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Hazel (1853 KP) rated The Cure for Dreaming in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
On her seventeenth birthday 1900, Olivia Meade gets invited onto a stage to be hypnotized by the young Monsieur Henri Reverie in this historical, paranormal novel. In Oregon at this period of time women were not allowed to vote in presidential elections and Olivia’s father is determined that she does not get influenced by the campaigning suffragists. On hearing about the hypnotist, Dr. Meade hires him with the job of removing the “selfish” and “unladylike dreams” from his daughter’s head. However this causes Olivia more problems than expected. She begins to see horrible images but are these as a result of Henri telling her “you will see the world the way it truly is”, or is she hallucinating as a result of reading Dracula more times than necessary?
<i>The Cure For Dreaming</i> contains a mix of historical references and paranormal ideas as both Henri and Olivia struggle to find a successful way of reversing the effects of the hypnosis as well as involving themselves in the women’s suffrage movement.
Cat Winters, despite the added fantasy elements, has kept the book historically accurate. A typical novel about women’s equality would result in life changing successes, however as Oregon did not did not gain full suffrage until 1912 this of course was not impossible to include in <i>The Cure For Dreaming</i>. Ultimately it is a novel about growing up to be who you want to be and knowing your own mind rather than succumbing to the “natural” views of society.
The writing is contemporary and easy to understand which makes it suitable for ages twelve and older. The downside to this is that it detracts from the historical setting, making Olivia appear a lot more modern than she actually is. Apart from mimicking a classic novel type style, which would make it less suitable for its target audience, there is not a lot that can be done about that.
Between chapters of the book are relevant photographs or images from the appropriate time period, which help to illustrate the events in the plot. There are also quotes from authors such as Kate Chopin and Mark Twain as well as more political lines from various speeches. These also help to provide an understanding of the historical setting.
Overall <i>The Cure For Dreaming</i> is a great book for teenagers. There may be paranormal themes but it is not a horror novel, in fact there is just as much romance as anything else.
On her seventeenth birthday 1900, Olivia Meade gets invited onto a stage to be hypnotized by the young Monsieur Henri Reverie in this historical, paranormal novel. In Oregon at this period of time women were not allowed to vote in presidential elections and Olivia’s father is determined that she does not get influenced by the campaigning suffragists. On hearing about the hypnotist, Dr. Meade hires him with the job of removing the “selfish” and “unladylike dreams” from his daughter’s head. However this causes Olivia more problems than expected. She begins to see horrible images but are these as a result of Henri telling her “you will see the world the way it truly is”, or is she hallucinating as a result of reading Dracula more times than necessary?
<i>The Cure For Dreaming</i> contains a mix of historical references and paranormal ideas as both Henri and Olivia struggle to find a successful way of reversing the effects of the hypnosis as well as involving themselves in the women’s suffrage movement.
Cat Winters, despite the added fantasy elements, has kept the book historically accurate. A typical novel about women’s equality would result in life changing successes, however as Oregon did not did not gain full suffrage until 1912 this of course was not impossible to include in <i>The Cure For Dreaming</i>. Ultimately it is a novel about growing up to be who you want to be and knowing your own mind rather than succumbing to the “natural” views of society.
The writing is contemporary and easy to understand which makes it suitable for ages twelve and older. The downside to this is that it detracts from the historical setting, making Olivia appear a lot more modern than she actually is. Apart from mimicking a classic novel type style, which would make it less suitable for its target audience, there is not a lot that can be done about that.
Between chapters of the book are relevant photographs or images from the appropriate time period, which help to illustrate the events in the plot. There are also quotes from authors such as Kate Chopin and Mark Twain as well as more political lines from various speeches. These also help to provide an understanding of the historical setting.
Overall <i>The Cure For Dreaming</i> is a great book for teenagers. There may be paranormal themes but it is not a horror novel, in fact there is just as much romance as anything else.
Becs (244 KP) rated Song Of The Sparrow in Books
Oct 2, 2019
Genre: Historical Fiction, Young Adult, Fantasy, Poetry, Romance.
Type: Stand-alone
Audience/ Reading Level: 12+
Interests: King Arthur and the Knights of the Round Table, Historical Reads, Lyricism, Poetry, Retellings.
Point of View: Third person
Promise: A tale of love, betrayal, and war.
Insights: I have no idea where or when I received/ got this novel. But ever since that day, Song of the Sparrow has been one of my favorite retellings of King Arthur and the Knights of the Round Table. My copy is very beaten up, so it’s gotten it’s many of read-throughs in. It also makes me think that I use to be pretty rough with my books. (what in the heck is wrong with you Becca! smh) I remember reading through SotS and thinking of myself as Elaine, the MC. Does anybody else do that? Because it hasn’t gone away with me.
I loved every aspect of this little novel. My favorite part was not only the retelling of King Arthur and the Knights but also how the novel was written in a sort of lyricism way, a lot like poetry. Novels written this way have always drawn my attention and I find them quite refreshing to read when in a slump or trying to get out of one.
Favorite Quotes: “I am Elaine daughter of Barnard of Ascolat. Motherless. Sisterless. I sing these words to you now, because the point of light grows smaller, ever smaller now, even more distant now. And with this song, I pray I may push back the tides of war and death. So, I sing these words that this light, this tiny ray of light and hope may live on. I dare not hope that I may live on too.”
“So long ago now. But you remind me of her, you know. Sometimes I forget that you are not she. Sometimes I forget that I should not blame you for leaving me. It was her. I was her.”
What will you gain?: A new telling of what life back in the olden days was like for a female in an all men village.
Aesthetics: Everytime I read-through Song of the Sparrow, I always stare at the cover. Something about it is just very appealing, not only to the eyes but also with the mind. Another aesthetic I found that I loved was how the story was written like lyricism/poetry.
