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Goddess in the Stacks (553 KP) rated With the Fire on High in Books
Jul 25, 2019
With this book, Elizabeth Acevedo has solidified her position as one of my must-read authors. The Poet X was EXCELLENT, and this one is every bit as good, which is awesome, considering the wildly different formats of the two books. The Poet X was a novel in poem form, being the collected poems of a teenage girl. This book is a more traditional novel, written in prose. It loses none of the lyrical, enchanting quality of Acevedo's writing, however.
With The Fire On High centers on Emoni Santiago, a teenage mother struggling to graduate from high school on time. When a culinary arts elective is offered during her senior year of school, she takes it despite feeling like she should be spending her energy on her daughter's future instead of realizing her own dreams. The elective opens up an entire world for her, however, taking her from whipping up magic alone in her own kitchen to being recognized by talented chefs as having something special. The added hours spent on cooking begin to affect her other responsibilities, however, and Emoni struggles to balance everything in her life, a fight that is very nearly upended by the new, very cute boy who just transferred to her school.
Emoni deals admirably with the vast responsibilities of being a parent, the complications of her own somewhat unusual home life (she's been raised by her grandmother after her mother's death and her father's absence), and the pressures of high school. Especially a school where she spent freshman year pregnant. Rather luckily, her daughter's father goes to a different school, so at least she doesn't have to deal with him every day.
Similar to The Poet X, the book deals with the intersection of black American culture and Puerto Rican culture, a combination I've been seeing more and more in Young Adult. (Well, The Poet X was Dominican, but they have very similar worries, mostly revolving around feeling "not black enough.")
I loved Emoni, I loved Malachi (the cute transfer student), I loved Abuela and Baby Girl/Emma. I even didn't mind Tyrone too much. For being a player, he was trying to do right by his daughter. Acevedo has such a talent for characters. Angelica (Emoni's best friend) and her girlfriend were a delight, too.
If you see a book by Elizabeth Acevedo, pick it up. You won't be disappointed. I can't wait to pick up her next book, which appears to be another novel in verse called Clap When You Land, due out next year!
You can find all my reviews and more at http://goddessinthestacks.com
With The Fire On High centers on Emoni Santiago, a teenage mother struggling to graduate from high school on time. When a culinary arts elective is offered during her senior year of school, she takes it despite feeling like she should be spending her energy on her daughter's future instead of realizing her own dreams. The elective opens up an entire world for her, however, taking her from whipping up magic alone in her own kitchen to being recognized by talented chefs as having something special. The added hours spent on cooking begin to affect her other responsibilities, however, and Emoni struggles to balance everything in her life, a fight that is very nearly upended by the new, very cute boy who just transferred to her school.
Emoni deals admirably with the vast responsibilities of being a parent, the complications of her own somewhat unusual home life (she's been raised by her grandmother after her mother's death and her father's absence), and the pressures of high school. Especially a school where she spent freshman year pregnant. Rather luckily, her daughter's father goes to a different school, so at least she doesn't have to deal with him every day.
Similar to The Poet X, the book deals with the intersection of black American culture and Puerto Rican culture, a combination I've been seeing more and more in Young Adult. (Well, The Poet X was Dominican, but they have very similar worries, mostly revolving around feeling "not black enough.")
I loved Emoni, I loved Malachi (the cute transfer student), I loved Abuela and Baby Girl/Emma. I even didn't mind Tyrone too much. For being a player, he was trying to do right by his daughter. Acevedo has such a talent for characters. Angelica (Emoni's best friend) and her girlfriend were a delight, too.
If you see a book by Elizabeth Acevedo, pick it up. You won't be disappointed. I can't wait to pick up her next book, which appears to be another novel in verse called Clap When You Land, due out next year!
You can find all my reviews and more at http://goddessinthestacks.com
Whatchareadin (174 KP) rated A Highlander Walks Into a Bar in Books
Aug 5, 2019
Isabel and Rose Buchanan are mother and daughter who live on a lovely Scottish estate in Highland, GA. Every year, they are in charge of a festival highlighting their Scottish heritage. Izzy as she is called by her friends is surprised when she picks her mom up from the airport and she is not alone. Gareth Connors in all of the Scottish glory is with her and Izzy has quite a few mixed emotions about this arrangement. To top that off, a few days later a friend of Gareth's invades their space as well, Alasdair. Izzy is very wary of these two. What are their intentions? Will she and her mother make it through the festival without any issues?
