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Kristy H (1252 KP) rated The Golden Tresses of the Dead in Books
Apr 4, 2019 (Updated Apr 8, 2019)
Love Flavia but a letdown for the series ending
Flavia's sister, Feely, is finally getting married. But at the wedding, as Feely and Dieter cut their cake, Feely slices into a human finger! How very Flavia! It's certainly a case for Arthur W. Dogger & Associates, with Flavia being the main associate, of course. And, not long after, the two are hired by a Mrs. Prill to help track down some missing letters. Flavia and Dogger barely know where to focus first. Then someone else winds up dead--with Flavia and Dogger in the thick of things--and things spiral from there..
"Aside from that-except for the human remains-it was a beautiful occasion."
So says Flavia of Feely's wedding, in very Flavia fashion. By now, if you've read the first nine books in this series, this one will feel quite familiar and sweet to you. Flavia is her usual fun, clever self, and I can't help but love her to pieces. She's up to her usual tricks in her laboratory and busy working away with her beloved Dogger, who may be the best butler/sidekick/friend in the history of mystery novels.
"I'd like to remark at the outset that I'm a girl with better than an average brain."
These books are always wonderfully descriptive, and I love seeing the world from Flavia's unique point of view:
"I don't know if you've ever dissected a rat, but to me, there was only one word for it: exhilarating."
Flavia and Dogger have two cases to solve here--and they intersect quickly. We get plenty of Flavia and Dogger time, which is great. Unfortunately, Feely is shipped off on her honeymoon, and we barely see any of Daffy. I missed the usual sarcasm and biting wit that comes with de Luce sister time. There is more of Flavia's cousin, Undine, who I admit is growing on me (and perhaps Flavia?). She will be a good companion Flavia, I think.
Sadly, though, I've read in several places that this is the last of the Flavia de Luce series. If so, this book felt woefully unresolved on several fronts for me. The mysteries felt underwhelming, as if the loose ends didn't really tie together; I was confused about how it all wrapped up in the end. And if this is really the last book, it just didn't seem as if it did our amazing heroine justice. Flavia went out with a whimper, not a bang. I would have liked to see more finality, more resolution somehow, instead of some partially ended cases and no real conclusion. It just didn't feel like a satisfactory end to what has been an amazing series featuring such a plucky girl who has been through so very much.
Still, I'm really glad I've had a chance to read this series, and I certainly enjoyed this book and all of Flavia's adventures. She's such a fun, unique character, and I can't recommend this lovely series enough.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
"Aside from that-except for the human remains-it was a beautiful occasion."
So says Flavia of Feely's wedding, in very Flavia fashion. By now, if you've read the first nine books in this series, this one will feel quite familiar and sweet to you. Flavia is her usual fun, clever self, and I can't help but love her to pieces. She's up to her usual tricks in her laboratory and busy working away with her beloved Dogger, who may be the best butler/sidekick/friend in the history of mystery novels.
"I'd like to remark at the outset that I'm a girl with better than an average brain."
These books are always wonderfully descriptive, and I love seeing the world from Flavia's unique point of view:
"I don't know if you've ever dissected a rat, but to me, there was only one word for it: exhilarating."
Flavia and Dogger have two cases to solve here--and they intersect quickly. We get plenty of Flavia and Dogger time, which is great. Unfortunately, Feely is shipped off on her honeymoon, and we barely see any of Daffy. I missed the usual sarcasm and biting wit that comes with de Luce sister time. There is more of Flavia's cousin, Undine, who I admit is growing on me (and perhaps Flavia?). She will be a good companion Flavia, I think.
Sadly, though, I've read in several places that this is the last of the Flavia de Luce series. If so, this book felt woefully unresolved on several fronts for me. The mysteries felt underwhelming, as if the loose ends didn't really tie together; I was confused about how it all wrapped up in the end. And if this is really the last book, it just didn't seem as if it did our amazing heroine justice. Flavia went out with a whimper, not a bang. I would have liked to see more finality, more resolution somehow, instead of some partially ended cases and no real conclusion. It just didn't feel like a satisfactory end to what has been an amazing series featuring such a plucky girl who has been through so very much.
Still, I'm really glad I've had a chance to read this series, and I certainly enjoyed this book and all of Flavia's adventures. She's such a fun, unique character, and I can't recommend this lovely series enough.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Ryan Hill (152 KP) rated Captain Marvel (2019) in Movies
May 9, 2019
A solid, if unremarkable entry for the MCU's first female outing
The 21st instalment in the Marvel Cinematic Universe, the penultimate feature in their Phase 3 plan, and the final stop on the road to Avengers: Endgame, Captain Marvel welcomes another superhero into its family and applies the same formula that Marvel Studios has relied on to manufacture their episodic products but their latest is also their weakest film in years that never truly realises its full potential.
Set during the mid-1990s, the story follows Carol Danvers who has extraordinary powers at her disposal but no recollection of who she is or where she comes from. However, when she crash-lands on Earth after a recent mishap, she begins tracing her step towards her origins in order to unravel her identity, finds assistance from a low-level bureaucrat working for an espionage agency, and discovers a secret that unlocks her full potential.
Written & directed by Anna Boden & Ryan Fleck, the first act of Captain Marvel is a mess that tries to acquaint the viewers with its own world yet hurries through it in a way that leaves the audience confused. The story begins to take some shape once the plot moves to Earth but other than the back-n-forth banter between its primary characters, there isn't really anything that's appealing or refreshing about it.
That montage of snippets from Carol Danvers' past in which she is told by others that she can't do anything, she is no good, she is weak, she doesn't belong & she will never make it will reverberate with many, and it is a welcome element in the picture. But instead of digging deeper into this aspect, the filmmakers head for a rather simplistic approach and narrate the story with half-hearted zealousness.
