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Gareth von Kallenbach (980 KP) rated Cinderella (2015) in Movies
Aug 6, 2019
Throw together two beautiful faces from a couple of popular TV shows, award-winning veterans of the big screen, a director who loves to immerse viewers in story in the most spectacular of ways and what do you get? Sweet, magical enchantment.
Cinderella is Disney’s latest live-action translation of a classic animated film and under Kenneth Branagh’s deft direction it is simply wonderful. Retelling a beloved fairytale and making it feel fresh, delightful and satisfying is no small feat but Branagh does it with engaging actors, charming sets, captivating scenery and gorgeous costumes.
Lily James, recently of Downton Abbey, plays the heroine with sweet, innocent strength. Showered with love by her parents, played by Ben Chaplin and Hayley Atwell, Ella knows nothing about discontent or malice. Even after she loses her mother, and even after her father brings home an uncaring stepmother and disdainful stepsisters, Ella remains faithful to her mother’s dying wish for her daughter to “Have courage. Be Kind.”
Everyone knows how Ella became Cinderella and we all know just how badly she’s treated by her stepmother and stepsisters. Cate Blanchett is wickedly magnificent as the stepmother and Sophie McShera and Holliday Grainger bring new meaning to gaudy and garish.
I have to admit I’m a sucker for any fairytale that involves grand, sweeping ballroom scenes like Beauty and the Beast, Enchanted and now Cinderella. Of course, the scene could not have been possible without the help of a Fairy Godmother. Helena Bonham Carter is simply delightful in her role as Cinderella’s Fairy Godmother. The special effects used to give Cinderella a stunning gown as well as a horse-drawn carriage and driver and footmen were flawless
We also know how the story ends, but that didn’t stop the audience from sighing, holding its collective breath, and cheering when the prince, played handsomely by Richard Madden, finds the maiden whose foot fits perfectly in the glass slipper.
Days after our screener, my husband and I were still discussing the movie, that’s how much we enjoyed it. And when you can get your husband to easily agree to watch it again when it’s released, you know it’s a great movie.
Cinderella is Disney’s latest live-action translation of a classic animated film and under Kenneth Branagh’s deft direction it is simply wonderful. Retelling a beloved fairytale and making it feel fresh, delightful and satisfying is no small feat but Branagh does it with engaging actors, charming sets, captivating scenery and gorgeous costumes.
Lily James, recently of Downton Abbey, plays the heroine with sweet, innocent strength. Showered with love by her parents, played by Ben Chaplin and Hayley Atwell, Ella knows nothing about discontent or malice. Even after she loses her mother, and even after her father brings home an uncaring stepmother and disdainful stepsisters, Ella remains faithful to her mother’s dying wish for her daughter to “Have courage. Be Kind.”
Everyone knows how Ella became Cinderella and we all know just how badly she’s treated by her stepmother and stepsisters. Cate Blanchett is wickedly magnificent as the stepmother and Sophie McShera and Holliday Grainger bring new meaning to gaudy and garish.
I have to admit I’m a sucker for any fairytale that involves grand, sweeping ballroom scenes like Beauty and the Beast, Enchanted and now Cinderella. Of course, the scene could not have been possible without the help of a Fairy Godmother. Helena Bonham Carter is simply delightful in her role as Cinderella’s Fairy Godmother. The special effects used to give Cinderella a stunning gown as well as a horse-drawn carriage and driver and footmen were flawless
We also know how the story ends, but that didn’t stop the audience from sighing, holding its collective breath, and cheering when the prince, played handsomely by Richard Madden, finds the maiden whose foot fits perfectly in the glass slipper.
Days after our screener, my husband and I were still discussing the movie, that’s how much we enjoyed it. And when you can get your husband to easily agree to watch it again when it’s released, you know it’s a great movie.