Thank you to NetGalley and St. Martin's Press for the opportunity to read and review this book.
I was really excited to read this book when I first received it. I have been reading a lot of really steamy romance this summer and I was sure this one was going to be the same. Overall, I enjoyed the book, but it left me a bit confused by the language used. The book is set in the South in the US, with ties back to Scotland, but a lot of the wording made me believe that this book was written by a British author. I am also reading an Advanced Copy, so maybe some of that wording will be changed in the final copy.
All the characters in this book are ones I can see myself hanging out with. Izzy is a clumsy woman who is just trying to figure out the life she's living. Whether it brings her joy or if there is something else she can be doing to be happy. Living with her mother and taking care of their home, and being in charge of the festival are all noble deeds, but are they making her happy. When Izzy meets Alasdair, at first she isn't sure how to feel about him. Yes, he is attractive with a deep Scottish accent, but she isn't sure of his true intentions. The same is true of Gareth, although most of her feelings toward him seem to stem from not seeing her mother with anyone else besides her father.
Both of the Buchanan women need some change in their lives. Will these Scottish men be the ones to bring it to them or will they both be left heartbroken?
The book leaves you knowing there is going to be more to this story and I'm interested to find out what is going to happen next.
Thank you to NetGalley and St. Martin's Press for the opportunity to read and review this book.
I was really excited to read this book when I first received it. I have been reading a lot of really steamy romance this summer and I was sure this one was going to be the same. Overall, I enjoyed the book, but it left me a bit confused by the language used. The book is set in the South in the US, with ties back to Scotland, but a lot of the wording made me believe that this book was written by a British author. I am also reading an Advanced Copy, so maybe some of that wording will be changed in the final copy.
All the characters in this book are ones I can see myself hanging out with. Izzy is a clumsy woman who is just trying to figure out the life she's living. Whether it brings her joy or if there is something else she can be doing to be happy. Living with her mother and taking care of their home, and being in charge of the festival are all noble deeds, but are they making her happy. When Izzy meets Alasdair, at first she isn't sure how to feel about him. Yes, he is attractive with a deep Scottish accent, but she isn't sure of his true intentions. The same is true of Gareth, although most of her feelings toward him seem to stem from not seeing her mother with anyone else besides her father.
Both of the Buchanan women need some change in their lives. Will these Scottish men be the ones to bring it to them or will they both be left heartbroken?
The book leaves you knowing there is going to be more to this story and I'm interested to find out what is going to happen next.
The Bucket: Memories of an Inattentive Childhood
Book
The Bucket by Allan Ahlberg - the enthralling childhood story one of Britain's best-loved children's...
Eaglewood Pavilion
Book
The two stories in this collection of Chinese stories are related to the life of people living in...
Gareth von Kallenbach (980 KP) rated My Spy (2019) in Movies
Jun 22, 2020
STX made headlines when they agreed to sell their upcoming film “My SPY” to Amazon so the movie could debut on the streaming service versus waiting for the highly uncertain time when audiences will be able to return to theaters in significant numbers to make films profitable.
The movie stars Dave Bautista as a C.I.A. agent named JJ. JJ was a former Special Forces member who joined the agency after his military career ended. After an operation does not go as planned; JJ’s boss David Kim (Ken Jeong) questions whether JJ is right for the type of work that is required.
JJ is assigned with an overzealous analyst named Bobbi (Kristen Schaal) to conduct surveillance on a single mother named Kate (Parisa Fitz-Henley) and her nine-year-old daughter Sophie (Chloe Coleman).
Kate Sophie had just moved from Paris and are struggling to adapt to the new situation. It seems that Sophie’s father was deeply involved in all sorts of illegal operations and JJ and Bobbi are keeping an eye on them to see if their uncle attempts to contact them as he’s a key figure in an ongoing plutonium arms deal.
Things take an unexpected turn when the precocious Sophie figures out that their apartment is loaded with surveillance gear and soon tracks it to an adjacent apartment and confronts JJ and Bobbi.
