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Cleopatra's Daughter
6.0
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Book
The marriage of Marc Antony and Cleopatra is one of the greatest love stories of all time, a tale of...
Lost Children Archive
9.0
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Book
From the two-time NBCC Finalist, a fiercely imaginative novel about a family's summer road trip...
The Awkward Storyteller
8.7
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Tabletop Game
All fun is in players' ability to create fun and hilarious stories with their answers | Players need...
Fruit of the Drunken Tree
Book
In the vein of Isabel Allende and Gabriel Garcia Marquez, a mesmerizing debut set against the...
The Sky Is Pink (2019)
Movie
Twenty-five years in the relationship of a mother (Priyanka Chopra) and father (Farhan Akhtar) is...
Merissa (12066 KP) rated Strength Check (Dungeons and Dating #1) in Books
Sep 17, 2021 (Updated Jul 14, 2023)
STRENGTH CHECK is the first book in the Dungeons and Dating series, and we start off with Roxie. She has just opened a board game café with her two best friends and has no room in her life for romance. Her self-esteem has been severely battered and she has hidden herself from the world. Melody (Mel) has moved to San Francisco from Philly and rents out a room in Roxie's home. Both of them feel attraction but, due to baggage, neither makes a move.
Miscommunication is a theme where romance is concerned. After all, if everyone just said what they thought, there wouldn't be any books! BUT there seemed to be just a tad too much here for me. I really wanted to slap both Roxie and Mel upside the head. I was cheering when they finally got together!
Found families is a wonderful theme for me. I adore it, and this was no exception. Roxie's found family are divine and I really can't wait for future stories so I can get to meet each of them in closer detail.
This is a slow-burn, steamy romance with fun, frolics, and family. It is also sad in places, leaving me wanting their book now. Sorry, not saying who as I don't want to spoil it.
First in a series and absolutely recommended by me. Just be prepared to be frustrated at the two of them! 😉
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 17, 2021
Miscommunication is a theme where romance is concerned. After all, if everyone just said what they thought, there wouldn't be any books! BUT there seemed to be just a tad too much here for me. I really wanted to slap both Roxie and Mel upside the head. I was cheering when they finally got together!
Found families is a wonderful theme for me. I adore it, and this was no exception. Roxie's found family are divine and I really can't wait for future stories so I can get to meet each of them in closer detail.
This is a slow-burn, steamy romance with fun, frolics, and family. It is also sad in places, leaving me wanting their book now. Sorry, not saying who as I don't want to spoil it.
First in a series and absolutely recommended by me. Just be prepared to be frustrated at the two of them! 😉
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 17, 2021
Phillip McSween (751 KP) rated Gran Torino (2009) in Movies
Mar 25, 2018
Original
A racist Korean War veteran has to deal with his own prejudice when a Hmong teenager tries to steal his car.
Acting: 8
Clint Eastwood comes out of the gates swinging in playing racist Walt Kowalski. I thought it was a daring role seeing as, even though the character had a strong prejudices, you were still supposed to somehow like and respect him. Clint walks that line finely and pulls the role off with that smooth ease I've seen in a number of his previous roles.
Special love to a strong supporting role from Chee Thao who plays the angry Grandma of the Hmong family. She hates Clint as much as he hates her and their chemistry makes for some hilarious scenes. She captures the role perfectly.
Beginning: 1
Characters: 10
Gran Torino features a rich array of characters with meaning and depth. Walt is a man set in his ways after the war hardened him, but you find his walls slowly tearing down as the movie progresses. He reluctantly lets in the people that he wouldn't normally and finds himself becoming closer to them than his own family. While his heart may have changed, I appreciated the fact that his mouth didn't. Walt, with his brutal honesty, always spoke what was on his mind at all times which was funny and refreshing at the same time.
Thao (Bee Vang) has his own internal struggle as he deals with getting his education while trying to take care of his family and still fit in with the men in his family. He wants to be different than his thug cousins but he's too much of a softy to stand up for himself. Thao and Walt end up on a collision course towards each other surrounded by a number of characters that have their own stories worth paying attention to.
Cinematography/Visuals: 10
A lot of scenes stuck out in my head when considering Gran Torino. From family dinners to one-off scenes with Walt and Thao, the film provides believable insight into Walt becoming closer to his "enemies" than his own family. The dinners were shot in a claustrophobic type of way. Thao's house was littered with people and you find a surrounded Walt trying to navigate his way through while steering clear of being social. The film as a whole was shot in a dark style indicative of looming danger. It's unnerving in a way, but effective at the same time.
