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Fantastic, twisty thriller with a heart
Felix Pink enters a home with one goal: to kindly keep a dying man company. But when he flees fifteen minutes later--more quickly than his seventy-five years usually allow--he's on the run from the police. Because Felix has made a mistake, and now his quiet life will never be the same.
"The [words] he needed finally dropped slowly from his numb lips. 'We killed the wrong man.'"
Oh my gosh, this book was amazing. Absolutely excellent. It has a different premise, keeps you guessing, and the characters are beyond superb. Bauer utterly captures Felix, with whom I fell completely in love. Yes, seventy-five-year-old widowed Felix is my new literary love. She also does an excellent job with Calvin, the young policeman who must investigate Felix Pink. These two men--along with the supporting cast--jump off the pages of this thriller. I was completely enthralled.
Even better, somehow this tale is witty despite it revolving around death. Felix has a superb sense of humor and the entire book is just infused with wit and a feeling of tenderness. It's also incredibly shocking, with a couple of plot twists that made me gasp. It's twisty and a total page turner. Rare do you get a mystery that is sweet yet exciting. But EXIT is just that.
Overall, this book is a total winner. Funny and heartwarming coupled with an excellent, intricate mystery plot that keeps you surprised at each turn. Highly recommend this one! 4.5 stars.
"The [words] he needed finally dropped slowly from his numb lips. 'We killed the wrong man.'"
Oh my gosh, this book was amazing. Absolutely excellent. It has a different premise, keeps you guessing, and the characters are beyond superb. Bauer utterly captures Felix, with whom I fell completely in love. Yes, seventy-five-year-old widowed Felix is my new literary love. She also does an excellent job with Calvin, the young policeman who must investigate Felix Pink. These two men--along with the supporting cast--jump off the pages of this thriller. I was completely enthralled.
Even better, somehow this tale is witty despite it revolving around death. Felix has a superb sense of humor and the entire book is just infused with wit and a feeling of tenderness. It's also incredibly shocking, with a couple of plot twists that made me gasp. It's twisty and a total page turner. Rare do you get a mystery that is sweet yet exciting. But EXIT is just that.
Overall, this book is a total winner. Funny and heartwarming coupled with an excellent, intricate mystery plot that keeps you surprised at each turn. Highly recommend this one! 4.5 stars.
Erika (17789 KP) rated Trese in TV
Jun 22, 2021
Trese is the newest Netflix Original Anime, based upon a Filipino comic by the same name. The show follows Alexandra Trese, who is a paranormal detective, and assists the police with paranormal crimes. The series is set in Manila, and creatures from the lore of the Philippines co-exist alongside the humans. Trese is known as the ‘Lakan’, and her father facilitated an accords agreement with the different groups of creatures to keep the peace.
I haven’t read the source material, so I can’t say how close it was to the original work. I really liked Alexandra as a character, she was interesting, and strong. One of the coolest things, for me, was that she carried a Kris, which is a really cool looking knife. One of my favorite things, that made me laugh the first time, is that there is a Fire god that she calls by hitting a button on a Nokia phone. There were also the twins, or ‘kambal’, Crisipin and Basilio, who provided a little comic relief.
The series is a short watch, six episodes that are around 20 minutes each. Each episode was a self-contained, separate case, then dove into Trese’s background and family. It was definitely for a mature audience, it was bloody and gory, and the animation was fantastic. I completely loved this series, because of the cool blend of mythology with a detective show. I hope that Netflix opts to make a second season, because I want to know how the story continues.
I haven’t read the source material, so I can’t say how close it was to the original work. I really liked Alexandra as a character, she was interesting, and strong. One of the coolest things, for me, was that she carried a Kris, which is a really cool looking knife. One of my favorite things, that made me laugh the first time, is that there is a Fire god that she calls by hitting a button on a Nokia phone. There were also the twins, or ‘kambal’, Crisipin and Basilio, who provided a little comic relief.
The series is a short watch, six episodes that are around 20 minutes each. Each episode was a self-contained, separate case, then dove into Trese’s background and family. It was definitely for a mature audience, it was bloody and gory, and the animation was fantastic. I completely loved this series, because of the cool blend of mythology with a detective show. I hope that Netflix opts to make a second season, because I want to know how the story continues.
Joe Goodhart (27 KP) rated X-23 (2018-) #2 in Books
Nov 30, 2020
Gabby: "Why are you party pooper?"
Laura: "It's arguably in my DNA."