Unwilling to have to admit to his superiors that their cover was blown by a nine-year-old girl; JJ soon becomes Sophie’s new friend as she forces him to take her ice-skating and to appear at a school career day as she is desperate to make friends following her move.
This arrangement causes issues with Bobbi and she believes that JJ needs to be training her in the finer aspects of his career.
Further complicating matters is a growing attraction between JJ and Kate thanks to Sophie repeatedly finding ways for her mother and JJ to be together.
While most viewers will be able to see where the film is heading; the enjoyable cast and the chemistry between them makes the movie rise above standard family comedies.
Bautista does a great job poking fun at his action persona and clearly showed in his “Guardians of the Galaxy” performances that he is certainly capable of mixing comedy and action.
While the film does not offer much in the way of surprises; it does offer some very charming and enjoyable moments with enough humor to make it an enjoyable viewing experience for the entire family.
3.5 stars out of 5
The movie stars Dave Bautista as a C.I.A. agent named JJ. JJ was a former Special Forces member who joined the agency after his military career ended. After an operation does not go as planned; JJ’s boss David Kim (Ken Jeong) questions whether JJ is right for the type of work that is required.
JJ is assigned with an overzealous analyst named Bobbi (Kristen Schaal) to conduct surveillance on a single mother named Kate (Parisa Fitz-Henley) and her nine-year-old daughter Sophie (Chloe Coleman).
Kate Sophie had just moved from Paris and are struggling to adapt to the new situation. It seems that Sophie’s father was deeply involved in all sorts of illegal operations and JJ and Bobbi are keeping an eye on them to see if their uncle attempts to contact them as he’s a key figure in an ongoing plutonium arms deal.
Things take an unexpected turn when the precocious Sophie figures out that their apartment is loaded with surveillance gear and soon tracks it to an adjacent apartment and confronts JJ and Bobbi.
Unwilling to have to admit to his superiors that their cover was blown by a nine-year-old girl; JJ soon becomes Sophie’s new friend as she forces him to take her ice-skating and to appear at a school career day as she is desperate to make friends following her move.
This arrangement causes issues with Bobbi and she believes that JJ needs to be training her in the finer aspects of his career.
Further complicating matters is a growing attraction between JJ and Kate thanks to Sophie repeatedly finding ways for her mother and JJ to be together.
While most viewers will be able to see where the film is heading; the enjoyable cast and the chemistry between them makes the movie rise above standard family comedies.
Bautista does a great job poking fun at his action persona and clearly showed in his “Guardians of the Galaxy” performances that he is certainly capable of mixing comedy and action.
While the film does not offer much in the way of surprises; it does offer some very charming and enjoyable moments with enough humor to make it an enjoyable viewing experience for the entire family.
3.5 stars out of 5
Gareth von Kallenbach (980 KP) rated Collateral Beauty (2016) in Movies
Jul 12, 2019
Loss is something that all of us must face at one time or another. It affects each person differently. While some seem unfazed, others cannot adjust to life after the death of a loved one.
In Collateral Beauty, Will Smith portrays Howard Arnett, a father and advertising executive who has shut off the world after the loss of his daughter to cancer.
He disconnects from work, friends, and family. He is a shell of himself, not knowing how to find his place in the world now that a major piece of him is missing.
In an attempt to bring normalcy back to his life and save their company, his friends and colleagues band together to devise a plan to hire actors to play the roles of abstract beings that Howard contacts in his distress, hoping that it forces him to confront his feelings about his loss.
Collateral Beauty is more than just your run of the mill Holiday films. The movie is touching, heart-wrenching, and layered. The film is not limited to the growth of Howard.
We witness how each of his friends has a challenge that they must face that they have been putting off, just as their friend has for the past two years. An ensemble cast of Dame Hellen Mirren, Edward Norton, Kate Winslet, Michael Pena, Kiera Knigthley, and Naomie Harris would normally have audiences or critics worried that the film itself may be light on content, plot, or depth. This is not the case.
The film’s cast is outshined by the story that develops as audiences watch and wait for Howard to become unbroken. The film does not overshoot with respect to their expectations or even offer up conflated ideas and developments. Collateral Beauty gives audiences a chance to watch a man deal with loss and reflect on how we all deal with loss in our own ways.
