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RəX Regent (349 KP) rated Warcraft (2016) in Movies
Feb 19, 2019
To begin, I am not really up on the plot of the game in which this movie is based, though I do understand that this is a prequel and that the tone is reasonably accurate to the that of the long enduring PC game.
But derivative is the word. The game was designed to allow its players to interact with each over and across the internet and essentially play in scenarios which span the fantasy genre, itself drawing from such classics as Lord Of the Rings, Dungeons and Dragons and every medieval or ancient myth imaginable.
As a game, this sounds like fun, taking on roles and pretending to be mythological characters, wielding swords and magic, but since this was already taken wholesale from the genre, including films, what was the point?
Essentially, what we have is an epic mash up of films which have already made there mark whilst offering little if anything new worth talking about. The plot twists are predicable if not hammy, the characterisations are dull and cliched and in the end there is little to offer but a brand name and endless special effects.
The movie does pick up a bit in the third act but even this is let down with a finale of world building and sequel teasing, with the plot left wide open and several plot lines ready to go if there was ever to be a Warcraft 2. The problem is that there is little to tantalise unless you are already a die hard fan. The writing is poor, effective for driving the plot along at some pace but it is mundane, predictable and lacking any real intrigue or interest. It simply goes through the motions as does almost everything and everyone else in the film as a whole.
I want to say that it could have been better, but I can not. I think that Jones and his team have probably done a reasonable job of adapting this game but that is what it is, a derivative PC game and hardly suitable for a movie of this scale.
When will they learn?
But derivative is the word. The game was designed to allow its players to interact with each over and across the internet and essentially play in scenarios which span the fantasy genre, itself drawing from such classics as Lord Of the Rings, Dungeons and Dragons and every medieval or ancient myth imaginable.
As a game, this sounds like fun, taking on roles and pretending to be mythological characters, wielding swords and magic, but since this was already taken wholesale from the genre, including films, what was the point?
Essentially, what we have is an epic mash up of films which have already made there mark whilst offering little if anything new worth talking about. The plot twists are predicable if not hammy, the characterisations are dull and cliched and in the end there is little to offer but a brand name and endless special effects.
The movie does pick up a bit in the third act but even this is let down with a finale of world building and sequel teasing, with the plot left wide open and several plot lines ready to go if there was ever to be a Warcraft 2. The problem is that there is little to tantalise unless you are already a die hard fan. The writing is poor, effective for driving the plot along at some pace but it is mundane, predictable and lacking any real intrigue or interest. It simply goes through the motions as does almost everything and everyone else in the film as a whole.
I want to say that it could have been better, but I can not. I think that Jones and his team have probably done a reasonable job of adapting this game but that is what it is, a derivative PC game and hardly suitable for a movie of this scale.
When will they learn?
Kyera (8 KP) rated The Silver Mask in Books
Feb 1, 2018
The Silver Mask is the fourth book in the Magisterium series, which is co-written by Holly Black and Cassandra Clare. We dive back into the world with our characters reeling from the events of the third book. That being said, if you haven't read the series I wouldn't recommend diving into this review.
We find Call in the Panopticon, a prison for Mages because his secret was revealed and now the entire Mage-world fears him. He continues to battle against any decisions he feels might push him down the path to Evil Overlord-ness and assure everyone that he is Call, despite the soul inside him. He struggles with doing what he feels is right and righting his world after what happened in the Bronze Key. It's tough to lose someone and just accept it when you believe that you might have the power to do something about it.
This middle-grade book was a little slow to start, though the pacing issues might have just been me as a reader getting back into the story after not inhabiting the world since the last book was released. Personally, though, I feel that the pacing wasn't as swift as it should have been to keep readers engaged, especially middle-grade readers. A lot of the story just revolved around sneaking about, learning more about his abilities and being trapped in a house. It's tough to make a plot exciting when the main characters don't leave the same house for 75% of the book.
The second half of the book picked up more and by the end of the story, it was definitely engaging. It felt like it was leading up to a finale, but there is a fifth book in the series. Once you read the last few pages and the epilogue it will definitely make you wish the next book was written already. Alas, you'll probably have to wait until the end of 2018 to continue. I would recommend this series to middle-grade readers who are looking to get into fantasy without having to delve into the intrinsic magic systems and vast world-building that some series have.
We find Call in the Panopticon, a prison for Mages because his secret was revealed and now the entire Mage-world fears him. He continues to battle against any decisions he feels might push him down the path to Evil Overlord-ness and assure everyone that he is Call, despite the soul inside him. He struggles with doing what he feels is right and righting his world after what happened in the Bronze Key. It's tough to lose someone and just accept it when you believe that you might have the power to do something about it.
