"One movie that’s always kind of a runner up, and I never really mention it because it’s so different than my other favorite films, is Notting Hill. It’s kind of a weird film to put in the group. But it’s such a perfect romantic-comedy and such a perfect vehicle. It’s like a fantasy, every man’s fantasy of meeting a beautiful movie star and being absorbed into her world and somehow making it work out. I love Julia Roberts, but that movie really made me fall in love with her, and Hugh Grant, he was such a likable guy in that movie. The supporting roles are so strong. And just the story of, just the world that… you know, I live on the very edges of this world, but just the world that Hollywood, that these people live in. It was just kind of a really interesting story. It wasn’t just a basic romantic-comedy; it had a lot of things going for it. But that’s definitely one of my favorite films. That’s one of those films that I watch every couple years. I just pop it in."

"I’m desperately trying to find a way not to include His Girl Friday because it’s kind of been touted a lot. But it’s my favorite romantic comedy couple on screen. I think Cary Grant and Rosalind Russell in that picture are roughly as great as Beatrice and Benedict in Shakespeare’s Much Ado About Nothing. That’s how great they are. It’s my favorite Cary Grant performance because it combines the leading man side of his persona with this crazy farceur. I just love hearing people talk as fast as most people think. And I love the fact that they condense this three-hour play into whatever the running time is — ninety, ninety-two minutes — and they basically didn’t cut anything; they just got it all in. I adore this film. That first scene… You watch that first scene when she comes back to the office, and it’s 10 of the greatest minutes of romantic byplay ever, and it’s beautifully performed. I revere Hawks more highly than I do John Ford, and that’s saying something. For me, if you don’t have a Hawks film on that list, you’re lying."

"I guess the next one would be Naked, by Mike Leigh. Mike Leigh might be my favorite living filmmaker. A lot has been said about his working method, you know. He spends about six months with his actors basically finding the characters and improvising and building these relationships. Then after that, he’ll go off and write a script based on the improvisations that took place over those six months. It results in some of the most vivid character work I’ve ever seen. The relationships in his films are so rich, and you just feel so much history there. That’s because the history has really been built. It really exists. But what people don’t really talk much about is just how wonderful a craftsman he is. His films are gorgeous and they’re beautifully made. I mean, his work with Dick Pope is just incredible, and they’re all so impeccably structured. So, I just think he’s made so many masterpieces. I toggled between Naked and Topsy-Turvy and Secrets and Lies being my favorite. But right now, Naked is the one that is coming to me."

"If we now want to get into films that — I arrogantly didn’t ask you if you would know anything about them; I just assumed, and assumption is the mother of all f—ups. Me, I’m Asian. I was raised in Asia and, to be honest with you, my favorite films of all time are really [Akira] Kurosawa films. He was a friend of mine. Yojimbo, Akahige meaning “Red Beard,” [and] Shichinin no samurai meaning “Seven Samurai,” I would say those are probably my three favorite films of all time. Even though Shichinin no samurai is the more famous one, I would probably pick Red Beard and Yojimbo.Red Beard is one of the most important movies in my life because it’s… I don’t want to say a movie about me, but it’s a movie about someone I tried to emulate subconsciously — or accidentally I should say — in that I am a martial artist, I am a healer, and I am a warrior, and those are the three kind of components that really make up Toshirô [Mifune]’s kind of character, you know? So I particularly relate to that movie on a very deep level."

"My father was a film buff. He instilled in me an appreciation of the art of movies. He felt that there was no cinema artist greater than Kurosawa. At a very young age he took me to see Throne of Blood and Seven Samurai. Since then I’ve seen Seven Samurai over fifty times, in theaters, on VHS, laserdisc, and DVD. The latest Criterion edition is my favorite version of my favorite action movie. I love all the extras, especially the history of the samurai, which really enhances the movie’s historical context. In the second season of Heroes, we did a story line set in seventeenth-century Japan. The Seven Samurai box set was an invaluable resource for the costume and art department. About half of our crew watched it and were really inspired by what they saw. It’s one of those movies that I can’t turn off. One minute of viewing and I’m hooked. I’ve heard many people say that about the first two Godfather films, but for me Seven Samurai is the one that lures me into watching multiple hours of a movie I know by heart."

"Reread done for #AdamRereadsHP! GOBLET OF FIRE is definitely work and I could've done for a lot of cutting. One of the things I admire most about this series is the way J.K. Rowling can speed through a year in under 300 pages. And GOBLET is twice that length and it didn't always feel justified. I shouldn't complain because more time in this world is MORE TIME IN THIS WORLD, and it's all very realized, but the pacing still felt off. (I really, really could've done without the Quidditch World Cup.) When I first read this novel when I was 13 going on 14, I took a break for MONTHS. And the same thing happened during this reread as a 28-year-old. I think it was around the same part too. But once you get to the Third Task, it all picks up. This last fourth of the novel has always been my favorite. Voldemort's return! That scene with the Death Eaters! Harry vs. Voldemort! Moody isn't Moody! Rita Skeeter exposed! It's all wonderful. GOBLET isn't my favorite in the series, but it's still pretty damn magical."