“And at that moment, a lilting melody lifts to the moon as a single sparrow sings.”
Type: Stand-alone
Audience/ Reading Level: 12+
Interests: King Arthur and the Knights of the Round Table, Historical Reads, Lyricism, Poetry, Retellings.
Point of View: Third person
Promise: A tale of love, betrayal, and war.
Insights: I have no idea where or when I received/ got this novel. But ever since that day, Song of the Sparrow has been one of my favorite retellings of King Arthur and the Knights of the Round Table. My copy is very beaten up, so it’s gotten it’s many of read-throughs in. It also makes me think that I use to be pretty rough with my books. (what in the heck is wrong with you Becca! smh) I remember reading through SotS and thinking of myself as Elaine, the MC. Does anybody else do that? Because it hasn’t gone away with me.
I loved every aspect of this little novel. My favorite part was not only the retelling of King Arthur and the Knights but also how the novel was written in a sort of lyricism way, a lot like poetry. Novels written this way have always drawn my attention and I find them quite refreshing to read when in a slump or trying to get out of one.
Favorite Quotes: “I am Elaine daughter of Barnard of Ascolat. Motherless. Sisterless. I sing these words to you now, because the point of light grows smaller, ever smaller now, even more distant now. And with this song, I pray I may push back the tides of war and death. So, I sing these words that this light, this tiny ray of light and hope may live on. I dare not hope that I may live on too.”
“So long ago now. But you remind me of her, you know. Sometimes I forget that you are not she. Sometimes I forget that I should not blame you for leaving me. It was her. I was her.”
What will you gain?: A new telling of what life back in the olden days was like for a female in an all men village.
Aesthetics: Everytime I read-through Song of the Sparrow, I always stare at the cover. Something about it is just very appealing, not only to the eyes but also with the mind. Another aesthetic I found that I loved was how the story was written like lyricism/poetry.
“And at that moment, a lilting melody lifts to the moon as a single sparrow sings.”
ArecRain (8 KP) rated Monster High (Monster High, #1) in Books
Jan 18, 2018
I am twenty years old and I loved this book more than I think an intelligent college student should. There were just way to many things that kept me from not turning the pages and walking away. In fact, I have only one negative thing to say about this book.
This is a book meant strictly for pleasure reading for fantasy and novels alike. While it kept true to the high school novel feel, it also had enough fantasy to make it that much more interesting than just high school girls worrying about losing their boy toys. It was similar to any other young adult novel I have read except for the one factor making it completely different: it revolves around the descendents of monsters. If it wasnt for that, I probably would have hated this book. I have always loved everything to do with fantast monsters and creatures. The fact that Mattel created a doll series about it was cute, but the book made it enjoyable for an audience older than seven years of age.
Quite honestly, I am tired of all the criticism of this book. It is meant to be a light-hearted, moral teaching novel meant for young adults, therefore, it is meant to relatable by teens. All the slang that the students use is how the real world is, people. I am sorry if you dont understand their lingo, but its how kids are, especially high schoolers. They invent words that they think are cool and some tend to catch on. Melodys family is from Beverly Hills. Why wouldnt they have designer clothes? Frankie was born 15 days ago. What else would she wear but what magazines and the media tell her to, which just happens to be designer clothing. As for the celebrity names dropped, this is not in the leagues of Lewis or Tolkien. Few people will read this in 50 years when the current generation doesnt know who Lady Gaga or Justin Beiber is. This was meant for the generation here and now.
This is not a deep novel people. There is no great mission by amazing warriors meant to save the world. The romance is just that: cute teen romance. No sex and no deep involved feeling that are too complicated. If this novel was not grown up for you, then you probably shouldnt be picking up books from the young adult section. Try some Lukyanenko novels and then talk to me. Thanks.
Moving on. The books two main female characters are Melody and Frankie Stein. The description is a bit misleading, however. Frankie and Melody actually dont even really talk to each until the end. Before tragedy strikes, bringing them together, the two are lost in their own little worlds, hardly even concerned with each other. Both girls are focused on making it a new community and high school, while dealing with major crushes and vicious students. Each makes their own friends. Ones are psychotic back-stabbers that need to have cell phone service banned and barred. The others are true and stand behind her even if they dont agree with her.
The characters were adorable, crazy, funny, and had so much well character. It was easy to tell one from another and I absolutely loved reading about them interacting with each other. Most of the novel had me either laughing, or setting the book aside until I could get over my empathetic embarrassment. I found myself sympathizing with all the characters points of view even though none of them know the whole picture like the reader does. Not to mention, sharing Frankies frustration. I was with her 100% even though I kept telling myself her parents way was the safest. How could you not feel frustrated when everyone was telling her to have pride in what she was and the forcing who to hide what she was? Hypocritical much? I thought so.
Now to the only negative thing I have to say about this book: I wanted to continuously shut Melody down. I found it down right annoying that she thought she knew how Jackson (Dr. Jekylls grandson) and Frankie (Frankensteins granddaughter) felt about being outcasts just because she had a nose she considered ugly. Are you kidding me? Really? I thought this was a poor attempt by Harrison to give Melody and Frankie some common ground. Being made fun of because of your nose is nowhere near the devastation of being hunted down because your grandfather was a chemical addict or a stitched together living doll. Oh, I am sure that it was tragic enough for Melody, but how dare she say she understood what it was like. Melody was never in mortal danger for her difference, so please, honey, get off your self-righteous horse.
The main reason I loved this book so much was because it was so distracting. It was such a light and fluffy book about the simplicity that is high school life. It was refreshing from all these novels nowadays where the protagonist is the only person capable of saving the world, their loved, blah blah blah, while the protagonist is some immensely powerful being. Note to writers: that scenario is getting old real quick.
