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Kristy H (1252 KP) rated The Secrets They Left Behind in Books

Apr 23, 2020  
The Secrets They Left Behind
The Secrets They Left Behind
Lissa Marie Redmond | 2020
8
8.0 (1 Ratings)
Book Rating
At first I was disappointed this was not one of Redmond's excellent Cold Case novels featuring detective Lauren Riley, whom I love, but that disappointment was short lived. I quickly took to Shea O'Connor, a young but feisty and enjoyable officer who will stop at nothing to solve her case. We realize that Shea clearly had a close call with a serial killer the last time she was undercover and she's still recovering from those wounds. Our girl is hurting, but she's also focused--Shea will do anything to find those girls.

Shea is in a tough spot. She's a young, female officer in a male-dominated profession, and she's often mistaken for a teen. However, her youthful appearance pays off undercover. But is the FBI using her? There's more than a simple mystery to solve here, as we must unravel if Shea can trust those around her.

The central mystery itself, of the girls' disappearance, is engaging and fascinating. I had a fairly good inkling early on who might be involved, but it didn't stop my interest, and I flew through the book. There are, of course, plenty of dirty secrets in Kelly's Falls--as in most small towns--and Shea digs up plenty of them. There's also an interesting angle where she becomes close with one of the missing girl's brother. Shea excels at immersing herself in her undercover role, and it was fun to see her play the young, naive college student (with a knife hidden in her back pocket).

The writing is a little simplistic at times, but overall this is a compelling thriller with an engaging protagonist. 3.5 stars, rounded up to 4 here. I'd love to see another book featuring Shea.
  
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Alex Kapranos recommended It Takes a Nation of Millions to Hold Us Back by Public Enemy in Music (curated)

 
It Takes a Nation of Millions to Hold Us Back by Public Enemy
It Takes a Nation of Millions to Hold Us Back by Public Enemy
1988 | Rock
8.0 (3 Ratings)
Album Favorite

"I got to love this album when I was 18, working in a second hand clothes shop in Glasgow, where one of the guys I worked with played it constantly. It was the first time I had heard music that felt like genuine contemporary protest music. The combination of Chuck D’s informed eloquence and unashamed confrontational stance was so potent. Here was a guy name-checking Martin Luther King and Malcolm X in the same breath as Coltrane and Anthrax. It was revolutionary in every sense. It felt dangerous. These guys had the FBI tapping their phones and were taking on the behemoth of the US establishment. While in retrospect the S1Ws may be the campest paramilitaries in history, the imagery of guerrilla conflict intensified the sense of resisting persecution. Like the best groups, it felt like a gang, too. Flav the joker, Chuck the boss, Terminator-X voiceless, but ever-present. Tight. Then there was the music. That fragmented repetition. Those bursts of brass and breakbeats, squealing like sirens against stolen guitars. Amazing. It didn’t sound like anything else. While Chuck D and his cartoon foil Flavor Flav had the lyrical articulacy, Terminator-X, Professor Griff and the Bomb Squad matched it musically. Their imagination was in context – how to take something from its original context, place it against something else out of context to create something way more powerful than either in isolation. In many ways, I still see this LP as the pinnacle of rap. Of course it is of its time and sonic trends advanced, but for sheer inventiveness and lyricism it has never been matched. It felt like rap was violently booting the world into a better direction – a brief flash of genius before it became mired in the vocabulary of egoism, misogyny and avarice. There have been great pinnacles since, but nothing matches this moment."

Source
  
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Ross (3284 KP) rated Blindspot - Season 4 in TV

Jun 28, 2019  
Blindspot - Season 4
Blindspot - Season 4
2018 |
5
5.0 (1 Ratings)
TV Season Rating
Gone are the puzzles. Now just a brain-deadening copy of 24
Blindspot started with such a strong premise - a woman found with no memory and covered in tattoos and each tattoo turning out to be a puzzle which leads the FBI to solve a crime or stop a terrorist attack. As with so many TV shows, however, the original premise of strong, isolated episodes was gradually eroded in favour of an over-arching larger plot.
Here we have that same issue, while the season 3 villain has been ousted, lo and behold a new one has cropped up to take his place. This relegates the show to be something of a low quality reboot of 24 as the team struggle with conspiracy, terrorism, underworld shenanigans and corruption to try and stop the eventual attack.
However, the producers seem to have set the number of episodes in advance and then struggled to fill the 22 episode series with quality output. So instead we get a number of rejected 24 scripts hashed out with implausible solving of tattoo puzzles that generally add nothing to the overall series. So many times, the team seem to have been staring at a puzzle for months, only to suddenly realise that if they convert the numbers to letters, turn those into chemical symbols, add up their periodic table entries and divide that by the square root of the number of bananas produced per annum in the Caribbean and lo and behold it gives the password to a Hotmail account of an international terrorist who literally just landed in the country. Almost every episode has one of these mind-farts where so much is just shat out the screen in lazy exposition. The writers should have abandoned the tattoo nonsense a long time ago as tired and exhausted.