"To pick one last one, I would say… That’s hard, because I have many in my mind right now. I loved Melancholia, but I also loved Room. They’re very different. I would say those two movies, but for many different reasons. So if I have to keep one, well, let’s keep Melancholia. That was a shock because visually it was so interesting, but also I will always remember that first shot, my entire life. That big limousine was stuck and then it’s like, two persons, and you know it’s never going to work and that was that. Amazing cleverness in that shot. And also, talking about the fears and talking about depression and talking about how do you deal with that big world which is too big for you. But also a movie that’s very free. I’m just realizing I’m keeping movies that are very free. Don’t ask me my five favorite songs, please. [laughs]"

"When I was a kid, the ending of this movie, where Kevin’s parents touch pure evil and explode, scared the shit out of me. I know Brazil is technically the more mature of Terry Gilliam’s films, and yet this is the one I go back to again and again. I’ve watched it many, many times since then, and I still don’t understand how it works. Gilliam creates an entirely plausible alternate universe with its own unspoken internal rules. It’s nightmarish and yet taps into what every kid desires/fears . . . the need for life beyond the yoke of one’s family. That last moment—which I’m sure was just a goofy set joke—was my first taste of existentialism. It freaked me out. I still don’t cerebrally understand why that moment ends the film. And yet it somehow works. I have yet to introduce this film to my daughter. Not sure when/if I will."