The action segments are seldom impressive, storytelling is very basic, predictable & bereft of surprises, and some key moments are executed in a rather lacklustre fashion. Editing paces the plot inconsistently, fails to provide a rigid structure to it, and splices together action scenes so monotonously that they are missing the sense of wonder & excitement. The score is fine but only a few incorporated songs work out in its favour.
Coming to the performances, Captain Marvel packs a talented cast in Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Lashana Lynch, Annette Bening & Jude Law. Larson embraces the eponymous role yet it is her fine rapport with Jackson that stands out more than her individual input. But it's Mendelsohn who impresses the most, delivering a compelling performance that only gets better as plot progresses.
On an overall scale, Captain Marvel is enjoyable to an extent, packs few amusing moments, and features a marvellous superheroine. Like Carol Danvers, this film had limitless potential. But unlike her, the filmmakers fail to tap into that element and possibly weren't even aware of what was up for grabs here. Generic, mundane & underwhelming, Captain Marvel isn't the film that the most powerful superhero in Marvel faction deserves, and is no match to the studio's finest efforts.
Set during the mid-1990s, the story follows Carol Danvers who has extraordinary powers at her disposal but no recollection of who she is or where she comes from. However, when she crash-lands on Earth after a recent mishap, she begins tracing her step towards her origins in order to unravel her identity, finds assistance from a low-level bureaucrat working for an espionage agency, and discovers a secret that unlocks her full potential.
Written & directed by Anna Boden & Ryan Fleck, the first act of Captain Marvel is a mess that tries to acquaint the viewers with its own world yet hurries through it in a way that leaves the audience confused. The story begins to take some shape once the plot moves to Earth but other than the back-n-forth banter between its primary characters, there isn't really anything that's appealing or refreshing about it.
That montage of snippets from Carol Danvers' past in which she is told by others that she can't do anything, she is no good, she is weak, she doesn't belong & she will never make it will reverberate with many, and it is a welcome element in the picture. But instead of digging deeper into this aspect, the filmmakers head for a rather simplistic approach and narrate the story with half-hearted zealousness.
The action segments are seldom impressive, storytelling is very basic, predictable & bereft of surprises, and some key moments are executed in a rather lacklustre fashion. Editing paces the plot inconsistently, fails to provide a rigid structure to it, and splices together action scenes so monotonously that they are missing the sense of wonder & excitement. The score is fine but only a few incorporated songs work out in its favour.
Coming to the performances, Captain Marvel packs a talented cast in Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Lashana Lynch, Annette Bening & Jude Law. Larson embraces the eponymous role yet it is her fine rapport with Jackson that stands out more than her individual input. But it's Mendelsohn who impresses the most, delivering a compelling performance that only gets better as plot progresses.
On an overall scale, Captain Marvel is enjoyable to an extent, packs few amusing moments, and features a marvellous superheroine. Like Carol Danvers, this film had limitless potential. But unlike her, the filmmakers fail to tap into that element and possibly weren't even aware of what was up for grabs here. Generic, mundane & underwhelming, Captain Marvel isn't the film that the most powerful superhero in Marvel faction deserves, and is no match to the studio's finest efforts.
Movie Metropolis (309 KP) rated The Lego Batman Movie (2017) in Movies
Jun 11, 2019
All Hail the Bricks
LEGO may have just single-handedly saved the DC Universe. Yep, you heard me right; the construction toy has come to the aid of one of the comic-book heavyweights in spectacular fashion.
Of course, this is not the first time the world’s biggest toy company has released a film. 2014’s LEGO Movie catapulted the popular bricks into the minds of more people than ever before, it was an astounding success, and deserved every inch.
Now, they’re back with The LEGO Batman Movie, a film with so many side jokes and movie references, it’s impossible to spot them all the first time around.
There are some big changes brewing in the city of Gotham, but if Batman (Will Arnett) wants to save the city from the Joker’s (Zach Galifianakis) hostile takeover, he may have to drop the lone vigilante shtick, try to work with others and perhaps, learn to lighten up; if that’s humanly possible. Maybe his superhero sidekick Robin (voiced by Michael Cera) and loyal butler Alfred (played by Ralph Fiennes) can show him a thing or two?
After depressing cinema-goers with Batman v Superman: Dawn of Justice and the studio interference that caused Suicide Squad to be a hideous mess (which is referenced in the flick marvellously), DC was in serious trouble – its universe was unravelling before it had even got going. Marvel certainly had nothing to worry about from its biggest rival, but that may have changed after this.
Everything from the voice acting to the ridiculously dry script and exceptional animation makes The LEGO Batman Movie a treat for children and adults. There are references to: get ready… Jurassic Park, Harry Potter, Doctor Who, Gremlins, The Lord of the Rings and every single Batman film to name but a few, all expertly placed within a story that betters any DC film before it.
The cast gels together perfectly. Will Arnett clearly had a ball playing the caped crusader, channelling Ben Affleck and Christian Bale flawlessly. Michael Cera gives his best performance in years and Ralph Fiennes is great as Alfred. Would you believe me if I said Mariah Carey even got in on the action? Well, she does. There are small roles for Channing Tatum, Jonah Hill and Eddie Izzard too.
Elsewhere, the animation is of course, blocky. Beautifully so in fact. It’s always exciting seeing individual locations transformed into LEGO and Gotham is no exception. It’s rendered to an exquisite standard with each and every frame stuffed to the brim with colour and detail. The music is also a highlight throughout with Lorne Balfe’s faithful score juxtaposed with some original songs and classic pop hits.