This is a book meant strictly for pleasure reading for fantasy and novels alike. While it kept true to the high school novel feel, it also had enough fantasy to make it that much more interesting than just high school girls worrying about losing their boy toys. It was similar to any other young adult novel I have read except for the one factor making it completely different: it revolves around the descendents of monsters. If it wasnt for that, I probably would have hated this book. I have always loved everything to do with fantast monsters and creatures. The fact that Mattel created a doll series about it was cute, but the book made it enjoyable for an audience older than seven years of age.
Quite honestly, I am tired of all the criticism of this book. It is meant to be a light-hearted, moral teaching novel meant for young adults, therefore, it is meant to relatable by teens. All the slang that the students use is how the real world is, people. I am sorry if you dont understand their lingo, but its how kids are, especially high schoolers. They invent words that they think are cool and some tend to catch on. Melodys family is from Beverly Hills. Why wouldnt they have designer clothes? Frankie was born 15 days ago. What else would she wear but what magazines and the media tell her to, which just happens to be designer clothing. As for the celebrity names dropped, this is not in the leagues of Lewis or Tolkien. Few people will read this in 50 years when the current generation doesnt know who Lady Gaga or Justin Beiber is. This was meant for the generation here and now.
This is not a deep novel people. There is no great mission by amazing warriors meant to save the world. The romance is just that: cute teen romance. No sex and no deep involved feeling that are too complicated. If this novel was not grown up for you, then you probably shouldnt be picking up books from the young adult section. Try some Lukyanenko novels and then talk to me. Thanks.
Moving on. The books two main female characters are Melody and Frankie Stein. The description is a bit misleading, however. Frankie and Melody actually dont even really talk to each until the end. Before tragedy strikes, bringing them together, the two are lost in their own little worlds, hardly even concerned with each other. Both girls are focused on making it a new community and high school, while dealing with major crushes and vicious students. Each makes their own friends. Ones are psychotic back-stabbers that need to have cell phone service banned and barred. The others are true and stand behind her even if they dont agree with her.
The characters were adorable, crazy, funny, and had so much well character. It was easy to tell one from another and I absolutely loved reading about them interacting with each other. Most of the novel had me either laughing, or setting the book aside until I could get over my empathetic embarrassment. I found myself sympathizing with all the characters points of view even though none of them know the whole picture like the reader does. Not to mention, sharing Frankies frustration. I was with her 100% even though I kept telling myself her parents way was the safest. How could you not feel frustrated when everyone was telling her to have pride in what she was and the forcing who to hide what she was? Hypocritical much? I thought so.
Now to the only negative thing I have to say about this book: I wanted to continuously shut Melody down. I found it down right annoying that she thought she knew how Jackson (Dr. Jekylls grandson) and Frankie (Frankensteins granddaughter) felt about being outcasts just because she had a nose she considered ugly. Are you kidding me? Really? I thought this was a poor attempt by Harrison to give Melody and Frankie some common ground. Being made fun of because of your nose is nowhere near the devastation of being hunted down because your grandfather was a chemical addict or a stitched together living doll. Oh, I am sure that it was tragic enough for Melody, but how dare she say she understood what it was like. Melody was never in mortal danger for her difference, so please, honey, get off your self-righteous horse.
The main reason I loved this book so much was because it was so distracting. It was such a light and fluffy book about the simplicity that is high school life. It was refreshing from all these novels nowadays where the protagonist is the only person capable of saving the world, their loved, blah blah blah, while the protagonist is some immensely powerful being. Note to writers: that scenario is getting old real quick.
Ryan Hill (152 KP) rated Aquaman (2018) in Movies
Jun 8, 2019
"war is coming to the surface"
Aquaman is absolutely a disciple of the superhero formula we've seen used, reused and recycled over the past couple decades...but its formula done right. There's an inherent lunacy to a hero like Aquaman; his myth is built upon a lost Atlantean culture that's simultaneously advanced technologically and heavily influenced by ancient Greek mythology, and his powers included near-Superman levels of strength and invulnerability existing alongside an ability to communicate with marine life. This makes approaching his story from a gritty, realistic perspective damn near impossible.
Instead Wan and the writers behind Aquaman intelligently focus on world-building and following the tried-and-true "heroic journey"; complete with initial rejection of a prophesied role, slow but steady immersion into said role's culture, recognition of the need for growth and change, and eventual assumption of role. It's been seen before and it'll be seen again. But what propels Aquaman ahead of other films like it is the energy that Wan imbues it with. It's goofy without undermining the sincerity of Arthur's journey. It's fast-paced and simple-minded without sacrificing the weight and universality of this particular hero's myth. It's loud and colorful and *full* of CGI everything without reducing itself to an over-commercialized, artless heap of nothingness.
It's a big-ass blockbuster with personality. Momoa has charisma to spare; he owns the physicality and irreverence of this new imagining of the king of the ocean perfectly. Amber Heard is sexy and badass as Mera; something of a victim of a forced romance but also a compelling and strong protagonist in her own right. Patrick Wilson as Oceanmaster (call me....Oceanmaster) is given enough screen-time to develop that he's more than a punching bag for Aquaman; but actually a character with ambitions and a defined, fleshed-out purpose. The origin segment is tightly done and more than enough to set the stage for what is to come. And probably the strongest aspect of this picture, the costuming and world-building, is off the charts. Similar to the enduring fantasy films that precede this (LOTR, Star Wars, Avatar for a few examples) the undersea kingdoms are a place I want to return to. They aren't just my world dressed up with CGI and the occasional costuming flourish; they're entirely foreign and endlessly inventive. Probably a solid third of the film is simply Aquaman, and the audience, being told about this world and shown it by Mera. While that may not be artistically prestigious strategy for engaging audiences, it entertains and fascinates on a "turn off your brain and look at those pretty colors" sort of way. There's a simple glee in seeing sharks ridden like horses or an octopus pounding a war-time set of drums.
