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Entertainment Editor (1988 KP) created a video about Pure Farming 2018 in Video Games
Oct 30, 2017
Xanderath (690 KP) rated Tombi! in Video Games
Aug 25, 2019 (Updated Aug 25, 2019)
Fart plant
Great little platformer, loved it as a kid. Nothing so fun as jumping on that first plant and farting a pig into miniature status. Starts off simple but the game gets quite challenging as you have to solve puzzles and complete difficult jumps of skill in certain areas. highly recommend as an introduction to platformers on the playstation one.
MissCagey (2652 KP) rated Game Night (2018) in Movies
Mar 28, 2018
My husband and I watched this at the cinema this afternoon. My husband was amused by it but I thought it was very funny and laughed out loud at parts. The humour was right up my street, no toilet humour, farting, body parts or childish sex jokes here, it was created within the couple's interactions and their personalities. The creepy neighbour didn't even have to speak to make me laugh at him and his awkwardness. It was slightly farcical in places but all in all a well written and worthwhile to watch film.
Lindsay (1693 KP) rated Mommy May Bloops - A Farting Tale in Rhyme (Mariana Books Rhyming #10) in Books
Jun 18, 2023
Mommy May Bloops is a book about a family dealing with a minor issue. This minor issue may be an embarrassment. You will have a little fun and laugh with your children with this book. We all do it from time to time.
Mommy May does this in awkward places and sometimes in public. This story teaches us something to learn and that this minor issue is not considered a crime. But we call it as release some gas. This set is a humor and a little fun. But know that everyone does this from time to time. The way the family deals with this is a good idea. But the person doing it may feel stressed about the situation.
The way this story is written and done is charming; it is geared toward children and has rhyme. Farting is something we all do. Whether we want it to or not, sometimes it just so happens that it will be allowed out even when we do not. But it is okay, as farting is not a crime.
Mommy May is a teachable moment but also has a bit of humor to it so that you get a little bit of laugh, and not everything is not so serious. Have a fun and enjoyable read with your child or children. They will learn a bit of humor and some other lessons.
Mommy May does this in awkward places and sometimes in public. This story teaches us something to learn and that this minor issue is not considered a crime. But we call it as release some gas. This set is a humor and a little fun. But know that everyone does this from time to time. The way the family deals with this is a good idea. But the person doing it may feel stressed about the situation.
The way this story is written and done is charming; it is geared toward children and has rhyme. Farting is something we all do. Whether we want it to or not, sometimes it just so happens that it will be allowed out even when we do not. But it is okay, as farting is not a crime.
Mommy May is a teachable moment but also has a bit of humor to it so that you get a little bit of laugh, and not everything is not so serious. Have a fun and enjoyable read with your child or children. They will learn a bit of humor and some other lessons.
Nick Offerman recommended Blazing Saddles (1974) in Movies (curated)
Merissa (11704 KP) rated Going Nowhere in Books
Nov 12, 2018
Going Nowhere by Lena North
Going Nowhere is a fun-filled frolic with angels, shifters, witches, and glitter-farting unicorns. If you are after a heavy, angst-laden book, then I'm sorry, but you've found the wrong one!
This is an action-packed book that has romantic elements to it, but it doesn't overrule the whole story. There are plenty of laugh out loud moments, in fact, far too many to count. I loved this book from start to finish. With its crazy family, and heart-warming characters, plus there is always which one Hibiscus will go for?!
A brilliant story that I hope will be the start of a new series. Excellently written, with no editing or grammatical errors to disrupt my reading flow. I thoroughly enjoyed every word, and really can't recommend this lighthearted novel highly enough.
* Verified Purchase ~ October 2018. *
Merissa
Archaeolibrarian - I Dig Good Books!
This is an action-packed book that has romantic elements to it, but it doesn't overrule the whole story. There are plenty of laugh out loud moments, in fact, far too many to count. I loved this book from start to finish. With its crazy family, and heart-warming characters, plus there is always which one Hibiscus will go for?!
