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Good Will Hunting (1997)
Good Will Hunting (1997)
1997 | Drama
Them Apples (0 more)
My favorite Robin Williams Film, and that is saying something...
This is another Modern Classic about potential and brains, but also about where you come from and how you adapt. Here's an anecdote about finding the right studio: Matt Damon and Ben Affleck found a clever way to choose the right studio for their script: the story goes that on page sixty of the script, they wrote a completely out-of-nowhere sex scene between Will and Chuckie. They took it to every major studio, and nobody even mentioned the scene. When they met with Harvey Weinstein at Miramax, he said, "I only have one really big note on the script. About page sixty, the two leads, both straight men, have a sex scene. What the hell is that?" Damon and Affleck explained that they put that scene specifically in there, to show them who actually read the script, and who didn't. As Weinstein was the only person who brought it up, Miramax was the studio chosen to produce the film.

Also for those of you out there who think just because something is done in school it's not good: When Matt Damon was in his fifth year at Harvard, he was in a playwriting class. The culmination of it was to write a one-act play, and he just started writing a movie, which, with the help of Ben Affleck, became this movie.


"But the question is whether or not you're perfect for each other." were they talking about Ben and Matt?



I guess Ben liked Them Apples, LOL, just kidding.... and here's another Alternate Movie Poster.
  
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Scott Tostik (389 KP) rated Hatchet (2006) in Movies

Jan 4, 2019 (Updated Jan 4, 2019)  
Hatchet (2006)
Hatchet (2006)
2006 | Horror
Victor Crowley (Kane Hodder) (2 more)
Good blend of comedy and horror
Finally a ________er kill!!!!
SLASHER FANS REJOICE!!!!
Contains spoilers, click to show
Having seen this film in 2009 after a friend loaned ke his copy... Which i never returned... Because this movie is the "tits" ( watch Holliston to understand).
Epic performances from Joel David Moore, Dieon Richmond, Tamara Feldman and the always reliable killing machine, KANE FUCKING HODDER!!!!!
Sorry if I fanboy out about Kane... The man is a living legend of horror fandom. He is also one of the nicest, most genuinely thankful to his fans actor that i have ever had the pleasure of meeting.
Anyways... Back to the task at hand.
Hatchet starts off strong... Never taking it's foot of the pedal for even one split second.
You may thibk to yourself before watching this, "Oh great. Another empty plotted excuse for bare breasted women get hacked to pieces... Big whoopity do!!!"
But, friends, let me reassure you... You will never see some of the kills in this movie done with this much love for the game attitude as the ones brought to film by the mind of Adam Green.
Seeing an annoying wifes head torn in half with someones bare hands... A face smoothed off with a fucking belt sander... And... Finally Kane gets his hands on Robert Englund and tears him limb from limb...
This is and always will be my favorite horror debut of all time.
Keep an eye out for Candyman himself Mr. Tony Todd as Voodoo Shop proprieter Rev. Zombie.
I can not say enough good things about this movie. Once you view it... You will not be disappointed.
Victor Crowley = Slasher God.
  
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Joe Swanberg recommended Nashville (1975) in Movies (curated)

 
Nashville (1975)
Nashville (1975)
1975 | Classics, Drama, Musical
8.0 (1 Ratings)
Movie Favorite

"I do like movies from other time periods, by the way. There is something, it’s sort of a sweet spot for me — societally, culturally, artistically, whatever sort of groove they hit right there — that appeals to my sensibilities. Nashville is endlessly inspiring to me, everything that I do is aiming for that sort of mixture of casualness and kind of amazing f— it sort of attitude, but combined with these incredible performances and story and structure. It’s probably been the single biggest influence, since the first time I saw it, over how I approach movies. That movie fills me with a tremendous sense of freedom when I come into a new project, that I can do whatever I want. There aren’t rules for how to make movies and I also love that Altman was like 50 when he made that movie. That’s inspiring to me as well, that we sort of live in a culture that values, like, people’s first films or first books or first record, fully formed right out of the gate, or whatever. Most of my favorite filmmakers didn’t have careers that looked like that. They sort of kept challenging themselves and trying new things. And for me, Nashville is this amazing thing, whenever I feel pressure that my career should maybe look different than it looks right now. I’m 32 years old right now. Altman made Nashville when he was 50. I have time to keep getting better and pushing towards this stuff. The best is yet to come. So that’s great. Beyond that, I love the music, I love the way it looks, it’s just a great movie."