That quote comes only a couple pages or so into Issue 3. It is probably the most fun dialogue in a story arc that is anything light in nature. And honestly, that is one of the aspects that really wowed by Ms. Tamaki's opening arc: she can balance the dark and the light, the humor and the not so humorous. I liked Tom Taylor's initial beginnings on ANW, but that so became imbalanced, as he chose to focus more on humor, rather gritty plot elements.
Through this issue, as well as the first one, it is clear that we will truly be "inside" Laura Kinney's head. Tamaki provides us with Laura's thoughts and reflections, further adding to the character's complex inner workings. It aids in defining a character who is often underutilized and written poorly (*cough* Bendis *cough* Hopeless *cough cough*).
As fantastic as the writing is on Laura's new book, I really want to stress how AWESOME Juann Cabal's art is to the series! Prior to witnessing his art, I found David Lopez's art (re: ANW) to be all aces! And while it is still quite good, Cabal just builds off of that and gives us so much more! I truly, truly hope that Marvel is smart enough to pay him well and keep him on board for the run of the series.
Overall, this was another great issue, and if you are a fan of Ms. Kinney, you will not be disappointed!
Laura: "It's arguably in my DNA."
That quote comes only a couple pages or so into Issue 3. It is probably the most fun dialogue in a story arc that is anything light in nature. And honestly, that is one of the aspects that really wowed by Ms. Tamaki's opening arc: she can balance the dark and the light, the humor and the not so humorous. I liked Tom Taylor's initial beginnings on ANW, but that so became imbalanced, as he chose to focus more on humor, rather gritty plot elements.
Through this issue, as well as the first one, it is clear that we will truly be "inside" Laura Kinney's head. Tamaki provides us with Laura's thoughts and reflections, further adding to the character's complex inner workings. It aids in defining a character who is often underutilized and written poorly (*cough* Bendis *cough* Hopeless *cough cough*).
As fantastic as the writing is on Laura's new book, I really want to stress how AWESOME Juann Cabal's art is to the series! Prior to witnessing his art, I found David Lopez's art (re: ANW) to be all aces! And while it is still quite good, Cabal just builds off of that and gives us so much more! I truly, truly hope that Marvel is smart enough to pay him well and keep him on board for the run of the series.
Overall, this was another great issue, and if you are a fan of Ms. Kinney, you will not be disappointed!
LeftSideCut (3776 KP) rated The Mortuary Collection (2019) in Movies
Oct 16, 2020
The Mortuary Collection is the latest in a long line of Creepshow style horror anthology films, a particular sub genre that can be hard to pull off, but director Ryan Spindell rises to the challenge pretty damn well.
The short stories presented here escalate in tone and subject as the film progresses, starting off relatively fun, but getting increasingly darker and in depth. This is something that the characters comment on between the segments, showing a nice sense of self awareness, but not going over the top with it.
Some of the later stories are hard to watch at times, and are quite emotional in places, especially the one that features actress Sarah Hay as a woman in a vegetative state. It's a genuinely sad story, topped off with some fantastic creature design. An interesting mix to say the least.
The stories are all good in their own right, but are tied together with a clever twist and a satisfying conclusion.
The main character is Montgomery Dark played by a brilliant Clancy Brown. He has a proper Phantasm/Tall Man/Angus Scrimm vibe to him (definitely no accident) and is suitably creepy as this movie's story teller.
The film is pretty damn visceral, and employs both practical effects, and decent digital effects to achieve what it does. It's all looks disgustingly awesome. It also has a great music score by Mondo Boys to compliment all the creepiness.
I was pleasantly surprised by The Mortuary Collection. It's a good time, a competent anthology film, and well worth a watch for horror fans.
The short stories presented here escalate in tone and subject as the film progresses, starting off relatively fun, but getting increasingly darker and in depth. This is something that the characters comment on between the segments, showing a nice sense of self awareness, but not going over the top with it.
Some of the later stories are hard to watch at times, and are quite emotional in places, especially the one that features actress Sarah Hay as a woman in a vegetative state. It's a genuinely sad story, topped off with some fantastic creature design. An interesting mix to say the least.
The stories are all good in their own right, but are tied together with a clever twist and a satisfying conclusion.
The main character is Montgomery Dark played by a brilliant Clancy Brown. He has a proper Phantasm/Tall Man/Angus Scrimm vibe to him (definitely no accident) and is suitably creepy as this movie's story teller.
The film is pretty damn visceral, and employs both practical effects, and decent digital effects to achieve what it does. It's all looks disgustingly awesome. It also has a great music score by Mondo Boys to compliment all the creepiness.
I was pleasantly surprised by The Mortuary Collection. It's a good time, a competent anthology film, and well worth a watch for horror fans.
