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Heather Cranmer (2721 KP) rated The Caretakers in Books
Apr 6, 2020
As soon as I read the synopsis for The Caretakers by Eliza Maxwell, I was instantly hooked. I knew it was a book that I had to read. It's like it was calling out to me saying "read me...read me." What a wild ride The Caretakers had in store for me!
Tessa Shepard made a documentary that helped free a man that she thought was framed for murder. However, when it seems he's killed the police chief's daughter, Tessa's life becomes upended. Around the same time, Tessa and her twin sister inherit a large estate named Fallbrook. There she meets two old ladies who are the caretakers of Fallbrook that have their own crazy story about the past when it comes to Fallbrooks history. With danger lurking around every corner, Tessa must try to survive and figure out the two old ladies' story.
I could not fault the plot of The Caretakers at all. It was absolutely solid from beginning to end. With The Caretakers, I felt like I was sort of getting two stories in one which was great! The first story is Tessa's. The narrative follows Tessa as she deals with her conscience about freeing a man from prison who may have actually been guilty. She's also dealing with the fallout between her and her twin sister Margot. With Tessa's reputation in tatters, Tessa tries to stay out of the spotlight and deal with what's going on in her personal life, but it doesn't turn out to be that easy. The second narrative belongs to the two old ladies and caretakers of Fallbrook, Kitty and Deidre. Their story was the most interesting to read about. Kitty and Deidre remember two different accounts of what actually befell Fallbrook when they were children. It was traumatizing for both of them, and at least one of the sisters has blocked out the actual memories of the horrible event that happened there. I found myself trying to guess which events were the true ones. Kudos to Eliza Maxwell for adding so many plot twists to The Caretakers that I never saw coming! I absolutely was thrilled that there were so many plot twists. Just when I thought I had the story figured out, a curve ball was thrown at me making me have to start my guess work all over again. However, all cliff hangers and questions are answered by the end of the book.
The characters in The Caretakers were all written fantastically! All were fleshed out appropriately even the minor characters. It was easy to empathize with everything Tessa was going through. She had so much bad stuff going on at one time. Learning her back story, it was easy to see why she thought the way she did. I liked Margot as well. While she's not a main character, she does play a fairly important role in Tessa's life. Sometimes I felt like Margot was a little too closed off when it came to Tessa and her husband, Ben. This wasn't due to bad writing, but quite the opposite. I felt like this was a character flaw that even real life people struggle with. I enjoyed Oliver's character. He made for a fantastic antagonist. Oliver was the one who Tessa freed from prison due to her documentary. Through fantastic storytelling, it was easy to see why Oliver went off the deep end after he was released. I felt bad for him actually. Deidre was an interesting character, and I came to understand why she was wary of strangers meddling in hers and Kitty's business. Kitty was my all time favorite character in The Caretakers though. I was sucked up in her childlike way of acting. She seemed to trust everyone and came across as such a sweet person. It seemed like she was too nice to be unkind towards anyone. I felt like Kitty had the most interesting backstory out of all the characters. The Cooke family, who had previously lived in Fallbrook before it became derelict, had the most intriguing story out of everyone. I really enjoyed reading about them.
Trigger warnings for The Caretakers include profanity, murder, violence, drinking, and police corruption.
To say I was blown away by The Caretakers is an understatement. Seriously, this book gave me goosebumps and a severe book hangover. That's how great it was! With intriguing plot lines and fantastic characters, it was such a fantastic read. I would most definitely recommend The Caretakers by Eliza Maxwell to those aged 17+. I really believe readers of all genres will really enjoy this book!
--
(A special thank you to Lone Star Literary Life and Eliza Maxwell for sending me a paperback and Netgalley for an eBook of The Caretakers in exchange for an honest and unbiased review.)
Tessa Shepard made a documentary that helped free a man that she thought was framed for murder. However, when it seems he's killed the police chief's daughter, Tessa's life becomes upended. Around the same time, Tessa and her twin sister inherit a large estate named Fallbrook. There she meets two old ladies who are the caretakers of Fallbrook that have their own crazy story about the past when it comes to Fallbrooks history. With danger lurking around every corner, Tessa must try to survive and figure out the two old ladies' story.
I could not fault the plot of The Caretakers at all. It was absolutely solid from beginning to end. With The Caretakers, I felt like I was sort of getting two stories in one which was great! The first story is Tessa's. The narrative follows Tessa as she deals with her conscience about freeing a man from prison who may have actually been guilty. She's also dealing with the fallout between her and her twin sister Margot. With Tessa's reputation in tatters, Tessa tries to stay out of the spotlight and deal with what's going on in her personal life, but it doesn't turn out to be that easy. The second narrative belongs to the two old ladies and caretakers of Fallbrook, Kitty and Deidre. Their story was the most interesting to read about. Kitty and Deidre remember two different accounts of what actually befell Fallbrook when they were children. It was traumatizing for both of them, and at least one of the sisters has blocked out the actual memories of the horrible event that happened there. I found myself trying to guess which events were the true ones. Kudos to Eliza Maxwell for adding so many plot twists to The Caretakers that I never saw coming! I absolutely was thrilled that there were so many plot twists. Just when I thought I had the story figured out, a curve ball was thrown at me making me have to start my guess work all over again. However, all cliff hangers and questions are answered by the end of the book.
