"This album is incredibly inspiring for me. The way he experiments with sounds and drums and voices is really amazing. He was really thinking out of the box for this one. But my favorite thing is how he conceptualizes songs. Like in 'The Ballad of Dorothy Parker 'or 'Starfish and Coffee.' Seriously there is no one like him!"

"Jonathan is one of my favorite authors, and this book is absolutely incredible…The book is about a brilliant 9 year old boy named Oskar who’s father died on September 11th. Oskar is an inventor with an incredible imagination who tries to find the lock that belongs to a mysterious key he finds in his father’s closet."

"[Frontwoman] Kathleen [Hanna] is one of my favorite singers. Bikini Kill embody everything that I love about music: They’re full of power, there’s a vulnerability about them, and obviously there’s the political side. It’s great to listen to before a gig, because it totally gets me jacked up and ready to play. Kathleen Hanna makes me drunk"

"In my drawings, I’ve been basing characters on Peter Lorre ever since seeing M. There is something so intriguing about a pathetic character. And no one has ever been this villainous and pitiful. He is one of my all-time favorite screen characters. I still get alarmed if I hear someone whistling “In the Hall of the Mountain King.”

"Every once in a while I revisit this film, and I always notice new things. This is the statement that ends the hippie era. It’s also my favorite era of the Stones, with Mick Taylor accompanying Keith Richards on guitar. It’s the best live footage of the Stones that I have seen; they’re at the height of their powers."

"I know this film may seem out of place on this list, but for pure entertainment it’s my favorite. As a child I got to see this in Cinerama. Criterion did an incredible job mastering it, and I love all the extras on the Blu-ray—especially the maps of locations in southern California where it was shot."

"Quick cheat again. I could easily have listed Le cercle rouge, Army of Shadows, Le doulos and Le deuxieme souffle, which are all in the Criterion collection. Melville is probably my favorite director and was a huge influence on the script of Drive. The cinema of process and silent taciturn heroes whose tough-guy exteriors hide lonely, fragile hearts."

"In this masterpiece from our dearly departed Chantal Akerman, there is so much pathos in the pacing alone. The deep tensions in the film, which concern sex and violence and domesticity and motherhood, unfold with a sense of unrelenting inertia. Jeanne Dielman epitomizes my favorite kind of person in film and in real life—the unruly woman."

"I have got to say Man on Fire. Again, it’s another assassin movie, but Denzel…that was one of my favorite performances from him. And I think the film was shot really stylistically; I don’t know what kind of filter they had on the camera, or what they used, but it just had this really cool element to it."