This middle-grade book was a little slow to start, though the pacing issues might have just been me as a reader getting back into the story after not inhabiting the world since the last book was released. Personally, though, I feel that the pacing wasn't as swift as it should have been to keep readers engaged, especially middle-grade readers. A lot of the story just revolved around sneaking about, learning more about his abilities and being trapped in a house. It's tough to make a plot exciting when the main characters don't leave the same house for 75% of the book.
The second half of the book picked up more and by the end of the story, it was definitely engaging. It felt like it was leading up to a finale, but there is a fifth book in the series. Once you read the last few pages and the epilogue it will definitely make you wish the next book was written already. Alas, you'll probably have to wait until the end of 2018 to continue. I would recommend this series to middle-grade readers who are looking to get into fantasy without having to delve into the intrinsic magic systems and vast world-building that some series have.
Cyn Armistead (14 KP) rated Charmed (Ghost Hunters, #0.5; Winston Brothers, #2) in Books
Mar 1, 2018
I picked up this book to read just one of the four novellas, "Pandora's Bottle" by Eileen Wilks, because I've enjoyed her Lupi books. Honestly, it was the weakest of the four. (Seriously—why would a djinn's magic be tied in any way to Halloween?)
Ordinarily, I would have moved on to another book right away. <i>Charmed</i> is very clearly a romance anthology, and I'm not a romance fan.
On the other hand, I was doing something involving a lot of waiting, and <i>Charmed</i> happened to be the book that was in my hands. I decided to try something new for me, so I read the other stories and tried to judge them <b>as</b> romance stories. Failing that, I tried to at least be less annoyed at the standard romance "stuff" (look, it's almost 5am and I do not know where my thesaurus is).
So—Jayne Castle's "Bridal Jitters" was set in a world I'd like to know more about. The relationship barrier was a bit contrived, but at least it was relatively fresh (to me).
Julie Beard's "Man in the Mirror" started with a handicap: I detest all those modern-person-goes-back-to-good-old-days stories, <b>especially</b> the romances. She saved the tale from total suckage by turning things around a bit.
Finally, "Tangled Dreams" by Lori Foster is our obligatory ghost story. The ghosts are the good people here, and they're matchmaking merrily while trying to warn the living occupant of their house that all is not well. From her prose, I have to wonder if Ms. Foster really thinks that the scenes she describes are "kinky" to most people? There's nothing to get your harness in a knot over, though, just a little light bondage.
So the volume wasn't torturous, and it did provide me with some distraction. Changing my attitude almost certainly helped me enjoy these stories a bit more. I don't think I'm likely to start seeking out romances, but with so much "paranormal romance" all over the shelves, I should probably get used to having somebody's romance in my fantasy.
Ordinarily, I would have moved on to another book right away. <i>Charmed</i> is very clearly a romance anthology, and I'm not a romance fan.
On the other hand, I was doing something involving a lot of waiting, and <i>Charmed</i> happened to be the book that was in my hands. I decided to try something new for me, so I read the other stories and tried to judge them <b>as</b> romance stories. Failing that, I tried to at least be less annoyed at the standard romance "stuff" (look, it's almost 5am and I do not know where my thesaurus is).
So—Jayne Castle's "Bridal Jitters" was set in a world I'd like to know more about. The relationship barrier was a bit contrived, but at least it was relatively fresh (to me).
Julie Beard's "Man in the Mirror" started with a handicap: I detest all those modern-person-goes-back-to-good-old-days stories, <b>especially</b> the romances. She saved the tale from total suckage by turning things around a bit.
Finally, "Tangled Dreams" by Lori Foster is our obligatory ghost story. The ghosts are the good people here, and they're matchmaking merrily while trying to warn the living occupant of their house that all is not well. From her prose, I have to wonder if Ms. Foster really thinks that the scenes she describes are "kinky" to most people? There's nothing to get your harness in a knot over, though, just a little light bondage.
So the volume wasn't torturous, and it did provide me with some distraction. Changing my attitude almost certainly helped me enjoy these stories a bit more. I don't think I'm likely to start seeking out romances, but with so much "paranormal romance" all over the shelves, I should probably get used to having somebody's romance in my fantasy.
Sensitivemuse (246 KP) rated Unholy Ghosts (Downside Ghosts, #1) in Books
Sep 14, 2018
Great reading for the first one
Contains spoilers, click to show
***Possible spoilers you’ve been warned***
I really enjoyed the world building in this book and wished there was a little more explanation about it. You do get snippets here and there on what happened with the world and why the Church came on top and in charge of the city. The setting is wonderful though. It’s dark, it’s gritty, it’s survival. It’s what you might see from a cyberpunk novel without the futuristic theme.