The characters in The Caretakers were all written fantastically! All were fleshed out appropriately even the minor characters. It was easy to empathize with everything Tessa was going through. She had so much bad stuff going on at one time. Learning her back story, it was easy to see why she thought the way she did. I liked Margot as well. While she's not a main character, she does play a fairly important role in Tessa's life. Sometimes I felt like Margot was a little too closed off when it came to Tessa and her husband, Ben. This wasn't due to bad writing, but quite the opposite. I felt like this was a character flaw that even real life people struggle with. I enjoyed Oliver's character. He made for a fantastic antagonist. Oliver was the one who Tessa freed from prison due to her documentary. Through fantastic storytelling, it was easy to see why Oliver went off the deep end after he was released. I felt bad for him actually. Deidre was an interesting character, and I came to understand why she was wary of strangers meddling in hers and Kitty's business. Kitty was my all time favorite character in The Caretakers though. I was sucked up in her childlike way of acting. She seemed to trust everyone and came across as such a sweet person. It seemed like she was too nice to be unkind towards anyone. I felt like Kitty had the most interesting backstory out of all the characters. The Cooke family, who had previously lived in Fallbrook before it became derelict, had the most intriguing story out of everyone. I really enjoyed reading about them.
Trigger warnings for The Caretakers include profanity, murder, violence, drinking, and police corruption.
To say I was blown away by The Caretakers is an understatement. Seriously, this book gave me goosebumps and a severe book hangover. That's how great it was! With intriguing plot lines and fantastic characters, it was such a fantastic read. I would most definitely recommend The Caretakers by Eliza Maxwell to those aged 17+. I really believe readers of all genres will really enjoy this book!
--
(A special thank you to Lone Star Literary Life and Eliza Maxwell for sending me a paperback and Netgalley for an eBook of The Caretakers in exchange for an honest and unbiased review.)
Kara Skinner (332 KP) rated The Band 4: The Air We Breathe in Books
Sep 10, 2019
Genre: Contemporary, Inspirational
Page Count: 324 pages (of nauseation)
Average Goodreads Rating: 3/5 stars (why, Goodreads? You’re usually so tough on books)
My Rating: 1.5/ 5 stars
Truthfully, this is actually a great story. Yeah. So great. It’s the perfect backstory for its horror sequel: The Martins Trump Manson on Body Count.
As a romance it fucking sucks.
I don’t even know where to begin. This book is so full of sugary sap that it makes pasta covered in maple and chocolate syrup and marshmallows look appetizing.
original
Still not as sweet as The Air We Breathe
Here’s the thing: I’m not actually a bitter and cynical person. I like sap and fluff. I smile and giggle during romance scenes, I’ve obsessively written cute and romantic fanfiction and my boyfriend and I were arguably the most nauseatingly cute couple to ever walk the halls of John Bapst Memorial High School.
But I gagged reading this book for the amount of love-doveyness.
Marguerite is on holiday in London, recovering from the sudden deaths of her parents which liberated her from 27 years of being suffocated and controlled by them. While there, she has a random chance encounter with Chase Martin, a depressed rock star exhausted from touring with his band. Chase and Marguerite are drawn together by a strange unknown force. They don’t know why they have such a strong connection to each other, but they do know that life without the other would not be living at all.
I actually really liked the beginning and thought that it would shape up to be an interesting and sweet romance. We see them before they meet in the coffee shop, miserable and depressed, and then while sipping her drink and reading her book, Marguerite feels Chase’s anxiety. So she buys him a decaf drink and gives it to him, saying she could feel his anxiety from across the shop. That’s great.
The two of them realize they’re drawn together and can find each other happiness and Marguerite ends up spending the night at Chase’s house just so they can find comfort in having another human being near them. That’s great, too.
The beginning is by far my favorite part because it has promise for a good story and has more vivid scenes than any other part of the book.
But then it moves too quickly from there.
From that moment on, the two of them are so deep in love they make Romeo and Juliet look reserved and cautious. They are constantly “blown away” by each other and moved to tears every minute by each other. They “get a kick out of” every little joke they make to each other, and they start living together immediately after they meet. After a week (that’s right, a flipping week), Chase proposes to her.
And if I had a pin for every time one of those quoted phrases appeared in this novel, I could pulverize a voodoo doll. The repeated phrases and excessive emotion of the characters is definitely the worst part.
I’m still not that aggravated with this book, yet. Yeah, the insta love irks me, but I figure there will be a great plot with lots of trouble between the two of them after they marry. After all, they barely know each other and they need to figure out what this psychic connection means. Maybe they’re the incarnated souls of Hawkgirl and Hawkman and they’re about to get killed by an immortal psychopath (did I mention I’m a huge nerd?).