Overall, The LEGO Batman Movie was always going to be a gamble, but perhaps less of a risk considering the low quality of DC’s current crop of films. With some great animation, a genuinely funny and at times heart-warming story and a cast that works together incredibly well, it’s a cracking addition to the ever-expanding superhero genre.
https://moviemetropolis.net/2017/02/11/all-hail-the-bricks-the-lego-batman-movie-review/
Of course, this is not the first time the world’s biggest toy company has released a film. 2014’s LEGO Movie catapulted the popular bricks into the minds of more people than ever before, it was an astounding success, and deserved every inch.
Now, they’re back with The LEGO Batman Movie, a film with so many side jokes and movie references, it’s impossible to spot them all the first time around.
There are some big changes brewing in the city of Gotham, but if Batman (Will Arnett) wants to save the city from the Joker’s (Zach Galifianakis) hostile takeover, he may have to drop the lone vigilante shtick, try to work with others and perhaps, learn to lighten up; if that’s humanly possible. Maybe his superhero sidekick Robin (voiced by Michael Cera) and loyal butler Alfred (played by Ralph Fiennes) can show him a thing or two?
After depressing cinema-goers with Batman v Superman: Dawn of Justice and the studio interference that caused Suicide Squad to be a hideous mess (which is referenced in the flick marvellously), DC was in serious trouble – its universe was unravelling before it had even got going. Marvel certainly had nothing to worry about from its biggest rival, but that may have changed after this.
Everything from the voice acting to the ridiculously dry script and exceptional animation makes The LEGO Batman Movie a treat for children and adults. There are references to: get ready… Jurassic Park, Harry Potter, Doctor Who, Gremlins, The Lord of the Rings and every single Batman film to name but a few, all expertly placed within a story that betters any DC film before it.
The cast gels together perfectly. Will Arnett clearly had a ball playing the caped crusader, channelling Ben Affleck and Christian Bale flawlessly. Michael Cera gives his best performance in years and Ralph Fiennes is great as Alfred. Would you believe me if I said Mariah Carey even got in on the action? Well, she does. There are small roles for Channing Tatum, Jonah Hill and Eddie Izzard too.
Elsewhere, the animation is of course, blocky. Beautifully so in fact. It’s always exciting seeing individual locations transformed into LEGO and Gotham is no exception. It’s rendered to an exquisite standard with each and every frame stuffed to the brim with colour and detail. The music is also a highlight throughout with Lorne Balfe’s faithful score juxtaposed with some original songs and classic pop hits.
Overall, The LEGO Batman Movie was always going to be a gamble, but perhaps less of a risk considering the low quality of DC’s current crop of films. With some great animation, a genuinely funny and at times heart-warming story and a cast that works together incredibly well, it’s a cracking addition to the ever-expanding superhero genre.
https://moviemetropolis.net/2017/02/11/all-hail-the-bricks-the-lego-batman-movie-review/
Phillip McSween (751 KP) rated Red Sparrow (2018) in Movies
Mar 26, 2018
Better Than I Hoped
Red Sparrow is one of those films where I respectfully disagree with the overall opinion of the critics. It's not perfect but it gets a lot of things right and is definitely worth your time if you're thinking of checking it out. After Dominika Egrova (Jennifer Lawrence) takes a career-ending fall during a ballet routine, she has to turn to seedier means of keeping her family afloat.
Acting: 10
Beginning: 10
Red Sparrow doesn't take long to take off, giving you just enough to keep you intrigued. You're introduced to Dominika who is just trying to do what she needs to do to take care of her mom. You see the world through her eyes and you feel her struggle.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
A lot of moving parts succeed as a whole to keep the film's hooks in you. You're trying to piece together just what the hell is happening and you can't turn away in fear you might miss something. The action won't overwhelm you with its frequency, but there is an underlying intensity from the stakes and the possibilities of what could happen.
Genre: 6
As a dramatic film, I've seen better, but I've also seen a lot worse. If I'm comparing this to other films, movies like The Girl With the Dragon Tattoo come to mind. Dragon Tattoo would get the nod for me because of a stronger, cohesive story. I didn't leave saying it was the best drama I had ever seen, but it was pretty solid nonetheless.
Memorability: 10
There is a gritty realism about this film that will probably keep a lot of its images in my head for a long time to come. Its sensual in an unsettling, predatory kind of way. The twists will leave you guessing until the very end. Just when you think you've got something figured out, you're hit from another angle.
Pace: 9
The only time the film really trips over itself is when it starts to overthink things and get too confusing. Those brief moments created a pace slowdown that took me out of the enjoying the film for a bit. For the most part, the film moves at a consistent, solid pace.
Plot: 6
One of the weaker aspects of the film from an entirety standpoint. Not saying there were holes, but certain parts made it hard to figure out what was currently happening. Sure, I figured it out eventually but not before thinking of the number of different ways they could have presented the same information in an easier fashion.
Resolution: 5
Loved the ending. Hated it at the same time. Hard to explain without spoiling it so I won't go into too much detail here, but I'll just say that it connects to tying up loose ends. I felt that, compared to the rest of the film, the ending could have served to be a little less sloppy.
Overall: 86
Red Sparrow currently sits at a 47% on Rotten Tomatoes right now. While it's not the perfect film, there are solid moments of action and intrigue that will keep you engaged from beginning to end. Thumbs up in my book.
Acting: 10
Beginning: 10
Red Sparrow doesn't take long to take off, giving you just enough to keep you intrigued. You're introduced to Dominika who is just trying to do what she needs to do to take care of her mom. You see the world through her eyes and you feel her struggle.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
A lot of moving parts succeed as a whole to keep the film's hooks in you. You're trying to piece together just what the hell is happening and you can't turn away in fear you might miss something. The action won't overwhelm you with its frequency, but there is an underlying intensity from the stakes and the possibilities of what could happen.
Genre: 6
As a dramatic film, I've seen better, but I've also seen a lot worse. If I'm comparing this to other films, movies like The Girl With the Dragon Tattoo come to mind. Dragon Tattoo would get the nod for me because of a stronger, cohesive story. I didn't leave saying it was the best drama I had ever seen, but it was pretty solid nonetheless.
