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Louise (64 KP) rated See What I Have Done in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the Publisher Grove Atlantic in exchange for an honest review*
I do like reading Historical Fiction but even more so when the book is based on a true story. This is the story following the murders of Andrew and Abby Borden. They were found with their skulls smashed in by their daughter Lizzie. Lizzie and Emma Borden are spinsters and still live with their father, step-mother and Bridget the maid. They seemed to have a sheltered life and been well-kept by their father. This story delves in to the lives of the Bordens and what happened behind closed doors of this well-respected family.
<b>"Lizzie Borden took an axe, And gave her mother forty whacks; When she saw what she had done, She gave her father forty-one,"</b>
I am going to be truthful and say that this book was ok but nothing really blew me away. I don’t think that there was much added to this story than what you could actually read on Wikipedia. The story was repetitive, slow and didn’t always hold my attention. The problem with stories like these are you know how they are going to end you don’t have that thrill of finding out who done it. I liked the writing style of this book and the way she wrote Lizzie’s character.
The story is told from four perspectives, Lizzie, Emma, Bridget and Benjamin.It was through them that the story was told of the events leading up to the murders and afterwards. The character that stuck out the me was Lizzie, she was spoilt, childish, rude and clearly deluded. Benjamin was the only character that was added to put a bit of a spin on the story but really didn’t come to anything and a bit pointless.
How easy it was to get away with murder though in the 1800’s, there was no DNA testing, no blood spatter analysis or proper interrogations in those days, yet in there were times in the story when I wanted the police to grasp onto something and for them to start piecing it altogether. Lizzie’s statement of what happened was fragmented,not making sense and was taken as shock, whereas nowadays this would be deemed as suspicious behaviour and you would be arrested at the drop of a hat.
In conclusion I think this is a good debut novel by Sarah Schmidt but it didn’t really bring anything new to the table.
I rated this 3 out of 5 stars
I do like reading Historical Fiction but even more so when the book is based on a true story. This is the story following the murders of Andrew and Abby Borden. They were found with their skulls smashed in by their daughter Lizzie. Lizzie and Emma Borden are spinsters and still live with their father, step-mother and Bridget the maid. They seemed to have a sheltered life and been well-kept by their father. This story delves in to the lives of the Bordens and what happened behind closed doors of this well-respected family.
<b>"Lizzie Borden took an axe, And gave her mother forty whacks; When she saw what she had done, She gave her father forty-one,"</b>
I am going to be truthful and say that this book was ok but nothing really blew me away. I don’t think that there was much added to this story than what you could actually read on Wikipedia. The story was repetitive, slow and didn’t always hold my attention. The problem with stories like these are you know how they are going to end you don’t have that thrill of finding out who done it. I liked the writing style of this book and the way she wrote Lizzie’s character.
The story is told from four perspectives, Lizzie, Emma, Bridget and Benjamin.It was through them that the story was told of the events leading up to the murders and afterwards. The character that stuck out the me was Lizzie, she was spoilt, childish, rude and clearly deluded. Benjamin was the only character that was added to put a bit of a spin on the story but really didn’t come to anything and a bit pointless.
How easy it was to get away with murder though in the 1800’s, there was no DNA testing, no blood spatter analysis or proper interrogations in those days, yet in there were times in the story when I wanted the police to grasp onto something and for them to start piecing it altogether. Lizzie’s statement of what happened was fragmented,not making sense and was taken as shock, whereas nowadays this would be deemed as suspicious behaviour and you would be arrested at the drop of a hat.
In conclusion I think this is a good debut novel by Sarah Schmidt but it didn’t really bring anything new to the table.
I rated this 3 out of 5 stars
Hazel (1853 KP) rated We are All Made of Molecules in Books
May 26, 2017
Contrasting Characters
We Are All Made of Molecules is a heart-rending contemporary young adult novel by the Canadian author, Susin Nielsen. Stewart is a gifted thirteen-year-old who lost his mother to cancer two years ago. Now his father has found a new love and they are moving in with her and her fourteen-year old daughter, Ashley. Stewart is excited at the prospect of having a sister, however Ashley is his polar opposite and is horrified at the idea.