The film is tough to watch in some moments due to its approach to love and death in not simplifying the significance of one’s life. It demonstrates that each person matters and their lives have a lasting impact. Collateral Beauty will leave audiences reflecting on their own circumstances and those of people they know.
At times, the feelings are too real and a deep connection is made between the characters and the audience that will leave many wishing that they had brought boxes of tissue with them as they will find themselves being touched and heavily impacted.
In Collateral Beauty, Will Smith portrays Howard Arnett, a father and advertising executive who has shut off the world after the loss of his daughter to cancer.
He disconnects from work, friends, and family. He is a shell of himself, not knowing how to find his place in the world now that a major piece of him is missing.
In an attempt to bring normalcy back to his life and save their company, his friends and colleagues band together to devise a plan to hire actors to play the roles of abstract beings that Howard contacts in his distress, hoping that it forces him to confront his feelings about his loss.
Collateral Beauty is more than just your run of the mill Holiday films. The movie is touching, heart-wrenching, and layered. The film is not limited to the growth of Howard.
We witness how each of his friends has a challenge that they must face that they have been putting off, just as their friend has for the past two years. An ensemble cast of Dame Hellen Mirren, Edward Norton, Kate Winslet, Michael Pena, Kiera Knigthley, and Naomie Harris would normally have audiences or critics worried that the film itself may be light on content, plot, or depth. This is not the case.
The film’s cast is outshined by the story that develops as audiences watch and wait for Howard to become unbroken. The film does not overshoot with respect to their expectations or even offer up conflated ideas and developments. Collateral Beauty gives audiences a chance to watch a man deal with loss and reflect on how we all deal with loss in our own ways.
The film is tough to watch in some moments due to its approach to love and death in not simplifying the significance of one’s life. It demonstrates that each person matters and their lives have a lasting impact. Collateral Beauty will leave audiences reflecting on their own circumstances and those of people they know.
At times, the feelings are too real and a deep connection is made between the characters and the audience that will leave many wishing that they had brought boxes of tissue with them as they will find themselves being touched and heavily impacted.
Unsheltered
7.0
Rate It
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(via goodreads.com) The New York Times bestselling author of Flight Behavior, The Lacuna, and The...
Ben Howkins (7 KP) rated Alita: Battle Angel (2019) in Movies
Feb 17, 2019
Muddled plot (1 more)
Forced ending
Alita's more mortal than angel
The basic plot of the film is: about 300 years after a large war called “The Fall” a cyborg repairer/ doctor called Dr Dyson Ido finds the dismembered but still functioning body of a young girl in the scrapheap of rubbish dumped from Zalem, the last remaining sky city from before “The Fall”. After Ido is able to connect the remains to a cyborg body he had made for his late daughter, the girl awakes with no memories of who or what she is. To help her, Ido decides to look after, treating her as if she had a new start in life, even giving her a new name, Alita, after his late daughter whose body she had. Unfortunately though whilst creating her new life in Iron City, Alita starts to remember things about her past and who she truly is, learns that some of the people who she thinks she knows aren’t quite what they seem and most worryingly starting to attract the attention of some bad people.
If I am going, to be honest, both the movie and performances are on a hit and miss scale. Rosa Salazar who is the face and performance of the leading lady is quite good. She portrays Alita’s emotional and mental journey/ life cycle throughout the film to a high standard, evolving from the naive young girl at the very start when she knows and is nothing, through her lovesick and difficult middle period (teenage years if you will) and finishing with starts to truly knowing who she is and what she must do. Christoph Waltz is like always very good as Dr Dyson Ido. The different sides he showed of his character, sometimes switching and showing multiple in a single scene, is quite impressive. These include lighter ones like the loving father figure towards Alita and the doctor who is willing to help everyone sometimes for nothing in return, to his darker side like his secret “night job” and his hatred and disdain towards Zalem and their murderous entertainment “Motorball”. I will also give an honourable mention to Ed Skrein who plays bounty hunter Zapan. Out of the multiple known names who have middle to lower importance parts he was definitely the best as his (what I would say) known style of emotionless bad guy fits perfectly to his character.