Gareth von Kallenbach (980 KP) rated The Lincoln Lawyer (2011) in Movies
Aug 7, 2019
Mick Haller (Matthew McConaughey) is a criminal defense attorney who works out of his Lincoln Town Car in Los Angeles, hence the title of the movie and book “The Lincoln Lawyer” by Michael Connelly. Mickey defends all kinds of criminals and all he expects from his clients is that they pay him. While he may be a rather shifty lawyer, he is a loving father to his daughter Hayley (Mackenzie Aladjem) and he obviously still cares for her mother Maggie McPherson (Marisa Tomei).
Now although he has many clients, none are really big money clients. That changes one day when Louis Roulet (Ryan Phillippe), a rich Beverly Hills playboy, is arrested for assault & attempted rape and he wants Mick to defend him. At first Mick believes that he will be able to easily get his client acquitted, but as he and his investigator Frank Levin (William H. Macy) dig deeper, they discovery disturbing information about the case and it’s possible link to another.
In his quest to win the all mighty “Not Guilty” verdict, Mick has many obstacles (both professional and personal) placed before him that he must successfully navigate around, and treachery hiding in the shadows that he must bring into the light or else he may lose more than just a case.
While the entire cast was incredible, Matthew McConaughey and Ryan Phillippe gave equally amazing performances (this is especially true for any scene that they were both in). The characters were well-developed, believable and for the most part likable, heck I even liked the biker Eddie (Trace Adkins). The storyline was intriguing with a twist or two that I did not see coming and it also had some very nice humor sprinkled in. I did find that in a few scenes the dialogue seemed to be a bit unnatural for what was going on but it didn’t really detract from the overall scenes in question. Personally I hope this film does well enough that they make a sequel (I believe the book’s sequel is The Reversal) because I would like to see more of these characters in action.
Now although he has many clients, none are really big money clients. That changes one day when Louis Roulet (Ryan Phillippe), a rich Beverly Hills playboy, is arrested for assault & attempted rape and he wants Mick to defend him. At first Mick believes that he will be able to easily get his client acquitted, but as he and his investigator Frank Levin (William H. Macy) dig deeper, they discovery disturbing information about the case and it’s possible link to another.
In his quest to win the all mighty “Not Guilty” verdict, Mick has many obstacles (both professional and personal) placed before him that he must successfully navigate around, and treachery hiding in the shadows that he must bring into the light or else he may lose more than just a case.
While the entire cast was incredible, Matthew McConaughey and Ryan Phillippe gave equally amazing performances (this is especially true for any scene that they were both in). The characters were well-developed, believable and for the most part likable, heck I even liked the biker Eddie (Trace Adkins). The storyline was intriguing with a twist or two that I did not see coming and it also had some very nice humor sprinkled in. I did find that in a few scenes the dialogue seemed to be a bit unnatural for what was going on but it didn’t really detract from the overall scenes in question. Personally I hope this film does well enough that they make a sequel (I believe the book’s sequel is The Reversal) because I would like to see more of these characters in action.
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ClareR (5996 KP) rated The Island of Missing Trees in Books
Sep 28, 2021
How come this is only the first book I’ve read by Elif Shafak?! This is a book full of heart, feeling and imagination - it’s just beautiful. The Island of Missing Trees has taught me far more about what happened in Cyprus and the war/ dispute between Cypriots and the Turkish invasion.
There’s a feel of Romeo and Juliet about this: a Greek-Cypriot boy (Kostas), and a Turkish-Cypriot girl (Defne) fall in love - something forbidden in the climate they’re living in. They meet in secret in a tavern that has a fig tree growing through the centre of it. This is a significant tree - it’s one of the main narrators of this story. And what a story it has to tell. It talks about the natural world in which it lives, the humans that it comes into contact with, the conflict it lives through, the sorrow, the loss.
This book describes the fracturing of a country, people forced to leave the country they love. Kostas is one of these people. He moves to London to live with his uncle, but he never seems to feel as though he fits in in there. He does follow his passion though, and becomes an expert in Natural History: the trees and plants around him, around the world, and in his native Cyprus. Which is what brings him and Defne back together, and reunites them with the fig tree.
