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'You're pulling my leg,' says one character when the events of Almodovar's seventh movie are explained to him: suffice to say this is a frantic screwball farce (with the odd serious moment), involving a voice-over actress, a cell of Shiite terrorists, the least successful viewing of a rental property in Spanish history and a jug of gazpacho soup spiked with tranquilisers. Starts slow, but accelerates rapidly once it gets into its stride.
Almodovar is coming into his stride as a film-maker and his classic style has more or less appeared by this point: the film is full of strong but vulnerable women (the men are feckless or stupid and generally not worth bothering with), the whole thing is bursting with colour and compassion, and the plotting is rather preposterous even before we consider the outrageous coincidences peppering the film. Very entertaining; if not quite one of Almodovar's best movies, then an important step on the way there.
Almodovar is coming into his stride as a film-maker and his classic style has more or less appeared by this point: the film is full of strong but vulnerable women (the men are feckless or stupid and generally not worth bothering with), the whole thing is bursting with colour and compassion, and the plotting is rather preposterous even before we consider the outrageous coincidences peppering the film. Very entertaining; if not quite one of Almodovar's best movies, then an important step on the way there.
Phil Leader (619 KP) rated The Hole Opportunity in Books
Nov 14, 2019
Colin Griggs is a farmer who tires of all the red tape and paperwork involved with traditional farming and decides to embark on a new venture - hole farming. Colin's lack of practicality is more than made up for by his wife Izzy who does her best to turn Colin's wild ideas into reality. When they win the contract to provide the holes for the newly refurbished local golf course, the future of Griggs Hole Farming seems assured. But not everything goes as expected...
This book is a good and well thought out farce in the mould of Tom Sharpe. There are misunderstandings and assumptions galore with a cast of characters designed to cause maximum friction between their personalities. The central concept - farming holes - means that no part of this can be taken seriously and is a delightfully surreal basis for the rest of the story to hang off of.
The book is essentially in three sections; the first concerns the setting up of Griggs Hole Farming and the golf course contract. Following this there are various accusations of attempted murder introducing the characters of the local reporter and various members of the police force. The third section involves the arrival of aristocracy to return the local stately home to its former glory, which requires several holes to be provided for the ornamental ponds.
I found the first and last thirds of the book humourous and witty, plenty of laugh out loud jokes and cringeworthy moments as befits a farce. The middle third I didn't enjoy anywhere near as much. I suspect this was mostly because people being arrested for attempted murder is not a very funny concept, even if the charges are obvouisly completely ridiculous and follow a bizarre series of events and assumptions. But once this part is over the third part returns to the form of the first with some terrific class snobbery and social climbing, the staple of many classic British comedies.
Overall this is an enjoyable book with plenty to recommend it. The middle section dropped a few marks for me
This book is a good and well thought out farce in the mould of Tom Sharpe. There are misunderstandings and assumptions galore with a cast of characters designed to cause maximum friction between their personalities. The central concept - farming holes - means that no part of this can be taken seriously and is a delightfully surreal basis for the rest of the story to hang off of.
The book is essentially in three sections; the first concerns the setting up of Griggs Hole Farming and the golf course contract. Following this there are various accusations of attempted murder introducing the characters of the local reporter and various members of the police force. The third section involves the arrival of aristocracy to return the local stately home to its former glory, which requires several holes to be provided for the ornamental ponds.
I found the first and last thirds of the book humourous and witty, plenty of laugh out loud jokes and cringeworthy moments as befits a farce. The middle third I didn't enjoy anywhere near as much. I suspect this was mostly because people being arrested for attempted murder is not a very funny concept, even if the charges are obvouisly completely ridiculous and follow a bizarre series of events and assumptions. But once this part is over the third part returns to the form of the first with some terrific class snobbery and social climbing, the staple of many classic British comedies.
Overall this is an enjoyable book with plenty to recommend it. The middle section dropped a few marks for me
The Oxford Book of English Short Stories
Book
The Oxford Book of English Short Stories , edited by A. S. Byatt, herself the author of several...
Awix (3310 KP) rated Men O'War (1929) in Movies
Feb 21, 2019
Early L&H sound film finds Stan and Ollie not quite yet in their imperial phase of effortless brilliance, but looking good. They play sailors on shore leave doing what sailors on shore leave do (i.e., attempting to pick up girls). There's a misunderstanding about clothing; Stan and Ollie have to buy a round of drinks despite not having enough money; they cause an impressive pile-up on a boating lake.
