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LeftSideCut (3778 KP) rated Soul (2020) in Movies
Jan 1, 2021
The second Pixar effort of 2020 is nothing short of excellent. Soul is a wonderful experience from start to finish, dealing with abstract ideas in a touching way, and boasting some of the finest animation out there.
When compared to older Pixar efforts, it's easy to see just how far this sort of thing has come. Soul manages to look photo realistic, despite the cartoony designs of the human characters. It has matured in other ways too - where these films used to be kid friendly adventures with a message lurking within, that's not quite the case anymore. The themes in Soul are very much for an older audience, and sure, there are talking cats and colourful visuals in The Great Before to keep younger viewers involved, but the narrative here focuses on how one can feel like their life is wasted sometimes, how it's easy to feel lost in such a big world, and the acceptance of death. With heavy subject matters at the forefront, the frequently heart-warming and funny screenplay results in an story that is expertly crafted to hit all the right emotional buttons, whilst still being fun, and full of awesome jazz.
Director Pete Docter is of course the man behind Up, Inside Out and Monsters Inc. so it's no surprise that his fourth Pixar feature is one that can stand tall next to those greats. A fantastic voice cast including Jamie Foxx, Tina Fey, Richard Ayoade, Anglea Bassett, Phylicia Rashad, and Rachel House among others, adds the remaining ingredients to ensure that Soul is another magnificent string in Pixar's bow, and is an essential watch.
When compared to older Pixar efforts, it's easy to see just how far this sort of thing has come. Soul manages to look photo realistic, despite the cartoony designs of the human characters. It has matured in other ways too - where these films used to be kid friendly adventures with a message lurking within, that's not quite the case anymore. The themes in Soul are very much for an older audience, and sure, there are talking cats and colourful visuals in The Great Before to keep younger viewers involved, but the narrative here focuses on how one can feel like their life is wasted sometimes, how it's easy to feel lost in such a big world, and the acceptance of death. With heavy subject matters at the forefront, the frequently heart-warming and funny screenplay results in an story that is expertly crafted to hit all the right emotional buttons, whilst still being fun, and full of awesome jazz.
Director Pete Docter is of course the man behind Up, Inside Out and Monsters Inc. so it's no surprise that his fourth Pixar feature is one that can stand tall next to those greats. A fantastic voice cast including Jamie Foxx, Tina Fey, Richard Ayoade, Anglea Bassett, Phylicia Rashad, and Rachel House among others, adds the remaining ingredients to ensure that Soul is another magnificent string in Pixar's bow, and is an essential watch.
Adam Ant recommended The Modern Lovers by The Modern Lovers in Music (curated)
Ross (3284 KP) rated The Shattered Realm of Ardor Benn in Books
Mar 12, 2021
Fantastic fantasy heist follow-up
I received an advance copy of this book from the publishers and NetGalley in exchange for an honest review
The second Ardor Benn book is another epic tale of the ruse artist taking on the royal family. The first book saw Ard's efforts depose the current king and save the dragon race (and hence the world). Sadly, the replacement royalty is no better and the Great Chain is now scattered into different, warring islands. Ard finds himself embroiled in a plot to unearth the conspiracy that the new king's dead nephew, and the rightful heir, is not actually dead.
There is also an interesting new subplot where we see a university professor tasked with discovering new Grit types (the world's magic system, whereby different materials once digested and fired by a dragon produce different magical results). This angle, like the industrial/medical revolution is surprisingly thrilling, with additional intrigue as the results become the interests of some unsavoury characters.
Ard and Raek are once again superb and quickly put together a plot to infiltrate a secret criminal underworld and discover the whereabouts of the true king. The secrecy and plotting, and use of the world's magic makes for some excellent exciting passages.
There are the usual twists and turns along the way, as the security measures in place in the secret society make it hard for Ard to progress too quickly.
As with the first book, the true nature of this strange world is unveiled a little more over the course of the book in spectacular fashion.
A wonderful fun read.
The second Ardor Benn book is another epic tale of the ruse artist taking on the royal family. The first book saw Ard's efforts depose the current king and save the dragon race (and hence the world). Sadly, the replacement royalty is no better and the Great Chain is now scattered into different, warring islands. Ard finds himself embroiled in a plot to unearth the conspiracy that the new king's dead nephew, and the rightful heir, is not actually dead.