But as I said there were definite misses to these hits, biggest one being Keean Johnson who plays Alita’s first friend turned love interest Hugo. The problem with Hugo isn’t all Johnson’s performance, though that is quite flat and unengaging, but that Hugo was unfortunately terribly written and just doesn’t really have anything about him. Another miss, performance wise, was the fact that there were a few big well-known actors and actresses who they didn’t use to their potential, again due to poor writing. An example is Mahershala Ali who plays Vector, an entrepreneur linked into “Motorball”. Though he is what I would regard as a “B Level Character”, nothing is done with him to use or explore his story, which I believe could have helped a bit with the story.
Like the performances, the film itself is also hit and miss, unfortunately with the later are bigger in weight than the former. Start with the good, Visually this movie is as stunning as it is billed. Though you can tell it’s mostly CGI, Alita still looks absolutely beautiful and some of the other cyborg/ robotic characters look just as good, particularly Zapan. Also, the performances I said were good were very good.
For all the lovely visuals and good performances, the biggest problem for the movie is the script. It is incredibly muddled up, jumping from one thing to the next at such a quick rate that it is hard to follow and even sometimes see the link between scenes. The movie also, in my opinion, finishes without a true ending. It is clear it was set up for a sequel but I feel there could have been at least another 10-20 minutes more to tie it up/ tide us properly over.
Overall I was really disappointed with Alita. With the team involved, I believed it had potential to be this decade “Avatar” but instead just ended up being another mediocre futuristic action drama.
If I am going, to be honest, both the movie and performances are on a hit and miss scale. Rosa Salazar who is the face and performance of the leading lady is quite good. She portrays Alita’s emotional and mental journey/ life cycle throughout the film to a high standard, evolving from the naive young girl at the very start when she knows and is nothing, through her lovesick and difficult middle period (teenage years if you will) and finishing with starts to truly knowing who she is and what she must do. Christoph Waltz is like always very good as Dr Dyson Ido. The different sides he showed of his character, sometimes switching and showing multiple in a single scene, is quite impressive. These include lighter ones like the loving father figure towards Alita and the doctor who is willing to help everyone sometimes for nothing in return, to his darker side like his secret “night job” and his hatred and disdain towards Zalem and their murderous entertainment “Motorball”. I will also give an honourable mention to Ed Skrein who plays bounty hunter Zapan. Out of the multiple known names who have middle to lower importance parts he was definitely the best as his (what I would say) known style of emotionless bad guy fits perfectly to his character.
But as I said there were definite misses to these hits, biggest one being Keean Johnson who plays Alita’s first friend turned love interest Hugo. The problem with Hugo isn’t all Johnson’s performance, though that is quite flat and unengaging, but that Hugo was unfortunately terribly written and just doesn’t really have anything about him. Another miss, performance wise, was the fact that there were a few big well-known actors and actresses who they didn’t use to their potential, again due to poor writing. An example is Mahershala Ali who plays Vector, an entrepreneur linked into “Motorball”. Though he is what I would regard as a “B Level Character”, nothing is done with him to use or explore his story, which I believe could have helped a bit with the story.
Like the performances, the film itself is also hit and miss, unfortunately with the later are bigger in weight than the former. Start with the good, Visually this movie is as stunning as it is billed. Though you can tell it’s mostly CGI, Alita still looks absolutely beautiful and some of the other cyborg/ robotic characters look just as good, particularly Zapan. Also, the performances I said were good were very good.
For all the lovely visuals and good performances, the biggest problem for the movie is the script. It is incredibly muddled up, jumping from one thing to the next at such a quick rate that it is hard to follow and even sometimes see the link between scenes. The movie also, in my opinion, finishes without a true ending. It is clear it was set up for a sequel but I feel there could have been at least another 10-20 minutes more to tie it up/ tide us properly over.
Overall I was really disappointed with Alita. With the team involved, I believed it had potential to be this decade “Avatar” but instead just ended up being another mediocre futuristic action drama.
Lee (2222 KP) rated The Mule (2018) in Movies
Jan 29, 2019 (Updated Jan 29, 2019)
A simple, enjoyable story
It appears there's just no stopping Clint Eastwood. Not only does he star in The Mule, a movie 'inspired by a true story', but he's also on producing and directing duties too. Just when you think you've seen him in his last ever role, he's back, 88 years old and still going strong!