LeftSideCut (3776 KP) rated Planet Terror (2007) in Movies
Jan 22, 2021
If you seek a movie so absurdly over the top in almost every regard, then look no further.
Planet Terror is a glorious throwback to practical driven and blood soaked video nasties of the 70s and 80s, is super stylized to the point of self aware stupidity, and boasts a fantastic cast - a roll call of who's who in the cinema of Rodriguez/Tarantino.
Of course, Planet Terror is one half of the duos Grindhouse project, and for me, slightly takes the edge over Death Proof. Both films are great and gleefully brimming with tributes to the exploitative sub genre of its namesake, but Planet Terror is just balls to the wall fun, a blast from start to finish.
Its has badass female leads - Cherry Darling, a former go-go dancer with a gun-leg, and Dakota Block, a nurse who shoots trigger functioning syringes full of sedatives at anyone who pisses her off - Rose McGowan and Marley Shelton and both brilliant.
It has Bruce Willis mutating into God knows what. It has Tom Savini and Michael Biehn as zombie fighting sherrifs. It has Sayid from Lost collecting people's testicles in a pickle jar.
And Jesus Christ it has so. much. gore. It must have been a hell of a sticky set to work on to say the least.
To top it all off, it even opens with the now infamous Machete "trailer", with Danny Trejo and motherfucking Cheech Marin.
Planet Terror is a ride as soon as the opening credits start. An absolute must for any horror or grindhouse fan.
Planet Terror is a glorious throwback to practical driven and blood soaked video nasties of the 70s and 80s, is super stylized to the point of self aware stupidity, and boasts a fantastic cast - a roll call of who's who in the cinema of Rodriguez/Tarantino.
Of course, Planet Terror is one half of the duos Grindhouse project, and for me, slightly takes the edge over Death Proof. Both films are great and gleefully brimming with tributes to the exploitative sub genre of its namesake, but Planet Terror is just balls to the wall fun, a blast from start to finish.
Its has badass female leads - Cherry Darling, a former go-go dancer with a gun-leg, and Dakota Block, a nurse who shoots trigger functioning syringes full of sedatives at anyone who pisses her off - Rose McGowan and Marley Shelton and both brilliant.
It has Bruce Willis mutating into God knows what. It has Tom Savini and Michael Biehn as zombie fighting sherrifs. It has Sayid from Lost collecting people's testicles in a pickle jar.
And Jesus Christ it has so. much. gore. It must have been a hell of a sticky set to work on to say the least.
To top it all off, it even opens with the now infamous Machete "trailer", with Danny Trejo and motherfucking Cheech Marin.
Planet Terror is a ride as soon as the opening credits start. An absolute must for any horror or grindhouse fan.
Eleanor Luhar (47 KP) rated A Fire Story in Books
Jun 24, 2019
This is similar to The Best We Could Do in that it is both a series of comics and a memoir. It's the story of the Californian fire, and how it affected Brian Fies and his wife's lives.
Fies begins by illustrating how the couple awoke on the night of the fire, and how they began to frantically yet methodically pack up their belongings. He details the escape, the bewilderment they felt and the huge sense of loss. Later, he really emphasises how much a person grieves for the loss of their home and belongings. It's not the value that's important, it's the memories.
Throughout the book there are also several other people's experiences. Some were also in their home at the time of the fire, while others were on holiday abroad, watching the events unfold through social media. All of these accounts had one particular thing in common: they all mention how they did not expect to be gone from their homes forever. They thought they would be able to return soon, and did not plan on leaving everything behind for the final time.
This was a fantastic book. Fies included little comics illustrating "a day in the life" after the fire, where the little, seemingly insignificant things reminded them of their loss. He also follows up with the process of reconstructing their house - and outlines some of the difficulties they never expected to face.
The art was lovely, with enough detail to clearly illustrate the events. The dialogue was perfect and sounded completely authentic, and expressed the emotions well. 5 stars.
Fies begins by illustrating how the couple awoke on the night of the fire, and how they began to frantically yet methodically pack up their belongings. He details the escape, the bewilderment they felt and the huge sense of loss. Later, he really emphasises how much a person grieves for the loss of their home and belongings. It's not the value that's important, it's the memories.
Throughout the book there are also several other people's experiences. Some were also in their home at the time of the fire, while others were on holiday abroad, watching the events unfold through social media. All of these accounts had one particular thing in common: they all mention how they did not expect to be gone from their homes forever. They thought they would be able to return soon, and did not plan on leaving everything behind for the final time.
This was a fantastic book. Fies included little comics illustrating "a day in the life" after the fire, where the little, seemingly insignificant things reminded them of their loss. He also follows up with the process of reconstructing their house - and outlines some of the difficulties they never expected to face.