There is also an interesting new subplot where we see a university professor tasked with discovering new Grit types (the world's magic system, whereby different materials once digested and fired by a dragon produce different magical results). This angle, like the industrial/medical revolution is surprisingly thrilling, with additional intrigue as the results become the interests of some unsavoury characters.
Ard and Raek are once again superb and quickly put together a plot to infiltrate a secret criminal underworld and discover the whereabouts of the true king. The secrecy and plotting, and use of the world's magic makes for some excellent exciting passages.
There are the usual twists and turns along the way, as the security measures in place in the secret society make it hard for Ard to progress too quickly.
As with the first book, the true nature of this strange world is unveiled a little more over the course of the book in spectacular fashion.
A wonderful fun read.
Pete Wareham recommended Axis: Bold As Love by The Jimi Hendrix Experience in Music (curated)
LeftSideCut (3778 KP) rated Justice League Dark: Apokolips War (2020) in Movies
Sep 23, 2020
The DC Animated movies are a mixed bags. There are some great ones, and a whole bunch of not so great ones. The top of the pile for me has always been the 2-part adaption of The Dark Knight Returns, until now that is.
Apokolips War is the final movie in the 16-part connected DC Animated Movie Universe, which started back in 2013 with The Flashpoint Paradox, and as a culmination of this particular storyline, it's near perfect.
In terms of plot, things are batshit insane from the get go - notable heroes are slaughtered as Darkseid lays waste to Earth, leaving a broken and small crew left to hold the fort and try and claw a win from a seemingly desperate situation. Everyone gets involved - Superman, Batman, Wonder Woman, Swamp Thing, Etrigan, Shazam, Martian Manhunter, Raven, the whole Suicide Squad roster, just to name a few, and with all these heavy hitters in tow, it's an absolute pleasure to have Constantine at the forefront of it all, once again voiced by the fantastic Matt Ryan.
He's joined by the likes of Rosario Dawson, Tony Todd, Rebecca Romijn, Jerry O'Connell, Taissa Farmiga, Jason O'Mara, Camilla Ludington, John DiMaggio - it's a stacked voice cast to say the least.
The animation is wonderful, the action is non-stop and brutal, gritty yet smooth - it just feels like the creative team on this one pulled out all the stops to make sure the DCAMU finished with and Avengers Endgame sized flex.
It knocks spots off the first Justice League Dark entry and is ultimately my pick for the finest animated DC feature out there.
Apokolips War is the final movie in the 16-part connected DC Animated Movie Universe, which started back in 2013 with The Flashpoint Paradox, and as a culmination of this particular storyline, it's near perfect.
In terms of plot, things are batshit insane from the get go - notable heroes are slaughtered as Darkseid lays waste to Earth, leaving a broken and small crew left to hold the fort and try and claw a win from a seemingly desperate situation. Everyone gets involved - Superman, Batman, Wonder Woman, Swamp Thing, Etrigan, Shazam, Martian Manhunter, Raven, the whole Suicide Squad roster, just to name a few, and with all these heavy hitters in tow, it's an absolute pleasure to have Constantine at the forefront of it all, once again voiced by the fantastic Matt Ryan.
He's joined by the likes of Rosario Dawson, Tony Todd, Rebecca Romijn, Jerry O'Connell, Taissa Farmiga, Jason O'Mara, Camilla Ludington, John DiMaggio - it's a stacked voice cast to say the least.
The animation is wonderful, the action is non-stop and brutal, gritty yet smooth - it just feels like the creative team on this one pulled out all the stops to make sure the DCAMU finished with and Avengers Endgame sized flex.
It knocks spots off the first Justice League Dark entry and is ultimately my pick for the finest animated DC feature out there.
Merissa (12066 KP) rated Below Dark Waters (Dalya #2) in Books
Sep 25, 2020
Below Dark Waters is the second book in the Dalya series and it really should be read in order or it just won't make sense!
Megan and the rest are making their way away from Capo and hopefully Megan's murderous father. They are a ragtag crew but fit together although cracks are showing in Sarah. Megan is having a rough time of it and isn't sleeping, giving the others concern about her. She is changing more each day, becoming stronger and more fae-like.
Oh wow! This book has just as much going for it as the first! This time, it is told from the points of view - Megan, Lilly, and Carmia. Three very different women with very different experiences. I can't wait to see how they tie together.
