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Tough Luxe
Tough Luxe
Diane Vallere | 2021 | Mystery
6
6.0 (1 Ratings)
Book Rating
Twists of the Pretzel, but a Bit Empty Overall
Samantha Kidd has landed a new gig as a fashion columnist for the local paper. But she doesn’t expect that to lead to an invitation to visit someone in prison. Pretzel heiress Suzy Kintz was a high school acquaintance of Samantha’s, but a few years after they graduated, Suzy was convicted of killing her husband, and has been in jail ever since. Now, there is new evidence that might exonerate Suzy. Can Samantha figure out what really happened all those years ago?

I was immediately intrigued by the premise, and I enjoyed watching Samantha try to piece things together. However, when we hit the end, I was found I was left with too many questions – one I’d had since the beginning and a couple more than came up from the climax. I also found a sub-plot involving Samantha and her husband to be cringe inducing. At least that sub-plot led to some great character growth in Samantha. On the plus side, it is always great to hang out with these characters, and I loved the humor of the book. If you are already a fan, you’ll want to see what Samantha gets up to here. If you are new to the series, you should pick up an earlier book first before you see what happens here.
  
Widows (2018)
Widows (2018)
2018 | Crime, Drama, Thriller
Loved it
A film with Viola Davis and Liam Neeson? Yep, count me in! Solid drama about a crew of women planning to finish the heist that their deceased husbands started.

Acting: 10
Viola Davis. Viola Davis. Viola Davis. The power behind her acting is so evident, so purposeful. She plays the role of Veronica, a hard-ass who is also trying to mask her vulnerability. Her words are few, but her impact carries the film. She isn’t alone in her strong performance as Elizabeth Debicki and Cynthia Erivo also held their own. I appreciated the way Debicki showed her character’s growth from the beginning of the film to the end. Once passive and weak, she emerges as one that’s willing to do what she needs to survive.

I didn’t mention Michelle Rodriguez for a reason. I wasn’t impressed with her role this time around. Kind of a lame duck. Sorry, Michelle.

Beginning: 10
Widows gets off to a really hot start as it moves back and forth between the daily life of the main character Veronica and the heist that went wrong. It sets the tone that the film will be conflict-driven and entertaining. Watching the first ten minutes had me really excited to see the rest.

Characters: 9

Cinematography/Visuals: 5
There’s nothing that really stood out for me and that’s not necessarily a bad thing. Widows was shot plainly and in forgettable fashion. Fortunately the story and the conflict that moves the story are both extremely strong. At the end of the day, if you tell a good story the right way, you don’t have to go overboard with cinematic flare.

Conflict: 8
Solid action here. The movie benefits by having strong antagonists that actually make you fear for the lives of the main characters. You can’t really predict what is going to happen from one scene to the next. The intensity picks up even more when the characters arrive at the main heist. Very strong scene that will have you on the edge of your seat as you anticipate things going horribly wrong.

Genre: 8
I give credit to stories that are told in unique fashion. There aren’t enough heist films starring women so I’m hoping this is the beginning of what could be a very popular trend. From a dramatic standpoint, Widows absolutely holds its own.

Memorability: 8

Pace: 9

Plot: 10
Again, much credit is given to originality. The story moves quickly and is believable, only really slowing down in one spot. I also appreciate the twists that add some flare to the story without overdoing it. Sometimes twists can cause a hug eyeroll. Not this time.

Resolution: 10

Overall: 87
My expectations were minimal, but I must say that I was thoroughly impressed with how Widows turned out. It’s a fun ride from beginning to end. You won’t be disappointed.
  
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