Nope. The two of them agree on everything, right down to how to decorate the house and the new rule that shoes are off upon entering. And things continue to be hunky dory for practically forever. All of Chase’s friends, and their girlfriends, love Marguerite and nobody questions their whirlwind romance. Yeah, because a severely depressed person getting engaged after a week of dating isn’t a cry for help or anything.
And there is so much to dislike about Chase’s and Marguerite’s decisions. Marguerite is forced to quit her job so she can move to London to be with Chase.
Never mind that she liked her job in Pennsylvania and didn’t express any wish to be a housewife. Never mind that Chase was getting tired of touring and thinking about quitting the band anyway. It’s her life that gets turned upside down.
Also, so much for her newfound freedom following her parents’ deaths! Now she’s shadowed by a bodyguard wherever she goes, needs to sneak into the backs of restaurant when she wants to eat out, and can’t even walk to the store for fear of being accosted by her husbands’ fans.
Yes, Chase’s life gets changed too. He now has a wife that cooks meals for him, cleans for him, furnishes and decorates his house for him, and hands him a cold towel when he walks off stage. He made some real damn sacrifices when he married Marguerite.
bitch_please_by_teslapunk-d32znko
But life goes on. With a lot of summary and over thirty years, it goes on.
Aside from dialogues and scenes peppered here and there, the book is mostly sweet and sappy summary of their lives. Dark things happen now and then but they’re glossed over and smothered in fluff.
If this storyline was done by a competent writer, this actually could have been an entertaining series about the Martin family. There is actually plenty of material between the psychic connection, Marguerite’s tragic background, a miscarriage, a huge celebrity drugging conspiracy, two sets of twins, a near death experience, and a baby on the doorstep.
But somehow it becomes boring and plotless when it’s all crammed into one book that seems to drag on forever. During all of this my main concern, the psychic connection, was never explained. It’s just a gift from God. One that turns their “perfect” (as in creepily well behaved and mature) children into kids from The Shining. Because they also have a psychic connection. They can “feel” each other and their parents. Oh, and talk to their dead sister, apparently, when their dead sister wants to tell them about babies being left on their doorstep.
“This is Baby Sarah,” Matt said.
“Baby Sarah?” Marguerite asked.
(Both sets of twins) said “Yes. We knew she was coming.”
Chase asked, “How did you know?”
“Baby Margaret told us,” Mark said.
Also, when Chase and Marguerite choose Sarah’s full name, all four children, in a different room, wake up from a dead sleep, sit up in unison, and announce that the baby is named.
May I present the newest additions to the Martin family?
If you want to read a rockstar romance, I recommend Love’s Rhythm by Lexxie Couper, which isn’t perfectly crafted, but leagues beyond The Band 4: The Air We Breathe.
Page Count: 324 pages (of nauseation)
Average Goodreads Rating: 3/5 stars (why, Goodreads? You’re usually so tough on books)
My Rating: 1.5/ 5 stars
Truthfully, this is actually a great story. Yeah. So great. It’s the perfect backstory for its horror sequel: The Martins Trump Manson on Body Count.
As a romance it fucking sucks.
I don’t even know where to begin. This book is so full of sugary sap that it makes pasta covered in maple and chocolate syrup and marshmallows look appetizing.
original
Still not as sweet as The Air We Breathe
Here’s the thing: I’m not actually a bitter and cynical person. I like sap and fluff. I smile and giggle during romance scenes, I’ve obsessively written cute and romantic fanfiction and my boyfriend and I were arguably the most nauseatingly cute couple to ever walk the halls of John Bapst Memorial High School.
But I gagged reading this book for the amount of love-doveyness.
Marguerite is on holiday in London, recovering from the sudden deaths of her parents which liberated her from 27 years of being suffocated and controlled by them. While there, she has a random chance encounter with Chase Martin, a depressed rock star exhausted from touring with his band. Chase and Marguerite are drawn together by a strange unknown force. They don’t know why they have such a strong connection to each other, but they do know that life without the other would not be living at all.
I actually really liked the beginning and thought that it would shape up to be an interesting and sweet romance. We see them before they meet in the coffee shop, miserable and depressed, and then while sipping her drink and reading her book, Marguerite feels Chase’s anxiety. So she buys him a decaf drink and gives it to him, saying she could feel his anxiety from across the shop. That’s great.
The two of them realize they’re drawn together and can find each other happiness and Marguerite ends up spending the night at Chase’s house just so they can find comfort in having another human being near them. That’s great, too.
The beginning is by far my favorite part because it has promise for a good story and has more vivid scenes than any other part of the book.
But then it moves too quickly from there.
From that moment on, the two of them are so deep in love they make Romeo and Juliet look reserved and cautious. They are constantly “blown away” by each other and moved to tears every minute by each other. They “get a kick out of” every little joke they make to each other, and they start living together immediately after they meet. After a week (that’s right, a flipping week), Chase proposes to her.
And if I had a pin for every time one of those quoted phrases appeared in this novel, I could pulverize a voodoo doll. The repeated phrases and excessive emotion of the characters is definitely the worst part.