I always offer the disclaimer when writing about nerdy films that I love which is this: I am a nerd. While I wasn't particularly attached to Aquaman growing up; his journey, the nature of this sort of film and the cinematic universe he will be growing into are fundamentally important to me, and I like to embrace that bias rather than keep it in check with reduced ratings or "objective" analysis. Whether it be a giant, confusing and chaotic battle between underwater armies or the horrifying descent into "the trench"; you'll always find me looking up at the screen like a little kid. Or moments like Arthur meeting Mera and confronting is past, or taking upon the role of king while wielding the trident; I just love that sort of stuff. I'm a sucker for these beats and this formula; and all signs point to this continuing. So while I may like it more than most; I'd mostly like to say Aquaman still distinguishes itself as a particularly goofy, sprawling, mythic, and metal experience that deserved to be seen on the big-screen, and to be celebrated as the fantasy film it is. It's a great time, and a nice addition to the DC film franchise.
Instead Wan and the writers behind Aquaman intelligently focus on world-building and following the tried-and-true "heroic journey"; complete with initial rejection of a prophesied role, slow but steady immersion into said role's culture, recognition of the need for growth and change, and eventual assumption of role. It's been seen before and it'll be seen again. But what propels Aquaman ahead of other films like it is the energy that Wan imbues it with. It's goofy without undermining the sincerity of Arthur's journey. It's fast-paced and simple-minded without sacrificing the weight and universality of this particular hero's myth. It's loud and colorful and *full* of CGI everything without reducing itself to an over-commercialized, artless heap of nothingness.
It's a big-ass blockbuster with personality. Momoa has charisma to spare; he owns the physicality and irreverence of this new imagining of the king of the ocean perfectly. Amber Heard is sexy and badass as Mera; something of a victim of a forced romance but also a compelling and strong protagonist in her own right. Patrick Wilson as Oceanmaster (call me....Oceanmaster) is given enough screen-time to develop that he's more than a punching bag for Aquaman; but actually a character with ambitions and a defined, fleshed-out purpose. The origin segment is tightly done and more than enough to set the stage for what is to come. And probably the strongest aspect of this picture, the costuming and world-building, is off the charts. Similar to the enduring fantasy films that precede this (LOTR, Star Wars, Avatar for a few examples) the undersea kingdoms are a place I want to return to. They aren't just my world dressed up with CGI and the occasional costuming flourish; they're entirely foreign and endlessly inventive. Probably a solid third of the film is simply Aquaman, and the audience, being told about this world and shown it by Mera. While that may not be artistically prestigious strategy for engaging audiences, it entertains and fascinates on a "turn off your brain and look at those pretty colors" sort of way. There's a simple glee in seeing sharks ridden like horses or an octopus pounding a war-time set of drums.
I always offer the disclaimer when writing about nerdy films that I love which is this: I am a nerd. While I wasn't particularly attached to Aquaman growing up; his journey, the nature of this sort of film and the cinematic universe he will be growing into are fundamentally important to me, and I like to embrace that bias rather than keep it in check with reduced ratings or "objective" analysis. Whether it be a giant, confusing and chaotic battle between underwater armies or the horrifying descent into "the trench"; you'll always find me looking up at the screen like a little kid. Or moments like Arthur meeting Mera and confronting is past, or taking upon the role of king while wielding the trident; I just love that sort of stuff. I'm a sucker for these beats and this formula; and all signs point to this continuing. So while I may like it more than most; I'd mostly like to say Aquaman still distinguishes itself as a particularly goofy, sprawling, mythic, and metal experience that deserved to be seen on the big-screen, and to be celebrated as the fantasy film it is. It's a great time, and a nice addition to the DC film franchise.
Kara Skinner (332 KP) rated Protector in Books
Jun 12, 2019
Girl Doesn’t Take Her Mate’s Crap in this YA Fantasy Romance Novel
Contains spoilers, click to show
Genre: Fantasy, YA
Word Count: 86,170
Average Goodreads Rating: 3.75 out of 5 stars
My rating: 3 out of 5 stars
Faith thought she was a normal human girl. Then she turned 18 and started developing abilities. Around the same time, a mysterious girl named Belle showed up and explained to Faith that she was really a Halfling, who belonged to an alien planet. Not only that, but she had the powerful ability of Forewarning, a skill that was highly coveted, especially by the Loverias and the Wincrests, two rival royal families on the brink of going to war with each other. Things get even more complicated when Faith forms a mated bond with Prince Davio Loveria– right before finding out her long-absent father is Prince Alexo Wincrest, Davio’s sworn enemy.
Caught in an impending war on a foreign planet, Faith must think and learn fast to keep herself from becoming a political pawn while also keeping her family safe.
Faith is a fucking badass and I love her. She acts like a teenaged girl, with all the angst and drama that comes with it, but at the same times she’s smart, and she won’t take shit, especially not from Davio. I love how resourceful she is and how quickly she’s able to adapt to a foreign planet with different cultures and abilities. But at the same time, she’s not a Mary Sue. She does have issues with learning the culture and controlling her abilities. She also doesn’t deal well with having her world turned upside down but her reactions aren’t unrealistic and they make me love her that much more.
Davio, however, is a piece of shit. I knocked off a star just because he exists. He’s a pompous brat with less maturity and poise than a two-year-old. When he finally accepts that he’s mated to Faith, he shows his “love” by controlling her and ordering her around. He doesn’t let her be alone because she needs to be protected. He demands that she either be with him or one of his bodyguards at all time, effectively keeping her a prisoner. This is supposedly because she has Forewarning, which makes her likely to get kidnapped or killed. I would have an easier time believing that if she had ever gotten attacked in the book. But the only people who attack her are Davio’s own bodyguards. No one else gives a shit.
