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Gareth von Kallenbach (980 KP) rated It Comes At Night (2017) in Movies

Jul 11, 2019

There are some things that are truly frightening. For some, it could be ghosts while others fear zombies. There are many things that concern us and even keep us awake at night. With It Comes At Night, audiences are faced with one of the greatest fears that man has: the unknown.

The film features Paul (Joel Edgerton) a father and husband who is seeking to keep his family safe in the wilderness from unknown threats. He and his family are uncertain of what has taken place. They are not sure if the population has become victims to terrorism, disease, or some sort of supernatural occurrence. Paranoia builds as a stranger arrives on their land. What are his intentions? Can they trust each other long enough to survive? Will they outlast whatever has consumed countless others?

The film is haunting and will have its audience trying to guess and discover what exactly is taking place. The film is reminiscent of The Village, The Happening, and other movies that rely on ambiguity. For some films, the mystery may be the downfall as it leads nowhere. With It Comes At Night, the filmmakers allow for reality to seep into the lives that viewers are witnessing on the screen. For this film, the ambiguity allows for the audience to question how they would behave or adapt in a seemingly post-apocalyptic environment. We like to think that we know, but we can never be sure. This comes through with the actions of each of the characters. They are alone and afraid.

The film is deep in its approach to what the world would look like should calamity approach. People would become distrustful, fight, turn on each other, kill without thinking, and eventually sink into the realization that they don’t know what to do. It Comes at Night allows for the reality of horror to be exposed. It is not knowing how to face a certain danger, it is about having to come to terms with the unknown.

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Mark @ Carstairs Considers (2532 KP) rated Murder in Chinatown in Books

Aug 18, 2019

Missing Girl Leads to Murder

After a recent close call, midwife Sarah Brandt has vowed to stay away from solving crimes and getting involved in anything dangerous. However, she is in Chinatown with the Lee family since Cora Lee is about to give birth and gets a front row to the family drama unfolding. Cora’s niece, Angel, is upset that her father has arranged a marriage for her to an older man and runs away. The family is frantic to find her because the city is no place for a fifteen-year-old to be alone. While the family does find her, she turns up dead a few days later. Sarah manages to get NYPD Detective Sergeant Frank Malloy involved in the case because she fears other police won’t care to fully investigate given who the victim was. But can Malloy figure it out? Will Sarah get involved despite her promise to stay away from murder?

Once again, we are expertly transported back to 1890’s New York City. Along with our normal glimpses of life during the time period, we get to see a bit of how the Chinese were treated during the time; unfortunately, it isn’t pretty. However, the book never stops to preach at us, instead working this in during the mystery. The case itself is strong with plenty of twists to keep us entertained until the end. I thought I had a few things figured out, but I discovered I was wrong when I reached the logical ending. Sarah, in her efforts to stay out of the case, isn’t quite as involved as Frank, but she still has plenty to contribute. Both are great lead characters, and I enjoyed spending time with the regular supporting players as well as meeting the new characters introduced here. We get some advancement on a couple of on-going storylines, and it looks like one of them will be the main focus of the next in the series. I’m definitely looking forward to seeing where that leads.