Search
Eilidh G Clark (177 KP) rated Dirt Road in Books
May 13, 2017
Kelman is an expert in understanding people
Kelman’s new novel Dirt Road is story that takes both characters and reader on a journey right from the outset, but the journey is more than it seems. The novel begins in the West coast of Scotland where we learn that Murdo - a sixteen-year-old boy - and his father Tom are mourning the death of their mother/wife and sister/daughter. Searching for solace, they embark on a journey to Alabama, U.S.A to spend time with Uncle John and Aunt Maureen. For Murdo, family is just a happy memory, a moment in time captured in a photograph, ‘The family was four and not just him and Dad’, whilst for Tom, family is the bond that holds them together. Throughout the journey, Tom strives to guide his son and keep him on ‘the right path’, yet Murdo, as we will learn, has a path of his own to find. Stifled by the fathers influence, the boy has a tendency to stray, thus when they reach Allentown Mississippi, Murdo stumbles upon a family of musicians led by Zydeco performer Queen Monzee-ay. Murdo is as drawn to music as his father is to family, the boy himself is an accomplished accordion player, and when he is offered an opportunity to play a set with Queen Monzee-ay in two weeks’ time, we watch as the road between father and son diverges and choice and risk becomes the key plot in the story.
While this may appear a simple story line, Kelman’s exploration into the fragmented relationship between father and son gives the reader an honest analysis of family and grief. The third person narrator, with bursts of free indirect discourse from Murdo, allows the reader both an internal and external insight into the constraints of family. This parallel leaves the reader feeling uncomfortable, yet with a conflicting heart. This is Kelman’s unique writing style at its best.
Dirt Road is more than a novel of grief and family relationships though; it is a novel of risk, of following new paths with uncertainties, about leaving behind the familiarities and safety of the past and following the heart. It is about deep connections; for Murdo this is through music and the feeling of freedom that he associates with music, whilst for the other characters it is about cultural connections and Scottish ancestry. Kelman’s clever use of parallels shows the reader the intensity of human connections whilst suggesting that change and progression is possible. This great novel will linger in your thoughts for weeks after you put it down, and it brings to mind a poem by Robert Frost, The Road Not Taken
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
For the full poem visit (https://www.poetryfoundation.org).
Dirt Road by James Kelman
Canongate Books (14 July 2016)
While this may appear a simple story line, Kelman’s exploration into the fragmented relationship between father and son gives the reader an honest analysis of family and grief. The third person narrator, with bursts of free indirect discourse from Murdo, allows the reader both an internal and external insight into the constraints of family. This parallel leaves the reader feeling uncomfortable, yet with a conflicting heart. This is Kelman’s unique writing style at its best.
Dirt Road is more than a novel of grief and family relationships though; it is a novel of risk, of following new paths with uncertainties, about leaving behind the familiarities and safety of the past and following the heart. It is about deep connections; for Murdo this is through music and the feeling of freedom that he associates with music, whilst for the other characters it is about cultural connections and Scottish ancestry. Kelman’s clever use of parallels shows the reader the intensity of human connections whilst suggesting that change and progression is possible. This great novel will linger in your thoughts for weeks after you put it down, and it brings to mind a poem by Robert Frost, The Road Not Taken
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
For the full poem visit (https://www.poetryfoundation.org).
Dirt Road by James Kelman
Canongate Books (14 July 2016)
Suswatibasu (1703 KP) rated Little Fires Everywhere in Books
Nov 11, 2017
An evocative and complex portrait of suburbia
A highly readable, wonderfully absorbing tale about motherhood, secrets and lies, set in the affluent, verdant perfection of Shaker Heights - a purpose built suburb on the edge of Cleveland, Ohio.
The plot centres around two families, the well-heeled, comfortably complacent Richardsons - mother, father and four children - and the hard-up Warrens, single mother Mia and her daughter Pearl, tenants of the Richardsons with little known past. In between is a tug-of-love court case surrounding an abandoned Chinese baby adopted by friends of the Richardsons. This sparks high and conflicting emotions in Shaker Heights, forcing the town to take sides between the baby's birth mother, a desperate Chinese immigrant, and the McCulloughs. It leads nearly into the unwanted revealing of well-concealed secrets for both the Warrens and the Richardsons.
The story is skilfully told, weaving various narratives together. It is a character-led tale, well observed. The novel opens at the end, as the Richardsons' perfect home burns to the ground then takes us back to the beginning when the Warrens first arrive. The plot picks up pace as events take their toll and deeds have dire consequences. Lives begin to unravel and skeletons are revealed, and perfection of the family structure splits apart. It is a multifaceted novel full of interesting dimensions.