You can tell that the formula's not quite there yet, for there is much less emphasis on gleeful property damage and Ollie ending up the victim of Stan's various mishaps than you tend to find in their later films. Instead, there's more reliance on verbal comedy and elements of farce - the first part of the film revolves around a (for 1929) slightly saucy gag about a woman losing her underwear. Suffers a bit from the technical limitations of the period (the lengthy boat sequence at the end is filmed entirely in long shot) but still an ambitious and very funny film.
You can tell that the formula's not quite there yet, for there is much less emphasis on gleeful property damage and Ollie ending up the victim of Stan's various mishaps than you tend to find in their later films. Instead, there's more reliance on verbal comedy and elements of farce - the first part of the film revolves around a (for 1929) slightly saucy gag about a woman losing her underwear. Suffers a bit from the technical limitations of the period (the lengthy boat sequence at the end is filmed entirely in long shot) but still an ambitious and very funny film.
Micky Barnard (542 KP) rated Gentleman's Guide To Vice And Virtue in Books
Dec 6, 2018
Amusing historical romance
This was a fun read in lots of ways. I would say the book had a storyline of a ‘farce’ in the old meaning of the word. It very much reminded me of a black and white comedy without sound, some laurel and hardy-ness.
The characters in this historical are very much out of the box. Henry being the ultimate in immaturity but hey, he was only 18 years old. This man-boy-lad-about-town was his own worst enemy getting into constant scrapes that usually included inappropriateness and less clothes than one would expect. His forever friend Percy kind of stole the show for me, I adored him and his character, his difficulties made me feel all the feelings.
As said already, the story was farcical but in a way that didn’t irritate. I felt the need to suspend reality and that was fine by me. I enjoyed the writing, the wit and the dialogue. I’m glad I finally got around to reading this book after so many friends have enjoyed it.
The characters in this historical are very much out of the box. Henry being the ultimate in immaturity but hey, he was only 18 years old. This man-boy-lad-about-town was his own worst enemy getting into constant scrapes that usually included inappropriateness and less clothes than one would expect. His forever friend Percy kind of stole the show for me, I adored him and his character, his difficulties made me feel all the feelings.
As said already, the story was farcical but in a way that didn’t irritate. I felt the need to suspend reality and that was fine by me. I enjoyed the writing, the wit and the dialogue. I’m glad I finally got around to reading this book after so many friends have enjoyed it.
Artist in Residence
Book
For Simon Bill's drunken anti-hero, an abstract artist forced to haunt private views to siphon the...
Awix (3310 KP) rated The Producers (1967) in Movies
Jul 9, 2021
Relentless knockabout bad-taste farce from Mel Brooks. A corrupt theatrical producer and his accountant embark upon a scheme to fraudulently make a fortune by mounting the worst play in history. Promising idea, and the brilliantly-staged opening number from Springtime for Hitler (all dancing SS officers and goose-stepping showgirls) is inspired, but the rest of the film struggles to meet the same standards.
The movie feels like a frenetic mixture of old-fashioned vaudeville and scatter-gun satire; there was probably something curiously dated about it even fifty-odd years ago. While it does acknowledge the counter-culture of the 60s (there's a hippy beatnik character, amongst other things), it doesn't feel like it was made by or for a young audience. Viewers nowadays may not be troubled by deliberately provocative jokes about Hitler or over-sexed pensioners, but jokes about dumb blondes in bikinis and camp transvestites feel a bit uncomfortable. Passes the time amiably, and worth watching just to see Springtime for Hitler in context, but I'd struggle to call it an actual classic.
The movie feels like a frenetic mixture of old-fashioned vaudeville and scatter-gun satire; there was probably something curiously dated about it even fifty-odd years ago. While it does acknowledge the counter-culture of the 60s (there's a hippy beatnik character, amongst other things), it doesn't feel like it was made by or for a young audience. Viewers nowadays may not be troubled by deliberately provocative jokes about Hitler or over-sexed pensioners, but jokes about dumb blondes in bikinis and camp transvestites feel a bit uncomfortable. Passes the time amiably, and worth watching just to see Springtime for Hitler in context, but I'd struggle to call it an actual classic.