A brilliant story that I hope will be the start of a new series. Excellently written, with no editing or grammatical errors to disrupt my reading flow. I thoroughly enjoyed every word, and really can't recommend this lighthearted novel highly enough.
* Verified Purchase ~ October 2018. *
Merissa
Archaeolibrarian - I Dig Good Books!
Carma (21 KP) rated The Lemon Sisters (Wildstone, #3) in Books
Jun 17, 2019
I absolutely love reading Jill Shalvis books. She has the uncanny ability to get right into my head and thought process to lead me on an extraordinary adventure from the first page. The Lemon Sisters is no exception, with life quotes on every chapter and stories like popcorn farting, this is a true to life story.
Brooke and Mindy are the Lemon Sisters. Separated by time and distance, they each are settled into their own crazy lives. Brooke is busy adventure journalist who had a little hiccup in her career and Mindy is a mom to 3 wild kids. Mindy shows up and Brookes door and needs a break so Brooke agrees to take the kids home for a couple days to give Mindy the time she needs. Not wanting to mention to Mindy how close the edge Brooke was herself, she keeps her mouth shut and helps get Mindys life back on track.
Wildstone is a place Brooke never wanted to head back to, ever. She ran fast and far as soon as she could seven years ago and never looked back. Putting Garrett out of her every thought has been the hardest part of living away from home. This could get very interesting.
Garrett has lived next door to Mindy and Linc for years, he loves being a psuedo uncle to their 3 kids. Hes tried hard to keep Brooke from encroaching on his daily thoughts, but that has proven to be futile. Now with her next door again for who knows how long, his thoughts are no longer his own.
I love the flow of storylines from Brooke to Mindy to Linc and Garrett. Add in a quirky OCD like storyline with Brooke and her niece and you have a perfect flow of characters both main and secondary. Telling storylines within the main storyline including lines like Popcorn Farts and the cool quotes Ms. Shalvis puts at the beginning of chapters is just one of the many reasons I flock to books by this author. 5 out of 5 stars for a book I voluntarily read and reviewed without expectations. Wildstone hooked me again, toss me back and Ill get hooked again Im sure.
Brooke and Mindy are the Lemon Sisters. Separated by time and distance, they each are settled into their own crazy lives. Brooke is busy adventure journalist who had a little hiccup in her career and Mindy is a mom to 3 wild kids. Mindy shows up and Brookes door and needs a break so Brooke agrees to take the kids home for a couple days to give Mindy the time she needs. Not wanting to mention to Mindy how close the edge Brooke was herself, she keeps her mouth shut and helps get Mindys life back on track.
Wildstone is a place Brooke never wanted to head back to, ever. She ran fast and far as soon as she could seven years ago and never looked back. Putting Garrett out of her every thought has been the hardest part of living away from home. This could get very interesting.
Garrett has lived next door to Mindy and Linc for years, he loves being a psuedo uncle to their 3 kids. Hes tried hard to keep Brooke from encroaching on his daily thoughts, but that has proven to be futile. Now with her next door again for who knows how long, his thoughts are no longer his own.
I love the flow of storylines from Brooke to Mindy to Linc and Garrett. Add in a quirky OCD like storyline with Brooke and her niece and you have a perfect flow of characters both main and secondary. Telling storylines within the main storyline including lines like Popcorn Farts and the cool quotes Ms. Shalvis puts at the beginning of chapters is just one of the many reasons I flock to books by this author. 5 out of 5 stars for a book I voluntarily read and reviewed without expectations. Wildstone hooked me again, toss me back and Ill get hooked again Im sure.
