"It’s my favorite documentary, and that’s just because of its characters. It’s about two ‘90s indie bands, the Brian Jonestown Massacre (the lead singer Anton is a truly wild crazy guy, completely out of control) and the more successful Dandy Warhols. They envy each other and end up having this super Shakespearian love affair/friendship/rivalry. It’s an example of how great storytelling can get you unbelievably engaged, whether you have any connection to the world of the film or not. If it’s human, it’s human. For me, this film is as important among docs as Goodfellas (1990) is among narrative features."

"I love this film and can watch it over and over. Hal Ashby is one of my favorite filmmakers. Both the lead characters are so unique and their pairing even more so. The thing that I love about it the most is Maude’s incredible sense of freedom and her direct influence on Harold. Death awaits us all, and it’s easy to shrink in that knowledge, but she teaches him to embrace life and be himself and choose to be positive and open. Their connection is so lovely and inspirational. This film tackles life, death, and everything in between in the most entertaining way."

"One of my all-time favorite books that’s always by my nightstand. I regularly read a few pages of it before going to sleep. Marcus Aurelius was the emperor of Rome for 19 years and a Stoic philosopher who can teach us all how to find the eye of the hurricane in the middle of our hectic and stressful lives. There’s so much wisdom on every page, you can just let the book fall open — he was an emperor, after all, so let him choose — and find something that will be meaningful for whatever you’re facing that day."

"My favorite book ever. My father was a Dickens fanatic and brought me up to be one too. I’ve read all of his novels but I think this is the best. The story of an orphaned boy who wants so badly to be a gentleman that he forgets how to be a gentle man and becomes morally corrupt, until he is forced to accept the ugly reality of his true provenance. The early scenes where young Pip plays cards with the icy and cruel Estella, whom he worships and hates, are the ones that stay with me the most."

"I like The Game; it’s one of my favorite movies. I love The Game. Oh, that movie was so good. I love not knowing what’s going to happen. I become a detective. My brain — I put myself in the character’s position. I sit there and I wonder how I would’ve reacted to this. You know, because there were parts of that movie that had me tripping. And you could not tell what was the part of the game and what wasn’t. That was the genius part of how they shot that movie. I just absolutely love it."

"As a moviegoer, one of my favorite things is encountering a vision that you don’t understand. I love the scenario of this man having visions he has to keep secret from his wife, who’s been seeking out psychics to help access their dead child. That image of the funeral boat going down the canal haunts me. It’s spooky and gorgeous at the same time. I’m drawn to horror movies that treat the genre in an unusual way. And of course, this movie has one of the greatest love scenes of all time—it’s incredible to see that level of intimacy on the screen."

"I know this is out of print, but I still have the Criterion disc on my shelf, and it’s one of my favorite DVDs ever. U.S. cinema has made the action film a national product, but all in all I keep thinking of two films that have rewritten filmed and staged action: George Miller’s Mad Max 2, from Australia, and Woo’s Hard Boiled, from Hong Kong. They look familiar as recognizable genre exercises (chases, shootouts), but the truth is they are pretty dangerous and extreme. If you can ever release a Blu-ray for this, I’ll get it."

"Another classic foundation piece of modern cinema. My personal favorite thing about this film is the relatable dynamic of the two main characters’ somewhat undefined relationship, a dynamic that after fifty years still feels as modern as ever. For different reasons, I’m also a big fan of the widely panned 1983 remake starring Richard Gere, in arguably the coolest role of his career. The remake is no Godard—really it’s a different film—but I challenge anyone to forget that they’ve ever seen the original for ninety minutes, revisit the remake, and not admit its criminally overlooked qualities!"

"It’s hard to pick which of Kurosawa’s films is my favorite, since they’re pretty much all top-ten worthy. But for sheer spectacle and beauty, Ran is pretty hard to beat. The cinematography is unreal, the acting heightened and emotional, and his use of music and sound (and the sometimes dramatic lack of it) shows a master at the top of his game. I’ve lived my life by the Kurosawa quote “An artist is one who never averts his eyes.” Make sure you don’t avert your eyes from this classic! (Yes, I just said that. You’re welcome, Criterion!)"

"In the mid-seventies I got more into the art of cinema (and into the arts in general), which coincided with a great period in American cinema. I got seriously hooked on Taxi Driver, Badlands, Days of Heaven. These films with alienated heroes, where landscape becomes soul-scape. They made me realize that cinema can be this amazing space where images, words, faces, landscapes, and music all melt together in a mysterious way. Even now, my favorite films are those that take you out of yourself, that make you enter this other world on-screen. These three films did exactly that to me."