He also loves ordering her around. He’ll order her to get showered and dressed in two minutes. He also orders her to betray her father. Davio is actually shocked when Faith won’t give him intimate secrets about how to take down her father. He accuses her of being a traitor when she refuses to be part of any plan that will get her father killed or kidnapped.
Davio hates Faith’s father for being from the wrong country, he always thinks he’s right, and he’s controlling to boot. He’s basically teenaged Trump.
Davio is the biggest problem in the book. Almost everything else I enjoyed. I loved the world building and how the mated bond was portrayed. Even though Faith and Davio were connected through the bond and couldn’t be apart very long without feeling anxious and depressed, they weren’t brainwashed by it. They still didn’t trust or even love each other for most of the book and they could identify what feelings were real and what was from the bond. It’s rare when a book can have soulmates without having insta-love, but Protector pulled it off.
I’m still confused by Faith’s parents, however. Faith’s mother raised her by herself on Earth after getting abandoned by Alexo. But when he shows up eighteen years later and has a brief conversation with her, she’s completely willing to travel to a foreign planet, be banned from going back to Earth. She also needs to pretend to be his wife despite hating him for abandoning her. I honestly have no idea why but that might get explained in later books.
Word Count: 86,170
Average Goodreads Rating: 3.75 out of 5 stars
My rating: 3 out of 5 stars
Faith thought she was a normal human girl. Then she turned 18 and started developing abilities. Around the same time, a mysterious girl named Belle showed up and explained to Faith that she was really a Halfling, who belonged to an alien planet. Not only that, but she had the powerful ability of Forewarning, a skill that was highly coveted, especially by the Loverias and the Wincrests, two rival royal families on the brink of going to war with each other. Things get even more complicated when Faith forms a mated bond with Prince Davio Loveria– right before finding out her long-absent father is Prince Alexo Wincrest, Davio’s sworn enemy.
Caught in an impending war on a foreign planet, Faith must think and learn fast to keep herself from becoming a political pawn while also keeping her family safe.
Faith is a fucking badass and I love her. She acts like a teenaged girl, with all the angst and drama that comes with it, but at the same times she’s smart, and she won’t take shit, especially not from Davio. I love how resourceful she is and how quickly she’s able to adapt to a foreign planet with different cultures and abilities. But at the same time, she’s not a Mary Sue. She does have issues with learning the culture and controlling her abilities. She also doesn’t deal well with having her world turned upside down but her reactions aren’t unrealistic and they make me love her that much more.
Davio, however, is a piece of shit. I knocked off a star just because he exists. He’s a pompous brat with less maturity and poise than a two-year-old. When he finally accepts that he’s mated to Faith, he shows his “love” by controlling her and ordering her around. He doesn’t let her be alone because she needs to be protected. He demands that she either be with him or one of his bodyguards at all time, effectively keeping her a prisoner. This is supposedly because she has Forewarning, which makes her likely to get kidnapped or killed. I would have an easier time believing that if she had ever gotten attacked in the book. But the only people who attack her are Davio’s own bodyguards. No one else gives a shit.
He also loves ordering her around. He’ll order her to get showered and dressed in two minutes. He also orders her to betray her father. Davio is actually shocked when Faith won’t give him intimate secrets about how to take down her father. He accuses her of being a traitor when she refuses to be part of any plan that will get her father killed or kidnapped.
Davio hates Faith’s father for being from the wrong country, he always thinks he’s right, and he’s controlling to boot. He’s basically teenaged Trump.
Davio is the biggest problem in the book. Almost everything else I enjoyed. I loved the world building and how the mated bond was portrayed. Even though Faith and Davio were connected through the bond and couldn’t be apart very long without feeling anxious and depressed, they weren’t brainwashed by it. They still didn’t trust or even love each other for most of the book and they could identify what feelings were real and what was from the bond. It’s rare when a book can have soulmates without having insta-love, but Protector pulled it off.
I’m still confused by Faith’s parents, however. Faith’s mother raised her by herself on Earth after getting abandoned by Alexo. But when he shows up eighteen years later and has a brief conversation with her, she’s completely willing to travel to a foreign planet, be banned from going back to Earth. She also needs to pretend to be his wife despite hating him for abandoning her. I honestly have no idea why but that might get explained in later books.
Sophia (Bookwyrming Thoughts) (530 KP) rated Turn It Up! in Books
Jan 23, 2020
<i>Turn It Up!</i> was a totally random pick I chose from my library's OverDrive catalog because they didn't have the book I so desperately wanted in my hands right at the very moment. <span style="font-size: small;">Come on, American Panda. Come to meeee.</span>
Or maybe they did but I didn't feel like reading any fantasy. I've been wanting more and more cute contemporary romances lately. <b>Give me all the cute contemporaries, bookwyrms.</b> I need to feed my latest addiction until I'm tired of it and go back to my usual fantasy groove.
Anyways...
<b>Jen Calonita's latest novel is about acapella groups.</b> I love and admire acapella (Pentatonix is one of my favorite groups) so this novel caught my eye <i>really</i> quick. <b><i>Turn It Up!</i></b><b> is essentially Pitch Perfect set in a high school setting instead of college.</b> I was hoping that I would enjoy the book a lot since it <i>is</i> about music and acapella.
Unfortunately, <strong>the book focuses too much on Lidia's and Sydney's problem with little to no progress</strong> and an ending that was basically handed over to the characters on a plate adorned with musical notes and shoes. <i>Boom.</i> Happily ever after for everyone.