The narrative is shared between Stewart and Ashley, providing two points of view to the story. Stewart, who is most likely somewhere on the Autism spectrum, provides a fairly factual account of the story – moving to a new house, starting a new school etc. Ashley, on the other hand, is a stuck up, drama queen, therefore her side of the story is based upon her feelings – which also reveals how unintelligent she is.
Stewart and Ashley’s relationship is rather strained, with Stewart regularly being called a “midget-egghead-freakazoid” no matter how nice he tries to be. As the story develops, so do both of their characters. Stewart learns how to speak up for himself and Ashley eventually becomes less of a brat.
Ashley gives lots of the characters horrible names that are often hurtful and inaccurate, but although she is embarrassed about the nature of her parents’ divorce – her father is gay – she is shocked about some of the names she hears homosexuals called. We Are All Made of Molecules deals with homophobia in a truthful manner. Nielsen does not try to hide the fact that some people can be cruel and hurtful, but she also shows that although people can be different, there is no reason to treat them badly.
Stewart is a loveable character that makes the book pleasant to read, however Ashley is annoying and makes the story less enjoyable. It is, nevertheless, a humourous yet beautiful story that many teenage readers will enjoy.
The narrative is shared between Stewart and Ashley, providing two points of view to the story. Stewart, who is most likely somewhere on the Autism spectrum, provides a fairly factual account of the story – moving to a new house, starting a new school etc. Ashley, on the other hand, is a stuck up, drama queen, therefore her side of the story is based upon her feelings – which also reveals how unintelligent she is.
Stewart and Ashley’s relationship is rather strained, with Stewart regularly being called a “midget-egghead-freakazoid” no matter how nice he tries to be. As the story develops, so do both of their characters. Stewart learns how to speak up for himself and Ashley eventually becomes less of a brat.
Ashley gives lots of the characters horrible names that are often hurtful and inaccurate, but although she is embarrassed about the nature of her parents’ divorce – her father is gay – she is shocked about some of the names she hears homosexuals called. We Are All Made of Molecules deals with homophobia in a truthful manner. Nielsen does not try to hide the fact that some people can be cruel and hurtful, but she also shows that although people can be different, there is no reason to treat them badly.
Stewart is a loveable character that makes the book pleasant to read, however Ashley is annoying and makes the story less enjoyable. It is, nevertheless, a humourous yet beautiful story that many teenage readers will enjoy.
Louise (64 KP) rated Goth Girl: and the Ghost of a Mouse in Books
Jul 2, 2018
Ada Goth lives in Ghastly-Gorm Hall with her father, servants and a few ghosts. Ada’s father likes to keep himself to himself even when it comes to his daughter, he makes her wear clumpy shoes so he can hear her coming. Ada is very much alone in this huge mansion style house until one evening she meets a ghost in the form of a Mouse called Ishmael. Ishmael informs Ada that he was killed by a Mouse trap and that he is to roam the hall for all eternity. Together they go and investigate the rooms in which Ishmael was killed when they come upon some strange things and other denizens.
The book had a lot of characters in it, all shapes and sizes all very whimsical but none have much depth to them, you don’t get to find out an awful lot. I wish Ishmael could have been in the book a bit more than he was. He was introduced in chapter 1 and then didn’t have much involvement. The story is very slow to start off with and only really starts to get going in the second half.
This book definitely had its quirks, I loved the use of the footnotes that were written by ‘The foot’ which made me chuckle. There is also literary references such as Von Hellsung and Hebe Poppins. The Comic book at the back was an added bonus! I didn’t realise this was included when I picked it up.
This book is beautiful, it has a purple ribbon and metallic page edges, inside the cover is decorated in a silver/gold foil and also there is an additional pocket with a miniature comic book called ‘Memoirs of Mouse’. Not only did Chris Riddell Illustrate this book but he also wrote it. I love his artwork, it’s so detailed and definitely stunning to look at all in black and white. Everything was on point regarding presentation.
Overall I rated this 3.5 stars out of 5.
The book had a lot of characters in it, all shapes and sizes all very whimsical but none have much depth to them, you don’t get to find out an awful lot. I wish Ishmael could have been in the book a bit more than he was. He was introduced in chapter 1 and then didn’t have much involvement. The story is very slow to start off with and only really starts to get going in the second half.