One thing I love about Katie Zaber is even when she writes a scene where you expect someone to be nice, she manages to turn it around and throw Megan to the wolves and you don't even blink! She continually surprises me and, for someone who reads as much as I do, that is fantastic.
I loved how the story still involves all the characters from book one although I would have enjoyed more time with Mana but that's just me. 😁 It is getting more intriguing the more I read and I really can't wait to continue this series.
Absolutely and completely recommended by me!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Megan and the rest are making their way away from Capo and hopefully Megan's murderous father. They are a ragtag crew but fit together although cracks are showing in Sarah. Megan is having a rough time of it and isn't sleeping, giving the others concern about her. She is changing more each day, becoming stronger and more fae-like.
Oh wow! This book has just as much going for it as the first! This time, it is told from the points of view - Megan, Lilly, and Carmia. Three very different women with very different experiences. I can't wait to see how they tie together.
One thing I love about Katie Zaber is even when she writes a scene where you expect someone to be nice, she manages to turn it around and throw Megan to the wolves and you don't even blink! She continually surprises me and, for someone who reads as much as I do, that is fantastic.
I loved how the story still involves all the characters from book one although I would have enjoyed more time with Mana but that's just me. 😁 It is getting more intriguing the more I read and I really can't wait to continue this series.
Absolutely and completely recommended by me!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
LeftSideCut (3778 KP) rated Wishmaster (1997) in Movies
Sep 25, 2020
Robert Kurtzman, Wes Craven, and Greg Nicotero - a match made in heaven surely? Not quite it turns out, but almost. For all it's cheesiness and cheap jump scares, Wishmaster is still a load of fun, with some fantastic practical effects and a handful of big name horror cameos.
The effects are what stand out the most - there are some shitty CGI moments spread about but the majority of the gory moments are practical and rightly disgusting. A mere two minutes in, some poor fuckers skeleton becomes sentient and rips out from his body. It's glorious. Other than that, Wishmaster coasts along on the strength of its villain, The Djinn, played by Andrew Divoff. He's suitably creepy both in human form and in full make up, and gives the film a whole heap of credit, even if the way he pronounces stuff becomes a little grating after a while.
Having Wes Craven as a producer clearly pays off, as multiple horror stalwarts pop up throughout the runtime - Robert Englund, Tony Todd, Kane Hodder, Ted Raimi - some top tier cameos for sure. Even Angus Scrimm pops up to do a bit of narrating!
Everything else is a little lackluster. The premise is ok, but full of holes, and the ending feels like a bit of a cop out, and lead actress Tammy Lauren just seems like she's in the wrong film for the most part.
Wishmaster unfortunately never manages to excel above it's ridiculous opening scene, and is pretty mediocre overall, but it still has a lot to offer to horror fans, and I can't help but enjoy it.
The effects are what stand out the most - there are some shitty CGI moments spread about but the majority of the gory moments are practical and rightly disgusting. A mere two minutes in, some poor fuckers skeleton becomes sentient and rips out from his body. It's glorious. Other than that, Wishmaster coasts along on the strength of its villain, The Djinn, played by Andrew Divoff. He's suitably creepy both in human form and in full make up, and gives the film a whole heap of credit, even if the way he pronounces stuff becomes a little grating after a while.
Having Wes Craven as a producer clearly pays off, as multiple horror stalwarts pop up throughout the runtime - Robert Englund, Tony Todd, Kane Hodder, Ted Raimi - some top tier cameos for sure. Even Angus Scrimm pops up to do a bit of narrating!
Everything else is a little lackluster. The premise is ok, but full of holes, and the ending feels like a bit of a cop out, and lead actress Tammy Lauren just seems like she's in the wrong film for the most part.
Wishmaster unfortunately never manages to excel above it's ridiculous opening scene, and is pretty mediocre overall, but it still has a lot to offer to horror fans, and I can't help but enjoy it.
Sarah (7798 KP) rated The Devil All the Time (2020) in Movies
Sep 18, 2020
A dark slow burner
I knew nothing about this film other than the synopsis, but after watching Tenet again recently I felt in the mood to give another Robert Pattinson a go. And overall this is a pretty good film.