This is basically the summary of the book:
<ul>
<li>Girl has a crush on a guy</li>
<li>Other girl ends up falling in love with the guy</li>
<li>Girl catches other girl and guy kissing, creates tension among friendship</li>
<li>Girl develops other interests and chases after it because it conveniently keeps her away from other girl and guy as well</li>
<li>Other girl tries to push guy but really, she's in love but she values friendship</li>
<li>Girl falls in love slowly with another guy</li>
<li>Guy somehow gets between girl and other guy by accident - oopsies</li>
<li>Girl and other girl realizes they don't have to be this way</li>
<li>Somehow they become best friends again and everyone lives happily ever after</li>
</ul>
I was expecting more... I don't know, music to be involved? There's certainly conflict among the acapella group, but it felt like the musical angle wasn't even needed to create drama among the characters since there seemed to be issues well before the acapella group became a thing. 🤷
A lot of the issues seemed to have roots since middle school/early high school - they just seemed to have escalated. And <strong>while the Pitch Perfect movie had their drama, it was at least entertaining and catchy.</strong> I can't say the same for the book.
<strong>The writing felt off</strong> - there were times where it felt awkward due to punctuation usage, mainly exclamation points. Sentences that didn't need an exclamation had one, or maybe it's just the phrasing of the sentences themselves. It didn't really help me enjoy the book more.
And then there were the characters. I don't know if it's just me, but I have a hard time thinking of how old most of the characters are. I know <i>Turn It Up! </i>is set in high school, but there were times where I felt they were a little younger. 🤔
<b>But hey, there were <em>maybe</em> a few parts that were good!</b>
<ul>
<li>Eventually, everyone got past their differences - hooray</li>
<li>There <em>is</em> a cute romance, and I definitely ship it</li>
<li>Sometimes I wanted to smush the two characters together</li>
<li>Lidia's family is cute and adorable</li>
</ul>
Anyways, those smol little bits that were good didn't make up for the bad. I wanted more from <em>Turn It Up!</em> and <strong>I got a Pitch Perfect version in book form that was less entertaining than the movie.</strong>
<a href="http://bookwyrmingthoughts.com/turn-it-up-by-jen-calonita-ya-pitch-perfect/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Or maybe they did but I didn't feel like reading any fantasy. I've been wanting more and more cute contemporary romances lately. <b>Give me all the cute contemporaries, bookwyrms.</b> I need to feed my latest addiction until I'm tired of it and go back to my usual fantasy groove.
Anyways...
<b>Jen Calonita's latest novel is about acapella groups.</b> I love and admire acapella (Pentatonix is one of my favorite groups) so this novel caught my eye <i>really</i> quick. <b><i>Turn It Up!</i></b><b> is essentially Pitch Perfect set in a high school setting instead of college.</b> I was hoping that I would enjoy the book a lot since it <i>is</i> about music and acapella.
Unfortunately, <strong>the book focuses too much on Lidia's and Sydney's problem with little to no progress</strong> and an ending that was basically handed over to the characters on a plate adorned with musical notes and shoes. <i>Boom.</i> Happily ever after for everyone.
This is basically the summary of the book:
<ul>
<li>Girl has a crush on a guy</li>
<li>Other girl ends up falling in love with the guy</li>
<li>Girl catches other girl and guy kissing, creates tension among friendship</li>
<li>Girl develops other interests and chases after it because it conveniently keeps her away from other girl and guy as well</li>
<li>Other girl tries to push guy but really, she's in love but she values friendship</li>
<li>Girl falls in love slowly with another guy</li>
<li>Guy somehow gets between girl and other guy by accident - oopsies</li>
<li>Girl and other girl realizes they don't have to be this way</li>
<li>Somehow they become best friends again and everyone lives happily ever after</li>
</ul>
I was expecting more... I don't know, music to be involved? There's certainly conflict among the acapella group, but it felt like the musical angle wasn't even needed to create drama among the characters since there seemed to be issues well before the acapella group became a thing. 🤷
A lot of the issues seemed to have roots since middle school/early high school - they just seemed to have escalated. And <strong>while the Pitch Perfect movie had their drama, it was at least entertaining and catchy.</strong> I can't say the same for the book.
<strong>The writing felt off</strong> - there were times where it felt awkward due to punctuation usage, mainly exclamation points. Sentences that didn't need an exclamation had one, or maybe it's just the phrasing of the sentences themselves. It didn't really help me enjoy the book more.
And then there were the characters. I don't know if it's just me, but I have a hard time thinking of how old most of the characters are. I know <i>Turn It Up! </i>is set in high school, but there were times where I felt they were a little younger. 🤔
<b>But hey, there were <em>maybe</em> a few parts that were good!</b>
<ul>
<li>Eventually, everyone got past their differences - hooray</li>
<li>There <em>is</em> a cute romance, and I definitely ship it</li>
<li>Sometimes I wanted to smush the two characters together</li>
<li>Lidia's family is cute and adorable</li>
</ul>
Anyways, those smol little bits that were good didn't make up for the bad. I wanted more from <em>Turn It Up!</em> and <strong>I got a Pitch Perfect version in book form that was less entertaining than the movie.</strong>
<a href="http://bookwyrmingthoughts.com/turn-it-up-by-jen-calonita-ya-pitch-perfect/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Uptown Oracle (24 KP) rated Clockwork Angel in Books
Jun 30, 2017
Clare exceeds expectations with Clockwork Angel
Clockwork Angel is the first in a trilogy of books. This series is a prequel to The Mortal Instruments, also written by Cassandra Clare. Tessa traveled to London to live with her brother, when he appears missing she is captured. Saved by Will, Tessa lives within the institute with the Shadowhunters helping to find Nate, whilst also finding out what the Magister's evil plan is.
