Search
Search results
Kristy H (1252 KP) rated Pretty Little Wife in Books
Jan 7, 2021
Slow to start, but ultimately an intriguing and unique thriller
Lila Ridgefield's husband is missing. A beloved high school teacher, his boss, colleagues, and brother cannot believe that Aaron Payne would just disappear. He's certainly not the type to simply not show up for work one day. As for his wife, Lila is known more for her cold and quiet demeanor (and, let's be honest, her beauty). She's also pretty confused, because the last time she saw Aaron, she was rather convinced she was looking at his dead body. So where's his car she left behind--and the body? Investigator Ginny Davis is called to look into Aaron's disappearance. At first it seems unrelated to that of a missing local student. But the more Ginny digs, the more she starts to wonder. And the more Lila digs, the more she fears her husband is still alive.
"Despite all her careful planning, he was gone. She had to find Aaron before he found her."
Well, this was quite a book. The beginning was a bit slow for me--it took too long to get to the exciting part, and it was repetitive. It felt like bits and pieces were rehashed over and over. I wanted to shake Lila and tell her to get on with it!
But, once everything gets moving, this is quite an exciting thriller. The last fourth of the story especially is incredibly electrifying and, for the most part, keeps you guessing. (I had a decent idea about whodunnit, but it didn't diminish my enjoyment at all.) I loved the concept of a mystery where the woman kills her husband, yet the main story is, surprise: he disappears anyway. The dynamic between cunning Lila, whom you're never sure you can trust, and Ginny, who is a straightforward and honest investigator, is excellent. I enjoy a book with strong female protagonists and these two are excellent.
Overall, even though this dragged for a bit, it's certainly worth a read. For one thing, it's different, which is so refreshing in the thriller genre. It's also dark, intriguing, and surprising. 3.5 stars, rounded to 4 here.
I received a copy of this book from HarperCollins Publishers and Netgalley in return for an unbiased review.
Lila Ridgefield's husband is missing. A beloved high school teacher, his boss, colleagues, and brother cannot believe that Aaron Payne would just disappear. He's certainly not the type to simply not show up for work one day. As for his wife, Lila is known more for her cold and quiet demeanor (and, let's be honest, her beauty). She's also pretty confused, because the last time she saw Aaron, she was rather convinced she was looking at his dead body. So where's his car she left behind--and the body? Investigator Ginny Davis is called to look into Aaron's disappearance. At first it seems unrelated to that of a missing local student. But the more Ginny digs, the more she starts to wonder. And the more Lila digs, the more she fears her husband is still alive.
"Despite all her careful planning, he was gone. She had to find Aaron before he found her."
Well, this was quite a book. The beginning was a bit slow for me--it took too long to get to the exciting part, and it was repetitive. It felt like bits and pieces were rehashed over and over. I wanted to shake Lila and tell her to get on with it!
But, once everything gets moving, this is quite an exciting thriller. The last fourth of the story especially is incredibly electrifying and, for the most part, keeps you guessing. (I had a decent idea about whodunnit, but it didn't diminish my enjoyment at all.) I loved the concept of a mystery where the woman kills her husband, yet the main story is, surprise: he disappears anyway. The dynamic between cunning Lila, whom you're never sure you can trust, and Ginny, who is a straightforward and honest investigator, is excellent. I enjoy a book with strong female protagonists and these two are excellent.
Overall, even though this dragged for a bit, it's certainly worth a read. For one thing, it's different, which is so refreshing in the thriller genre. It's also dark, intriguing, and surprising. 3.5 stars, rounded to 4 here.
I received a copy of this book from HarperCollins Publishers and Netgalley in return for an unbiased review.
Illeana Douglas recommended Rosemary's Baby (1968) in Movies (curated)
Gareth von Kallenbach (980 KP) rated Come Play (2020) in Movies
Oct 29, 2020
One of the more interesting and fresh horror films since “It Follows” has arrived and “Come Play” is a creepy film that captures childhood fears and captivates.
The film follows Oliver (Azhy Robertson); a non-verbal autistic boy living with his mother Sarah (Gillian Jacobs), and his father Marty (John Gallagher Jr.). Oliver communicates via an app on his phone and he awakens one evening to find a story called “Larry the Misunderstood Monster” on his phone. While he attempts to read it, unusual things start to happen such as lights going out on their own and the belief that there is something in the room.