Leigh J (71 KP) rated Dreamcatcher (2003) in Movies
Nov 24, 2019 (Updated Nov 24, 2019)
Stephen King does The Thing
Contains spoilers, click to show
4 friends make their yearly trek to a Cabin in a remote part of Maine to eat, drink, be merry and Hunt. However Jonesy, Pete, Beaver and Henry are not just any ordinary group of friends. For as long as they can remember, there has been a psychic link between them, strengthened further by the addition of Duddits, a mentally disabled young boy who they rescued from bullies one day after school when they were all kids. Their link as a group of 5 is so strong that they even rescue a young girl who has been missing for a while. Now the boys have grown up and this trip is their chance to let loose and blow off some steam, minus Duddits who is still mentally a young boy. Whilst out hunting, they come across a distressed and dazed man who tells them he got lost in the woods whilst out with his Hunting group... and the man is obviously ill. He has a suspicious injury to his face and he can't stop burping and farting, which are so horrible that they make the guys nauseous. Soon enough, they guys discover the man is in a blood soaked Bathroom, dead, and an Alien Weasel looking creature thrashing around in the toilet bowl. And there's a red fungus growing on (and in) everything. Could this really be an Alien invasion? Can the 4 friends strike back against these otherworldly enemies? And what will happen when the most malevolent one of these Aliens decides that Jonesy would be a great place for him to be able to wreak havoc from?
Dreamcatcher is an adaptation of the Book of the same name from Stephen King. I'm now VERY happy I read the Book before I watched this Movie as some things in the Book don't come across that clear in the Movie. Not a lot of people enjoy the Book and feel it's quite out there for Stephen King but I really enjoyed it, and the same can be said for the Movie! The story is really captivating, especially the friendships between the guys and the interaction between Jonesy and Mr Gray (his new invader) and I really appreciated the very "Thing" quality this Movie has (I literally have no idea why it reminds me of The Thing but it just does!) Definitely worth a watch, but it's not going to be for everyone as I would recommend reading the Book first.
Dreamcatcher is an adaptation of the Book of the same name from Stephen King. I'm now VERY happy I read the Book before I watched this Movie as some things in the Book don't come across that clear in the Movie. Not a lot of people enjoy the Book and feel it's quite out there for Stephen King but I really enjoyed it, and the same can be said for the Movie! The story is really captivating, especially the friendships between the guys and the interaction between Jonesy and Mr Gray (his new invader) and I really appreciated the very "Thing" quality this Movie has (I literally have no idea why it reminds me of The Thing but it just does!) Definitely worth a watch, but it's not going to be for everyone as I would recommend reading the Book first.
Bob Mann (459 KP) rated Manchester by the Sea (2016) in Movies
Sep 29, 2021
Wow! I’d heard all about the Oscar hype surrounding this film but to be honest, while I thought I would be seeing a solid and well-made indie film, I went into it without great expectations of having an ‘enjoyable’ time: the trailer had “angst” written all over it. And – sure – it is emotional and harrowing in places. However, I was completely knocked out by the depth, the intelligence and the humour of this masterpiece.
‘Family troubles’ is a common trope for the movies, and I was strongly reminded at times in watching this movie of a multi-Oscar winning classic of my youth: Robert Redford’s “Ordinary People” back in 1980. In that film the relationship between parents (Mary Tyler-Moore and Donald Sutherland) and their teenage son (Timothy Hutton) is rocked by the accidental death of another family member. Similarly, in “Manchester by the Sea” a drifting handyman Lee Chandler (Casey Affleck, “Triple 9“, “Interstellar“) gets the shocking news that his only brother Joe (Kyle Chandler, “The Wolf of Wall Street“) has suddenly passed away, leaving behind a mid-teens son Patrick (Lucas Hedges) with no-one to look after him.
With the other option being an unstable and ex-alcoholic mother Elise (Gretchen Mol) – now divorced and living in a strictly pious household with new husband Jeffrey (Matthew Broderick) – Joe has legally plumped for naming Lee as the boy’s guardian. This is much to Lee’s surprise and annoyance. For Lee is a man-adrift: an antisocial loner with a very short fuse. Having any sort of responsibility is not in his game plan.
