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Phillip McSween (751 KP) rated Friday (1995) in Movies
Feb 12, 2019
Comedy That Still Holds Up
Can you believe that 2018 was the first time that I ever watched Friday in its unrated entirety? I had seen bits and pieces on USA, but I always felt like I was missing something in the translation. I get it now. The plot: After Craig (Ice Cube) gets fired on his day off, he suddenly finds himself helping his pothead friend Smokey (Chris Tucker) earn enough money selling weed to pay off Big Worm (Faizon Love).
Acting: 10
Beginning: 8
Characters: 10
The first scene introduces Deebo (Tiny Lister) a viable villain around which the story revolves. The entire neighborhood fears and hates Deebo and it doesn’t take long at all to figure out why. He helps keep the conflict serious, but not too serious.
But we all know who makes this movie: Smokey. There isn’t one scene where I didn’t find myself laughing at something stupid he did or said. He thinks he’s the man, but it’s probably just the weed boosting his confidence. His delivery is flawless. My favorite line: “What the fuck you stealing boxes for? What, you trying to build a clubhouse? Man, I know you ain’t go out like that!” Classic. I almost died laughing when he was crying in the truck. Smokey represents a cast of characters that are all unique and hilarious in their own way.
Cinematography/Visuals: 8
Conflict: 10
Between Smokey trying to get enough money to pay Worm and everyone trying to steer clear of Deebo, there is enough here to keep the story moving. There are shootouts, heists gone wrong, hood fights, a number of things worthy to entertain. For a comedy, I was actually impressed by the amount of action interwoven in the story.
Genre: 8
Friday ranks up there with some of the best comedies I’ve seen, second-tier worthy at the very least. Its job is to make you laugh and entertain and it does that very well. I also love that you don’t have to overthink the comedy, it’s just there in the dialogue and in the events that unfold.
Memorability: 10
Who do you know that can’t quote at least one line from Friday? I still knew lines even when I hadn’t seen it all the way through. The dialogue has a way of sticking to you long after you’ve watched the movie. I give a lot of that credit to Chris Tucker’s ability to deliver with perfect comedic timing.
Pace: 5
Plot: 6
Resolution: 10
Overall: 85
While Friday is a movie that takes awhile to get to the meat of the plot, I appreciate how hilarious it was, but also appreciate the more serious moments. It’s not just good, but surprisingly so. A movie I’ll still be watching for years to come.
Acting: 10
Beginning: 8
Characters: 10
The first scene introduces Deebo (Tiny Lister) a viable villain around which the story revolves. The entire neighborhood fears and hates Deebo and it doesn’t take long at all to figure out why. He helps keep the conflict serious, but not too serious.
But we all know who makes this movie: Smokey. There isn’t one scene where I didn’t find myself laughing at something stupid he did or said. He thinks he’s the man, but it’s probably just the weed boosting his confidence. His delivery is flawless. My favorite line: “What the fuck you stealing boxes for? What, you trying to build a clubhouse? Man, I know you ain’t go out like that!” Classic. I almost died laughing when he was crying in the truck. Smokey represents a cast of characters that are all unique and hilarious in their own way.
Cinematography/Visuals: 8
Conflict: 10
Between Smokey trying to get enough money to pay Worm and everyone trying to steer clear of Deebo, there is enough here to keep the story moving. There are shootouts, heists gone wrong, hood fights, a number of things worthy to entertain. For a comedy, I was actually impressed by the amount of action interwoven in the story.
Genre: 8
Friday ranks up there with some of the best comedies I’ve seen, second-tier worthy at the very least. Its job is to make you laugh and entertain and it does that very well. I also love that you don’t have to overthink the comedy, it’s just there in the dialogue and in the events that unfold.
Memorability: 10
Who do you know that can’t quote at least one line from Friday? I still knew lines even when I hadn’t seen it all the way through. The dialogue has a way of sticking to you long after you’ve watched the movie. I give a lot of that credit to Chris Tucker’s ability to deliver with perfect comedic timing.
Pace: 5
Plot: 6
Resolution: 10
Overall: 85
While Friday is a movie that takes awhile to get to the meat of the plot, I appreciate how hilarious it was, but also appreciate the more serious moments. It’s not just good, but surprisingly so. A movie I’ll still be watching for years to come.