I've heard so many times that The Infernal Devices is so much better than the Mortal Instruments. In comparison I can definitely agree the writing and overall plot is improved. The main issue I had was that in some cases, it was too similar to The Mortal Instruments. My instant thought was Will was similar to Jace although I'm unsure if this was intentional or not. The love triangle was also reminiscent of Clare's previous work.
I enjoyed that Clockwork Angel was set in London rather than New York. I was getting fairly bored of being focused on New York so this gave us a chance to see a new institute. The different location and different time means the institute is extremely different to the one in TMI.
The big question of who is the Magister? in the first chapter was important in the book. I found it both predictable and unpredictable. If Pretty Little Liars has told me anything, if a character claims it's one person, it's probably not them. I was however surprised of who it actually was. So well played, Cassandra Clare.
One of the big improvements is that the adults actually take action. In TMI, there were so many times the teenagers acted purely because the adults weren't doing anything. I was so tired of the adults being incompetent that Charlotte and Henry were a welcome surprise. They also really tried to help Tessa find Nate immediately. There weren't multiple meetings with the Clave before they could do anything.
Clockwork Angel seemed to pick up a lot quicker than TMI and kept pace. The fighting scenes were written better. Less filler content was needed as we already know the world. Although there was a love triangle, a lot less content was put towards building on it. It seemed a lot more like a fantasy than a romance.
Please don't comment any spoilers as I haven't finished the other books yet. But I had a weird thought about Tessa's name being Gray. As the dark sisters are called Black and Dark, does the inclusion of the name Gray fit there? Is this an insight into who she will become? Or who she 'could' become if she is a bad guy? I just thought it was odd to use a name so similar.
I've heard so many times that The Infernal Devices is so much better than the Mortal Instruments. In comparison I can definitely agree the writing and overall plot is improved. The main issue I had was that in some cases, it was too similar to The Mortal Instruments. My instant thought was Will was similar to Jace although I'm unsure if this was intentional or not. The love triangle was also reminiscent of Clare's previous work.
I enjoyed that Clockwork Angel was set in London rather than New York. I was getting fairly bored of being focused on New York so this gave us a chance to see a new institute. The different location and different time means the institute is extremely different to the one in TMI.
The big question of who is the Magister? in the first chapter was important in the book. I found it both predictable and unpredictable. If Pretty Little Liars has told me anything, if a character claims it's one person, it's probably not them. I was however surprised of who it actually was. So well played, Cassandra Clare.
One of the big improvements is that the adults actually take action. In TMI, there were so many times the teenagers acted purely because the adults weren't doing anything. I was so tired of the adults being incompetent that Charlotte and Henry were a welcome surprise. They also really tried to help Tessa find Nate immediately. There weren't multiple meetings with the Clave before they could do anything.
Clockwork Angel seemed to pick up a lot quicker than TMI and kept pace. The fighting scenes were written better. Less filler content was needed as we already know the world. Although there was a love triangle, a lot less content was put towards building on it. It seemed a lot more like a fantasy than a romance.
Please don't comment any spoilers as I haven't finished the other books yet. But I had a weird thought about Tessa's name being Gray. As the dark sisters are called Black and Dark, does the inclusion of the name Gray fit there? Is this an insight into who she will become? Or who she 'could' become if she is a bad guy? I just thought it was odd to use a name so similar.
Haley Mathiot (9 KP) rated Wings (Wings, #1) in Books
Apr 27, 2018
This book had some good, some bad, some supremacy, some mediocrity. here's my warning now, that this has spoilers in it.
good: a wild twist. the idea that fairy's are plants never once crossed my mind, the idea that Laurel had flowers growing out of her back instead of actual wings was... kinda weird but also really cool. and in my opinion, the good over-weighed the bad.
bad: i remember very vividly that the boy she falls in love with is introduced in the first paragraph (or second, or something like that.) and that totally gave away that part of the plot. i knew right away she'd become involved with him. i would have liked the author to develop his character a little more, or develop Laurel's character a little more, before introducing him.
supremacy: it had me hooked from about the fifth chapter to the twenty-second. i literally read for five hours. that's a long time for me. i mean, i read A LOT and ALL THE TIME, but five hours at once? seriously. the only other times that's ever happened was for twilight and harry potter. very nice, Aprilynne.
mediocrity: the writing itself, the prose, the sentence structure, was not all that fabulous. it was just basic sentence structure most of the time, and ok vocabulary. the words themselves were not poetic and artful, something that you find in Edger Allen Poe or J K Rowling.
the last thing was the end. it left you hanging, a little. which, as a writer, is a smart and mean thing to do at the same time. i'm a writer, and in every single one of my books i leave my audience hanging. but as a reader, it's annoying. i the one thing i want to know is what happens about her and the boy thing? who does she end up with? i'll bet that the boy she met at school ends up with the girl who's had a crush on him forever, and she goes back to her fairy-boy. (can you tell i've forgotten some names and don't have the book with me?) whatever. but i hope there's a second one, because that one little thing will bug me from now until whenever the new one comes out (if there is one.)
of course, again, the book was addictive, and had a great twist. i will say that if i ever had a chance to read it again, i would probably not do it. but i will (if there is one) read the sequel. all in all, i did like this book. quite a lot. and i do recommend it to anyone who likes romance, fantasy, or adventure.
good: a wild twist. the idea that fairy's are plants never once crossed my mind, the idea that Laurel had flowers growing out of her back instead of actual wings was... kinda weird but also really cool. and in my opinion, the good over-weighed the bad.
bad: i remember very vividly that the boy she falls in love with is introduced in the first paragraph (or second, or something like that.) and that totally gave away that part of the plot. i knew right away she'd become involved with him. i would have liked the author to develop his character a little more, or develop Laurel's character a little more, before introducing him.