With the ground too frozen to bury his brother, Lee is forced to remain in Manchester-by-the-Sea for a few weeks: a town he can’t stand and a town that, for some reason, can’t stand him. Can Lee’s attitude be softened by his lively and over-sexed nephew? Or will he just continue his emotional and social decline towards a gutter and a brown-bag?
Where this film surprises – with a strong kick to the gut – is that while I have described the high-level story in the paragraphs above that the trailer depicts, there is a whole other dimension to the tale that is hidden and truly astonishing. No spoilers, but if you are not shocked and moved by it, then you need your humanity chip reset.
Casey Affleck is Oscar-nominated now for Best Actor and I would love to see him win for this. I had a real go at his brother, Ben, for a lack of facial variation in his performance in “Live By Night“. Here, while Casey has a similar dour and pretty rigid demeanour, his performance is chalk-and-cheese compared to Ben. He channels a shut-down rage in his eyes that is both haunting and disturbing in equal measure.
Young Lucas Hedges – overlooked by the BAFTAs (he is in the “Rising Star” category) but yesterday nominated for a Best Supporting Actor Oscar – is equally strong, burying his teenage grief in guitars, sex and smart phones in a highly believable way.
Supporting roles are equally strong, with Michelle Williams – albeit only having limited screen time – delivering truly memorable scenes, notably the street encounter with Lee (as featured on the poster) which is electrifying. She is also Oscar nominated for the role.
What really makes these performances shine is the elegant directing by Kenneth Lonergan, better known for his screenplays on films like “Analyze This” and “Gangs of New York”. He gives the actors time… lots of time. A typical example is when young Patrick walks into Lee’s bedroom and stares at some photos on his bedside table before walking on. It must be a good 20 to 30 seconds used, but time really well spent. The film spectacularly uses flash-backs to great effect, with the only visual notification that you are in a different time-zone being the living and breathing appearance of Joe in the shot.
Lonergan also writes the screenplay, and I mentioned in my introduction the humour used. There are some outright belly laughs in this film, which feels incongruous with the morbid subject matter but which also feels guiltily appropriate (we’ve all surely had an experience where a tense funeral mood is lightened by an uncle loudly farting at the back of the church, or similar!).
Manchester-by-the-Sea is a picturesque place in Massachusetts, and the camera work by Jody Lee Lipes (“Martha Marcy May Marlene”, “Trainwreck”) lovingly makes use of that. There is incredibly crisp focus, with the opening boat scene looks like it is hyper-HD.
This is a truly stunning film, and one that will live with me for many years to come. For that reason it receives my highest accolade together with my best wishes for success at the forthcoming Oscars. If you haven’t yet, go see it.
‘Family troubles’ is a common trope for the movies, and I was strongly reminded at times in watching this movie of a multi-Oscar winning classic of my youth: Robert Redford’s “Ordinary People” back in 1980. In that film the relationship between parents (Mary Tyler-Moore and Donald Sutherland) and their teenage son (Timothy Hutton) is rocked by the accidental death of another family member. Similarly, in “Manchester by the Sea” a drifting handyman Lee Chandler (Casey Affleck, “Triple 9“, “Interstellar“) gets the shocking news that his only brother Joe (Kyle Chandler, “The Wolf of Wall Street“) has suddenly passed away, leaving behind a mid-teens son Patrick (Lucas Hedges) with no-one to look after him.
With the other option being an unstable and ex-alcoholic mother Elise (Gretchen Mol) – now divorced and living in a strictly pious household with new husband Jeffrey (Matthew Broderick) – Joe has legally plumped for naming Lee as the boy’s guardian. This is much to Lee’s surprise and annoyance. For Lee is a man-adrift: an antisocial loner with a very short fuse. Having any sort of responsibility is not in his game plan.
With the ground too frozen to bury his brother, Lee is forced to remain in Manchester-by-the-Sea for a few weeks: a town he can’t stand and a town that, for some reason, can’t stand him. Can Lee’s attitude be softened by his lively and over-sexed nephew? Or will he just continue his emotional and social decline towards a gutter and a brown-bag?