Memorability: 10
There is a gritty realism about this film that will probably keep a lot of its images in my head for a long time to come. Its sensual in an unsettling, predatory kind of way. The twists will leave you guessing until the very end. Just when you think you've got something figured out, you're hit from another angle.
Pace: 9
The only time the film really trips over itself is when it starts to overthink things and get too confusing. Those brief moments created a pace slowdown that took me out of the enjoying the film for a bit. For the most part, the film moves at a consistent, solid pace.
Plot: 6
One of the weaker aspects of the film from an entirety standpoint. Not saying there were holes, but certain parts made it hard to figure out what was currently happening. Sure, I figured it out eventually but not before thinking of the number of different ways they could have presented the same information in an easier fashion.
Resolution: 5
Loved the ending. Hated it at the same time. Hard to explain without spoiling it so I won't go into too much detail here, but I'll just say that it connects to tying up loose ends. I felt that, compared to the rest of the film, the ending could have served to be a little less sloppy.
Overall: 86
Red Sparrow currently sits at a 47% on Rotten Tomatoes right now. While it's not the perfect film, there are solid moments of action and intrigue that will keep you engaged from beginning to end. Thumbs up in my book.
Hazel (1853 KP) rated How Not to Fall in Love, Actually: A Laugh-Out-Loud Romantic Comedy in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
“Life, as any chancer knows, is 10% planning, 10% design and 80% totally winging it …” and Catherine Bennetto’s debut novel <i>How Not to Fall in Love, Actually</i> provides a perfect example. The protagonist, Emma George, does not have the most stable of lives: a job she is not that great at, a disappointing boyfriend, and not much hope for the future. Clinging on to dreams of working in the film industry in New York, Emma plods on in her frustrating London job, however, things are due to get a lot worse.
A quick succession of events leaves Emma boyfriend-less, homeless, penniless, grandmother-less, and, to top it off, pregnant. Although letting off a woe-is-me aura, Emma does not realise how fortunate she is. A series of serendipitous incidents, a fashion-obsessed mother, and a sister on the other side of the world make Emma’s life more bearable. Moving into her late grandmother’s Wimbledon cottage and acquiring a handsome lodger, with a loving family just around the corner, Emma’s life has the potential to be happier than it has ever been before – if only she could see that.
<i>How Not to Fall in Love, Actually</i> (a title presumably inspired by the film Love Actually) is a typical British romantic comedy that provides light-hearted relief with its jovial narrative. Full of eccentric characters – a foul-mouthed four-year-old, a felony-obsessed octogenarian, and a harried mother of four – this novel is certain to entertain, although whether it deserves the “laugh-out-loud” status it promises is questionable (but then I am more of a laugh-inside type of reader).
One of the best things about this book – and many British chick-lit – is the authenticity of the characters and settings. Although a few of the scenarios may be toward the extreme end of the scale, none of the occurrences are too far-fetched, and all the characters are relatable in some way, despite their idiosyncrasies.
Personally, I tend to avoid chick-lit, finding them rather lowbrow and written for the sake of writing. Books that have love or sexual encounters as their key theme are not something I enjoy. Therefore, I was pleasantly surprised when <i>How Not to Fall in Love, Actually</i> exceeded these rather low expectations. Admittedly, there are one too many sexual references and far too much swearing, particularly from a four-year-old character – although that does add to the overall humour - but the general storyline was enjoyable. Despite the title hinting at a love-focused story, there were so many other elements to the plot, resulting in a much more interesting novel.
<i>How Not to Fall in Love, Actually</i> is obviously targeted at women, but can be enjoyed by adults of all ages. Those in their twenties and thirties may be able to relate to the struggles Emma is dealing with, whereas older generations may be able to reminisce about their past dilemmas. Whatever the reader’s situation, this book brings laughter, relaxation and the realisation that life is not so bad.
“Life, as any chancer knows, is 10% planning, 10% design and 80% totally winging it …” and Catherine Bennetto’s debut novel <i>How Not to Fall in Love, Actually</i> provides a perfect example. The protagonist, Emma George, does not have the most stable of lives: a job she is not that great at, a disappointing boyfriend, and not much hope for the future. Clinging on to dreams of working in the film industry in New York, Emma plods on in her frustrating London job, however, things are due to get a lot worse.
A quick succession of events leaves Emma boyfriend-less, homeless, penniless, grandmother-less, and, to top it off, pregnant. Although letting off a woe-is-me aura, Emma does not realise how fortunate she is. A series of serendipitous incidents, a fashion-obsessed mother, and a sister on the other side of the world make Emma’s life more bearable. Moving into her late grandmother’s Wimbledon cottage and acquiring a handsome lodger, with a loving family just around the corner, Emma’s life has the potential to be happier than it has ever been before – if only she could see that.
<i>How Not to Fall in Love, Actually</i> (a title presumably inspired by the film Love Actually) is a typical British romantic comedy that provides light-hearted relief with its jovial narrative. Full of eccentric characters – a foul-mouthed four-year-old, a felony-obsessed octogenarian, and a harried mother of four – this novel is certain to entertain, although whether it deserves the “laugh-out-loud” status it promises is questionable (but then I am more of a laugh-inside type of reader).
One of the best things about this book – and many British chick-lit – is the authenticity of the characters and settings. Although a few of the scenarios may be toward the extreme end of the scale, none of the occurrences are too far-fetched, and all the characters are relatable in some way, despite their idiosyncrasies.