Conflict: 10
Genre: 7
Memorability: 10
The hard dramatic shift in the film is like a gut punch, both jarring and unexpected. I appreciate when a film can change tones and still be effective. I also appreciate when films show racism from both sides of the fence. There's a refreshing sense of realism you get with Gran Torino that may be sacrificed in other films for the sake of getting a point across. In Torino, no one is innocent. No one is exempt.
I can't even count the number of one-liners that Walt provides throughout the span of the movie. My personal favorite: "Good day, puss cake." I have often considered how hilarious it would be to randomly say that to someone. There's still time...
Pace: 6
Definitely could have been improvement in the pacing department. The beginning starts off extremely slow before moving at a shaky pace. It finally levels out at about the half hour mark, but the damage had already been done for me at this point.
Plot: 10
Solid storyline from beginning to end that is both intriguing and unique. We are provided with an insight into a different culture in an endearing way that makes you smile.
Resolution: 5
Overall: 77
Gran Torino is an original film that succeeds with gritty realism and strong characters. A few tweaks, particularly a stronger ending, would have put the movie into a higher tier for me. Still a solid watch.
Acting: 8
Clint Eastwood comes out of the gates swinging in playing racist Walt Kowalski. I thought it was a daring role seeing as, even though the character had a strong prejudices, you were still supposed to somehow like and respect him. Clint walks that line finely and pulls the role off with that smooth ease I've seen in a number of his previous roles.
Special love to a strong supporting role from Chee Thao who plays the angry Grandma of the Hmong family. She hates Clint as much as he hates her and their chemistry makes for some hilarious scenes. She captures the role perfectly.
Beginning: 1
Characters: 10
Gran Torino features a rich array of characters with meaning and depth. Walt is a man set in his ways after the war hardened him, but you find his walls slowly tearing down as the movie progresses. He reluctantly lets in the people that he wouldn't normally and finds himself becoming closer to them than his own family. While his heart may have changed, I appreciated the fact that his mouth didn't. Walt, with his brutal honesty, always spoke what was on his mind at all times which was funny and refreshing at the same time.
Thao (Bee Vang) has his own internal struggle as he deals with getting his education while trying to take care of his family and still fit in with the men in his family. He wants to be different than his thug cousins but he's too much of a softy to stand up for himself. Thao and Walt end up on a collision course towards each other surrounded by a number of characters that have their own stories worth paying attention to.
Cinematography/Visuals: 10
A lot of scenes stuck out in my head when considering Gran Torino. From family dinners to one-off scenes with Walt and Thao, the film provides believable insight into Walt becoming closer to his "enemies" than his own family. The dinners were shot in a claustrophobic type of way. Thao's house was littered with people and you find a surrounded Walt trying to navigate his way through while steering clear of being social. The film as a whole was shot in a dark style indicative of looming danger. It's unnerving in a way, but effective at the same time.
Conflict: 10
Genre: 7
Memorability: 10
The hard dramatic shift in the film is like a gut punch, both jarring and unexpected. I appreciate when a film can change tones and still be effective. I also appreciate when films show racism from both sides of the fence. There's a refreshing sense of realism you get with Gran Torino that may be sacrificed in other films for the sake of getting a point across. In Torino, no one is innocent. No one is exempt.
I can't even count the number of one-liners that Walt provides throughout the span of the movie. My personal favorite: "Good day, puss cake." I have often considered how hilarious it would be to randomly say that to someone. There's still time...
Pace: 6
Definitely could have been improvement in the pacing department. The beginning starts off extremely slow before moving at a shaky pace. It finally levels out at about the half hour mark, but the damage had already been done for me at this point.
Plot: 10
Solid storyline from beginning to end that is both intriguing and unique. We are provided with an insight into a different culture in an endearing way that makes you smile.
Resolution: 5
Overall: 77
Gran Torino is an original film that succeeds with gritty realism and strong characters. A few tweaks, particularly a stronger ending, would have put the movie into a higher tier for me. Still a solid watch.
Amanda (96 KP) rated Little Fires Everywhere in Books
Mar 21, 2019
I was so close to putting this book on my DNF list. The beginning of it was SO slow that I found myself spacing out and then remembering that I was listening to a book.
Obviously, I'm writing a review on it, so of course, I DID NOT put it on my DNF list. It took quite a few chapters (roughly five I think) to really get into the story and by then, I was completely hooked.
There are several stories going on.
The Richardsons rent out a house to a single mother, Mia Warren with her daughter Pearl. The Richardsons are friends with another family who are in the process of adopting a Chinese-American baby, but the process is paused when the mother comes forward wanting her daughter back. The husband, Mr. Richardson, is a lawyer representing the family who want to keep the baby and Mrs. Richardson basically tries to do some investigating of her own, including finding out things about her tenants past and what she has done to cause this drama for her best friends.