Where this film surprises – with a strong kick to the gut – is that while I have described the high-level story in the paragraphs above that the trailer depicts, there is a whole other dimension to the tale that is hidden and truly astonishing. No spoilers, but if you are not shocked and moved by it, then you need your humanity chip reset.
Casey Affleck is Oscar-nominated now for Best Actor and I would love to see him win for this. I had a real go at his brother, Ben, for a lack of facial variation in his performance in “Live By Night“. Here, while Casey has a similar dour and pretty rigid demeanour, his performance is chalk-and-cheese compared to Ben. He channels a shut-down rage in his eyes that is both haunting and disturbing in equal measure.
Young Lucas Hedges – overlooked by the BAFTAs (he is in the “Rising Star” category) but yesterday nominated for a Best Supporting Actor Oscar – is equally strong, burying his teenage grief in guitars, sex and smart phones in a highly believable way.
Supporting roles are equally strong, with Michelle Williams – albeit only having limited screen time – delivering truly memorable scenes, notably the street encounter with Lee (as featured on the poster) which is electrifying. She is also Oscar nominated for the role.
What really makes these performances shine is the elegant directing by Kenneth Lonergan, better known for his screenplays on films like “Analyze This” and “Gangs of New York”. He gives the actors time… lots of time. A typical example is when young Patrick walks into Lee’s bedroom and stares at some photos on his bedside table before walking on. It must be a good 20 to 30 seconds used, but time really well spent. The film spectacularly uses flash-backs to great effect, with the only visual notification that you are in a different time-zone being the living and breathing appearance of Joe in the shot.
Lonergan also writes the screenplay, and I mentioned in my introduction the humour used. There are some outright belly laughs in this film, which feels incongruous with the morbid subject matter but which also feels guiltily appropriate (we’ve all surely had an experience where a tense funeral mood is lightened by an uncle loudly farting at the back of the church, or similar!).
Manchester-by-the-Sea is a picturesque place in Massachusetts, and the camera work by Jody Lee Lipes (“Martha Marcy May Marlene”, “Trainwreck”) lovingly makes use of that. There is incredibly crisp focus, with the opening boat scene looks like it is hyper-HD.
This is a truly stunning film, and one that will live with me for many years to come. For that reason it receives my highest accolade together with my best wishes for success at the forthcoming Oscars. If you haven’t yet, go see it.
Bob Mann (459 KP) rated Dolittle (2020) in Movies
Feb 23, 2020
A complete mess, but kids will probably love it.
With the words of Mark Kermode's review ringing in my ears ("It's shockingly poor... and that's the same in any language") I was bracing myself when I went to see this latest incarnation of Hugh Lofting's famous animal-chatting character. And I have to agree that it is a shocking mess of a film, given $175 million was poured into this thing. But, and I say this cautiously without first-hand empirical evidence, I *think* this is a movie that kids in the 6 to 10 age range might fall in love with.
Doctor Doolittle (Robert Downey Jnr) - famed animal doctor, with the unique ability to communicate with any animal - is now holed up in his animal sanctuary, a recluse. His beloved wife - adventurer Lily - was lost at sea (in a cartoon sequence that could have just used the same clip from "Frozen"). He's lost the will to practice; and almost lost the will to live.
Impinging on his morose life come two humans: Tommy Stubbings (Harry Collett), a reluctant hunter with a wounded squirrel, and Lady Rose (Carmel Laniado), daughter of the Queen of England. (We'll quietly ignore the coincidence that, after what looks like several years of mourning, these two independently pitch up at Chez Doolittle within ten minutes of each other!).
For the Queen (the omnipresent Jessie Buckley) is dying, and noone (other than us viewers, let in on the deal) suspect foul play might be at work in the form of Lord Thomas Badgley (the ever-reliable Jim Broadbent) and the Queen's old leech-loving doctor Blair Müdfly (a moustache-twiddling Michael Sheen).