Eastwood is Earl Stone, a highly successful horticulturist and Korean war veteran who we first meet in 2005. He arrives at a horticulture convention where he charms the ladies, engages in friendly competitive banter with other exhibitors and sneers at the guy promoting a new way of ordering flowers over the internet, before going on to win first prize for best bloom. But over the years all of this success has been at the expense of his family and while he's buying everyone in the bar a drink to celebrate his win, his daughter is getting married, wondering where her father is while her mother consoles her. A life on the road devoted to work has lost Earl the most important thing in life.
Shifting forward 12 years to 2017 and Earl has been forced to close up the flower business, blaming the damn internet for it all. He pays off his farm workers as best he can before heading off to his granddaughters house where she is holding a garden party. His presence only causes tension though - his daughter can't bear to be anywhere near him, while his ex wife takes the opportunity to once again give him a piece of her mind, disappointed that despite a lifelong devotion to work, he now can't even afford to help pay for his granddaughters upcoming wedding.
So when an offer comes his way, working as a mule for the cartel in return for good money, Earl accepts. An old man traveling, with no previous speeding tickets, is less likely to be stopped than the traditional Latinos they usually use, and Earl benefits by continuing his love of traveling the country in his trusty old truck. He tries the charming old man routine with the cartel members he comes into contact with on both sides of his deliveries, with varying degrees of success, but in-between he manages to just enjoy life - driving on the open road, singing along to the radio for hours on end. And the money certainly is good - Earl is able to buy a brand new truck, help pay for his granddaughters wedding and even help prevent a bar he's been going to for the last 50 or so years from closing. He gradually becomes more trusted within the cartel, becoming responsible for transporting increasingly larger quantities of drugs and drawing the attention of the more powerful cartel members. Attending big parties at their lavish houses, dancing with bikini clad girls and engaging in threesomes, this ninety something certainly is making the most of his twilight years! As power shifts within the cartel and Earl gets drawn deeper in, he finds himself having to decide between the cartel and his family. A decision with very different but serious consequences depending on which path he chooses.
All the while Earl is having his fun, the net is closing in on him in the form of a couple of DEA agents played by Bradley Cooper and Michael Peña. Under pressure to secure a bust from boss Lawrence Fishburne, they're getting closer and closer to capturing the cartels top mule. All three of these actors are seriously underused though in what are essentially pretty standard cop roles.
The Mule is a fairly simple movie with no big sense of drama, and certainly no Breaking Bad levels of cartel tension. However, I was never bored at any point and just found myself completely engrossed in it all, swept along by the genial nature of Earl and what was an enjoyable, sentimental story.
Eastwood is Earl Stone, a highly successful horticulturist and Korean war veteran who we first meet in 2005. He arrives at a horticulture convention where he charms the ladies, engages in friendly competitive banter with other exhibitors and sneers at the guy promoting a new way of ordering flowers over the internet, before going on to win first prize for best bloom. But over the years all of this success has been at the expense of his family and while he's buying everyone in the bar a drink to celebrate his win, his daughter is getting married, wondering where her father is while her mother consoles her. A life on the road devoted to work has lost Earl the most important thing in life.
Shifting forward 12 years to 2017 and Earl has been forced to close up the flower business, blaming the damn internet for it all. He pays off his farm workers as best he can before heading off to his granddaughters house where she is holding a garden party. His presence only causes tension though - his daughter can't bear to be anywhere near him, while his ex wife takes the opportunity to once again give him a piece of her mind, disappointed that despite a lifelong devotion to work, he now can't even afford to help pay for his granddaughters upcoming wedding.
So when an offer comes his way, working as a mule for the cartel in return for good money, Earl accepts. An old man traveling, with no previous speeding tickets, is less likely to be stopped than the traditional Latinos they usually use, and Earl benefits by continuing his love of traveling the country in his trusty old truck. He tries the charming old man routine with the cartel members he comes into contact with on both sides of his deliveries, with varying degrees of success, but in-between he manages to just enjoy life - driving on the open road, singing along to the radio for hours on end. And the money certainly is good - Earl is able to buy a brand new truck, help pay for his granddaughters wedding and even help prevent a bar he's been going to for the last 50 or so years from closing. He gradually becomes more trusted within the cartel, becoming responsible for transporting increasingly larger quantities of drugs and drawing the attention of the more powerful cartel members. Attending big parties at their lavish houses, dancing with bikini clad girls and engaging in threesomes, this ninety something certainly is making the most of his twilight years! As power shifts within the cartel and Earl gets drawn deeper in, he finds himself having to decide between the cartel and his family. A decision with very different but serious consequences depending on which path he chooses.