I’m still not that aggravated with this book, yet. Yeah, the insta love irks me, but I figure there will be a great plot with lots of trouble between the two of them after they marry. After all, they barely know each other and they need to figure out what this psychic connection means. Maybe they’re the incarnated souls of Hawkgirl and Hawkman and they’re about to get killed by an immortal psychopath (did I mention I’m a huge nerd?).
Nope. The two of them agree on everything, right down to how to decorate the house and the new rule that shoes are off upon entering. And things continue to be hunky dory for practically forever. All of Chase’s friends, and their girlfriends, love Marguerite and nobody questions their whirlwind romance. Yeah, because a severely depressed person getting engaged after a week of dating isn’t a cry for help or anything.
And there is so much to dislike about Chase’s and Marguerite’s decisions. Marguerite is forced to quit her job so she can move to London to be with Chase.
Never mind that she liked her job in Pennsylvania and didn’t express any wish to be a housewife. Never mind that Chase was getting tired of touring and thinking about quitting the band anyway. It’s her life that gets turned upside down.
Also, so much for her newfound freedom following her parents’ deaths! Now she’s shadowed by a bodyguard wherever she goes, needs to sneak into the backs of restaurant when she wants to eat out, and can’t even walk to the store for fear of being accosted by her husbands’ fans.
Yes, Chase’s life gets changed too. He now has a wife that cooks meals for him, cleans for him, furnishes and decorates his house for him, and hands him a cold towel when he walks off stage. He made some real damn sacrifices when he married Marguerite.
bitch_please_by_teslapunk-d32znko
But life goes on. With a lot of summary and over thirty years, it goes on.
Aside from dialogues and scenes peppered here and there, the book is mostly sweet and sappy summary of their lives. Dark things happen now and then but they’re glossed over and smothered in fluff.
If this storyline was done by a competent writer, this actually could have been an entertaining series about the Martin family. There is actually plenty of material between the psychic connection, Marguerite’s tragic background, a miscarriage, a huge celebrity drugging conspiracy, two sets of twins, a near death experience, and a baby on the doorstep.
But somehow it becomes boring and plotless when it’s all crammed into one book that seems to drag on forever. During all of this my main concern, the psychic connection, was never explained. It’s just a gift from God. One that turns their “perfect” (as in creepily well behaved and mature) children into kids from The Shining. Because they also have a psychic connection. They can “feel” each other and their parents. Oh, and talk to their dead sister, apparently, when their dead sister wants to tell them about babies being left on their doorstep.
“This is Baby Sarah,” Matt said.
“Baby Sarah?” Marguerite asked.
(Both sets of twins) said “Yes. We knew she was coming.”
Chase asked, “How did you know?”
“Baby Margaret told us,” Mark said.
Also, when Chase and Marguerite choose Sarah’s full name, all four children, in a different room, wake up from a dead sleep, sit up in unison, and announce that the baby is named.
May I present the newest additions to the Martin family?
If you want to read a rockstar romance, I recommend Love’s Rhythm by Lexxie Couper, which isn’t perfectly crafted, but leagues beyond The Band 4: The Air We Breathe.
Interesting and engaging mystery
It's a bright May day when Cedar Valley Detective Gemma Monroe is called to Lost Lake. Sari Chesney, who was camping with her boyfriend, his brother, and her best friend, has gone missing. Sari hated the water, and the group is convinced she would never go missing on her own so near the lake. Sari was scheduled to work at a big gala at Cedar Valley's museum later that evening--a huge event she had been working on for months. Her friends insist she would never miss it. It's still chilly in Colorado in May, the lake still tinged in ice. Gemma begins the search for Sari, not realizing how quickly one woman's disappearance will lead to so much more.
"Later, much later, I would regret every decision I made that morning."
This is the third book in Emily Littlejohn's Gemma Monroe series, and I really enjoy both Gemma's character and the series. The books stand alone, but it's an enjoyable series, and I do recommend reading them from the beginning. At this point, Gemma has a six-month-old daughter, Grace, with her fiance, Brody, and one of my favorite things about the books is how realistically Littlejohn paints Gemma's struggles as a working mom. She loves her career and yet finds it difficult to leave Grace and juggle working and caring for her daughter.
Gemma is a great character overall, and I always enjoy reading a strong mystery that features a female detective. We find Gemma not only dealing with Sari's disappearance, but several more things that happen in the aftermath, which lead to her becoming quite busy, and allow us a solid set of cases to follow. This one kept me guessing the whole way, with a few good twists thrown in too. There's occasionally a bit of telling versus showing, but overall Littlejohn is a strong writer, and you can't help but root for Gemma.
In this one, I especially felt like Gemma was growing as a person, as we find her struggling in her partnership with Finn (her fellow detective) and second guessing some of the decisions she makes in Sari's case. It's nice to see a story where everything isn't easy, cut and dried, and our heroine seems so human and regular. One of the things I like so much about Gemma is that she seems like someone you could befriend (if maybe she let her walls down once in a while). It leads to an insightful and thoughtful book coupled with a good mystery (or two) as well.