Doolittle must engage in a perilous journey to find the only cure that will save both the Queen and his animal sanctuary - the fruit of the tree on a missing island that his long lost love was searching for.
Let's start with the most obvious point first up. Robert Downey Jnr's Welsh accent is quite the most terrible, most preposterous, most unintelligible, most offensive (to the Welsh) attempt at an accent in a mainstream film in movie history. And that's really saying something when you have Laurence Olivier's Jewish father from "The Jazz Singer" and Russell Crowe's English cum Irish cum Scottish cum Yugoslavian "Robin Hood" in the list. Why? Just why? Was it to distance this version from Rex Harrison's? (Since most younger movie goers will be going "Rex who?" at this point, this seems unlikely). It's a wholly curious decision.
It turns RDj's presence in the movie from being an asset to a liability.
The movie has had a tortuous history. Filmed in 2018 at enormous expense, the film completely bombed at test screenings so they brought in more script writers to make it funnier and did extensive additional filming.
I actually disagree with the general view that the film is unfunny. For there are a few points in the movie where I laughed out loud. A fly's miraculous, if temporary, escape was one such moment. The duck laying an egg in fright, another.
However, these seem to stand out starkly in isolation as 'the funny bits they inserted'. Much of the rest of the movie's comedy falls painfully flat.
In terms of the acting, there are the obvious visual talents on show of Michael Sheen (doing a great English accent for a Welshman.... #irony), Jim Broadbent, Jessie Buckley, Joanna Page (blink and you'll miss her) and Antonio Banderas, as the swashbuckling pirate king cum father-in-law.
But the end titles are an amazing array of "Ah!" moments as the vocal performances are revealed: Emma Thompson as the parrot; Rami Malek as the gorilla; John Cena as the polar bear; Kumail Nanjiani at the ostrich; Octavia Spencer at the duck; Tom Holland as the dog; Selena Gomez as the giraffe; Marion Cotillade as the fox, Frances de la Tour as a flatulent dragon and Ralph Fiennes as an evil tiger with mummy issues. It's a gift for future contestants on "Pointless"!
There are a lot of poe-faced critics throwing brick-bats at this movie, and to a degree it's deserved. They lavished $175 million on it, and it looked like it was going to be a thumping loss. (However, against all the odds, at the time of writing it has grossed north of $184 million. And it only opened yesterday in China. So although not stellar in the world of blockbuster movies it's not going to be a studio-killer like "Heaven's Gate").
And I suspect there's a good reason for that latent salvation. I think kids are loving this movie, driving repeat viewings and unexpected word of mouth. It is certainly a family friendly experience. There are no truly terrifying scenes that will haunt young children. A dragon-induced death, not seen on screen, is - notwithstanding the intro Frozen-esque cartoon sequence - the only obvious one in the movie and is (as above) played for laughs. There are fantastical sets and landscapes. Performing whales. A happy-ending (albeit not the one I was cynically expecting). And an extended dragon-farting scene, and what kids are not going to love that!!
Directed by Stephen Gaghan ("Syriana", but better known as a writer than a director) it's a jumbled messy bear of a movie but is in no way an unpleasant watch. I would take a grandkid along to watch this again. It even has some nuggets of gold hidden within its matted coat.
As this is primarily one for the kids, I'm giving the movie two ratings: 4/10 for adults and 8/10 for kids... the Smashbomb rating is the mean of these.
(For the full graphical review, please check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/02/22/doolittle-2019/ . Thanks).
Doctor Doolittle (Robert Downey Jnr) - famed animal doctor, with the unique ability to communicate with any animal - is now holed up in his animal sanctuary, a recluse. His beloved wife - adventurer Lily - was lost at sea (in a cartoon sequence that could have just used the same clip from "Frozen"). He's lost the will to practice; and almost lost the will to live.
Impinging on his morose life come two humans: Tommy Stubbings (Harry Collett), a reluctant hunter with a wounded squirrel, and Lady Rose (Carmel Laniado), daughter of the Queen of England. (We'll quietly ignore the coincidence that, after what looks like several years of mourning, these two independently pitch up at Chez Doolittle within ten minutes of each other!).