Personally, I tend to avoid chick-lit, finding them rather lowbrow and written for the sake of writing. Books that have love or sexual encounters as their key theme are not something I enjoy. Therefore, I was pleasantly surprised when <i>How Not to Fall in Love, Actually</i> exceeded these rather low expectations. Admittedly, there are one too many sexual references and far too much swearing, particularly from a four-year-old character – although that does add to the overall humour - but the general storyline was enjoyable. Despite the title hinting at a love-focused story, there were so many other elements to the plot, resulting in a much more interesting novel.
<i>How Not to Fall in Love, Actually</i> is obviously targeted at women, but can be enjoyed by adults of all ages. Those in their twenties and thirties may be able to relate to the struggles Emma is dealing with, whereas older generations may be able to reminisce about their past dilemmas. Whatever the reader’s situation, this book brings laughter, relaxation and the realisation that life is not so bad.
Gareth von Kallenbach (980 KP) rated Justice League (2017) in Movies
Jun 19, 2019
The long anticipated “Justice League” has finally arrived finally combining the biggest stars of the DC universe into one film. The proposed film has faced many obstacles on the way to the big screen ranging from script issues, massive reshoots and a change of Director for said reshoots due to a family tragedy that Director Zack Snyder suffered.
The film follows Batman (Ben Affleck) and Wonder Woman (Gal Godot), as they look to assemble a team of other gifted individuals to help fight off a pending invasion.
The death of Superman has left a void on the Earth, and this has paved the way for an ancient evil to return as he attempts to conquer the planet after he collects the three needed artifacts that his plan requires.
In a race against time, Batman and Wonder Woman recruit Aquaman (Jason Momoa), The Flash (Ezra Miller), and Cyborg (Ray Fisher), to battle to save the planet. Naturally they battle amongst themselves as well as their massing enemies but ultimately decide on a dangerous plan that can tip the odds in their favor and save the day.
The action in the film is good but it often plays out like a video game. With so many blatantly obvious CGI backgrounds, the movie looked like a video game. There were numerous scenes that looked like they were lifted from Injustice and Injustice 2 that I mused to myself that someone must have used their Power Up for the shot.
Affleck and Gadot are good and work well with one another, but there are some serious casting issues with the film. The biggest for me was Ezra Miller as The Flash. I did not like his effeminate, nerdy, socially awkward, and neurotic and at times cowardly take on the character. This is not the Barry Allen I grew up reading in comics or the one that has been portrayed twice in a much better fashion on television. His comic relief status grew old fast and his character really offered little to the film.
It has been well-documented that Joss Whedon not only handled the rewrites for the film but took over directing duties to complete the film. You can see elements of his humor scattered throughout and the film does move along at a steady pace without dragging.
The biggest issue is that so many of the characters are just stiff and one-dimensional. They really are not overly interesting so it is hard to really connect with them and the tasks they are facing. Unlike Marvel who have excelled with dysfunctional groups who fight amongst themselves as well as the forces of evil, this group seems to be going through the paces rather than being fully engaged with the task at hand and each other.
In the end “Justice League” is better than I expected, and the two bonus scenes in the credits show some interesting potential down the road. As it is, it is flawed entertainment that requires audiences to overlook a lot of issues.
http://sknr.net/2017/11/15/justice-league/
The film follows Batman (Ben Affleck) and Wonder Woman (Gal Godot), as they look to assemble a team of other gifted individuals to help fight off a pending invasion.
The death of Superman has left a void on the Earth, and this has paved the way for an ancient evil to return as he attempts to conquer the planet after he collects the three needed artifacts that his plan requires.
In a race against time, Batman and Wonder Woman recruit Aquaman (Jason Momoa), The Flash (Ezra Miller), and Cyborg (Ray Fisher), to battle to save the planet. Naturally they battle amongst themselves as well as their massing enemies but ultimately decide on a dangerous plan that can tip the odds in their favor and save the day.
The action in the film is good but it often plays out like a video game. With so many blatantly obvious CGI backgrounds, the movie looked like a video game. There were numerous scenes that looked like they were lifted from Injustice and Injustice 2 that I mused to myself that someone must have used their Power Up for the shot.
Affleck and Gadot are good and work well with one another, but there are some serious casting issues with the film. The biggest for me was Ezra Miller as The Flash. I did not like his effeminate, nerdy, socially awkward, and neurotic and at times cowardly take on the character. This is not the Barry Allen I grew up reading in comics or the one that has been portrayed twice in a much better fashion on television. His comic relief status grew old fast and his character really offered little to the film.
It has been well-documented that Joss Whedon not only handled the rewrites for the film but took over directing duties to complete the film. You can see elements of his humor scattered throughout and the film does move along at a steady pace without dragging.
The biggest issue is that so many of the characters are just stiff and one-dimensional. They really are not overly interesting so it is hard to really connect with them and the tasks they are facing. Unlike Marvel who have excelled with dysfunctional groups who fight amongst themselves as well as the forces of evil, this group seems to be going through the paces rather than being fully engaged with the task at hand and each other.
In the end “Justice League” is better than I expected, and the two bonus scenes in the credits show some interesting potential down the road. As it is, it is flawed entertainment that requires audiences to overlook a lot of issues.
http://sknr.net/2017/11/15/justice-league/
Gareth von Kallenbach (980 KP) rated The Hunger Games: Catching Fire (2013) in Movies
Jun 19, 2019
The international success of “The Hunger Games” has had fans the world over eagerly awaiting the next film in the series. Since “The Hunger Games” earned record box office, star Jennifer Lawrence has gone on to win an Academy Award and has become a rising star in Hollywood.
“The Hunger Games: Catching Fire” picks up nearly a year after the events of the first film, as Katniss (Jennifer Lawrence), struggles to deal with the events of what happened to her a year earlier. She and Peeta (Josh Hutcherson), put up a brave front for the cameras as a united couple, but in actuality, they live apart in the Victor’s Village of District 12.
