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Deepwater Horizon (2016)
Deepwater Horizon (2016)
2016 | Action, Drama
“Full of sound and fury, Signifying nothing” could be a summary of this modern-age disaster movie. In 2010 the “Deepwater Horizon” drilling rig off the coast of Louisiana failed in spectacular fashion, bursting into flames and spewing millions of barrels of crude oil into the Gulf of Mexico in what was the worst oil-spill in American history. Mark Wahlberg plays the well-respected electrical ‘Mr fixit’ Mike Williams on the rig, reporting to the Operations Manager Jimmy Harrell (Kurt Russell).

The exploratory project is way-behind and BP are not happy. Big-wigs from the company add support to Donald Vidrine, the BP site leader, in applying mounting pressure on Harrell to press on regardless without all the necessary and time-consuming tests by Schlumberger being completed. Rogue numbers in further tests are waved away as ‘glitches’. A familiar story of corporate greed and pressure overriding the expert’s better judgment.
When disaster strikes it strikes quickly, with some spectacular and exciting special effects that leave the audience especially hot under the collar. Female support is provided by the comely Andrea Fleytas (Gina Rodriguez), given the almost impossible job of keeping the floating bomb on station as chaos reigns about her. As an audience we are back on familiar ground here from classic Irwin Allen disaster movies such as “The Towering Inferno” and “The Poseidon Adventure”. Who will make it, and who won’t?

A more telling question here is “Do we care?” and unfortunately for the film, the answer is “Not really”. This feels a callous thing to say when this was a real and recent event and eleven people and – as touchingly illustrated at the end of the film in tribute – many of them family men with young kids, never went home again. But film-wise, we only really get bought into the fate of Williams, whose back-story, with cute wife (Kate Hudson) and cute daughter (Stella Allen) we get to meet and sympathize with.

We get a minimalist view of Fleytas’s backstory, but only enough to provide a recurring “Mustang” reference. And that’s it. All the other characters are just two-dimensional “rig crew”: cannon-fodder for the special effects team. The screenplay by Matthew Sand and Matthew Carnahan really doesn’t deliver enough heft to get us bought in.

While the special effects are good, the sound design isn’t, with much of the dialogue being incomprehensible.
 
All the acting is fine, with the ever-watchable John Malkovich nicely portraying the corporate head you love to hate. Wahlberg as well delivers enough range to make you forget in this “action mode” that he was also in “Ted”. And Rodriguez as a junior lead holds her own against the big guns in what is a creditable performance in a big film role for her.

While “Lone Survivor”/”Battleship” director Peter Berg neatly provides an insight into life on and around rigs, and (via subtitles) descriptions of the drilling process which I found interesting, this comes down to the sum of a tense build up, an hour of frenetic disaster, and then a whimper of an ending. Where were some of the dramatic scenes of conflict in the congressional hearing that the film’s opening implies might come? Where are the scenes of ecological disaster and local financial ruin to add emotional angles to the story? None of this is really exploited and the whole concoction comes across a bit “meh” as a result. Not a bad film by any means. But not one I will remember in a month or two’s time.
  
Spider-Man: No Way Home (2021)
Spider-Man: No Way Home (2021)
2021 | Action, Adventure
Big Parker Energy
The trilogy of Tom Holland’s Spider-Man, has all been leading to this: An all-out battle resulting from a broken spell that Dr. Strange tried to cast. Let’s get this out of the way now: There will be zero spoilers in this review. Let’s also get this out of the way: You are going to love this movie.

Acting: 10
Stakes are extremely high here which could fall short on screen with weaker performances from the cast. The crew doesn’t disappoint here, both new and old. Tom Holland and Zendaya give you absolute gold, both during the high times and especially the low. I haven’t gotten this emotional over a Spider-Man movie since 2004’s Spider-Man 2.

But Willem Dafoe. Willem Dafoe, Willem Dafoe, Willem Dafoe. It felt like he was playing with an entirely different set of cards, all Aces. His performance was hands-down one of the best I’ve seen in a superhero film and one of the best I’ve seen all year. I absolutely couldn’t get enough of the impact he brought to this movie. Definitely brings the emotion out of you.

Beginning: 8
The movie picks up right where Far From Home leaves off. If you remember what happened at the end of that one, you will recognize that the third allows them to jump right into the conflict. Things start quickly, but not quite perfectly. I know this can be a challenge to do, but I’m wondering if they could have used the first ten minutes to cut to the meat of the story quicker. As it stands, it did take a bit of time for things to pick up.

Characters: 10

Cinematography/Visuals: 10

Conflict: 10
I haven’t been this satisfied with superhero action scenes since Avengers: Endgame. Man oh man, I wish I could say more but just know this: If you came to see some hardcore webslinging action, you will not be disappointed in the slightest. Everything is high stakes when you have a multitude of baddies involved. If the action wasn’t enough, you get taken on an emotional rollercoaster as Peter Parker is faced with a number of tough decisions throughout the movie.

Entertainment Value: 9

Memorability: 10

Pace: 8

Plot: 7
Perhaps the only thing that could have used just a tad bit of a brushup here. Mind you, this is off of one watch, so I could feel a bit differently if I go back and watch again. Then again, my motto is always, “If I can’t understand it the first time…” Yes, there is a lot to take in here and there are some things the film will ask you to take on face value. To me, the characters got on board with the craziness of what was happening a little too easily for my taste. Definitely could have been a bit more development there. For what it’s worth, the story was mostly solid and moved in fluid fashion.

Resolution: 10

Overall: 92
I don’t always enjoy writing reviews, even when it’s a good one. Here I am at the end of my Spider-Man: No Way Home review and there is so much more that I want to say. Some movies are impactful, others iconic. This one is damn near legendary. Phenomenal job by director Jon Watts who is quickly becoming a legend in my eyes.