The plot itself is interesting thanks to the setting. It’s a nice blend of old and new. I say old because of the way the characters talk. It’s meant to be a form of street slang, but it also sounds a mixture of old english and modern. It’s interesting and fun to read (if you have a crush on Lex you’d like it). There is an element of mystery and I like the magic used. It’s a nice blend of using tattoos and actual spell components.
Chess is likable as a character. She’s hard working and is good at what she does, despite her faults and vices. The vices do play a big part on her behavior and takes a hold of her life. She still manages to soldier through her tasks and proves to be a fighter.
There is an aspect of a love triangle in the book although I’m not sure if it could be called that. I don’t see Terrible as a love interest at all, I see him more as a loyal friend and the muscle of the duo. Lex on the other hand - so swoon worthy if you’re into the bad boys. He’s self serving and most likely not a good thing for Chess but they both got this spark. Maybe it’s because of their backgrounds and they’re similar but they get along so well and Lex has this subtle charm about him (let’s not even compare him to Doyle)
This is a must read for urban fantasy fans. It’s got a bit of everything and Chess is such a great character to follow through the journey. Will definitely go onto the second book of the series.
I really enjoyed the world building in this book and wished there was a little more explanation about it. You do get snippets here and there on what happened with the world and why the Church came on top and in charge of the city. The setting is wonderful though. It’s dark, it’s gritty, it’s survival. It’s what you might see from a cyberpunk novel without the futuristic theme.
The plot itself is interesting thanks to the setting. It’s a nice blend of old and new. I say old because of the way the characters talk. It’s meant to be a form of street slang, but it also sounds a mixture of old english and modern. It’s interesting and fun to read (if you have a crush on Lex you’d like it). There is an element of mystery and I like the magic used. It’s a nice blend of using tattoos and actual spell components.
Chess is likable as a character. She’s hard working and is good at what she does, despite her faults and vices. The vices do play a big part on her behavior and takes a hold of her life. She still manages to soldier through her tasks and proves to be a fighter.
There is an aspect of a love triangle in the book although I’m not sure if it could be called that. I don’t see Terrible as a love interest at all, I see him more as a loyal friend and the muscle of the duo. Lex on the other hand - so swoon worthy if you’re into the bad boys. He’s self serving and most likely not a good thing for Chess but they both got this spark. Maybe it’s because of their backgrounds and they’re similar but they get along so well and Lex has this subtle charm about him (let’s not even compare him to Doyle)
This is a must read for urban fantasy fans. It’s got a bit of everything and Chess is such a great character to follow through the journey. Will definitely go onto the second book of the series.
Hazel (1853 KP) rated Fanya in the Underworld in Books
Dec 6, 2018
I was sent a copy of this book by the author in exchange for an honest review.
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
Ross (3284 KP) rated The Gutter Prayer in Books
Jan 15, 2020
A heist gone wrong
This is a very strange fantasy book. The story starts with a crew of three (a demonic type of person, a human exile girl, and a young man gradually turning to stone) sent to steal an artefact from the Tower of Law. During the heist the building starts to fall down around them and they scatter. There then follows a strange twisting and turning story in a very unique and unusual world. Conspiracies abound as all sides (government, alchemists, thieves, underground creatures) battle for access to artefacts, buildings and, eventually, gods.
The worldbuilding as a whole is superb. This is by far one of the most unusual worlds I have read a story in, with so many different races, creatures and magical things. However, large important parts of this are revealed throughout the book, so things just happen. I wouldn't say they are times of deus ex machina, but definitely some foreshadowing would be nice. This is increasingly annoying over the final third of the book, where new aspects of magic are being made up as we go.
The story is strong, albeit a little convoluted and at times Hanrahan's narrative tone is really nice. However the cast of not altogether distinct characters and names did make me struggle a little, with slightly too many factions or people introduced.
I also found the pace of the book dropped off after the first third, and it took me way longer to finish than it should have as my enjoyment tapered off.
There were a large number of typos throughout the book, more than would even be acceptable for a self-published book, in some cases I think character names were mixed up which meant conversations were harder to follow than they needed to be. Small things like this really hampered my progress through what was, in hindsight, a really good book. I have rated this up a little having had a day or so to calm down from a disappointing end. I have the follow-on book to read soon for Netgalley and will go in to it hoping for better editing and with more of an idea about the world the book takes place in.