Katniss spends much of her time with her mom and sister and has fallen back into a relationship with her childhood friend Gale (Liam Hemsworth).
Shortly before Katniss and Peeta are to embark on a Victory Tour of the districts, Katniss is visited by President Snow (Donald Sutherland), who tells Katniss in no uncertain terms that he is not happy with how she showed him up at the conclusion of the past games and if she values her life as well as that of her loved ones, then she had better make him believe that she and Peeta are still an item.
The tour gets off to a rough start when dissent appears in the assembled crowds, and protestors are dealt with in a brutal fashion by the assembled Peacekeepers. Katniss and Peeta are told by their mentor Haymitch (Woody Harrelson), that they can only hope to survive the game and not win, and that they need to follow his advice as well as that of Effie Trinket (Elizabeth Banks), if they want to live a long and happy life.
Depite their best efforts, President Snow is not appeased and to celebrate the 75th anniversary of the games, he orders that the tributes from each district be made up of past winners. The plan to eliminate Katniss once and for all by putting her in the games again with an elite squad of killers in an arena designed by new Gamesmaster Plutarch Heavensbee (Phillip Seymour Hoffman).
Forced to make allies to survive the games again, Peeta and Katniss meet charismatic Finnick Odair (Sam Claflin) and crazy Johanna Mason (Jena Malone), as they battle in ta deadly tropical arena to survive.
Despite being a bit slow getting started, the movie follows the book fairly closely and has very strong performances form the leads and supporting cast. The film is visually impressive and the action is fast and intense.
Despite reading the book and knowing the story, I was drawn in and was caught up in the action from the start and was one of the more enjoyable experience at the movies for me in 2013.
So much so, that I am already looking forward to the two-part finale of “Mockingjay” as I cannot wait to see what they come up with next.
http://sknr.net/2013/11/19/the-hunger-games-catching-fire/
“The Hunger Games: Catching Fire” picks up nearly a year after the events of the first film, as Katniss (Jennifer Lawrence), struggles to deal with the events of what happened to her a year earlier. She and Peeta (Josh Hutcherson), put up a brave front for the cameras as a united couple, but in actuality, they live apart in the Victor’s Village of District 12.
Katniss spends much of her time with her mom and sister and has fallen back into a relationship with her childhood friend Gale (Liam Hemsworth).
Shortly before Katniss and Peeta are to embark on a Victory Tour of the districts, Katniss is visited by President Snow (Donald Sutherland), who tells Katniss in no uncertain terms that he is not happy with how she showed him up at the conclusion of the past games and if she values her life as well as that of her loved ones, then she had better make him believe that she and Peeta are still an item.
The tour gets off to a rough start when dissent appears in the assembled crowds, and protestors are dealt with in a brutal fashion by the assembled Peacekeepers. Katniss and Peeta are told by their mentor Haymitch (Woody Harrelson), that they can only hope to survive the game and not win, and that they need to follow his advice as well as that of Effie Trinket (Elizabeth Banks), if they want to live a long and happy life.
Depite their best efforts, President Snow is not appeased and to celebrate the 75th anniversary of the games, he orders that the tributes from each district be made up of past winners. The plan to eliminate Katniss once and for all by putting her in the games again with an elite squad of killers in an arena designed by new Gamesmaster Plutarch Heavensbee (Phillip Seymour Hoffman).
Forced to make allies to survive the games again, Peeta and Katniss meet charismatic Finnick Odair (Sam Claflin) and crazy Johanna Mason (Jena Malone), as they battle in ta deadly tropical arena to survive.
Despite being a bit slow getting started, the movie follows the book fairly closely and has very strong performances form the leads and supporting cast. The film is visually impressive and the action is fast and intense.
Despite reading the book and knowing the story, I was drawn in and was caught up in the action from the start and was one of the more enjoyable experience at the movies for me in 2013.
So much so, that I am already looking forward to the two-part finale of “Mockingjay” as I cannot wait to see what they come up with next.
http://sknr.net/2013/11/19/the-hunger-games-catching-fire/
Gareth von Kallenbach (980 KP) rated Unrest (2006) in Movies
Aug 14, 2019
For many medical school students the most daunting class they face early in their studies is that of Gross Anatomy. The class which introduces aspiring doctors to their first bodies, as well as the reality and complexity of the human anatomy is often seen as a make or break moment for the challenging studies that lay ahead.
In the film Unrest Writer/Director/Producer Jason Todd Ipson follows a group of new students in a Gross Anatomy class. At first the students are shocked by the disfigured cadaver in front of them, but soon begin the dissection they are required to do.
The appearance of the corpse they are working on becomes a source of fixation for one of the students named Allison (Corri English), who becomes convinced that something is not right with the body they are working on, as something tells her that things are not as they seem.
Allison’s concerns are dismissed as her being overwhelmed by her first encounter with a body, and she is told that her concerns will soon pass. Soon after, one of the dissection group is affected by a freak accident, and Allison becomes convinced that there are evil forces at work, and that nobody will be safe until the mystery behind the corpse is settled.
As the body count rises, Allison and her friend Brian (Scot Davis), face a race against the clock and the supernatural to find the cause of the unrest and make things right, before they end up the next victims of a vengeful specter.
Unrest is a very impressive debut for Ipson, who himself was a promising surgeon before turning his talents to directing. The film is well paced and has plenty of tension and suspense without resorting to the clichéd horror staples that have become all too common.
The plot is refreshingly original and deeper than most films in this genre attempt to achieve, as its complexity is deceiving simply. The film can be taken as a simple scare fest, but for those willing to look beneath the surface, there are deeper layers to the film that tackle areas such as the afterlife, intuition, possession, second sight, and the supernatural. While all of those have been covered before in various films, few have ever combined them in such an intelligent fashion that allows the audience to reach their own conclusions on the topics the film introduces.
