"My favorite film of the eighties. Maybe Marlon Brando in Last Tango in Paris and Robert De Niro in Raging Bull can compare with Bob Hoskins’s performance here, but very few others can. Who else could have fully mined the depths of unrequited love and authentic heartbreak while wearing a pair of glittery, heart-shaped sunglasses? Who else could have so completely personified the rage, hope, humor, pathos, and cruel decency at the heart of Neil Jordan’s dreamy masterpiece? No one. Absolutely no one."

"For me, the most devastating childhood remembrance film—if that’s what it is. The story is too remarkable and strange to be fiction. Six-year-old Brigitte Fossey—trying to make sense of her just-witnessed parents’ deaths by urgently assembling a beautiful little animal graveyard—might just nudge out Dean Stockwell as my all-time favorite child star, and she makes me cry a lot more! Comedy mixed in with such sadness, sadness, sadness!!! This is early childhood distilled and put in a very dangerous bottle!"

"“It all started on an ordinary day, in the most ordinary place in the world.”—Brief Encounter David Lean’s depictions of two ordinary women (Celia Johnson’s Laura and Katharine Hepburn’s Jane) restraining their desires for Trevor Howard and Rosanno Brazzi, respectively, are two of my all-time favorite cinematic portrayals of forbidden heterosexual love. Incidentally, both use the writing of gay playwrights as source material: Brief Encounter is based on Noël Coward’s Still Life, and Summertime adapts Arthur Laurents’s The Time of the Cuckoo."

"If I had to choose my number 1 favorite book of all time, it would be this. (And as this is widely considered one of the great American novels, I’m clearly not the only person who’s been hugely affected by it.) White Noise uses the story of a college professor and his family in small Midwestern town to explore American paranoia, consumerism, and novelty academic intellectualism. I love this book for its ability to to be dark, beautiful, smart, and hysterically funny, all at the same time."

"I love The Clash and I can say I was there from the beginning on The Clash, thankfully. I remember hearing “White Riot” in the skate park days. I would get a ride with the older skaters in their car they were blasting The Clash. I always thought London Calling was one of the best albums of all time, really. When they released “The Clash on Broadway,” I bought it and I had never heard “Safe European Home.” It became one of my favorite songs."

"If I had to pick my favorite genre, which I’d prefer not to do, but if I had to, it would be serious comedy. Comedy that makes you laugh and then think. The Great Dictator is the quintessential embodiment of that form. Chaplin takes us from farce to deeply moving material in a breathtaking tour de force, making fun of Hitler without ever diminishing his power and danger. I first saw this film when I was about seven, and it was the reason I became an actor."

"I’d read Scorsese, Tarantino, and Jarmusch raving about Jean-Pierre Melville for years. Then I read how Paul Thomas Anderson’s brilliant first movie, Hard Eight, was an homage to Melville’s Bob le flambeur. I had to see one of his movies but couldn’t track them down at my local Tulsa video store. My first night in L.A., I walked down to the newly opened Cinephile video store and rented all of them! Le doulos is my favorite. It’s one tough-guy movie. Great ending!"

"Bergman as a fabulist—my favorite—is absolutely mesmerizing. These two films have the primal pulse of a children’s fable told by an impossibly old and wise narrator. Fanny and Alexander is Dickens, Hans Christian Andersen, and John Calvin rolled into one. Both tales are ripe with fantastical imagery and a sharp sense of the uncanny. Also, I am often surprised at how the humor and comedic elements in The Seventh Seal seem to be overlooked in favor of its reputation as a quintessential “serious” art film."

"Bergman as a fabulist—my favorite—is absolutely mesmerizing. These two films have the primal pulse of a children’s fable told by an impossibly old and wise narrator. Fanny and Alexander is Dickens, Hans Christian Andersen, and John Calvin rolled into one. Both tales are ripe with fantastical imagery and a sharp sense of the uncanny. Also, I am often surprised at how the humor and comedic elements in The Seventh Seal seem to be overlooked in favor of its reputation as a quintessential “serious” art film."