The art was lovely, with enough detail to clearly illustrate the events. The dialogue was perfect and sounded completely authentic, and expressed the emotions well. 5 stars.
Eleanor Luhar (47 KP) rated Batman: Gotham After Midnight in Books
Jun 24, 2019
This novel contains 12 episodes of Batman stories, each full of action and crime and excitement. It includes Man-Bat, Axe-Man, Clayface, The Joker, Killer Croc, Catwoman, Scarecrow and the new villain, Midnight. At first, Batman is trying to figure out why his villains are suddenly changing their patterns. But then Midnight comes into the scene...
Batman becomes rather attached to a police officer, although Bruce Wayne has no success with her. But can he save her from this strange, crazy new murderer?
The detective side of this - especially toward the end, when Batman is close to discovering Midnight's identity - is fantastic. Full of suspense. Of course, his encounters with the enemies are great, too. I wasn't sure about his relationship with April, but I like how it all fit together in the end.
The inner monologue - and even the dialogue - wasn't great. The text that was chosen for this also wasn't the wisest. But the story got told and that's all that really matters in the end.
And Alfred... I love him! He's witty and smart, but also caring and wise when it comes to dealing with Batman. He often has to tell Batman to pull himself together and to stop being an idiot. I think he may be my favourite character.
The art was great and I liked the story, but the dodgy, clunky monologue was quite off-putting. Even so, it was an easy read still so it obviously wasn't that bad. I think I'll say 4 stars for this, though I may be being a little generous there.
Batman becomes rather attached to a police officer, although Bruce Wayne has no success with her. But can he save her from this strange, crazy new murderer?
The detective side of this - especially toward the end, when Batman is close to discovering Midnight's identity - is fantastic. Full of suspense. Of course, his encounters with the enemies are great, too. I wasn't sure about his relationship with April, but I like how it all fit together in the end.
The inner monologue - and even the dialogue - wasn't great. The text that was chosen for this also wasn't the wisest. But the story got told and that's all that really matters in the end.
And Alfred... I love him! He's witty and smart, but also caring and wise when it comes to dealing with Batman. He often has to tell Batman to pull himself together and to stop being an idiot. I think he may be my favourite character.
The art was great and I liked the story, but the dodgy, clunky monologue was quite off-putting. Even so, it was an easy read still so it obviously wasn't that bad. I think I'll say 4 stars for this, though I may be being a little generous there.
Hazel (2934 KP) rated Cold As The Grave in Books
Sep 1, 2019
A treat for crime fiction lovers
This is a treat for crime fiction lovers with a bit of the supernatural thrown in for good measure. Mr Oswald knows how to write a great story and he has done it once again with "Cold as the Grave".
DCI Tony McLean finds himself, quite unexpectedly, in the midst of a strange and disturbing investigation following his discovery of the mummified remains of a young girl. Being a DCI, Tony is not supposed to get into the day to day investigation of crime however, Tony being Tony just can't help himself and he quickly becomes in the thick of it.
This is a dark and sinister case to investigate and includes themes on refugees, asylum seekers, illegal immigrants, trafficking, modern slavery, the murder of children and violence towards women as well as introducing a less than "normal" slant on the perpetrator of the crime and the method used for committing murder.
With fantastic characters throughout and written in a sympathetic rather than sensationalist way with the back drop of a winter in Edinburgh, this is a great read.
I admit to not having read all the previous books in this series and although I have probably missed out massively on back story, character development, etc., it did not detract from my enjoyment of this book.
On to the next .... when it comes out!
My thanks must go to the Publisher and NetGalley for my copy in return for an unbiased review.
DCI Tony McLean finds himself, quite unexpectedly, in the midst of a strange and disturbing investigation following his discovery of the mummified remains of a young girl. Being a DCI, Tony is not supposed to get into the day to day investigation of crime however, Tony being Tony just can't help himself and he quickly becomes in the thick of it.
This is a dark and sinister case to investigate and includes themes on refugees, asylum seekers, illegal immigrants, trafficking, modern slavery, the murder of children and violence towards women as well as introducing a less than "normal" slant on the perpetrator of the crime and the method used for committing murder.
With fantastic characters throughout and written in a sympathetic rather than sensationalist way with the back drop of a winter in Edinburgh, this is a great read.
I admit to not having read all the previous books in this series and although I have probably missed out massively on back story, character development, etc., it did not detract from my enjoyment of this book.
On to the next .... when it comes out!
My thanks must go to the Publisher and NetGalley for my copy in return for an unbiased review.
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