The worldbuilding as a whole is superb. This is by far one of the most unusual worlds I have read a story in, with so many different races, creatures and magical things. However, large important parts of this are revealed throughout the book, so things just happen. I wouldn't say they are times of deus ex machina, but definitely some foreshadowing would be nice. This is increasingly annoying over the final third of the book, where new aspects of magic are being made up as we go.
The story is strong, albeit a little convoluted and at times Hanrahan's narrative tone is really nice. However the cast of not altogether distinct characters and names did make me struggle a little, with slightly too many factions or people introduced.
I also found the pace of the book dropped off after the first third, and it took me way longer to finish than it should have as my enjoyment tapered off.
There were a large number of typos throughout the book, more than would even be acceptable for a self-published book, in some cases I think character names were mixed up which meant conversations were harder to follow than they needed to be. Small things like this really hampered my progress through what was, in hindsight, a really good book. I have rated this up a little having had a day or so to calm down from a disappointing end. I have the follow-on book to read soon for Netgalley and will go in to it hoping for better editing and with more of an idea about the world the book takes place in.
Lindsay (1717 KP) rated The New Enchantress (Alyssa McCarthy's Magical Missions #3) in Books
Jun 5, 2021
Suppose you're looking for a good fantasy or girl hero for your middle-grade children. This book "The New Enchantress" is a good one to have. It is about a girl named Alyssa who gets caught with lasting powers that she can not lose.
The first two books are must-reads and introduce us to Alyssa and her adventures. This book is the third in the series and continues Alyssa's journey with her newfound powers. She seems to signify hexing with uncontrollable forces.
Will Alyssa learn lessons and find a way to figure out how to control her newfound powers? Simon tells her that she will need to learn how to control her emotions and her magic promo. Or she will be enslaved to Boo Champ Cory. Will she and her friends learn the lesson they need to know. Will their friendship end?
Alyssa occurs put to the test. How will the magical mission do and take for Alyssa to succeed? Or will Alyssa start to forget her loved one and never remember? Boo Champ Cory and allies seem to have a plan, but will it work?
The plot gets more interesting once the twist and turns start to happen. When chaos strikes, will Alyssa and her allies come out on top, or will they not. This book is excellent for teens and girls alike. There is some trouble that you will be hoping for Alyssa to figure out her problems but will see in time. Will she beat her enemies, or will she not.
The story starts slow, but it gets more entertaining as it goes. My rating remains based on that which is a 4.5 stars (Moons) rating. There are several twists and turns and somewhat starts at the beginning. I do wonder what will happen and if the author will add another book. This series is good to have on your teen bookshelves or middle-grade child or children bookshelves. It does seem to deal with what some middle grades need to deal with friends and even their own emotions and feelings.
The first two books are must-reads and introduce us to Alyssa and her adventures. This book is the third in the series and continues Alyssa's journey with her newfound powers. She seems to signify hexing with uncontrollable forces.
Will Alyssa learn lessons and find a way to figure out how to control her newfound powers? Simon tells her that she will need to learn how to control her emotions and her magic promo. Or she will be enslaved to Boo Champ Cory. Will she and her friends learn the lesson they need to know. Will their friendship end?
Alyssa occurs put to the test. How will the magical mission do and take for Alyssa to succeed? Or will Alyssa start to forget her loved one and never remember? Boo Champ Cory and allies seem to have a plan, but will it work?
The plot gets more interesting once the twist and turns start to happen. When chaos strikes, will Alyssa and her allies come out on top, or will they not. This book is excellent for teens and girls alike. There is some trouble that you will be hoping for Alyssa to figure out her problems but will see in time. Will she beat her enemies, or will she not.
The story starts slow, but it gets more entertaining as it goes. My rating remains based on that which is a 4.5 stars (Moons) rating. There are several twists and turns and somewhat starts at the beginning. I do wonder what will happen and if the author will add another book. This series is good to have on your teen bookshelves or middle-grade child or children bookshelves. It does seem to deal with what some middle grades need to deal with friends and even their own emotions and feelings.
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Goddess in the Stacks (553 KP) rated Bright Smoke, Cold Fire in Books
Apr 15, 2018
Fantastic Shakespeare retelling (3 more)
Excellent characters
Interesting worldbuilding
Romeo & Juliet + Zombies!
I read the description of this book somewhere and immediately requested it from the library - a re-imagining of Romeo and Juliet in a dying world with necromancers? SIGN ME UP. And it did not disappoint!