All the while Earl is having his fun, the net is closing in on him in the form of a couple of DEA agents played by Bradley Cooper and Michael Peña. Under pressure to secure a bust from boss Lawrence Fishburne, they're getting closer and closer to capturing the cartels top mule. All three of these actors are seriously underused though in what are essentially pretty standard cop roles.
The Mule is a fairly simple movie with no big sense of drama, and certainly no Breaking Bad levels of cartel tension. However, I was never bored at any point and just found myself completely engrossed in it all, swept along by the genial nature of Earl and what was an enjoyable, sentimental story.
Bob Mann (459 KP) rated Viceroy's House (2017) in Movies
Sep 29, 2021
The 80:20 Rule.
India, 1947. Churchill’s government has sent Lord Grantham – – sorry — Lord Louis Mountbatten of Burma (Hugh Bonneville, “The Monuments Men“) as the new Viceroy. His mission is to make sure he is the last ever Viceroy, for India is to be returned to independence. But racial tensions between the Hindu and minority Muslim populations are brittle and deteriorating fast. Can India survive as a single country, or will Mountbatten be forced to partition the country along religious lines to avoid civil-war and countless deaths?
Of course, there is little tension in this plot line since we know Pakistan was indeed founded by Muhammad Ali Jinnah (played by Denzil Smith) on August 14th 1947. (In reality, Jinnah’s victory was short lived as he died of TB the following year). The rest of India went on to be ruled by Jawaharlal Nehru (played by Tanveer Ghani). What the film does remind this generation of is the extreme cost of that partition, with riots, mass abductions and rapes, over a million estimated deaths and one of the biggest migrations of populations ever seen. (All of this is largely shown through original newsreel footage, which is effectively inter-weaved with the film).
So as an educational documentary it is useful. However, as an entertaining movie night out? Not so much. After coming out of the film we needed to buy some milk at Tesco and I was put on the spot by the checkout lady to sum-up the film: “Worthy but dull” was what I came up with, which with further time to reflect still seems a good summary.
This shouldn’t have been the case, since the film is directed by the well-respected Gurinder Chadha (“Bend it like Beckham) and boasts a stellar cast, with Bonneville supported by Gillian Anderson (“The X Files”) as Lady Mountbatten; Michael Gambon (“Harry Potter”) as General Ismay (Mountbatten’s chief of staff); Simon Callow (“Four Weddings and a Funeral”) as Radcliffe (the drawer of ‘the new map’); and Om Puri (“The Hundred Foot Journey“) as former political prisoner Ali Rahim Noor. Playing Mountbatten’s daughter is Lily Travers (“Kingsman: The Secret Service“): Virginia McKenna’s granddaughter.
But unfortunately, for me at least, the film lumbers from scene to scene, seldom engaging with me. Bonneville’s Mountbatten, whilst perfectly sound, was just a re-tread of Downton with added humidity and curry; Anderson’s (probably extremely accurate) crystal-glass English accent quickly becomes tiresome; and elsewhere a lot of the acting of the broader Indian cast is, I’m sorry to comment, rather sub-par. For me, only Om Puri, who sadly died in January, delivers an effective and moving performance as the blind father (literally) unable to see that the arranged marriage for his daughter Aalia (Huma Qureshi) is heading for trouble thanks to Mountbatten’s man-servant. And no, that isn’t a euphemism…. I’m talking about his real manservant, Jeet Kumar (Manish Dayal)!!
As an aside, the late Puri (probably most famous in western cinema for “East is East”) has made over 270 feature films in his prolific career, over and above his many appearances on Indian TV. And he still has another 6 films to be released! May he rest in peace.