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Shakespeare in Love (1998)
Shakespeare in Love (1998)
1998 | Comedy, History, Romance

"Shakespeare in Love is my next one. It holds up so great. I’ve seen it about 15 times. All these movies are movies that I watch a bunch, and that’s my ultimate test is can I watch them over and over. Shakespeare in Love totally holds up. It is a phenomenal metaphor for Hollywood. That’s what I love about it. It’s probably the best movie about Hollywood ever made, even though it’s not about Hollywood because it’s about writing and financiers and actors, and it just rings so true. And it’s also a movie that I don’t think… I can’t speak for you [to Wernick], but I could never have written it because it very much feels of its time, and I think that’s a particular voice. Marc Norman and Tom Stoppard did it, and it’s just a particular voice that would be incredibly hard to ape, I think. It has probably my favorite shot of all time about love, where it’s just a push in on Joseph Fiennes as he’s looking at Gwyneth Paltrow. It’s a push in on both of them, and just the look on his face and her as the object of his love; it gets me every time. Then, of course, it’s got all that Shakespeare weaved in — Romeo and Juliet, actual lines from the play. There’s a segment right in the middle of the movie where they just do Romeo and Juliet for a montage for about five minutes straight, and it’s showing all these different things, but the words are all Shakespeare, and I love it. I just love it."

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Ready or Not (2019)
Ready or Not (2019)
2019 | Comedy, Horror, Mystery
Great From Beginning to End
A new bride agrees to an innocent game with her in-laws on her wedding night only to find out the game involves her murder.

Acting: 10

Beginning: 10

Characters: 10
Cinematography/Visuals: 10The film has a dark, yet colorful cast that works on both engaging and eery levels. Part comedy, part horror directors Matt Bettinelli-Olpin and Tyler Gillett masterfully capture both without either looking out of place. I was very impressed with the attention to detail.

Conflict: 10
Entertainment Value: 10It’s hard to miss when you combine action, comedy, and horror into a solid movie. Every moment of this movie is engaging. it’s a ride you’re excited to be a part of as you wade through what the heck is going to happen next. A fun, wild ride.

Memorability: 9
Ready Or Not will definitely stand in the memory long after being watched. Again, it checks the boxes in the three different categories. However, it doesn’t quite master any of them hence the docked point.

Pace: 10
Great start, then the tension continues to mount from there. it never lets its foot off the gas save for a few short breaths. It shoots out of a cannon then moves forward at a breakneck pace.

Plot: 10

Resolution: 10
One of my favorite parts of the entire story. Mums the word here.

Overall: 99
In the near future, I’m going to do a piece on “Movies I Can Watch Repeatedly and Not Get Bored”. Ready Or Not will probably make that list. It does so many things right. Definitely a movie to remember.
  
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Michael Barker recommended The Killers (1964) in Movies (curated)

 
The Killers (1964)
The Killers (1964)
1964 | Crime, Drama, Mystery
6.0 (1 Ratings)
Movie Favorite

"Ernest Hemingway’s superb eight-page short story is the jumping-off point and inspiration for these two essential and very different movies (Stacy Keach reads the story magnificently in one of the DVD extras). I don’t understand why more people don’t know the 1946 Siodmak film. For my money, this is not only the best noir movie of all time but is just about my favorite Hollywood drama from the 1940s. The complex narrative structure begins as a jumbled Rubik’s Cube, and, slowly but surely, each piece falls into its precise place by movie’s end (the stuff Quentin Tarantino’s dreams are made of). The moody atmosphere provided by Siodmak and his technicians is a marvel. The cinematic execution of a heist has never been better. Here marks the birth of two glorious stars: Burt Lancaster (a beautiful caged animal, all teeth) and Ava Gardner (wow). Paul Schrader’s seminal essay on film noir, as a DVD extra, is invaluable. For those of you who wonder why Siegel’s 1964 violent, stylish, quirkily entertaining B version (the first TV movie ever made) is on this list, I have two words for you: Lee Marvin. There has never been a star like him before or since. Words simply cannot do justice to the magic of this guy—the timbre of his voice, the calm, paranoid, roughneck danger in his physical moves. In a spectacular extra on this DVD, fellow actor Clu Gulager gives a very moving (and, one feels while watching it, very truthful) account of working with Marvin, Siegel, and Ronald Reagan (who hated the movie—yet another reason to see it!)."

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The Cook, the Thief, His Wife, and Her Lover (1989)
The Cook, the Thief, His Wife, and Her Lover (1989)
1989 | Drama
8
7.5 (2 Ratings)
Movie Rating
Intriguing Movie
A woman begins a torrid romance of infidelity and tries to keep it from her nefarious husband.