The three of them return to London together, all cast adrift from their homeland.
Later, Kostas and Defne’s daughter carries this feeling of not quite belonging as well, but her father doesn’t seem to be able to give her what she needs. She knows nothing of her roots: she has no contact with her Cypriot family - until the day her aunt arrives.
The way that Shafak writes about loss and the pain of loss is visceral, but there’s a great deal of hope and the promise of healing. This book just has it all. I was completely enveloped in this story, and I’ve been left with a pressing need to read everything else that Elif Shafak has written!
Many thanks to Jellybooks and Penguin for providing me with a copy of this book to read.
There’s a feel of Romeo and Juliet about this: a Greek-Cypriot boy (Kostas), and a Turkish-Cypriot girl (Defne) fall in love - something forbidden in the climate they’re living in. They meet in secret in a tavern that has a fig tree growing through the centre of it. This is a significant tree - it’s one of the main narrators of this story. And what a story it has to tell. It talks about the natural world in which it lives, the humans that it comes into contact with, the conflict it lives through, the sorrow, the loss.
This book describes the fracturing of a country, people forced to leave the country they love. Kostas is one of these people. He moves to London to live with his uncle, but he never seems to feel as though he fits in in there. He does follow his passion though, and becomes an expert in Natural History: the trees and plants around him, around the world, and in his native Cyprus. Which is what brings him and Defne back together, and reunites them with the fig tree.
The three of them return to London together, all cast adrift from their homeland.
Later, Kostas and Defne’s daughter carries this feeling of not quite belonging as well, but her father doesn’t seem to be able to give her what she needs. She knows nothing of her roots: she has no contact with her Cypriot family - until the day her aunt arrives.
The way that Shafak writes about loss and the pain of loss is visceral, but there’s a great deal of hope and the promise of healing. This book just has it all. I was completely enveloped in this story, and I’ve been left with a pressing need to read everything else that Elif Shafak has written!
Many thanks to Jellybooks and Penguin for providing me with a copy of this book to read.
I like nothing better than being the unseen observer of a family (in a book, anyway!), and Free Love gives the reader plenty to be looking at.
Phyllis is a typical 1950’s/ 60’s housewife, but is she happy in her role as a housewife? She says yes, but I’d guess not, because when the son of a friend comes for dinner, Phyllis ends up making a pass at him, and then becomes obsessed - to the point that she finds out where he lives, goes to return a shirt that he had to change out of and ends up in bed with him. Then she just doesn’t go home.
Phyllis discovers the liberating 1960’s right at the end of the decade (1967), and shrugs off the responsibilities of motherhood and of being Roger’s wife. Instead she moves in with Nicky, has sex all the time and does whatever she wants to.
It felt like I was watching a car crash in slow motion. I could empathise with Phyllis’ need for freedom: her previous life in the suburbs was stifled and grey. I felt sad for her 16 year old daughter Colette, who is essentially dumped by her mother and left with a father who isn’t coping. It’s almost as if Colette becomes the adult, and her mother the carefree teenager.
I enjoyed the 1960’s setting and the contrasts of old and new. The whole story is told from a non-judgemental point of view. That’s left up to the reader to decide, and believe me, this really did prove how scarily judgemental I can be! There’s something to be said about a middle-class woman who decides to live in a filthy bedsit, expecting others who live in it to enjoy their freedom as much as she does (with her cushion of inherited money).
The plot twist at the end was a jaw dropper!
I loved this though. It might not sound like it, but I do love to hate my characters (although that’s a harsh word for the characters in this book, I think). If you feel the same way about unlikeable characters, then this could be the book for you too!