The theme of it all centers around a baby. Not just one baby, but that's the whole premise of the story.
One family wants to adopt the Chinese baby they renamed Mirabelle (I'm sorry, but I really don't like that name, or the reason WHY they changed it) and then the mother coming forward wanting her baby back. Now, the mother left her baby at a fire house cause she was not the right state to take care of her. If someone hadn't tipped her off as to where her baby was, then maybe this whole thing could have been avoided.
I struggled with not yelling at when the woman says the family is stealing her baby. No, they are not. They adopted her when she was left at a fire house. That is a thing that women in her state CAN do. If they cannot afford resources available (cost wise) they can leave their baby with a hospital or a fire house no questions asked. That also means that you give up parental rights. Granted, there should be some sort of grace period, but you cannot say this family stole your baby, because they didn't!
One teenager in the story finds out she's pregnant from her boyfriend and I just cannot fathom her snobby naivete attitude. She swoons over Mirabelle because she's so cute. I'll give you that, babies are cute. But then she starts to fantasize that her and her also teenage boyfriend could work it out and their parents would take care of the baby while at college. Yeah, okay! Reality does hit her hard though, but I won't say how, but it does and I almost feel bad for her, but not quite.
Then there's someone who agreed to be a surrogate and winds up stealing the baby before it was born. Now, technically, that woman did steal a baby. Granted, it's biologically yours, but she agreed, verbally and legally, to be this couple's surrogate. I'm not entirely sure I could do it, cause I really don't want to go through the whole pregnancy, but I can't speak for other women who go into the surrogacy and then start to regret it later. I don't know.
I'm now just babbling. Despite the slow beginning, I can definitely see why this book had as much hype as it did when it was published. It really gets you thinking about different perspectives of motherhood, biological or not. The story is told as if someone was indeed telling a story to a group of people. Almost like when someone is narrating a play and you're watching it as it unfolds before your eyes.
I do look forward to seeing about Celeste Ng's previous novels. This story may be sensitive to some people who have gone through any of these scenarios because I think some things that happen later, could very well get emotional. The story is great, but also keep that in mind if you are at all familiar with these kinds of stories.
Obviously, I'm writing a review on it, so of course, I DID NOT put it on my DNF list. It took quite a few chapters (roughly five I think) to really get into the story and by then, I was completely hooked.
There are several stories going on.
The Richardsons rent out a house to a single mother, Mia Warren with her daughter Pearl. The Richardsons are friends with another family who are in the process of adopting a Chinese-American baby, but the process is paused when the mother comes forward wanting her daughter back. The husband, Mr. Richardson, is a lawyer representing the family who want to keep the baby and Mrs. Richardson basically tries to do some investigating of her own, including finding out things about her tenants past and what she has done to cause this drama for her best friends.
The theme of it all centers around a baby. Not just one baby, but that's the whole premise of the story.
One family wants to adopt the Chinese baby they renamed Mirabelle (I'm sorry, but I really don't like that name, or the reason WHY they changed it) and then the mother coming forward wanting her baby back. Now, the mother left her baby at a fire house cause she was not the right state to take care of her. If someone hadn't tipped her off as to where her baby was, then maybe this whole thing could have been avoided.
I struggled with not yelling at when the woman says the family is stealing her baby. No, they are not. They adopted her when she was left at a fire house. That is a thing that women in her state CAN do. If they cannot afford resources available (cost wise) they can leave their baby with a hospital or a fire house no questions asked. That also means that you give up parental rights. Granted, there should be some sort of grace period, but you cannot say this family stole your baby, because they didn't!
One teenager in the story finds out she's pregnant from her boyfriend and I just cannot fathom her snobby naivete attitude. She swoons over Mirabelle because she's so cute. I'll give you that, babies are cute. But then she starts to fantasize that her and her also teenage boyfriend could work it out and their parents would take care of the baby while at college. Yeah, okay! Reality does hit her hard though, but I won't say how, but it does and I almost feel bad for her, but not quite.
Then there's someone who agreed to be a surrogate and winds up stealing the baby before it was born. Now, technically, that woman did steal a baby. Granted, it's biologically yours, but she agreed, verbally and legally, to be this couple's surrogate. I'm not entirely sure I could do it, cause I really don't want to go through the whole pregnancy, but I can't speak for other women who go into the surrogacy and then start to regret it later. I don't know.
I'm now just babbling. Despite the slow beginning, I can definitely see why this book had as much hype as it did when it was published. It really gets you thinking about different perspectives of motherhood, biological or not. The story is told as if someone was indeed telling a story to a group of people. Almost like when someone is narrating a play and you're watching it as it unfolds before your eyes.