Hodge has written a few other books - Cruel Beauty, a retelling of Beauty and the Beast, and Crimson Bound, a retelling of Little Red Riding Hood. (She also has a novella that spins Cinderella.) You all know how much I like my redone Fairy Tales! Bright Smoke, Cold Fire, is a little different in that it's a Shakespeare play, instead of a fairy tale. I recently read and reviewed Miranda and Caliban, another Shakespeare reskin, but this, I think, is much better.
The Capulets have become the Catresou, and the Montagues the Mahyanai in this dark fantasy. The Ruining has killed every human outside the city of Viyara/Verona - only stopped by the mystical walls put up by a long-dead priestess and maintained by a mysterious cult of nuns.
My favorite characters in this book - and arguably the main characters - are Runajo (Rosaline) and Paris, rather than Romeo and the Juliet. (It's a title, not a name - her name was stripped from her as an infant when the magic was worked to make her "the Juliet.") The original play doesn't give either of them much time, and they are both fascinating characters in this novel - Runajo a little more than Paris, in my opinion. Runajo is a member of the Sisters of Thorns - the cult of nuns keeping the walls of Viyara up against The Ruining. When she accidentally brings the Juliet back from death, she becomes - or at least thinks she becomes - that which she and the city fear the most. A necromancer. Runajo and the Juliet both believe they will (and should) die for this crime, but still use the time they have left to try and save the city from the necromancers operating within.
Meanwhile, Paris and Romeo have found themselves bound by the magic that should have bound Romeo and Juliet, had it not gone terribly wrong. They can feel each other's emotions, see each other's memories, hear each other's thoughts. This is understandably awkward for Paris as he feels Romeo's grief for the Juliet's supposed death, and occasionally catches flashes of more intimate moments between the two. They decide to take on the city's necromancers in memory of the Juliet.
I liked how, similar to the play, Romeo and Juliet both operate for the entirety of the book under the assumption that the other one is dead. They both take risks and agree to things they would not have done if they didn't each welcome death in their own way.
I also very much enjoyed a side, non-binary character who I really want to see more of!
The book ended on an upsetting cliffhanger, which is really my only problem with it. The sequel is due out this summer (Endless Water, Starless Sky) and I will definitely be picking it up.
Great book, but you may want to wait a few months so you can immediately follow it with the sequel!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Hodge has written a few other books - Cruel Beauty, a retelling of Beauty and the Beast, and Crimson Bound, a retelling of Little Red Riding Hood. (She also has a novella that spins Cinderella.) You all know how much I like my redone Fairy Tales! Bright Smoke, Cold Fire, is a little different in that it's a Shakespeare play, instead of a fairy tale. I recently read and reviewed Miranda and Caliban, another Shakespeare reskin, but this, I think, is much better.
The Capulets have become the Catresou, and the Montagues the Mahyanai in this dark fantasy. The Ruining has killed every human outside the city of Viyara/Verona - only stopped by the mystical walls put up by a long-dead priestess and maintained by a mysterious cult of nuns.
My favorite characters in this book - and arguably the main characters - are Runajo (Rosaline) and Paris, rather than Romeo and the Juliet. (It's a title, not a name - her name was stripped from her as an infant when the magic was worked to make her "the Juliet.") The original play doesn't give either of them much time, and they are both fascinating characters in this novel - Runajo a little more than Paris, in my opinion. Runajo is a member of the Sisters of Thorns - the cult of nuns keeping the walls of Viyara up against The Ruining. When she accidentally brings the Juliet back from death, she becomes - or at least thinks she becomes - that which she and the city fear the most. A necromancer. Runajo and the Juliet both believe they will (and should) die for this crime, but still use the time they have left to try and save the city from the necromancers operating within.
Meanwhile, Paris and Romeo have found themselves bound by the magic that should have bound Romeo and Juliet, had it not gone terribly wrong. They can feel each other's emotions, see each other's memories, hear each other's thoughts. This is understandably awkward for Paris as he feels Romeo's grief for the Juliet's supposed death, and occasionally catches flashes of more intimate moments between the two. They decide to take on the city's necromancers in memory of the Juliet.
I liked how, similar to the play, Romeo and Juliet both operate for the entirety of the book under the assumption that the other one is dead. They both take risks and agree to things they would not have done if they didn't each welcome death in their own way.
I also very much enjoyed a side, non-binary character who I really want to see more of!
The book ended on an upsetting cliffhanger, which is really my only problem with it. The sequel is due out this summer (Endless Water, Starless Sky) and I will definitely be picking it up.
Great book, but you may want to wait a few months so you can immediately follow it with the sequel!
You can find all my reviews at http://goddessinthestacks.wordpress.com