For the Queen (the omnipresent Jessie Buckley) is dying, and noone (other than us viewers, let in on the deal) suspect foul play might be at work in the form of Lord Thomas Badgley (the ever-reliable Jim Broadbent) and the Queen's old leech-loving doctor Blair Müdfly (a moustache-twiddling Michael Sheen).
Doolittle must engage in a perilous journey to find the only cure that will save both the Queen and his animal sanctuary - the fruit of the tree on a missing island that his long lost love was searching for.
Let's start with the most obvious point first up. Robert Downey Jnr's Welsh accent is quite the most terrible, most preposterous, most unintelligible, most offensive (to the Welsh) attempt at an accent in a mainstream film in movie history. And that's really saying something when you have Laurence Olivier's Jewish father from "The Jazz Singer" and Russell Crowe's English cum Irish cum Scottish cum Yugoslavian "Robin Hood" in the list. Why? Just why? Was it to distance this version from Rex Harrison's? (Since most younger movie goers will be going "Rex who?" at this point, this seems unlikely). It's a wholly curious decision.
It turns RDj's presence in the movie from being an asset to a liability.
The movie has had a tortuous history. Filmed in 2018 at enormous expense, the film completely bombed at test screenings so they brought in more script writers to make it funnier and did extensive additional filming.
I actually disagree with the general view that the film is unfunny. For there are a few points in the movie where I laughed out loud. A fly's miraculous, if temporary, escape was one such moment. The duck laying an egg in fright, another.
However, these seem to stand out starkly in isolation as 'the funny bits they inserted'. Much of the rest of the movie's comedy falls painfully flat.
In terms of the acting, there are the obvious visual talents on show of Michael Sheen (doing a great English accent for a Welshman.... #irony), Jim Broadbent, Jessie Buckley, Joanna Page (blink and you'll miss her) and Antonio Banderas, as the swashbuckling pirate king cum father-in-law.
But the end titles are an amazing array of "Ah!" moments as the vocal performances are revealed: Emma Thompson as the parrot; Rami Malek as the gorilla; John Cena as the polar bear; Kumail Nanjiani at the ostrich; Octavia Spencer at the duck; Tom Holland as the dog; Selena Gomez as the giraffe; Marion Cotillade as the fox, Frances de la Tour as a flatulent dragon and Ralph Fiennes as an evil tiger with mummy issues. It's a gift for future contestants on "Pointless"!
There are a lot of poe-faced critics throwing brick-bats at this movie, and to a degree it's deserved. They lavished $175 million on it, and it looked like it was going to be a thumping loss. (However, against all the odds, at the time of writing it has grossed north of $184 million. And it only opened yesterday in China. So although not stellar in the world of blockbuster movies it's not going to be a studio-killer like "Heaven's Gate").
And I suspect there's a good reason for that latent salvation. I think kids are loving this movie, driving repeat viewings and unexpected word of mouth. It is certainly a family friendly experience. There are no truly terrifying scenes that will haunt young children. A dragon-induced death, not seen on screen, is - notwithstanding the intro Frozen-esque cartoon sequence - the only obvious one in the movie and is (as above) played for laughs. There are fantastical sets and landscapes. Performing whales. A happy-ending (albeit not the one I was cynically expecting). And an extended dragon-farting scene, and what kids are not going to love that!!
Directed by Stephen Gaghan ("Syriana", but better known as a writer than a director) it's a jumbled messy bear of a movie but is in no way an unpleasant watch. I would take a grandkid along to watch this again. It even has some nuggets of gold hidden within its matted coat.
As this is primarily one for the kids, I'm giving the movie two ratings: 4/10 for adults and 8/10 for kids... the Smashbomb rating is the mean of these.
(For the full graphical review, please check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/02/22/doolittle-2019/ . Thanks).