The cast is solid especially Davis and English who take what could easily be stock characters and infuse a sense of purpose which helps the audience relate to them and their situation.
While the film might have what appears to some to be plot holes, the film is actually a clever examination of the spirit and afterlife, and delivers the goods. While much has been made about the alleged use of real body parts in the film, Ipson is careful not to let his film become a gratuitous gore fest and uses blood and carnage only in the amounts necessary to propel the story.
Unrest is a very solid effort that marks the emergence of a talent to be watched and will delight fans of the genre who want some intelligence with their horror.
In the film Unrest Writer/Director/Producer Jason Todd Ipson follows a group of new students in a Gross Anatomy class. At first the students are shocked by the disfigured cadaver in front of them, but soon begin the dissection they are required to do.
The appearance of the corpse they are working on becomes a source of fixation for one of the students named Allison (Corri English), who becomes convinced that something is not right with the body they are working on, as something tells her that things are not as they seem.
Allison’s concerns are dismissed as her being overwhelmed by her first encounter with a body, and she is told that her concerns will soon pass. Soon after, one of the dissection group is affected by a freak accident, and Allison becomes convinced that there are evil forces at work, and that nobody will be safe until the mystery behind the corpse is settled.
As the body count rises, Allison and her friend Brian (Scot Davis), face a race against the clock and the supernatural to find the cause of the unrest and make things right, before they end up the next victims of a vengeful specter.
Unrest is a very impressive debut for Ipson, who himself was a promising surgeon before turning his talents to directing. The film is well paced and has plenty of tension and suspense without resorting to the clichéd horror staples that have become all too common.
The plot is refreshingly original and deeper than most films in this genre attempt to achieve, as its complexity is deceiving simply. The film can be taken as a simple scare fest, but for those willing to look beneath the surface, there are deeper layers to the film that tackle areas such as the afterlife, intuition, possession, second sight, and the supernatural. While all of those have been covered before in various films, few have ever combined them in such an intelligent fashion that allows the audience to reach their own conclusions on the topics the film introduces.
The cast is solid especially Davis and English who take what could easily be stock characters and infuse a sense of purpose which helps the audience relate to them and their situation.
While the film might have what appears to some to be plot holes, the film is actually a clever examination of the spirit and afterlife, and delivers the goods. While much has been made about the alleged use of real body parts in the film, Ipson is careful not to let his film become a gratuitous gore fest and uses blood and carnage only in the amounts necessary to propel the story.
Unrest is a very solid effort that marks the emergence of a talent to be watched and will delight fans of the genre who want some intelligence with their horror.
Gareth von Kallenbach (980 KP) rated Miss Congeniality 2 - Armed and Fabulous (2005) in Movies
Aug 14, 2019
As the weather starts to warm, indicating the coming spring and summer seasons, scores of sequels arrive at local box offices. Sequels have always been desired by Hollywood because, thanks in part to the success of previous titles in the series, a built in audience helps assure big openings.
With the Ring 2 kicking off the sequel frenzy to solid numbers this year, Warner Bros. is hoping to cash in on the success of the Sandra Bullock hit Miss Congeniality, with the release of Miss Congeniality 2 :Armed and Fabulous.
The film opens a few weeks after the events of the first film and underscores agent Gracie Hart’s struggles to get back into field work now that she’s a celebrity. When an undercover operation goes sour in part to Gracie’s new found notoriety, it is decided that she will be removed from field work and placed as the new face of the F.B.I. in an effort to increase public image. Assigned to watch her back, Gracie is partnered with a no-nonsense agent named Sam Fuller (Regina King), who has severe attitude issues and is less than thrilled to watch over Gracie especially when Gracie has become a diva thanks to her new found celebrity and numerous appearances on talk shows.
When the current Miss America, and good friend, Cheryl (Heather Burns) is kidnapped along with pageant host Stan Fields (William Shatner), Gracie sets off to Vegas in an effort to help with the case. Her notoriety and unorthodox tactics runs afoul of the local agent in charge Collins (Treat Williams), who wants nothing more than for Gracie to head back to New York and make his life easier.
While the film does have an interesting setup, it soon becomes an overlong sketch comedy as Gracie and Sam show up in costumes ranging from an old Jewish retiree to Tina Turner, with sadly very few laughs in between. I was a big fan of the first film but this effort seems like a project that was created simply to cash in on the success of the first without offering anything new.
The charm and wit of the first film are sadly missed, as this film just plods along without any real payoff. Bullock seems to be walking through her part without the sparkle and shine that made her the beloved girl next door. Fuller seems to have only two emotions and that is pure rage or exasperation. The rest of the cast does not fare much better as Shatner is forced to vamp it up with very little to work with. Only Diedrich Bader gets some laughs albeit cheaply playing the over the top flamboyant fashion consultant named Joel.
Michael Caine and Benjamin Bratt are noticeably absent from this sequel. It seems that they wisely decided to stay clear of this clunker. I had hoped that this film would recapture some of the charm of the original but it plays out as an uninspired effort that seems to have had very little care put into it. My advice, save this for a rental.
With the Ring 2 kicking off the sequel frenzy to solid numbers this year, Warner Bros. is hoping to cash in on the success of the Sandra Bullock hit Miss Congeniality, with the release of Miss Congeniality 2 :Armed and Fabulous.
The film opens a few weeks after the events of the first film and underscores agent Gracie Hart’s struggles to get back into field work now that she’s a celebrity. When an undercover operation goes sour in part to Gracie’s new found notoriety, it is decided that she will be removed from field work and placed as the new face of the F.B.I. in an effort to increase public image. Assigned to watch her back, Gracie is partnered with a no-nonsense agent named Sam Fuller (Regina King), who has severe attitude issues and is less than thrilled to watch over Gracie especially when Gracie has become a diva thanks to her new found celebrity and numerous appearances on talk shows.