This book definitely had its quirks, I loved the use of the footnotes that were written by ‘The foot’ which made me chuckle. There is also literary references such as Von Hellsung and Hebe Poppins. The Comic book at the back was an added bonus! I didn’t realise this was included when I picked it up.
This book is beautiful, it has a purple ribbon and metallic page edges, inside the cover is decorated in a silver/gold foil and also there is an additional pocket with a miniature comic book called ‘Memoirs of Mouse’. Not only did Chris Riddell Illustrate this book but he also wrote it. I love his artwork, it’s so detailed and definitely stunning to look at all in black and white. Everything was on point regarding presentation.
Overall I rated this 3.5 stars out of 5.
CleverCards: Greeting Cards & eCards for Facebook
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CleverCards is your very own personalised greeting card store. Send FREE eCards to the ones you love...
The Other Daughter
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Twenty-one year-old Scarlett Strohman has had to walk a difficult path thus far in her young life....
Contemporary Romance
ClareR (5846 KP) rated All the Broken Places in Books
Nov 4, 2023
Gretel Fernsby has a terrible secret that she’d rather others didn’t know. If you’ve read The Boy in the Striped Pyjamas, you’ll recognise the name: Gretel is the daughter of the camp Commandant of Auschwitz.
In short chapters, flashing between the past and the present, we learn about 91 year old Gretel’s past, and what happened when she and her mother escaped Germany.
Gretel is very well off, living in an expensive block of very large flats in central London. She doesn’t really have any friends, and seems to keep her true self from everyone including her son.
She is confronted with the memory of her younger brother, Bruno, when a boy of his age moves in to the downstairs flat. She realises that his father is violent, and his mother is abused. Gretel can’t let this kind of violence happen again.
The characters in this were superb. Whilst the first book had its problems with historical accuracy, I feel that this book centred more around trauma, guilt and shame. Gretel carries all of these things around with her forever. She feels culpable for what happened in the camp - even though she was both a child and female. In retrospect, she is able to see what was wrong with the nazi regime, but at the time would have been brainwashed. She wouldn’t have known a time where Jews and other “undesirable” minorities would have been treated any differently. The wonder is that she went on to learn that this was wrong. The trauma that she carries with her from the death of her brother, learning about what her father was guilty of, and occurrences in Paris, is lifelong.
From Gretel’s life experiences to those of her downstairs neighbour, everything is handled with compassion and tact. Again, it’s not perfect, but then neither are humans. And that is what this book shows above all: that we can learn from our mistakes if we are willing to do so.
In short chapters, flashing between the past and the present, we learn about 91 year old Gretel’s past, and what happened when she and her mother escaped Germany.
Gretel is very well off, living in an expensive block of very large flats in central London. She doesn’t really have any friends, and seems to keep her true self from everyone including her son.
She is confronted with the memory of her younger brother, Bruno, when a boy of his age moves in to the downstairs flat. She realises that his father is violent, and his mother is abused. Gretel can’t let this kind of violence happen again.
The characters in this were superb. Whilst the first book had its problems with historical accuracy, I feel that this book centred more around trauma, guilt and shame. Gretel carries all of these things around with her forever. She feels culpable for what happened in the camp - even though she was both a child and female. In retrospect, she is able to see what was wrong with the nazi regime, but at the time would have been brainwashed. She wouldn’t have known a time where Jews and other “undesirable” minorities would have been treated any differently. The wonder is that she went on to learn that this was wrong. The trauma that she carries with her from the death of her brother, learning about what her father was guilty of, and occurrences in Paris, is lifelong.
From Gretel’s life experiences to those of her downstairs neighbour, everything is handled with compassion and tact. Again, it’s not perfect, but then neither are humans. And that is what this book shows above all: that we can learn from our mistakes if we are willing to do so.
Sassy Brit (97 KP) rated The Duchess Deal in Books
Jun 6, 2019
^^ Returning from the war, scarred Duke of Ashbury decides he needs an heir, but that would mean a wife and she’d have to look upon his beastly war wounds, which would never do. So when he sets his sights on the vicar’s daughter Emma Gladstone and proposes a marriage of convenience deal, he begins to put some rules into place to protect her (or maybe himself) from seeing his disfigured body.