The plot centres around two families, the well-heeled, comfortably complacent Richardsons - mother, father and four children - and the hard-up Warrens, single mother Mia and her daughter Pearl, tenants of the Richardsons with little known past. In between is a tug-of-love court case surrounding an abandoned Chinese baby adopted by friends of the Richardsons. This sparks high and conflicting emotions in Shaker Heights, forcing the town to take sides between the baby's birth mother, a desperate Chinese immigrant, and the McCulloughs. It leads nearly into the unwanted revealing of well-concealed secrets for both the Warrens and the Richardsons.
The story is skilfully told, weaving various narratives together. It is a character-led tale, well observed. The novel opens at the end, as the Richardsons' perfect home burns to the ground then takes us back to the beginning when the Warrens first arrive. The plot picks up pace as events take their toll and deeds have dire consequences. Lives begin to unravel and skeletons are revealed, and perfection of the family structure splits apart. It is a multifaceted novel full of interesting dimensions.
Kristy H (1252 KP) rated The Bones of You in Books
Feb 13, 2018
When local village teenager Rosie disappears -- and later is discovered murdered, fellow villager Kate is understandably upset. Kate has a daughter Rosie's age and also spent a little bit of time with the quiet teen and knew her mother, Jo, somewhat.
Rosie's murder causes quite a stir, especially because her father, Neal, is a well-known journalist. Kate becomes closer to Jo after Rosie's death and starts to learn more about Jo, Neal, and Rosie's younger sister, Delphine. As she gets pulled into the family's secrets, Kate finds herself more and more intrigued and confused about what happened to Rosie.
I tore through this book in a couple of days. The reviews comparing it to "Lovely Bones" or a Gillian Flynn novel are certainly not wrong. It's compelling and chilling. The book switches narrators and we "hear" from Rosie, as well, but the format isn't hokey or silly, as it often can be if done incorrectly.
I figured out some of the plot fairly early on, but it didn't make the book any less complex or exciting. The characters are well-drawn and interesting, and there's just *something* about the book that draws you in. Definitely recommend for those in the market for a good psychological thriller.
(Note: I received an advanced copy of this book via Netgalley in return for an unbiased review.)
Rosie's murder causes quite a stir, especially because her father, Neal, is a well-known journalist. Kate becomes closer to Jo after Rosie's death and starts to learn more about Jo, Neal, and Rosie's younger sister, Delphine. As she gets pulled into the family's secrets, Kate finds herself more and more intrigued and confused about what happened to Rosie.
I tore through this book in a couple of days. The reviews comparing it to "Lovely Bones" or a Gillian Flynn novel are certainly not wrong. It's compelling and chilling. The book switches narrators and we "hear" from Rosie, as well, but the format isn't hokey or silly, as it often can be if done incorrectly.
I figured out some of the plot fairly early on, but it didn't make the book any less complex or exciting. The characters are well-drawn and interesting, and there's just *something* about the book that draws you in. Definitely recommend for those in the market for a good psychological thriller.
(Note: I received an advanced copy of this book via Netgalley in return for an unbiased review.)
Awix (3310 KP) rated Hands of the Ripper (1971) in Movies
May 27, 2018 (Updated May 27, 2018)
Bring the Daughter; Have some Slaughter
Pretty decent Hammer horror melodrama set in a sort of grab-bag version of late Victorian London. Anna (Rees) grows up an orphan, little suspecting the identity of her father, or the fact that she seems to have inherited his compulsion to kill. An ambitious psychiatrist (Porter) takes her under his wing, believing he can help her with her little problem. (As ever, hubris comes before a gory comeuppance.) Meanwhile, Hammer whips up gallons of fake blood.
Not-bad production values and decent performances go a long way to make up for some fairly preposterous plotting; you get the classic Hammer sense of a traditional costume drama coupling energetically with a disreputable exploitation movie, with a good time had by all. On the one hand this is another tale of an improbably arrogant man whose specific area of brilliance doesn't stop him making a whole series of insanely bad decisions; on the other it is about the power of men to seriously screw up the lives of women in patriarchal societies (so perhaps still somewhat relevant). Film does an interesting little dance, too: are Anna's problems purely psychological or is she genuinely possessed by the spirit of the Ripper? Well put together, some interesting ideas, doesn't outstay its welcome - definitely worth a look if old British horror movies are your thing.