I do look forward to seeing about Celeste Ng's previous novels. This story may be sensitive to some people who have gone through any of these scenarios because I think some things that happen later, could very well get emotional. The story is great, but also keep that in mind if you are at all familiar with these kinds of stories.
LearnEnglish Kids: Playtime
Education and Entertainment
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Read and watch fun animated songs and stories to help your child develop in key areas in English:...
Hazel (1853 KP) rated Looking at the Stars in Books
Dec 17, 2018
<i>Looking at the Stars</i> by Jo Cotterill is a beautiful story targeted at older children/young adults. It handles serious themes that most readers would not have, and hopefully never will, deal with.
Amina is thirteen years old living in a country where women have absolutely no power. Prohibited from going to school, she spends her days with her sister, Jenna, weaving baskets and rugs, which they sell to stool holders in the local market. The novel begins with the two girls witnessing the arrival of foreign soldiers. They are overjoyed believing that all their troubles are over now that the liberation has begun. This, however, turns out to be a false hope.
Separated from their family, Amina and Jenna head to a refugee camp where they hope to find their younger sister, Vivie, and even discover information about what has happened to their mother. In order to prevent them from succumbing to despair both on the journey and living in the camp, Amina makes up stories about the stars in the sky – hence the title of the novel.
Amina and Jenna’s personalities are vastly different meaning that the reader should be able to identify with at least one of the girls and place themselves within the story to get a closer feel of what their lives must have been like. It makes us wonder how we would cope ourselves in these situations. Amina is the kind of person who asks questions. She wants to know why things happen and is constantly asking “what if?” Despite being a year younger than Jenna she is the more confident of the two, and it is partly her determination that keeps them alive. Personally, I think I am more like Jenna: quiet, anxious, always wanting to do the right thing. Jenna “just wants everyone to be happy”. Jenna is a realist, whereas Amina is a dreamer.
The storytelling aspect to this novel makes it unique to others in this genre. There are many books that deal with war, refugees and death, but Amina’s stories provide something extra. They are beautiful and bring hope and faith into such as bleak and dangerous setting.
Whilst this story is set in fictional towns in an unnamed country, it is not unlike recent civil wars in Syria and conflicts in Iraq and Afghanistan. Mostly we are able to distance ourselves from these new stories, because to us they are just that: stories, reports; not something we have to deal with. But this novel, told from the point of view of a thirteen year old girl reveals to us what it is like for the innocent – the thousand of innocents. And even better, it is tells it in a way that children/young adults will understand in order to learn more about what has happened and what is happening in these countries.
I think Looking at the Stars is a brilliant book that is, and I know I have used this word a lot, beautifully told. I definitely recommend it!
Amina is thirteen years old living in a country where women have absolutely no power. Prohibited from going to school, she spends her days with her sister, Jenna, weaving baskets and rugs, which they sell to stool holders in the local market. The novel begins with the two girls witnessing the arrival of foreign soldiers. They are overjoyed believing that all their troubles are over now that the liberation has begun. This, however, turns out to be a false hope.
Separated from their family, Amina and Jenna head to a refugee camp where they hope to find their younger sister, Vivie, and even discover information about what has happened to their mother. In order to prevent them from succumbing to despair both on the journey and living in the camp, Amina makes up stories about the stars in the sky – hence the title of the novel.
Amina and Jenna’s personalities are vastly different meaning that the reader should be able to identify with at least one of the girls and place themselves within the story to get a closer feel of what their lives must have been like. It makes us wonder how we would cope ourselves in these situations. Amina is the kind of person who asks questions. She wants to know why things happen and is constantly asking “what if?” Despite being a year younger than Jenna she is the more confident of the two, and it is partly her determination that keeps them alive. Personally, I think I am more like Jenna: quiet, anxious, always wanting to do the right thing. Jenna “just wants everyone to be happy”. Jenna is a realist, whereas Amina is a dreamer.
The storytelling aspect to this novel makes it unique to others in this genre. There are many books that deal with war, refugees and death, but Amina’s stories provide something extra. They are beautiful and bring hope and faith into such as bleak and dangerous setting.
Whilst this story is set in fictional towns in an unnamed country, it is not unlike recent civil wars in Syria and conflicts in Iraq and Afghanistan. Mostly we are able to distance ourselves from these new stories, because to us they are just that: stories, reports; not something we have to deal with. But this novel, told from the point of view of a thirteen year old girl reveals to us what it is like for the innocent – the thousand of innocents. And even better, it is tells it in a way that children/young adults will understand in order to learn more about what has happened and what is happening in these countries.
I think Looking at the Stars is a brilliant book that is, and I know I have used this word a lot, beautifully told. I definitely recommend it!