^^ But Emma is no fool, and insists on some rules of her own. She can see that beneath the scars, bad temper and his awfully stubborn ways, he’s quite simply just a lonely man needing companionship, and no different to her. Surely beauty is only skin deep and there’s much more to him than outward appearances.
^^ Oh, what a lovely story this is. Yes, on the surface this is what I’d call a sweet romance; a poor girl meets rich Duke love story. But deep down, below the surface of the title and cover, I uncovered some hidden gems. It’s a story of two lost souls trying to make the best of what they feel they have left to offer.
^^ The Duke is a great character, and yes, he does have his faults, and I’m not talking his appearance, but can he really be blamed after what he’s been through? The war has left the Duke scarred, physically and mentally. He may be a hero on the battlefield, but with his scars on show he’s found himself to be rather intimidating to others; children scream, dogs howl, honestly, if no one can bear to look at him, how is he ever going to produce an heir?
^^ Then we meet Emma, wise before her years, and not a woman to be messed around. But if that’s so, why would Emma choose to go into a loveless marriage with a man who only wants her for an heir? He’s already made it totally clear they’ll never have to sleep in the same bed ever again after their child is born. What on earth could possibly be in it for her? Well, maybe deep down, Emma’s not so confident after all. Perhaps, this wealthy Duke may be her last chance to have a child, and gain some security into her life. After all, if her father said “No decent man would ever want you!” as he banished her from their house, then maybe there’s some truth to it?
^^ I found myself thinking this is very much a charming Beauty and the Beast story. The way Emma and Ash get to know each other is both realistic and so endearing. This has some cracking dialogue with several laugh out loud moments, which made this such an enjoyable, fast read. I can’t wait to read more like this from Mills and Boon.
^^ Oh and I nearly forgot. It’s got it’s sexy bits in it too, and they are totally fitting and in line with this time period. What did make me smile, (and I thought it was a nice touch) was how, at the beginning of the book, there is a lovely dedication from the author (also once a vicar’s daughter) thanking her dad for being nothing like her character Emma’s father. Tessa Dare also mentions which chapters her father should miss out when reading. Don’t you realise that these pages will be where everyone visits first? ?
Overall: This is a charming Beauty and the Beast story, about love, honesty and mistakingly becoming the Monster of Mayfair! (Hilarious).
^^ But Emma is no fool, and insists on some rules of her own. She can see that beneath the scars, bad temper and his awfully stubborn ways, he’s quite simply just a lonely man needing companionship, and no different to her. Surely beauty is only skin deep and there’s much more to him than outward appearances.
^^ Oh, what a lovely story this is. Yes, on the surface this is what I’d call a sweet romance; a poor girl meets rich Duke love story. But deep down, below the surface of the title and cover, I uncovered some hidden gems. It’s a story of two lost souls trying to make the best of what they feel they have left to offer.
^^ The Duke is a great character, and yes, he does have his faults, and I’m not talking his appearance, but can he really be blamed after what he’s been through? The war has left the Duke scarred, physically and mentally. He may be a hero on the battlefield, but with his scars on show he’s found himself to be rather intimidating to others; children scream, dogs howl, honestly, if no one can bear to look at him, how is he ever going to produce an heir?
^^ Then we meet Emma, wise before her years, and not a woman to be messed around. But if that’s so, why would Emma choose to go into a loveless marriage with a man who only wants her for an heir? He’s already made it totally clear they’ll never have to sleep in the same bed ever again after their child is born. What on earth could possibly be in it for her? Well, maybe deep down, Emma’s not so confident after all. Perhaps, this wealthy Duke may be her last chance to have a child, and gain some security into her life. After all, if her father said “No decent man would ever want you!” as he banished her from their house, then maybe there’s some truth to it?
^^ I found myself thinking this is very much a charming Beauty and the Beast story. The way Emma and Ash get to know each other is both realistic and so endearing. This has some cracking dialogue with several laugh out loud moments, which made this such an enjoyable, fast read. I can’t wait to read more like this from Mills and Boon.