Not-bad production values and decent performances go a long way to make up for some fairly preposterous plotting; you get the classic Hammer sense of a traditional costume drama coupling energetically with a disreputable exploitation movie, with a good time had by all. On the one hand this is another tale of an improbably arrogant man whose specific area of brilliance doesn't stop him making a whole series of insanely bad decisions; on the other it is about the power of men to seriously screw up the lives of women in patriarchal societies (so perhaps still somewhat relevant). Film does an interesting little dance, too: are Anna's problems purely psychological or is she genuinely possessed by the spirit of the Ripper? Well put together, some interesting ideas, doesn't outstay its welcome - definitely worth a look if old British horror movies are your thing.
SunnyD (6 KP) rated Lady Bird (2017) in Movies
Jun 19, 2018
Not extraordinary
If you love the starting actress, Saoirse Ronan, and indie films, then this is a fairly good watch. Lady Bird's relationship with her mother is the main theme here. The two continuously butt heads. At first, Lady Bird says that her mother is hard on her because she loves her so much, but it later gets harder for Lady Bird to accept their rough relationship as she questions whether her mother loves her because she has to or if she actually likes Lady Bird as a person. Her mother struggles to maintain their relationship while keeping their household afloat financially, especially after her father is laid off from his job.
I liked that, in addition to the mother-daughter theme, Lady Bird goes through a journey of selfdiscovery that starts when she dates her first crush at her Catholic high school. Lady Bird learns more about herself and those closest to her with every decision that she makes.
The quality of the ending might be up for some debate. If you're looking for real closure here, you won't be getting one. Ultimately, what happens after Lady Bird gets to college is up to your interpretation. The only thing that leaves your mind at some peace is that Lady Bird seems to learn to be grateful for what she has been given in life.
I liked that, in addition to the mother-daughter theme, Lady Bird goes through a journey of selfdiscovery that starts when she dates her first crush at her Catholic high school. Lady Bird learns more about herself and those closest to her with every decision that she makes.
The quality of the ending might be up for some debate. If you're looking for real closure here, you won't be getting one. Ultimately, what happens after Lady Bird gets to college is up to your interpretation. The only thing that leaves your mind at some peace is that Lady Bird seems to learn to be grateful for what she has been given in life.
ClareR (6256 KP) rated The Animals at Lockwood Manor in Books
Apr 3, 2020
The Animals at Lockwood Manor is a creepy, gothic tale, set during World War Two. Hetty Cartwright is unusual, in that she has been put in charge of the Natural History Museums mammal collection, and the task of removing it from London to Lockwood Manor. She is expected to keep the collection safe, and to keep it in good condition. She is well aware that she only holds the post because the men who would have had the post have all gone to war. Hetty knows that the role will be challenging, but she hasn’t counted on Lord Lockwood, who is bullish, overbearing and opinionated. His daughter, Lucy, is another matter. She seems to be completely controlled by him, and is constantly reminded about her delicate mental health by her father. Hetty feels drawn to Lucy, and tries to help her with her anxiety and her grief at the loss of her mother and grandmother.
This is no fast-moving thriller, but it is creepy, haunting (in fact, is Lockwood Manor haunted?) with a malevolent undercurrent. It’s like the Manor itself is alive. It’s also a story of secrets: family secrets and secret love.
This was a pleasure to read; it’s richly descriptive language described the house, people and the time in history beautifully. If you enjoy a creepy, slow burner, you’ll love this book. I did.
This is no fast-moving thriller, but it is creepy, haunting (in fact, is Lockwood Manor haunted?) with a malevolent undercurrent. It’s like the Manor itself is alive. It’s also a story of secrets: family secrets and secret love.
This was a pleasure to read; it’s richly descriptive language described the house, people and the time in history beautifully. If you enjoy a creepy, slow burner, you’ll love this book. I did.
Martin Clunes - the Biography
Stafford Hildred and Tim Ewbank
7.0
Rate It
Book
Martin Clunes has been a familiar face on British television for almost two decades. During that...
Doc Martin Men Behaving Badly
Mary I: England's Catholic Queen
Book
The lifestory of Mary I-daughter of Henry VIII and his Spanish wife, Catherine of Aragon-is often...
Watch Me Disappear
8.0
Rate It
Book
Who you want people to be makes you blind to who they really are. It’s been a year since Billie...
Exile Hunter
10.0
Rate It
Book
Beirut, 2023: When undercover intelligence officer Warren Linder agrees to lure an exiled opponent...