Phillip McSween (751 KP) rated Mission: Impossible – Rogue Nation (2015) in Movies
Apr 8, 2019
What a Blast
Ethan Hunt (Tom Cruise) is back for this fifth installment where he gathers a team to stop an international terrorist group called The Syndicate.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The Mission: Impossible franchise has a way of hopping from one locale quickly to the next and Rogue Nation is no exception. Every location brings them to a different point in the journey, a means to an end, which makes things fun to follow. There’s always something happening that manages to up the visual ante from one scene to the next. My personal favorite was a crazy car chase through a crowded city. Director Christopher McQuarrie really manages to capture the intensity of this moment as cars and motorcycles weave in and out of tight spaces. This is just one of many heartpacing sequences that are visually stunning.
Conflict: 8
While the movie doesn’t skimp on the action, Rogue Nation isn’t quite as intense as other movies in the franchise. Not to say that this movie will put you to sleep by any means as there is plenty to keep the viewer occupied. One scene (actually the scene right before the car chase I love) involves Ethan having to capture data from an underwater security system. I could take a stab at describing it, but I couldn’t do it justice. It’s intense and fun to watch at the same time. I remember watching it for the first time in theaters and screaming out loud at the movie screen as Ethan found himself racing against times. It’s action sequences like that that make me wonder why more people don’t love movies.
Genre: 7
Pretty damn good…but I’ve seen better, particularly in the franchise itself. It falls just a couple notches shy of being great. Despite falling just shy of a classic, it manages to hold its own and gives me a good time with every watch.
Memorability: 10
Car chases. Underwater security fields. Tom Cruise suspended in mid-air hanging on to the side of an aircraft. And, most importantly, Tom Cruise running. This is a movie that reminds you why it’s fun to go to the theater. Rather than beat you over the head with deep messages, it hits you with high-intensity action that inspires a rewatch.
Pace: 9
Plot: 8
Resolution: 7
Overall: 89
I won’t lie to you, I hope they make a million of these movies because it never seems to get old. Since the second film (which was a pure nightmare), the franchise not only bounced back, but continues to improve and stay fresh. Mission: Impossible—Rogue Nation is just a flat-out good time.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The Mission: Impossible franchise has a way of hopping from one locale quickly to the next and Rogue Nation is no exception. Every location brings them to a different point in the journey, a means to an end, which makes things fun to follow. There’s always something happening that manages to up the visual ante from one scene to the next. My personal favorite was a crazy car chase through a crowded city. Director Christopher McQuarrie really manages to capture the intensity of this moment as cars and motorcycles weave in and out of tight spaces. This is just one of many heartpacing sequences that are visually stunning.
Conflict: 8
While the movie doesn’t skimp on the action, Rogue Nation isn’t quite as intense as other movies in the franchise. Not to say that this movie will put you to sleep by any means as there is plenty to keep the viewer occupied. One scene (actually the scene right before the car chase I love) involves Ethan having to capture data from an underwater security system. I could take a stab at describing it, but I couldn’t do it justice. It’s intense and fun to watch at the same time. I remember watching it for the first time in theaters and screaming out loud at the movie screen as Ethan found himself racing against times. It’s action sequences like that that make me wonder why more people don’t love movies.
Genre: 7
Pretty damn good…but I’ve seen better, particularly in the franchise itself. It falls just a couple notches shy of being great. Despite falling just shy of a classic, it manages to hold its own and gives me a good time with every watch.
Memorability: 10
Car chases. Underwater security fields. Tom Cruise suspended in mid-air hanging on to the side of an aircraft. And, most importantly, Tom Cruise running. This is a movie that reminds you why it’s fun to go to the theater. Rather than beat you over the head with deep messages, it hits you with high-intensity action that inspires a rewatch.
Pace: 9
Plot: 8
Resolution: 7
Overall: 89
I won’t lie to you, I hope they make a million of these movies because it never seems to get old. Since the second film (which was a pure nightmare), the franchise not only bounced back, but continues to improve and stay fresh. Mission: Impossible—Rogue Nation is just a flat-out good time.
Gareth von Kallenbach (977 KP) rated Harry Potter and the Deathly Hallows - Part 1 (2010) in Movies
Aug 8, 2019
With the slow, familiar strains of “Hedwig’s Theme”, the leitmotif that shepherds us into the world of Harry Potter, we’re once again immersed in the magic and adventure of the wizarding world. If for some reason you forgot where the story left off at the end of The Half-Blood Prince, the mournful dirge that plays as Harry Potter, Hermione Granger and Ron Weasley prepare to meet reminds you that their world has changed drastically.