^^ Oh and I nearly forgot. It’s got it’s sexy bits in it too, and they are totally fitting and in line with this time period. What did make me smile, (and I thought it was a nice touch) was how, at the beginning of the book, there is a lovely dedication from the author (also once a vicar’s daughter) thanking her dad for being nothing like her character Emma’s father. Tessa Dare also mentions which chapters her father should miss out when reading. Don’t you realise that these pages will be where everyone visits first? ?
Overall: This is a charming Beauty and the Beast story, about love, honesty and mistakingly becoming the Monster of Mayfair! (Hilarious).
Eilidh G Clark (177 KP) rated Dirt Road in Books
May 13, 2017
Kelman is an expert in understanding people
Kelman’s new novel Dirt Road is story that takes both characters and reader on a journey right from the outset, but the journey is more than it seems. The novel begins in the West coast of Scotland where we learn that Murdo - a sixteen-year-old boy - and his father Tom are mourning the death of their mother/wife and sister/daughter. Searching for solace, they embark on a journey to Alabama, U.S.A to spend time with Uncle John and Aunt Maureen. For Murdo, family is just a happy memory, a moment in time captured in a photograph, ‘The family was four and not just him and Dad’, whilst for Tom, family is the bond that holds them together. Throughout the journey, Tom strives to guide his son and keep him on ‘the right path’, yet Murdo, as we will learn, has a path of his own to find. Stifled by the fathers influence, the boy has a tendency to stray, thus when they reach Allentown Mississippi, Murdo stumbles upon a family of musicians led by Zydeco performer Queen Monzee-ay. Murdo is as drawn to music as his father is to family, the boy himself is an accomplished accordion player, and when he is offered an opportunity to play a set with Queen Monzee-ay in two weeks’ time, we watch as the road between father and son diverges and choice and risk becomes the key plot in the story.
While this may appear a simple story line, Kelman’s exploration into the fragmented relationship between father and son gives the reader an honest analysis of family and grief. The third person narrator, with bursts of free indirect discourse from Murdo, allows the reader both an internal and external insight into the constraints of family. This parallel leaves the reader feeling uncomfortable, yet with a conflicting heart. This is Kelman’s unique writing style at its best.
Dirt Road is more than a novel of grief and family relationships though; it is a novel of risk, of following new paths with uncertainties, about leaving behind the familiarities and safety of the past and following the heart. It is about deep connections; for Murdo this is through music and the feeling of freedom that he associates with music, whilst for the other characters it is about cultural connections and Scottish ancestry. Kelman’s clever use of parallels shows the reader the intensity of human connections whilst suggesting that change and progression is possible. This great novel will linger in your thoughts for weeks after you put it down, and it brings to mind a poem by Robert Frost, The Road Not Taken
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
For the full poem visit (https://www.poetryfoundation.org).
Dirt Road by James Kelman
Canongate Books (14 July 2016)
While this may appear a simple story line, Kelman’s exploration into the fragmented relationship between father and son gives the reader an honest analysis of family and grief. The third person narrator, with bursts of free indirect discourse from Murdo, allows the reader both an internal and external insight into the constraints of family. This parallel leaves the reader feeling uncomfortable, yet with a conflicting heart. This is Kelman’s unique writing style at its best.
Dirt Road is more than a novel of grief and family relationships though; it is a novel of risk, of following new paths with uncertainties, about leaving behind the familiarities and safety of the past and following the heart. It is about deep connections; for Murdo this is through music and the feeling of freedom that he associates with music, whilst for the other characters it is about cultural connections and Scottish ancestry. Kelman’s clever use of parallels shows the reader the intensity of human connections whilst suggesting that change and progression is possible. This great novel will linger in your thoughts for weeks after you put it down, and it brings to mind a poem by Robert Frost, The Road Not Taken
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
For the full poem visit (https://www.poetryfoundation.org).
Dirt Road by James Kelman
Canongate Books (14 July 2016)
Suswatibasu (1703 KP) rated Little Fires Everywhere in Books
Nov 11, 2017
An evocative and complex portrait of suburbia
A highly readable, wonderfully absorbing tale about motherhood, secrets and lies, set in the affluent, verdant perfection of Shaker Heights - a purpose built suburb on the edge of Cleveland, Ohio.