Right from the start, the narration draws you in and I loved this aspect of the film. I actually wish there had been more narration throughout. The story itself is rather dark and sordid, it's definitely not a happy story and how things work out for some characters is often an unpleasant surprise. It's definitely a slow burner of a film and this really is the major negative. It's drawn out well over 2 hours and this may be a little too long. I feel like it could've been cut down to inder 2 hours will little detrimental impact to the story.
The best thing about this film though is by far the acting, from everyone involved. The parts for the majority of the actors are small due to the nature of the story, but every single one of them excels with what they're given. Although the highlights are by far Bill Skarsgard, Tom Holland and Robert Pattinson. I couldn't take my eyes off any of them when they were on screen, and this just goes to show how brilliant acting can really make a film so much better.
Watching this felt rather familiar, like I've seen something similar in the past that's as good, but I really can't remember what it could be (any suggestions welcome). But overall this is a good story elevated by some fantastic acting.
Right from the start, the narration draws you in and I loved this aspect of the film. I actually wish there had been more narration throughout. The story itself is rather dark and sordid, it's definitely not a happy story and how things work out for some characters is often an unpleasant surprise. It's definitely a slow burner of a film and this really is the major negative. It's drawn out well over 2 hours and this may be a little too long. I feel like it could've been cut down to inder 2 hours will little detrimental impact to the story.
The best thing about this film though is by far the acting, from everyone involved. The parts for the majority of the actors are small due to the nature of the story, but every single one of them excels with what they're given. Although the highlights are by far Bill Skarsgard, Tom Holland and Robert Pattinson. I couldn't take my eyes off any of them when they were on screen, and this just goes to show how brilliant acting can really make a film so much better.
Watching this felt rather familiar, like I've seen something similar in the past that's as good, but I really can't remember what it could be (any suggestions welcome). But overall this is a good story elevated by some fantastic acting.
LeftSideCut (3778 KP) rated Psycho (1960) in Movies
Oct 4, 2020
Psycho is a true all-timer, in every sense of the phrase. It still holds up now, as well as it ever did and is simply a masterclass in suspense cinema.
Anthony Perkins is fantastic as Norman Bates. He makes the character both approachable and sinister, subtly suggesting just how unhinged he is as the narrative steams forward.
The pacing in Psycho is perfect, even before Marion Crane pulls into the Bates Motel. It successfully reels you in from the films opening (and incredible music score) and just doesn't let you until the end.
Marion Crane is of course played by Janet Leigh. She has a hypnotizing presence thought the runtime, with every line of dialogue feeling important. Her performance alongside Perkins is a huge part of what makes Psycho such a classic.
Hitchcock achieved some truly magnificent shots here as well. The infamous shower scene has rightly earned it's place in cinema history, but it's easy to forget just how chilling it is when you see a shadowy figure through the shower curtain, silently enter the room. True nightmare fuel. Another favourite moment is the overhead shot when Bates flys out of his mother's room to attack Arbogast. Makes me jump every damn time.
Bernard Herrmanns score compliments all of this wonderfully as well. It's a timeless score that is constantly frantic whilst simultaneously beautiful. Much like Jaws, it's almost impossible to think of the film without hearing parts of the iconic music theme.
Psycho is a solid masterpiece that remains effective to this day. It's the perfect thriller, and in some ways, the perfect horror.
Anthony Perkins is fantastic as Norman Bates. He makes the character both approachable and sinister, subtly suggesting just how unhinged he is as the narrative steams forward.
The pacing in Psycho is perfect, even before Marion Crane pulls into the Bates Motel. It successfully reels you in from the films opening (and incredible music score) and just doesn't let you until the end.
Marion Crane is of course played by Janet Leigh. She has a hypnotizing presence thought the runtime, with every line of dialogue feeling important. Her performance alongside Perkins is a huge part of what makes Psycho such a classic.
Hitchcock achieved some truly magnificent shots here as well. The infamous shower scene has rightly earned it's place in cinema history, but it's easy to forget just how chilling it is when you see a shadowy figure through the shower curtain, silently enter the room. True nightmare fuel. Another favourite moment is the overhead shot when Bates flys out of his mother's room to attack Arbogast. Makes me jump every damn time.
Bernard Herrmanns score compliments all of this wonderfully as well. It's a timeless score that is constantly frantic whilst simultaneously beautiful. Much like Jaws, it's almost impossible to think of the film without hearing parts of the iconic music theme.
Psycho is a solid masterpiece that remains effective to this day. It's the perfect thriller, and in some ways, the perfect horror.