Acting: 10
There is a reason Helen Mirren is one of my favorite actresses. She can be vulnerable and powerful all in the same breath. She makes you sympathize with her character and champion for her to win. She plays Georgina, the wife of a thug. She hates her life and is longing for more. The way she expresses that longing is done in subtle fashion, yet you can feel exactly what she is feeling. There are a number of strong performances in the film, but none quite as strong as hers.

Beginning: 1
I couldn’t tell up from down when the movie started. I didn’t know what to think, who to hate, or who to root for. That all eventually became clear, but the beginning was very muddled and had me losing hope that the movie could be good. Good thing there’s more to this film than the first ten minutes.

Characters: 7
The title, of course, gives away the characters that dominate the story. Each character carries their own weight and adds a different value to the story. Outside of Georgina, I enjoyed watching Alan Howard act out his role of Michael the Lover. He has an air of ignorance with a touch of nobility. He’s a good guy that enjoys being alone, not realizing that he is looking for someone special in his life. That is, until he meets Georgina who turns his life upside down. The interactions between the two provide for a number of great scenes. And, no, I’m not just referring to the sex, although there are some steamy scenes.

Cinematography/Visuals: 10

Conflict: 8

Genre: 8
Definitely not the best drama I’ve seen, but hands-down, one of the most unique. I can honestly say I’ve never seen anything quite like this movie. It’s different for a lot of reasons, but mainly in the way the film is shot which helps push the overall tone. It shines with a special kind of flare that sticks in your memory.

Memorability: 8

Pace: 5

Plot: 10
Unique story with an interesting twist. I appreciate when movies try and do something different, and that’s where (insert long title here) succeeds. It’s a gut-wrenching love story told with conviction and passion.

Resolution: 10
Can’t talk about this movie without talking about that ending. Wow, what an ending! Didn’t see it coming in the least. It was both unbelievable and gratifying at the same time. If you haven’t heard of or seen this movie, I won’t ruin it for you. I’ll just say prepare to be pleasantly shocked.

Overall: 77
A stronger beginning and a quicker pace could have made this movie excellent, but it’s still solid enough for a one-time watch. I can guarantee you The Cook, the Thief, His Wife, and Her Lover will be unlike anything you’ve ever seen before.
  
Wreck-It-Ralph (2012)
Wreck-It-Ralph (2012)
2012 | Adventure, Animation, Comedy
Underrated Masterpiece
Trying to prove his worth, star video game bad guy Ralph (John C. Reilly) goes on a quest to earn a medal and show the world he’s actually good.

Acting: 10

Beginning: 10
The intro is everything you want for the start of a movie. It builds a beautiful world while getting you immersed in it at the same time. I loved how the characters are introduced in true video game style fashion. By the time you see the characters ending their shift and stepping out of their games to go home, you already feel like you are a part of the world. The Bad Guys Anonymous meeting Ralph attends is easily one of my favorite scenes done in a movie. Just seeing the characters from my childhood talking about what it was like being a bad guy just puts a smile on my face everytime I watch it.

Characters: 10
Ralph is someone you can easily sympathize with as he really doesn’t seem like that bad of a guy. He’s gotten a bad rap because of his job but you watch him giving away fruit to lesser characters whose games have been unplugged and you can’t help but like the guy. Outside of Ralph, the sheer number of video game characters they were able to include was just plain amazing. It’s eye candy for both older and newer generations. The supporting cast will keep you entertained as well from Fix-it Felix (Jack McBrayer) who is a stickler for doing the right thing to Vanellope Von Schweetz (Sarah Silverman), a crazy game glitch that’s also on a quest to earn a medal. There is no shortage of depth or originality.

Cinematography/Visuals: 10

Conflict: 10

Genre: 10
I’ll stand by this statement and I’ll fight anyone on it: Because of it’s originality, visuals, and message, Wreck-it Ralph is not only one of the greatest animated films of all time, but one of the greatest films of all time. Period. It sets a new bar for animated movies from top to bottom. Every single time i watch it, I find something different to appreciate.

Memorability: 10
In one scene, Ralph finds himself in the middle of a Starship Trooper-esque battle fighting alien bugs and trying to make it to the top of a tower. It’s such an amazing scene to watch and one of my favorites…until, that is, I make it to the next scene where that one becomes my favorite. From one wild ride to the next, no moment is wasted in this movie. Neither is one easily forgotten. The movie also packs a beautiful message about embracing who you are in spite of your weaknesses.