Like returning to your childhood home, it all looks familiar, but everything feels different. Gone are the school preparations, the train ride to Hogwarts, uniformed students jostling about, the easygoing camaraderie between our favorite trio, all the whimsical elements we’ve come to expect in a Harry Potter movie. Instead we have unease, sorrow and anger taking turns in the form of Hermione, Harry and Ron.
The Deathly Hallows Part I is the first of a two-part adaptation of the final book of J.K. Rowling’s popular series. Just like the anticipation of getting the seventh and final book, my excitement at screening this movie was tempered with the dread of seeing the series end. I actually did not have high expectations for this installment as the first part of the book was slow-paced and, not unlike another movie about wizards and elves, had a lot of walking and searching. But instead of one elusive ring, Harry, Hermione and Ron are searching for three Horcruxes, objects in which Harry’s nemesis, Lord Voldemort has implanted a part of his soul in his quest to achieve immortality. While they seek clues to the remaining Horcruxes, they learn that Voldemort seeks one of three Deathly Hallows, three sacred objects, the stories of which are revealed in a beautifully mesmerizing shadow-puppet sequence.
Director David Yates balances dark action with solid storytelling and arresting cinematography. Daniel Radcliffe is in turn sympathetic and charming as the heavily burdened hero. Rupert Grint’s Ron Weasley brings most of the movie’s humor again, but he’s most impressive when he becomes believably tortured and resentful when the dark magic of Voldemort’s Horcrux takes over. Emma Watson gracefully infuses the normally astute and self-assured Hermione with weary resolve and poignant anguish. The most charged moments are of course when the trio share the screen with the dark wizards, the most notable played with relish by Ralph Fiennes as Voldemort and Helena Bonham Carter as his most ardent minion, Bellatrix.
Having waited what felt like an eternity for this installment, it seems almost cruel to be made to wait until next summer for the conclusion. But that’s the only real complaint I can make about this movie. Widely and wildly anticipated, Deathly Hallows Part I will not disappoint.
Like returning to your childhood home, it all looks familiar, but everything feels different. Gone are the school preparations, the train ride to Hogwarts, uniformed students jostling about, the easygoing camaraderie between our favorite trio, all the whimsical elements we’ve come to expect in a Harry Potter movie. Instead we have unease, sorrow and anger taking turns in the form of Hermione, Harry and Ron.
The Deathly Hallows Part I is the first of a two-part adaptation of the final book of J.K. Rowling’s popular series. Just like the anticipation of getting the seventh and final book, my excitement at screening this movie was tempered with the dread of seeing the series end. I actually did not have high expectations for this installment as the first part of the book was slow-paced and, not unlike another movie about wizards and elves, had a lot of walking and searching. But instead of one elusive ring, Harry, Hermione and Ron are searching for three Horcruxes, objects in which Harry’s nemesis, Lord Voldemort has implanted a part of his soul in his quest to achieve immortality. While they seek clues to the remaining Horcruxes, they learn that Voldemort seeks one of three Deathly Hallows, three sacred objects, the stories of which are revealed in a beautifully mesmerizing shadow-puppet sequence.
Director David Yates balances dark action with solid storytelling and arresting cinematography. Daniel Radcliffe is in turn sympathetic and charming as the heavily burdened hero. Rupert Grint’s Ron Weasley brings most of the movie’s humor again, but he’s most impressive when he becomes believably tortured and resentful when the dark magic of Voldemort’s Horcrux takes over. Emma Watson gracefully infuses the normally astute and self-assured Hermione with weary resolve and poignant anguish. The most charged moments are of course when the trio share the screen with the dark wizards, the most notable played with relish by Ralph Fiennes as Voldemort and Helena Bonham Carter as his most ardent minion, Bellatrix.
Having waited what felt like an eternity for this installment, it seems almost cruel to be made to wait until next summer for the conclusion. But that’s the only real complaint I can make about this movie. Widely and wildly anticipated, Deathly Hallows Part I will not disappoint.