supremacy: it had me hooked from about the fifth chapter to the twenty-second. i literally read for five hours. that's a long time for me. i mean, i read A LOT and ALL THE TIME, but five hours at once? seriously. the only other times that's ever happened was for twilight and harry potter. very nice, Aprilynne.
mediocrity: the writing itself, the prose, the sentence structure, was not all that fabulous. it was just basic sentence structure most of the time, and ok vocabulary. the words themselves were not poetic and artful, something that you find in Edger Allen Poe or J K Rowling.
the last thing was the end. it left you hanging, a little. which, as a writer, is a smart and mean thing to do at the same time. i'm a writer, and in every single one of my books i leave my audience hanging. but as a reader, it's annoying. i the one thing i want to know is what happens about her and the boy thing? who does she end up with? i'll bet that the boy she met at school ends up with the girl who's had a crush on him forever, and she goes back to her fairy-boy. (can you tell i've forgotten some names and don't have the book with me?) whatever. but i hope there's a second one, because that one little thing will bug me from now until whenever the new one comes out (if there is one.)
of course, again, the book was addictive, and had a great twist. i will say that if i ever had a chance to read it again, i would probably not do it. but i will (if there is one) read the sequel. all in all, i did like this book. quite a lot. and i do recommend it to anyone who likes romance, fantasy, or adventure.
*＊✿❀ Maki ❀✿＊* (7 KP) rated Crown of Midnight in Books
May 3, 2018
Crown of Midnight was a wonderful sequel - it improved on pretty much everything from the first book.
Celaena doesn't really do much assassination? Now she's the King's Champion, and it's her job. <spoiler>Well, okay - maybe there's still not too much assassination going on. But there's definitely more action!</spoiler>
That pesky love triangle gets completely done away with (which makes me question why it was an issue in the first place, aside from being there to create drama), and in its place a believable, sweet romance is started.
(I am Team Chaol. All the way.)
Dorian actually grows as a character, and is more than just a stereotypical womanizer.
Even the scope of the story is larger. Where the first book was primarily centered around the castle, Crown of Midnight actually gives us a look at the city. Or, well, certain parts of it, at any rate. And while the threat is still the same vague threat as the first book, by the end, things start to fall into place about what exactly happened ten years ago, and where magic disappeared to.
I really enjoyed this one, which was nice, given my lukewarm feelings about the first book in the series. A good portion of my change of opinion is because of the growth of Dorian and Chaol - particularly Chaol.
I am a sucker for many things in fantasy. I love a good assassin. I love magic, especially when the magic system is well thought out. I love thieves. And I also love loyal knights who have to deal with the bombshell of finding out that everything they thought they were protecting was a lie.
Just watching Chaol fight to reconcile his old loyalties and what he grew up believing with what he now knows to be the truth was beautiful. He goes through an amazing amount of character development, and is easily the most complex character in the story. (Which is why I'm Team Chaol. Even though Celaena doesn't really deserve him.)
He actually reminded me a lot of Darres, from the [b:Vampire Game, Volume 01|282294|Vampire Game, Volume 01|JUDAL|https://d.gr-assets.com/books/1343116853s/282294.jpg|273847] manga. Dang it. I need to reread that entire series.
Unfortunately, Celaena stopped me from absolutely adoring this book. She didn't grow very much as a character - in places she actually seemed to regress - and the "twist" was painfully predictable. Even if I hadn't guessed it back at the start of the first book, based on the type of story this is, there's more than enough to pick up on what's going on.
So my reaction was less, <i>"GASP!!!"</i> and more, <i>"Why has nobody else figured this out???"</i>
Especially the king. You'd think he'd be all over that.
Celaena doesn't really do much assassination? Now she's the King's Champion, and it's her job. <spoiler>Well, okay - maybe there's still not too much assassination going on. But there's definitely more action!</spoiler>
That pesky love triangle gets completely done away with (which makes me question why it was an issue in the first place, aside from being there to create drama), and in its place a believable, sweet romance is started.
(I am Team Chaol. All the way.)
Dorian actually grows as a character, and is more than just a stereotypical womanizer.
Even the scope of the story is larger. Where the first book was primarily centered around the castle, Crown of Midnight actually gives us a look at the city. Or, well, certain parts of it, at any rate. And while the threat is still the same vague threat as the first book, by the end, things start to fall into place about what exactly happened ten years ago, and where magic disappeared to.
I really enjoyed this one, which was nice, given my lukewarm feelings about the first book in the series. A good portion of my change of opinion is because of the growth of Dorian and Chaol - particularly Chaol.
I am a sucker for many things in fantasy. I love a good assassin. I love magic, especially when the magic system is well thought out. I love thieves. And I also love loyal knights who have to deal with the bombshell of finding out that everything they thought they were protecting was a lie.
Just watching Chaol fight to reconcile his old loyalties and what he grew up believing with what he now knows to be the truth was beautiful. He goes through an amazing amount of character development, and is easily the most complex character in the story. (Which is why I'm Team Chaol. Even though Celaena doesn't really deserve him.)
He actually reminded me a lot of Darres, from the [b:Vampire Game, Volume 01|282294|Vampire Game, Volume 01|JUDAL|https://d.gr-assets.com/books/1343116853s/282294.jpg|273847] manga. Dang it. I need to reread that entire series.
Unfortunately, Celaena stopped me from absolutely adoring this book. She didn't grow very much as a character - in places she actually seemed to regress - and the "twist" was painfully predictable. Even if I hadn't guessed it back at the start of the first book, based on the type of story this is, there's more than enough to pick up on what's going on.
So my reaction was less, <i>"GASP!!!"</i> and more, <i>"Why has nobody else figured this out???"</i>
Especially the king. You'd think he'd be all over that.