Overall, I enjoyed this one. I feel like I can always count on Littlejohn for some excellent characterization with Gemma, and I found the plot to be interesting. It kept me engaged and guessing.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
"Later, much later, I would regret every decision I made that morning."
This is the third book in Emily Littlejohn's Gemma Monroe series, and I really enjoy both Gemma's character and the series. The books stand alone, but it's an enjoyable series, and I do recommend reading them from the beginning. At this point, Gemma has a six-month-old daughter, Grace, with her fiance, Brody, and one of my favorite things about the books is how realistically Littlejohn paints Gemma's struggles as a working mom. She loves her career and yet finds it difficult to leave Grace and juggle working and caring for her daughter.
Gemma is a great character overall, and I always enjoy reading a strong mystery that features a female detective. We find Gemma not only dealing with Sari's disappearance, but several more things that happen in the aftermath, which lead to her becoming quite busy, and allow us a solid set of cases to follow. This one kept me guessing the whole way, with a few good twists thrown in too. There's occasionally a bit of telling versus showing, but overall Littlejohn is a strong writer, and you can't help but root for Gemma.
In this one, I especially felt like Gemma was growing as a person, as we find her struggling in her partnership with Finn (her fellow detective) and second guessing some of the decisions she makes in Sari's case. It's nice to see a story where everything isn't easy, cut and dried, and our heroine seems so human and regular. One of the things I like so much about Gemma is that she seems like someone you could befriend (if maybe she let her walls down once in a while). It leads to an insightful and thoughtful book coupled with a good mystery (or two) as well.
Overall, I enjoyed this one. I feel like I can always count on Littlejohn for some excellent characterization with Gemma, and I found the plot to be interesting. It kept me engaged and guessing.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
Heather Cranmer (2721 KP) rated One of us is Lying in Books
Sep 6, 2018
The Pacings (2 more)
The Plot
The Characters
A Great Read!
I forgot how I came across One of Us Is Lying by Karen M. McManus, but I'm really glad I did. This story pulled me in right from the start and never let go!
The pacing for One of Us Is Lying is fantastic. I was fully immersed in the story as soon as I read the first sentence. Never did the pacing falter. It was quick and enjoyable. This was one of those books where I wished real life could have left me alone so I could have finished it in one sitting.
I found the plot for One of Us Is Lying to be very interesting. I enjoyed how it kind of felt like The Breakfast Club movie, but it was much much more interesting. It was good to see a group of kids from different backgrounds coming together instead of blaming each other for once. Usually in young adult novels, there's so much bickering. That wasn't the case in One of Us Is Lying. There are a few plot twists. I did figure out who the murderer was very early in the book. I felt like it was kind of obvious. However, there was one major plot twist I didn't predict. I feel like this book does tie up all loose ends.
The world building was done very well. I thought the author, Karen M. McManus, did a great job in writing about a high school setting as well as a criminal setting. Everything felt very real. I felt like I was one of the teens being accused of murder. Everything felt personal to me which is definitely a good thing. I've never been interrogated by the police, but McManus made me feel like I was in the interrogation room each time was of the teens was questioned. I can't fault the world building one bit. It is solid.
I loved the characters in One of Us is Lying. I also loved how diverse a lot of the characters were. I think my favorite character, overall, was Cooper. Maybe it's because we're both southern, but I just loved him. He seemed so caring and sweet. I also enjoyed the other characters of Nate, Bronwyn, and Addy as well. It was nice to see the homecoming princess as not just a one dimensional person. All of the characters were thoroughly fleshed out. Character development was spot on.
Trigger warnings include death, drugs, some violence, and swearing.
All in all, One of Us Is Lying was such a fantastic read. I enjoyed it more than I thought I was going to. It's got a great cast of characters, an interesting plot, and the world building is fantastic. I would definitely recommend One of Us Is Lying by Karen M. McManus to everyone aged 14+.
The pacing for One of Us Is Lying is fantastic. I was fully immersed in the story as soon as I read the first sentence. Never did the pacing falter. It was quick and enjoyable. This was one of those books where I wished real life could have left me alone so I could have finished it in one sitting.
I found the plot for One of Us Is Lying to be very interesting. I enjoyed how it kind of felt like The Breakfast Club movie, but it was much much more interesting. It was good to see a group of kids from different backgrounds coming together instead of blaming each other for once. Usually in young adult novels, there's so much bickering. That wasn't the case in One of Us Is Lying. There are a few plot twists. I did figure out who the murderer was very early in the book. I felt like it was kind of obvious. However, there was one major plot twist I didn't predict. I feel like this book does tie up all loose ends.
The world building was done very well. I thought the author, Karen M. McManus, did a great job in writing about a high school setting as well as a criminal setting. Everything felt very real. I felt like I was one of the teens being accused of murder. Everything felt personal to me which is definitely a good thing. I've never been interrogated by the police, but McManus made me feel like I was in the interrogation room each time was of the teens was questioned. I can't fault the world building one bit. It is solid.