Ronyell (38 KP) rated Pinocchio and the Emperor of the Night (1987) in Movies
Jul 24, 2020
That Creepy Version of Pinocchio
This movie is basically a sequel to the original “Pinocchio” and the movie starts off with Gepetto giving Pinocchio a jewel box to take to the Mayor. As Pinocchio goes to town to deliver the jewel box, he meets up with Igor and Scalawag, two con artists who eventually convince Pinocchio to give them the jewel box, which ends up getting Pinocchio into trouble with Gepetto. Pinocchio was so upset about disappointing his father that he decided to run away and get the jewel box back. It was then that Pinocchio ended up getting into all kinds of strange and frightening situations such as meeting the frightening Puppetino at the circus and eventually meeting up with the Emperor of the Night!
Now, when I heard that Filmation was making a sequel to the famous Italian classic "Pinocchio," I was quite surprised and satisfied with the results! I loved the fact that there was a sequel to "Pinocchio" to begin with since I did wonder what Pinocchio's adventures would be like after he was transformed into a real boy and we managed to get one in this movie! I honestly like the dark and edgy feel of this film as it really grabbed my interest and some scenes (like the infamous puppet transformation scene) had really stayed with me ever since I was little! The voice acting was fantastic in this film as all the voice actors really gave everything they got for this film. Probably my favorite voice acting was from James Earl Jones as the Emperor of the Night as he made the character extremely scary and mysterious and I was really interested in the character! The animation is surprisingly better than what we usually get with Filmation as the characters move much fluidly and the action sequences were quite well done!
The only problem with this film was that it seemed like the plot was a rehash of the original Pinocchio story as we still get a storyline about Pinocchio trying to figure out what is right and wrong, having a conscience who would guide him and having two con artists scam him and get him into more trouble. The only thing that was actually different in this story was the Emperor of the Night as he proved to be scarier than the previous villains in "Pinocchio."
Overall, "Pinocchio and the Emperor of the Night" is a great film for anyone who is a huge fan of Filmation's works and who wants to see how the story of "Pinocchio" would continue.
Originally posted on: http://surrealmoviesandtvblog.blogspot.com/2014/07/movie-review-pinocchio-and-emperor-of.html
Now, when I heard that Filmation was making a sequel to the famous Italian classic "Pinocchio," I was quite surprised and satisfied with the results! I loved the fact that there was a sequel to "Pinocchio" to begin with since I did wonder what Pinocchio's adventures would be like after he was transformed into a real boy and we managed to get one in this movie! I honestly like the dark and edgy feel of this film as it really grabbed my interest and some scenes (like the infamous puppet transformation scene) had really stayed with me ever since I was little! The voice acting was fantastic in this film as all the voice actors really gave everything they got for this film. Probably my favorite voice acting was from James Earl Jones as the Emperor of the Night as he made the character extremely scary and mysterious and I was really interested in the character! The animation is surprisingly better than what we usually get with Filmation as the characters move much fluidly and the action sequences were quite well done!
The only problem with this film was that it seemed like the plot was a rehash of the original Pinocchio story as we still get a storyline about Pinocchio trying to figure out what is right and wrong, having a conscience who would guide him and having two con artists scam him and get him into more trouble. The only thing that was actually different in this story was the Emperor of the Night as he proved to be scarier than the previous villains in "Pinocchio."
Overall, "Pinocchio and the Emperor of the Night" is a great film for anyone who is a huge fan of Filmation's works and who wants to see how the story of "Pinocchio" would continue.
Originally posted on: http://surrealmoviesandtvblog.blogspot.com/2014/07/movie-review-pinocchio-and-emperor-of.html
Erika (17788 KP) rated The Sparks Brothers (2021) in Movies
Jun 25, 2021
When I first saw the preview for The Sparks Brothers, I was instantly intrigued, and eagerly counted down until the release date, 18 June. Then, when I checked the showtimes, I realized it was not playing at the theaters that had advertised it, and I would have to drive 45 minutes to see it. As luck would have it, I got an email at 2PM on Thursday from Focus Features, inviting me to an online screening that started at 7PM that same day.
The band ‘Sparks’, sounded familiar, but I couldn’t exactly remember where I knew them from. I decided to go into the documentary film blind because I wanted to enjoy it. Many of the talking heads in this documentary were some of my favorite musicians, like Beck, Alex Kapranos from Franz Ferdinand, and Nick Rhodes and John Taylor from Duran Duran.
The Sparks Brothers are Ron and Russell Mael, who seem to be notoriously elusive. Honestly, the entire time, I didn’t know if these guys were being serious, or just messing with everyone. The documentary takes you through the brothers’ early life, then their massive, five-decade career. Apparently, all my favorite bands were inspired by the Mael bros, so that’s probably why their music sounded vaguely familiar in the movie trailer.
