn) insane. They cross paths with a mysterious drifter named Ramon (Michael Garza) who joins the group seemingly out of boredom.
They initially use trick or treating as a front for revenge against local jock and full-time bully Tommy (Austin Abrams), which leads them to a condemned and rumored to be haunted house of the Bellows family. Sarah Bellows lived in isolation and dramatically killed herself because of her family. Sarah turned her devastating life into inspiration for a series of terrifying stories. After Stella discovers the book Sarah wrote her stories in, strange things begin happening in Mill Valley and everyone in the Bellows house from that night becomes a target.
The monsters of the film attempt to be as explicitly accurate as possible to Stephen Gammell’s original illustrations from the Scary Stories books. This typically pays off, especially with Harold the Scarecrow and The Toe Monster but it seems to backfire with The Pale Lady. While she does still look like a living incarnation of Gammell’s artwork, the story has the weakest conclusion of the entire film. Scary Stories makes up for this by introducing The Jangly Man, who is seriously worth the price of admission alone even if you typically can’t understand a word that he says. The Jangly Man contorts his body in the most inhuman of ways, can separate all of his limbs from his torso, and has this bloodcurdling voice that rattles your insides.
There’s been an emphasis on the lack of a narrative in Scary Stories to Tell in the Dark. That may be true, but the film is based on a trilogy of books that is close to thirty years old and is supposed to be aimed at younger readers. The film adapts the stories in a way that isn’t totally successful, but it is surprisingly great at times. Despite some recognizable names in the supporting cast such as Dean Norris (Breaking Bad), Gil Bellows (The Shawshank Redemption), and Lorraine Toussaint (Orange is the New Black), the main cast is mostly filled with unknowns. Some reviews claim that the acting isn’t up to par, but I was pleasantly surprised. Austin Zajur can be annoying as the mischievous Chuck, but he was also rather humorous the majority of the time. Zoe Colletti goes a little overboard when she cries, but she’s also solid when she gushes over horror. Austin Abrams is seriously nasty as Tommy. He is always sweaty and has no remorse for anyone. He takes bullying to frightening heights.
I guess I expected the film to be corny (pun intended) with lame PG-13 kills and a cast that had no idea what they were doing. The film managed to make me a fan during the Harold segment. That surround sound in the cornfield is masterful with the wind blowing through corn stalks in every direction and the rusty creaking of the scarecrow as he tries to walk. How these teenagers are terrorized manages to transcend what movie ratings typically mean for a given film; this would be unsettling regardless of what it’s rated or how old the viewer is.
Scary Stories to Tell in the Dark is not a perfect horror anthology since it’s extremely simple in concept. A monster shows up, a kid disappears, and then it’s rinse and repeat for an hour and 47 minutes. At the same time though, it’s probably the scariest film of the summer and could potentially become the next big horror franchise. Scary Stories to Tell in the Dark could easily take over where the Final Destination films left off or even be this generation’s answer to that. The practical effects mixed with just the right amount of CGI for the monsters are what really sell the film. Despite being as disjointed and unnatural as The Jangly Man, Scary Stories to Tell in the Dark is way more amusing and eerie than it has any right to be.
DA
Duck and Cover: A Nuclear Family
Book
Duck and Cover is a wry, laconic memoir penned by Kathie Farnell, based on her perspective as a...