I loved the characters in One of Us is Lying. I also loved how diverse a lot of the characters were. I think my favorite character, overall, was Cooper. Maybe it's because we're both southern, but I just loved him. He seemed so caring and sweet. I also enjoyed the other characters of Nate, Bronwyn, and Addy as well. It was nice to see the homecoming princess as not just a one dimensional person. All of the characters were thoroughly fleshed out. Character development was spot on.
Trigger warnings include death, drugs, some violence, and swearing.
All in all, One of Us Is Lying was such a fantastic read. I enjoyed it more than I thought I was going to. It's got a great cast of characters, an interesting plot, and the world building is fantastic. I would definitely recommend One of Us Is Lying by Karen M. McManus to everyone aged 14+.
Sophia (Bookwyrming Thoughts) (530 KP) rated Senshi (Katana, #2) in Books
Jan 23, 2020
Original Review posted on <a title="Senshi by Cole Gibsen" href="http://bookwyrming-thoughts.blogspot.com/2013/11/review-senshi-by-cole-gibsen.html">http://bookwyrming-thoughts.blogspot.com/2013/11/review-senshi-by-cole-gibsen.html</a>;
Original Rating: 4.5 out of 5 Owls
<i><b>Note:</b> Formatting may be lost due to copy and paste</i>
Well, I'll admit Katana felt like a stand alone with the "oh, hey, they lived happily ever after! There's no more!" And I actually did think Katana was a stand alone.
But then Goodreads spoiled everything. -_- I can't believe you would do that to me, Goodreads.
Well, not exactly. I really wouldn't have known Katana had a sequel without Goodreads, but with the announcements every single day (Katana was a book club read in October) at school about preordering Senshi, I'm bound to know eventually.
Or the county library would have said, "hey, there's a sequel!" right after I returned Katana in Ebooks Library Lend101. Go figure.
Moving on.
In Senshi, it's been a few months since the events left off in Katana. Going down memory lane in terms of nutshell spoilers, Rileigh's finally come to terms with her inner warrior self (go Rileigh!).
I must say, despite the fact Katana felt like a stand alone, Senshi had some nice surprises waiting for me when reading, and it was almost as good as the first novel. Okay, I almost always love the first novel before the sequels because it's not the end where you have to wave good bye to characters.
But I just love it when authors lead you down one road but then all of a sudden, they toss in a thing or two (or more) that throws the reader off balance. It makes everything less predictable. ^_^
The characters are just as amazingly written as ever, particularly Quentin, who I must admit has already landed on my favorite characters from the series next to Rileigh (of course, Rileigh. It's not like I can read Quentin's mind from Rileigh's view, even though I would love to, but I'm just one little opinion out of... hundreds). Then there's Sumi and also Dr. Wendell. I hope I'm not the only when I say the interaction between Rileigh and Dr. Wendell is pretty classic in the way Rileigh pushes Dr. Wendell's buttons all the time. Sumi, on the other hand, is a nuisance and a pain in the butt. Unfortunately, she's likely back in the next book: Shinobi. Fantabulous. A great way to make a Tuesday better. Good thing it's not a Friday. I think I'll survive.
My Two Cents of Randomness: Aliens didn't abduct Rileigh and change her up did they? I still find the cover really weird. O_o (But only the story matters in my humble opinion, so says the girl who can't even draw a pair of eyes that aren't lopsided.)
Original Rating: 4.5 out of 5 Owls
<i><b>Note:</b> Formatting may be lost due to copy and paste</i>
Well, I'll admit Katana felt like a stand alone with the "oh, hey, they lived happily ever after! There's no more!" And I actually did think Katana was a stand alone.
But then Goodreads spoiled everything. -_- I can't believe you would do that to me, Goodreads.
Well, not exactly. I really wouldn't have known Katana had a sequel without Goodreads, but with the announcements every single day (Katana was a book club read in October) at school about preordering Senshi, I'm bound to know eventually.
Or the county library would have said, "hey, there's a sequel!" right after I returned Katana in Ebooks Library Lend101. Go figure.
Moving on.
In Senshi, it's been a few months since the events left off in Katana. Going down memory lane in terms of nutshell spoilers, Rileigh's finally come to terms with her inner warrior self (go Rileigh!).
I must say, despite the fact Katana felt like a stand alone, Senshi had some nice surprises waiting for me when reading, and it was almost as good as the first novel. Okay, I almost always love the first novel before the sequels because it's not the end where you have to wave good bye to characters.
But I just love it when authors lead you down one road but then all of a sudden, they toss in a thing or two (or more) that throws the reader off balance. It makes everything less predictable. ^_^
The characters are just as amazingly written as ever, particularly Quentin, who I must admit has already landed on my favorite characters from the series next to Rileigh (of course, Rileigh. It's not like I can read Quentin's mind from Rileigh's view, even though I would love to, but I'm just one little opinion out of... hundreds). Then there's Sumi and also Dr. Wendell. I hope I'm not the only when I say the interaction between Rileigh and Dr. Wendell is pretty classic in the way Rileigh pushes Dr. Wendell's buttons all the time. Sumi, on the other hand, is a nuisance and a pain in the butt. Unfortunately, she's likely back in the next book: Shinobi. Fantabulous. A great way to make a Tuesday better. Good thing it's not a Friday. I think I'll survive.