This is Edgar Wright’s first documentary, and I liked his approach. I watch a lot of documentary films, and sometimes they’re really hit or miss. Wright’s was a hit for me. It ebbed and flowed naturally and kept me engaged for the entire runtime of 2 hours and 15 minutes. The variety of talking heads was diverse, the brothers, musicians, actors, longtime fans, former producers and bandmates, as well as Wright himself, were all great contributors. I don’t think the Mael bros would have chosen to do a documentary with any other filmmaker, and that it was a true collaboration. It’s one of the best films I’ve seen this year, and I am so glad I got the invitation at the last minute.
The band ‘Sparks’, sounded familiar, but I couldn’t exactly remember where I knew them from. I decided to go into the documentary film blind because I wanted to enjoy it. Many of the talking heads in this documentary were some of my favorite musicians, like Beck, Alex Kapranos from Franz Ferdinand, and Nick Rhodes and John Taylor from Duran Duran.
The Sparks Brothers are Ron and Russell Mael, who seem to be notoriously elusive. Honestly, the entire time, I didn’t know if these guys were being serious, or just messing with everyone. The documentary takes you through the brothers’ early life, then their massive, five-decade career. Apparently, all my favorite bands were inspired by the Mael bros, so that’s probably why their music sounded vaguely familiar in the movie trailer.
This is Edgar Wright’s first documentary, and I liked his approach. I watch a lot of documentary films, and sometimes they’re really hit or miss. Wright’s was a hit for me. It ebbed and flowed naturally and kept me engaged for the entire runtime of 2 hours and 15 minutes. The variety of talking heads was diverse, the brothers, musicians, actors, longtime fans, former producers and bandmates, as well as Wright himself, were all great contributors. I don’t think the Mael bros would have chosen to do a documentary with any other filmmaker, and that it was a true collaboration. It’s one of the best films I’ve seen this year, and I am so glad I got the invitation at the last minute.
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Acanthea Grimscythe (300 KP) rated Scream (1996) in Movies
May 12, 2018
Labeled a classic and dubbed as a mystery/slasher film, Scream is a film you can turn to for years to come when you’re in need of a blood bath. If you’re a 90s baby like me, then you probably have. I wouldn’t go so far as to say I consider it a favorite, but it is definitely a movie I like to watch when I need to relax.
One of the things that I really like about Scream is the fact that it serves a dual purpose: it sates my thirst for blood while simultaneously making a mockery of itself. If you’re new to the horror genre, then it’s an easy and entertaining way to learn the “rules” of horror movies – and then watch as the cast adheres to them without failure. Of course, these aren’t real rules in as much as they are unspoken. For prime examples of movies that highlight these rules, I point you to Halloween, The Nightmare on Elm Street, and Friday the 13th.
Scream is one of those films that is more likely to draw a bit of laughter from me than it is likely to scare me. To some degree, this is because I’ve seen it so many times. To another… it’s honestly hilarious.
One of the things that I really like about Scream is the fact that it serves a dual purpose: it sates my thirst for blood while simultaneously making a mockery of itself. If you’re new to the horror genre, then it’s an easy and entertaining way to learn the “rules” of horror movies – and then watch as the cast adheres to them without failure. Of course, these aren’t real rules in as much as they are unspoken. For prime examples of movies that highlight these rules, I point you to Halloween, The Nightmare on Elm Street, and Friday the 13th.
Scream is one of those films that is more likely to draw a bit of laughter from me than it is likely to scare me. To some degree, this is because I’ve seen it so many times. To another… it’s honestly hilarious.
Tayla (27 KP) rated Red Rising in Books
Jun 19, 2018
Futuristic Story (2 more)
Strong Characters
Good Momentum
How do you get power when you are born to less?
How do you get power when you are born to less? You take it. I love Pierce Brown's story of Darrow, a low red, rising above his color to infiltrate the golds to start an uprising. Red Rising is one of my favorite books. Even though the setting is on Mars it is still relevant to our society today. Some people are born more privileged than others and at times it take a miracle to overcome those obstacles. This book reminds us to fight for not only what we want, but for what is right.
This book has good momentum throughout. At no point was I bored by the story. The ending really builds for the second book, gently encouraging you to continue with the story. I've both read and listened to this book and recommend each. Listening after reading, allowed me to really paint a clearer picture of Mars in my mind and develop more love for the series.