Phyllis is a typical 1950’s/ 60’s housewife, but is she happy in her role as a housewife? She says yes, but I’d guess not, because when the son of a friend comes for dinner, Phyllis ends up making a pass at him, and then becomes obsessed - to the point that she finds out where he lives, goes to return a shirt that he had to change out of and ends up in bed with him. Then she just doesn’t go home.
Phyllis discovers the liberating 1960’s right at the end of the decade (1967), and shrugs off the responsibilities of motherhood and of being Roger’s wife. Instead she moves in with Nicky, has sex all the time and does whatever she wants to.
It felt like I was watching a car crash in slow motion. I could empathise with Phyllis’ need for freedom: her previous life in the suburbs was stifled and grey. I felt sad for her 16 year old daughter Colette, who is essentially dumped by her mother and left with a father who isn’t coping. It’s almost as if Colette becomes the adult, and her mother the carefree teenager.
I enjoyed the 1960’s setting and the contrasts of old and new. The whole story is told from a non-judgemental point of view. That’s left up to the reader to decide, and believe me, this really did prove how scarily judgemental I can be! There’s something to be said about a middle-class woman who decides to live in a filthy bedsit, expecting others who live in it to enjoy their freedom as much as she does (with her cushion of inherited money).
The plot twist at the end was a jaw dropper!
I loved this though. It might not sound like it, but I do love to hate my characters (although that’s a harsh word for the characters in this book, I think). If you feel the same way about unlikeable characters, then this could be the book for you too!
Merissa (13382 KP) rated Hope's Deceit (The Fated #2) in Books
Apr 25, 2023
The dude is back! Morpheus reigns supreme with his sarcasm and cocky attitude, although you do also see a softer side to him occasionally. As for the rest of the characters, they continue to change and grow with each situation, divulging their secrets and showing strength where none was expected.
Trinity still has her hands full as she tries to learn about her powers and prepares for her eighteenth birthday which is rapidly approaching. Things are not all sunshine and roses with her and Blain - some of which is caused by miscommunication, some by age (she is only 17 after all) and some by circumstances. Every time they were together, my heart was in my mouth! I really want them to be together, but can also understand how the others say that Blain makes her weak. I really hope that she will start to show her true strength now, she has reason enough - and that is all I will say so that I don't give out any spoilers.
The one character I didn't get on with as much in this book is Trinity's dad. He seemed to have whiplash with his emotions and I just couldn't keep up. Still, this is a small thing and also understandable as a father realises he has to let his daughter grow up, even if these circumstances are slightly unusual! 😉
Well-written, fast-paced and chock full of emotion, you will be held prisoner by this book, turning the pages as you immerse yourself within the storyline. With no spelling or grammatical errors that I found, this was an amazing second book and I am now on tenterhooks whilst I wait for the third. If you like Urban Fantasy with a bit of Greek Mythology thrown in, then I can highly recommend this book and the first one in the series. Absolutely fantastic.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 13, 2015
Trinity still has her hands full as she tries to learn about her powers and prepares for her eighteenth birthday which is rapidly approaching. Things are not all sunshine and roses with her and Blain - some of which is caused by miscommunication, some by age (she is only 17 after all) and some by circumstances. Every time they were together, my heart was in my mouth! I really want them to be together, but can also understand how the others say that Blain makes her weak. I really hope that she will start to show her true strength now, she has reason enough - and that is all I will say so that I don't give out any spoilers.
The one character I didn't get on with as much in this book is Trinity's dad. He seemed to have whiplash with his emotions and I just couldn't keep up. Still, this is a small thing and also understandable as a father realises he has to let his daughter grow up, even if these circumstances are slightly unusual! 😉
Well-written, fast-paced and chock full of emotion, you will be held prisoner by this book, turning the pages as you immerse yourself within the storyline. With no spelling or grammatical errors that I found, this was an amazing second book and I am now on tenterhooks whilst I wait for the third. If you like Urban Fantasy with a bit of Greek Mythology thrown in, then I can highly recommend this book and the first one in the series. Absolutely fantastic.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 13, 2015