My Two Cents of Randomness: Aliens didn't abduct Rileigh and change her up did they? I still find the cover really weird. O_o (But only the story matters in my humble opinion, so says the girl who can't even draw a pair of eyes that aren't lopsided.)
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Goddess in the Stacks (553 KP) rated Wonder Woman: Warbringer in Books
Jan 11, 2018
Quickly moving plot (2 more)
Minority Representation
Diana stays true to character
A new take on Diana's origin story
WONDER WOMAN YASSSS. I might like Wonder Woman just a little bit. And the novel is written by Leigh Bardugo, the creator of the Grishaverse! (I reviewed her Six of Crows and Crooked Kingdom, and REALLY need to get my hands on the other trilogy!)
So this is basically a slightly different origin story for Wonder Woman - or at least the reason she leaves Themyscira is a little different for this book's plot. One thing I've always enjoyed about DC, and superheroes in general, is that it's not so much about the specific details of what they've done, so much as who they really are and what they believe in. And in that, Diana is very much true to herself in Warbringer. Given a choice between two outcomes, she opts for a third. Not "do I save these people, or those people" but "how do I save EVERYONE?"
I also really liked that The Warbringer - the girl Diana is trying to save - is no shrinking violet herself. She absorbs the knowledge of what she is in a bit of a shock, but once over that, she displays courage and competence as well, and is a fitting companion for Diana. Her friends were also fun characters, and I especially liked Nim.
Again we have representation, too! The Warbringer and Nim are both women of color. Diana mentions that her skin is brown, as well. Coming from Bardugo, I shouldn't have been surprised that sexuality was also addressed in the book, but not as a plot point, which is lovely to see. It just is a facet of a character. I especially loved the shoutout to Diana's bisexuality.
Bardugo has quickly become one of my favorite authors. She tells great stories, with complex characters, and includes minority characters, both racial and GLBT. Her plots rocket right along, with well-thought-out action scenes that are easy to follow and emotionally impactful.
I'm not sure Warbringer quite makes my Best of 2017 list, but it was really good.
You can find all my reviews at http://goddessinthestacks.wordpress.com
So this is basically a slightly different origin story for Wonder Woman - or at least the reason she leaves Themyscira is a little different for this book's plot. One thing I've always enjoyed about DC, and superheroes in general, is that it's not so much about the specific details of what they've done, so much as who they really are and what they believe in. And in that, Diana is very much true to herself in Warbringer. Given a choice between two outcomes, she opts for a third. Not "do I save these people, or those people" but "how do I save EVERYONE?"
I also really liked that The Warbringer - the girl Diana is trying to save - is no shrinking violet herself. She absorbs the knowledge of what she is in a bit of a shock, but once over that, she displays courage and competence as well, and is a fitting companion for Diana. Her friends were also fun characters, and I especially liked Nim.
Again we have representation, too! The Warbringer and Nim are both women of color. Diana mentions that her skin is brown, as well. Coming from Bardugo, I shouldn't have been surprised that sexuality was also addressed in the book, but not as a plot point, which is lovely to see. It just is a facet of a character. I especially loved the shoutout to Diana's bisexuality.
Bardugo has quickly become one of my favorite authors. She tells great stories, with complex characters, and includes minority characters, both racial and GLBT. Her plots rocket right along, with well-thought-out action scenes that are easy to follow and emotionally impactful.
I'm not sure Warbringer quite makes my Best of 2017 list, but it was really good.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Ryan Hill (152 KP) rated Thor: Ragnarok (2017) in Movies
May 11, 2019
The humour
Chris Hemsworth as Thor
Tom Hiddleston as Loki
Mark Ruffalo as Bruce Banner/The Hulk
Taika Waititi as Korg
Cate Blanchett as Hela
Jeff Goldblum's Grandmaster is a God send (1 more)
Tessa Thompson as Valkiyrie
The Action was awesome specifically Hulk vs Thor and the final bridge battle
The synth score
"Piss off Ghost"
Perhaps, the most entertaining and enjoyable movie in the MCU since Iron Man?
There’s so many reasons why I enjoy Thor: Ragnarok, but it has to start with the direction and vision of Taika Waititi. He’s a genre changer in the comic book man movie universe. From his Kiwi sense of humor, to the choice in mood music, to the simply fun action sequences; Thor: Ragnarok is a two hour smile that would make it appear I had Botox injections, since my facial expression stayed happy.
Thor is one of my favorite characters in the MCU and I like the way the fat has been chewed off in his movies. Less memorable characters are disposed of, and screen time is given to the characters you want to see. Jeff Goldblum’s Grandmaster is a gift from God. Loki is Loki and who doesn’t love Loki? Tessa Thompson’s Valkyrie has a lot of depth. Cate Blanchett’s Hela might be in the top 5 in baddest of bad MCU villains, and puts the D in dysfunctional families. Plus, Idris Elba’s Heimdall deserved his own movie, and perhaps the number one scene stealer, and one of the reasons why this movie is truly special is Taika Waititi’s Korg. Who knew a CGI rock could be so hilarious? His voice is infectious, and I want to see more of Korg.
