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I'm extremely surprised by how much I enjoyed this anthology! I picked it up intending to just read the stories by authors I know I like—Kelley Armstrong, Ilona Andrews, Carrie Vaughn, Holly Lisle, Jeaniene Frost, Maria V. Snyder. I had never heard of some of the other authors. A few names I remembered seeing in other anthologies and not enjoying their work.

I did, however, deliberately put myself in a tolerant mindset: this is a book of romance stories. It wouldn't be fair to judge them as anything else.

That worked rather better than it has in the past. I still got a little annoyed at having so much of each story dedicated to couples (and all het/mono couples, at that!) rather than some intriguing world ideas, but managed to stay on track.

In the end, I only skipped one story—I just don't like the Weather Wardens stuff at all. I found a couple of others substandard, but all in all, Telep chose very well. I definitely recommend this book to anyone who enjoys paranormal romance (maybe even those who usually stick to just romance), and most urban fantasy fans.
  
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Morgan Sheppard (1007 KP) created a post

Apr 22, 2026  
There's something I love about a character who holds a clear vision of the world they want to help build. Harri carries that quality throughout DAFFODILS AND DREAMS. 🦢 He's a man on the threshold of kingship who hasn't lost sight of what matters, and the quest at the heart of this story grows naturally from who he is.

Ffion wasn't expecting to be moved by any of it, and I think that's what I enjoyed most about writing her. She arrives with her own sacred role to fulfil and her own quietly formidable sense of self, and the romance that unfolds between them is all the more tender for being unexpected. 🌿

As a retelling of Little Briar Rose, it carries the familiar shape of the tale, but the heart of it belongs entirely to these two. đź’™

The fourth instalment in the Brodyr Alarch series, it continues a journey that began with SEALED WITH A CURSE, and I hope it feels like a worthy chapter in that larger story.

What do you love most about fairytale retellings that take the romance seriously?

#Fantasy #Romance #WelshGods #BrodyrAlarch #FairytaleRetelling #BrothersGrimm
https://books2read.com/DaffodilsAndDreams
     
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Morgan Sheppard (1007 KP) created a post

Dec 1, 2025  
December settles over Melthkior as the weight of the crown presses ever closer. Harri stands on the brink of his coronation, determined to unite old faith and new, to heal his kingdom, and to raise a healer’s hall where hope can take root.

Among the honoured guests is Ffion—keen-eyed, steady-hearted, and deeply bound to the old ways. Her arrival for the Heir’s Blessing stirs something Harri never expected… and something she can’t quite name.

But when divine forces disrupt the ceremony, goddesses Arianrhod and Creiddylad entwine their fates with ancient magic, winter dreams, and a curse that may demand more than either is ready to give.

✨ Daffodils and Dreams — a fairytale-rich, myth-woven retelling steeped in romance, Welsh lore, and the fragile bloom of hope.

🌼 Are you ready to dream?

#Fantasy #Romance #WelshGods #BrodyrAlarch4 #BrothersGrimm #FairytaleRetelling https://books2read.com/DaffodilsAndDreams
     
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Awix (3310 KP) rated The Vengeance of She (1968) in Movies

Feb 26, 2018 (Updated Feb 26, 2018)  
The Vengeance of She (1968)
The Vengeance of She (1968)
1968 | Fantasy
Bargain basement Hammer fantasy sequel manages to ditch almost everything that gave the original film its class. Plot is basically a role-reversal of the original film; Richardson's character has gone mad (we are invited to infer) and regressed to the personality of his previous incarnation (film doesn't actually make sense otherwise); awaits the arrival of the reincarnation of Ursula Andress (not that Berova looks that much like her); cult of sorcerers offer to speed her arrival in return for the secret of immortality.

Basically just quite pedestrian and dull, with lots of messing about on a rich man's yacht that doesn't do a great deal to advance the plot. Some potentially interesting ideas are ignored in favour of potboiler romance and fantasy melodrama. Production values basically scream that the movie was made on a very low budget. Andre Morell is the best thing in it, and he's not in it all that much.