I recommend this book to those who like The Hunger Games or Divergent. Additionally, if you are a fan of the movie Gattaca (1997), this will be right in your wheelhouse! The similarities are striking!
This book has good momentum throughout. At no point was I bored by the story. The ending really builds for the second book, gently encouraging you to continue with the story. I've both read and listened to this book and recommend each. Listening after reading, allowed me to really paint a clearer picture of Mars in my mind and develop more love for the series.
I recommend this book to those who like The Hunger Games or Divergent. Additionally, if you are a fan of the movie Gattaca (1997), this will be right in your wheelhouse! The similarities are striking!
Joelene Marie (28 KP) rated Waking Gods (Themis Files #2) in Books
Oct 1, 2018
Sleeping Giants was one of my favorite books of 2016 so I was super excited to read Waking Gods. As with Giants, I was hooked from page one and found myself delaying bedtime in order to finish it. The format and structure of this duology, along with the author's writing style, is great. Telling the story through interviews, case files, log transcripts, and character pov's is unique and interesting and works quite well, in my opinion.
I have to say I was surprised by a lot of the events in Waking Gods. I'm not sure exactly where I expected the story to go after the first book but this wasn't it lol. The sheer number of deaths, especially the deaths of certain main characters, was definitely a shock.
The ending, including the reason for and solution to the impending apocalyptic doom, felt somewhat underwhelming after so much build up. The subplot involving Eva could have used a little more development as well.
Overall, I truly enjoyed Waking Gods and The Themis Files as a whole and I still think it would make a great movie! Sylvain Neuvel is a talented author and I'm looking forward to reading whatever he comes out with in the future. *Thanks to Netgalley and the publisher for the ARC!*
I have to say I was surprised by a lot of the events in Waking Gods. I'm not sure exactly where I expected the story to go after the first book but this wasn't it lol. The sheer number of deaths, especially the deaths of certain main characters, was definitely a shock.
The ending, including the reason for and solution to the impending apocalyptic doom, felt somewhat underwhelming after so much build up. The subplot involving Eva could have used a little more development as well.
Overall, I truly enjoyed Waking Gods and The Themis Files as a whole and I still think it would make a great movie! Sylvain Neuvel is a talented author and I'm looking forward to reading whatever he comes out with in the future. *Thanks to Netgalley and the publisher for the ARC!*
Matthew Krueger (10051 KP) rated The Muppet Christmas Carol (1992) in Movies
Dec 18, 2019
Christmas With Muppets
A different spin on the classic tale, its the same story but it adds more to it. It adds the muppets to it and Micheal Caine as Scrooge. Which he was perfect in this film by the way. Thank you Jim Hanson and disney for producing this film. Also Jim Hanson's son Brain directed this film.
I love the muppets and their were excellent and perfect in this film. Their make you laugh, cry, smile, happy and more, the muppets make you really care.
The Plot: The Muppets perform the classic Dickens holiday tale, with Kermit the Frog playing Bob Cratchit, the put-upon clerk of stingy Ebenezer Scrooge (Michael Caine). Other Muppets -- Miss Piggy, Gonzo, Fozzie Bear and Sam the Eagle -- weave in and out of the story, while Scrooge receives visits from spirits of three Christmases -- past, present and future. They show him the error of his self-serving ways, but the miserable old man seems to be past any hope of redemption and happiness.
Whos my favorite muppet you may ask well its Kermit the Frog then Beaker then Rowlf the Dog and then Fozzie Bear.
A excellent christmas movie for the whole family to watch.
I love the muppets and their were excellent and perfect in this film. Their make you laugh, cry, smile, happy and more, the muppets make you really care.
The Plot: The Muppets perform the classic Dickens holiday tale, with Kermit the Frog playing Bob Cratchit, the put-upon clerk of stingy Ebenezer Scrooge (Michael Caine). Other Muppets -- Miss Piggy, Gonzo, Fozzie Bear and Sam the Eagle -- weave in and out of the story, while Scrooge receives visits from spirits of three Christmases -- past, present and future. They show him the error of his self-serving ways, but the miserable old man seems to be past any hope of redemption and happiness.
Whos my favorite muppet you may ask well its Kermit the Frog then Beaker then Rowlf the Dog and then Fozzie Bear.
A excellent christmas movie for the whole family to watch.