Hulk and Banner are both used just right. The synth-pop score makes me want to dance a boogie groove. Thor’s flaw is there’s too many interesting storylines, which causes the film to jump some from character to character. Watching Chris Hemsworth ham it up as Thor is what these types of movies should be all about. Putting the F back in fun and having a helluva time in the process doing so.
There’s so many reasons why I enjoy Thor: Ragnarok, but it has to start with the direction and vision of Taika Waititi. He’s a genre changer in the comic book man movie universe. From his Kiwi sense of humor, to the choice in mood music, to the simply fun action sequences; Thor: Ragnarok is a two hour smile that would make it appear I had Botox injections, since my facial expression stayed happy.
Thor is one of my favorite characters in the MCU and I like the way the fat has been chewed off in his movies. Less memorable characters are disposed of, and screen time is given to the characters you want to see. Jeff Goldblum’s Grandmaster is a gift from God. Loki is Loki and who doesn’t love Loki? Tessa Thompson’s Valkyrie has a lot of depth. Cate Blanchett’s Hela might be in the top 5 in baddest of bad MCU villains, and puts the D in dysfunctional families. Plus, Idris Elba’s Heimdall deserved his own movie, and perhaps the number one scene stealer, and one of the reasons why this movie is truly special is Taika Waititi’s Korg. Who knew a CGI rock could be so hilarious? His voice is infectious, and I want to see more of Korg.
Hulk and Banner are both used just right. The synth-pop score makes me want to dance a boogie groove. Thor’s flaw is there’s too many interesting storylines, which causes the film to jump some from character to character. Watching Chris Hemsworth ham it up as Thor is what these types of movies should be all about. Putting the F back in fun and having a helluva time in the process doing so.
Kristy H (1252 KP) rated As Chimney Sweepers Come to Dust (Flavia de Luce, #7) in Books
Feb 13, 2018
I can't help it. I just find Flavia de Luce absolutely delightful. I want to be her friend, her confidante, her laboratory buddy. I confess that the last Flavia novel, The Dead in their Vaulted Arches, was probably my least favorite of the series (though still a fun read), and I was a bit tentative about this one. And it's true, I missed Buckshaw a lot (though probably not as much as Flavia). This novel finds Flavia in Canada, navigating boarding school after discovery that she's to be inducted in the same secret society as her mother.
Perhaps I envisioned a bit more secret-spy training for Flavia than the book delivered - instead, immediately upon her arrival, a dead body falls out of a chimney, and Flavia sets upon her usual course - proving the adults wrong and finding out whodunnit. It's a formula that still hasn't gotten old, because Bradley simply writes Flavia so well. She is such an amazing character - so likable, so true to herself. I can just picture her in the situations in which she finds herself, and imagine the adults around her and their expressions. Flavia has some good interactions with both her fellow students and teachers at this new academy -- many of whom knew her mother. the late Harriet. She proves herself a worthy detective, again, of course, using her wits and chemistry.
The whole Nide business is still a bit odd and confusing to me. I suppose that's the point, but it's hard not to have some resolution - though I suppose we are supposed to be sharing Flavia's similar frustration at this point.
Nevertheless, I am amazed at Bradley's ability to continue to write books that so embody this character. I often try to envision a Flavia film and then find myself hoping it never happens, as I would hate to have the Flavia in my head ruined by the movies.
Definitely worth a read, as always, and now I'm left bereft that I'll have to wait over a year for the next installment of Flavia's adventures.
(Note, I received an advanced copy of this title from NetGalley in return for an unbiased review.)
Perhaps I envisioned a bit more secret-spy training for Flavia than the book delivered - instead, immediately upon her arrival, a dead body falls out of a chimney, and Flavia sets upon her usual course - proving the adults wrong and finding out whodunnit. It's a formula that still hasn't gotten old, because Bradley simply writes Flavia so well. She is such an amazing character - so likable, so true to herself. I can just picture her in the situations in which she finds herself, and imagine the adults around her and their expressions. Flavia has some good interactions with both her fellow students and teachers at this new academy -- many of whom knew her mother. the late Harriet. She proves herself a worthy detective, again, of course, using her wits and chemistry.
The whole Nide business is still a bit odd and confusing to me. I suppose that's the point, but it's hard not to have some resolution - though I suppose we are supposed to be sharing Flavia's similar frustration at this point.
Nevertheless, I am amazed at Bradley's ability to continue to write books that so embody this character. I often try to envision a Flavia film and then find myself hoping it never happens, as I would hate to have the Flavia in my head ruined by the movies.
Definitely worth a read, as always, and now I'm left bereft that I'll have to wait over a year for the next installment of Flavia's adventures.
(Note, I received an advanced copy of this title from NetGalley in return for an unbiased review.)