Probably realising that the historical plot is not enough to sustain the film, the screenwriters Paul Mayeda Berges (“Bend it like Beckham”), Moira Buffini (“Tamara Drewe”) and Gurinder Chadha try to add more substance with the illicit romance between the Hindu Jeet and the Muslim Aalia. Unfortunately this is clunky at best, with an incessant 30 minutes-worth of longing looks before anything of substance happens. Even the “Lion“-style denouement (also with a railway train connection) is unconvincing.
After that, the film just tends to peter out, with a ‘real-life photograph’ segue delivering a rather tenuous connection between a character not even featured in the film and the director!
Mrs. Chadha has clearly corralled an army of extras to deliver some of the scenes in the film, in the hope of delivering a historical epic of the scale of Attenborough’s “Gandhi”. For me, she misses by a considerable margin. But that’s just my view….. if you like historical dramas, its a film you might enjoy: as the great man himself said “Honest disagreement is often a good sign of progress”.
Of course, there is little tension in this plot line since we know Pakistan was indeed founded by Muhammad Ali Jinnah (played by Denzil Smith) on August 14th 1947. (In reality, Jinnah’s victory was short lived as he died of TB the following year). The rest of India went on to be ruled by Jawaharlal Nehru (played by Tanveer Ghani). What the film does remind this generation of is the extreme cost of that partition, with riots, mass abductions and rapes, over a million estimated deaths and one of the biggest migrations of populations ever seen. (All of this is largely shown through original newsreel footage, which is effectively inter-weaved with the film).
So as an educational documentary it is useful. However, as an entertaining movie night out? Not so much. After coming out of the film we needed to buy some milk at Tesco and I was put on the spot by the checkout lady to sum-up the film: “Worthy but dull” was what I came up with, which with further time to reflect still seems a good summary.
This shouldn’t have been the case, since the film is directed by the well-respected Gurinder Chadha (“Bend it like Beckham) and boasts a stellar cast, with Bonneville supported by Gillian Anderson (“The X Files”) as Lady Mountbatten; Michael Gambon (“Harry Potter”) as General Ismay (Mountbatten’s chief of staff); Simon Callow (“Four Weddings and a Funeral”) as Radcliffe (the drawer of ‘the new map’); and Om Puri (“The Hundred Foot Journey“) as former political prisoner Ali Rahim Noor. Playing Mountbatten’s daughter is Lily Travers (“Kingsman: The Secret Service“): Virginia McKenna’s granddaughter.
But unfortunately, for me at least, the film lumbers from scene to scene, seldom engaging with me. Bonneville’s Mountbatten, whilst perfectly sound, was just a re-tread of Downton with added humidity and curry; Anderson’s (probably extremely accurate) crystal-glass English accent quickly becomes tiresome; and elsewhere a lot of the acting of the broader Indian cast is, I’m sorry to comment, rather sub-par. For me, only Om Puri, who sadly died in January, delivers an effective and moving performance as the blind father (literally) unable to see that the arranged marriage for his daughter Aalia (Huma Qureshi) is heading for trouble thanks to Mountbatten’s man-servant. And no, that isn’t a euphemism…. I’m talking about his real manservant, Jeet Kumar (Manish Dayal)!!
As an aside, the late Puri (probably most famous in western cinema for “East is East”) has made over 270 feature films in his prolific career, over and above his many appearances on Indian TV. And he still has another 6 films to be released! May he rest in peace.
Probably realising that the historical plot is not enough to sustain the film, the screenwriters Paul Mayeda Berges (“Bend it like Beckham”), Moira Buffini (“Tamara Drewe”) and Gurinder Chadha try to add more substance with the illicit romance between the Hindu Jeet and the Muslim Aalia. Unfortunately this is clunky at best, with an incessant 30 minutes-worth of longing looks before anything of substance happens. Even the “Lion“-style denouement (also with a railway train connection) is unconvincing.
After that, the film just tends to peter out, with a ‘real-life photograph’ segue delivering a rather tenuous connection between a character not even featured in the film and the director!
Mrs. Chadha has clearly corralled an army of extras to deliver some of the scenes in the film, in the hope of delivering a historical epic of the scale of Attenborough’s “Gandhi”. For me, she misses by a considerable margin. But that’s just my view….. if you like historical dramas, its a film you might enjoy: as the great man himself said “Honest disagreement is often a good sign of progress”.