When the current Miss America, and good friend, Cheryl (Heather Burns) is kidnapped along with pageant host Stan Fields (William Shatner), Gracie sets off to Vegas in an effort to help with the case. Her notoriety and unorthodox tactics runs afoul of the local agent in charge Collins (Treat Williams), who wants nothing more than for Gracie to head back to New York and make his life easier.
While the film does have an interesting setup, it soon becomes an overlong sketch comedy as Gracie and Sam show up in costumes ranging from an old Jewish retiree to Tina Turner, with sadly very few laughs in between. I was a big fan of the first film but this effort seems like a project that was created simply to cash in on the success of the first without offering anything new.
The charm and wit of the first film are sadly missed, as this film just plods along without any real payoff. Bullock seems to be walking through her part without the sparkle and shine that made her the beloved girl next door. Fuller seems to have only two emotions and that is pure rage or exasperation. The rest of the cast does not fare much better as Shatner is forced to vamp it up with very little to work with. Only Diedrich Bader gets some laughs albeit cheaply playing the over the top flamboyant fashion consultant named Joel.
Michael Caine and Benjamin Bratt are noticeably absent from this sequel. It seems that they wisely decided to stay clear of this clunker. I had hoped that this film would recapture some of the charm of the original but it plays out as an uninspired effort that seems to have had very little care put into it. My advice, save this for a rental.
MaryAnn (14 KP) rated The Printed Letter Bookshop in Books
Nov 4, 2019
Amid literature and lattes, three women come together and find that sharing ones journey with best friends makes life richer.
When attorney Madeline Carter inherits her aunts bookstore in a small town north of Chicago, she plans to sell it and add the proceeds to her nonexistent investment portfolio. But plans change when Madeline discovers the store isnt making money and she gets passed over for promotion at her firm. She quits in protest, takes the train north, and decides to work at the store to prep it for sale. Madeline soon finds herself at odds with employees Jessica and Courtney; when she also finds herself attracted to an affianced man, it only confuses the entire situation. After blowing up her marriage two years earlier, Janet has found solace working at the bookstore and a kindred spirit within its owner, Maddie Cullen. But when Maddie dies and her niece, Madeline, barges in like a bulldozer, Janet pushes at the new owner in every way-until she trips over common ground. Soon the women are delving into online dating and fashion makeovers, and Janet feels the pull to rediscover her art, a love she thought long behind her. After a night of bad decisions leaves the store in peril, Claire arrives and tries to save the day. While she, too, found sanctuary in the little bookstore, she knows its under-insured, in the red, and will never survive. When she discovers her teenage daughter has played a part in vandalizing the store, Courtney taps into strength she didnt know existed or had long forgotten. The quietest of the three, she steps up and finds a way to save her family, the store, and the precious friendships that have grown within it. The Printed Letter Bookshop is the story of friends who find each other-and themselves-in a place none of them ever expected.
This is a wonderful read. It's hard to put down once the reader begins the story. One shop, three women and their lives are connected through one woman, Aunt Maddie. In this story, we learn through three women how one magnificent woman helps each woman, Madeline, Janet, and Claire take a look into their lives through books that she has left them to read after her death.
I love bookstores, and this one is more than a bookstore; it's a place where friends come together for love, help, and healing. It's about friendships that can last through trials and tribulations. It's about one woman's legacy and how she looked at life. It's a story that one should not miss.
This is a story of finding one's calling in life, of love, forgiveness and true friendships that last through trials and tribulations, not just in the good times but in the worst of days. This was a wonderful book that teaches us that reading is beneficial, soothing and can always be a learning experience.
I loved the shop; I wish it were real if it were I would visit everyday!
When attorney Madeline Carter inherits her aunts bookstore in a small town north of Chicago, she plans to sell it and add the proceeds to her nonexistent investment portfolio. But plans change when Madeline discovers the store isnt making money and she gets passed over for promotion at her firm. She quits in protest, takes the train north, and decides to work at the store to prep it for sale. Madeline soon finds herself at odds with employees Jessica and Courtney; when she also finds herself attracted to an affianced man, it only confuses the entire situation. After blowing up her marriage two years earlier, Janet has found solace working at the bookstore and a kindred spirit within its owner, Maddie Cullen. But when Maddie dies and her niece, Madeline, barges in like a bulldozer, Janet pushes at the new owner in every way-until she trips over common ground. Soon the women are delving into online dating and fashion makeovers, and Janet feels the pull to rediscover her art, a love she thought long behind her. After a night of bad decisions leaves the store in peril, Claire arrives and tries to save the day. While she, too, found sanctuary in the little bookstore, she knows its under-insured, in the red, and will never survive. When she discovers her teenage daughter has played a part in vandalizing the store, Courtney taps into strength she didnt know existed or had long forgotten. The quietest of the three, she steps up and finds a way to save her family, the store, and the precious friendships that have grown within it. The Printed Letter Bookshop is the story of friends who find each other-and themselves-in a place none of them ever expected.
This is a wonderful read. It's hard to put down once the reader begins the story. One shop, three women and their lives are connected through one woman, Aunt Maddie. In this story, we learn through three women how one magnificent woman helps each woman, Madeline, Janet, and Claire take a look into their lives through books that she has left them to read after her death.
I love bookstores, and this one is more than a bookstore; it's a place where friends come together for love, help, and healing. It's about friendships that can last through trials and tribulations. It's about one woman's legacy and how she looked at life. It's a story that one should not miss.
This is a story of finding one's calling in life, of love, forgiveness and true friendships that last through trials and tribulations, not just in the good times but in the worst of days. This was a wonderful book that teaches us that reading is beneficial, soothing and can always be a learning experience.
I loved the shop; I wish it were real if it were I would visit everyday!