The plot centres around two families, the well-heeled, comfortably complacent Richardsons - mother, father and four children - and the hard-up Warrens, single mother Mia and her daughter Pearl, tenants of the Richardsons with little known past. In between is a tug-of-love court case surrounding an abandoned Chinese baby adopted by friends of the Richardsons. This sparks high and conflicting emotions in Shaker Heights, forcing the town to take sides between the baby's birth mother, a desperate Chinese immigrant, and the McCulloughs. It leads nearly into the unwanted revealing of well-concealed secrets for both the Warrens and the Richardsons.
The story is skilfully told, weaving various narratives together. It is a character-led tale, well observed. The novel opens at the end, as the Richardsons' perfect home burns to the ground then takes us back to the beginning when the Warrens first arrive. The plot picks up pace as events take their toll and deeds have dire consequences. Lives begin to unravel and skeletons are revealed, and perfection of the family structure splits apart. It is a multifaceted novel full of interesting dimensions.
The plot centres around two families, the well-heeled, comfortably complacent Richardsons - mother, father and four children - and the hard-up Warrens, single mother Mia and her daughter Pearl, tenants of the Richardsons with little known past. In between is a tug-of-love court case surrounding an abandoned Chinese baby adopted by friends of the Richardsons. This sparks high and conflicting emotions in Shaker Heights, forcing the town to take sides between the baby's birth mother, a desperate Chinese immigrant, and the McCulloughs. It leads nearly into the unwanted revealing of well-concealed secrets for both the Warrens and the Richardsons.
The story is skilfully told, weaving various narratives together. It is a character-led tale, well observed. The novel opens at the end, as the Richardsons' perfect home burns to the ground then takes us back to the beginning when the Warrens first arrive. The plot picks up pace as events take their toll and deeds have dire consequences. Lives begin to unravel and skeletons are revealed, and perfection of the family structure splits apart. It is a multifaceted novel full of interesting dimensions.
Kristy H (1252 KP) rated The Bones of You in Books
Feb 13, 2018
When local village teenager Rosie disappears -- and later is discovered murdered, fellow villager Kate is understandably upset. Kate has a daughter Rosie's age and also spent a little bit of time with the quiet teen and knew her mother, Jo, somewhat.
Rosie's murder causes quite a stir, especially because her father, Neal, is a well-known journalist. Kate becomes closer to Jo after Rosie's death and starts to learn more about Jo, Neal, and Rosie's younger sister, Delphine. As she gets pulled into the family's secrets, Kate finds herself more and more intrigued and confused about what happened to Rosie.
I tore through this book in a couple of days. The reviews comparing it to "Lovely Bones" or a Gillian Flynn novel are certainly not wrong. It's compelling and chilling. The book switches narrators and we "hear" from Rosie, as well, but the format isn't hokey or silly, as it often can be if done incorrectly.
I figured out some of the plot fairly early on, but it didn't make the book any less complex or exciting. The characters are well-drawn and interesting, and there's just *something* about the book that draws you in. Definitely recommend for those in the market for a good psychological thriller.
(Note: I received an advanced copy of this book via Netgalley in return for an unbiased review.)
Rosie's murder causes quite a stir, especially because her father, Neal, is a well-known journalist. Kate becomes closer to Jo after Rosie's death and starts to learn more about Jo, Neal, and Rosie's younger sister, Delphine. As she gets pulled into the family's secrets, Kate finds herself more and more intrigued and confused about what happened to Rosie.
I tore through this book in a couple of days. The reviews comparing it to "Lovely Bones" or a Gillian Flynn novel are certainly not wrong. It's compelling and chilling. The book switches narrators and we "hear" from Rosie, as well, but the format isn't hokey or silly, as it often can be if done incorrectly.
I figured out some of the plot fairly early on, but it didn't make the book any less complex or exciting. The characters are well-drawn and interesting, and there's just *something* about the book that draws you in. Definitely recommend for those in the market for a good psychological thriller.
(Note: I received an advanced copy of this book via Netgalley in return for an unbiased review.)