Pace: 10
As I mentioned earlier, the movie makes full use of its time as it moves quickly from one scene to the next, never lingering. Where I find myself saying “Get to the point already” when I watch a lot of movies, director Rich More manages the pace excellently. Even during slower moments where Ralph and Vanellope are bantering back and forth, the movie forces you to have a good time.

Plot: 10
Video game stories are typically very linear but that isn’t a problem in the least with Wreck-it Ralph. There are enough twists and turns to renew your interest and keep you entertained. Each character was handled perfectly, given just enough screen time to impact the movie in their own way. Each piece of story is carefully crafted and never breaks the laws of the world in which the story takes place.

Resolution: 10

Overall: 100
What can I say? Some reviewers give perfect scores to Citizen Kane. I give them to movies like Wreck-it Ralph, movies that remind us of what watching movies is all about: Escape and having fun. Wreck-it Ralph will wow you, make you cheer, and leave you with enough memories to last ages.
  
Bad Boys II (2003)
Bad Boys II (2003)
2003 | Action, Comedy, Mystery
Decent but Definitely the Worst of the Trilogy
Narcotics detectives Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) are back getting into a heap of shit as they try and take down an ecstasy ring.

Acting: 9
You have to love the performances of Lawrence and Smith as they know how to carry a movie between the two of them. Their chemistry is amazing and they do a wonderful job of balancing each other out, particularly in this film were Smith is more of a shoot-first type while Lawrence’s role is about finding peace and zen. Joe Pantoliano makes a return as Captain Howard, making me crack up everytime he opens his mouth to yell at Lowrey and Burnett for screwing up yet again.

The one role I just couldn’t let sneak past was Jordi Molla playing Johnny Tapia. Terrible doesn’t even begin to describe his performance. It feels too cliche and way overdone, detracting from important scenes at times. Wasn’t a fan in the slightest.

Beginning: 7
While I did appreciate the action at the beginning of the movie, there was just too much going on for me to really settle in and get into it. It’s hard to really understand up from down in the first ten minutes which carries on as the movie progresses as well. Less can be more sometimes, but it feels like in this instance, director Michael Bay called for more of everything.

Characters: 9

Cinematography/Visuals: 6
Bad Boys II has its moments cinematically. The mortuary scene and the scene in the abandoned house are two that really stand out for me. They were shot in such a way that they are hard to forget. From an overall standpoint, I am not a fan of the overdose of slowmo that Bay loves to do. It becomes tedious to the brain and drags the movie out longer than it needs to be. And this movie already has enough time constraints as it is.

Conflict: 10
Action abounds in this second installment from shootouts to car chases to explosions on top of explosions. If you are an action junky, this movie will not disappoint. As much as I rag on Bay (and, no he’s not my favorite director), he knows how to make a scene pop and make traditional action sets feel extremely original. Even as I’m typing this, I can’t forget the highway scene where the bad guys have hijacked a car-carrying truck and they start to release the cars as they speed down the highway. It’s absolute calamity.

Entertainment Value: 7

Memorability: 8

Pace: 7
Bay does his best to keep things fresh, but it’s hard to hide from the fact that this is all about action then dialogue then right back to action. It gets a bit repetitive at times, but I will also admit that it may have something to do with the fact that I’ve watched a shit ton of movies recently (what else is new?). When Cuba gets mentioned and you realize the movie is only two thirds of the way over when it should be finished, that’s when things really slowed down for me even more. You can absolutely cut thirty minutes from this movie and it would be phenomenal, possibly a classic.

Plot: 6
Decent enough story, but nothing that’s going to win an Oscar. I felt corners were cut in spots as there were times where I was trying to figure out, “Why the hell is this happening now?” I also didn’t appreciate some of the cheats, which is a term I use to refer to spots in the movie that conveniently happen for the sake of it being a good scene. Again, cut a half hour of this movie and I might be feeling differently overall.

Resolution: 4
The end was not only mad corny, but it didn’t feel like a real resolution. Not sure what they were going for here, but it didn’t work. The end didn’t really justify the length of what it took to get there.

Overall: 73
I know I know. You read through this review and it almost sounds like I hated Bad Boys II. Truth is, it wasn’t terrible. Would it be the first action movie I recommend? Absolutely not. On the flipside, I can definitely think of many that were worse. At the risk of losing all credibility (as if I had any to begin with), I actually enjoyed this movie more than I did The French Connection. Fight me.