When morning arrives we see that Oliver is picked on at school due to his disability and a past incident where he struck another student. The fact that his parents are strained does not help but Oliver continues to experience unusual events especially in the evening.
Oliver starts to believe that Larry from his story is indeed real and is attempting to enter his world and take him. Unable to communicate this clearly, Oliver soon has his concerns confirmed when students come to his home and he sees Larry via a camera on a found tablet.
As the situation unfolds, the tension mounts Larry begins to manifest himself more and more in our world forcing Oliver and his parents to confront Larry who has become more and bolder in his manifestations.
While the film is shot in darkness for several parts of the movie which makes some things harder to see; it does add to the tension and the story is a nice deviation from the usual killer monster on the loose and provides a more restrained but suspenseful take on the monster on the loose film. The smaller cast works well as it is at the core a story about family and the extent parents will go for their children as well as a look at the problems of loneliness amongst children; especially those with disabilities.
In the end “Come Play” is a creepy, memorable, and refreshing horror /suspense film that stays with you long after the movie ends.
3.5 stars out of 5
The film follows Oliver (Azhy Robertson); a non-verbal autistic boy living with his mother Sarah (Gillian Jacobs), and his father Marty (John Gallagher Jr.). Oliver communicates via an app on his phone and he awakens one evening to find a story called “Larry the Misunderstood Monster” on his phone. While he attempts to read it, unusual things start to happen such as lights going out on their own and the belief that there is something in the room.
When morning arrives we see that Oliver is picked on at school due to his disability and a past incident where he struck another student. The fact that his parents are strained does not help but Oliver continues to experience unusual events especially in the evening.
Oliver starts to believe that Larry from his story is indeed real and is attempting to enter his world and take him. Unable to communicate this clearly, Oliver soon has his concerns confirmed when students come to his home and he sees Larry via a camera on a found tablet.
As the situation unfolds, the tension mounts Larry begins to manifest himself more and more in our world forcing Oliver and his parents to confront Larry who has become more and bolder in his manifestations.
While the film is shot in darkness for several parts of the movie which makes some things harder to see; it does add to the tension and the story is a nice deviation from the usual killer monster on the loose and provides a more restrained but suspenseful take on the monster on the loose film. The smaller cast works well as it is at the core a story about family and the extent parents will go for their children as well as a look at the problems of loneliness amongst children; especially those with disabilities.
In the end “Come Play” is a creepy, memorable, and refreshing horror /suspense film that stays with you long after the movie ends.
3.5 stars out of 5
Boost Sex Drive Hypnosis PRO
Health & Fitness and Medical
App
◉ Overcome the feelings blocking your libido after listening daily for just 1–3 weeks ◉ Change...
Meddling Kids: A Novel
8.1
Rate It
Book
With raucous humor and brilliantly orchestrated mayhem, Meddling Kids subverts teen detective...
Fiction Horror Humor Dark Fiction Mystery Paranormal
Matthew Krueger (10051 KP) rated The Brood (1979) in Movies
Sep 4, 2020 (Updated Sep 4, 2020)
They're Waiting For You
Man i love David Cronenberg, his horror films are disturbing, disgusting, gory, burtal, horrorfying and terrorfying. All of those words describe this film.
The plot: follows a man and his mentally-ill ex-wife, who has been sequestered by a psychologist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
Conceived by Cronenberg after his own acrimonious divorce, he intended the screenplay as a meditation on a fractured relationship between a husband and wife who share a child, and cast Eggar and Hindle as loose facsimiles of himself and his ex-wife. He would later state that, despite its incorporation of science fiction elements, he considered it his sole feature that most embodied a "classic horror film".
Written in the aftermath of writer-director Cronenberg's divorce from his wife, The Brood has been noted by critics and film scholars for its prominent themes surrounding fears of parenthood, as well as corollary preoccupations with repression and the treatment of mental illness in women.
The Brood is my version of Kramer vs. Kramer, but more realistic." —Cronenberg commenting on his concept of the film, 1979.
In retrospect, Cronenberg stated that he felt The Brood was "the most classic horror film I've done" in terms of structure.
The Brood had cuts demanded for its theatrical release in the United States, Canada, and United Kingdom. Eggar conceived of the idea of licking the new fetuses that her character Nola Carveth has spawned. "I just thought that when cats have their kittens or dogs have puppies (and I think at that time I had about 8 dogs), they lick them as soon as they’re born. Lick, lick, lick, lick, lick…," Eggar said.
However, when the climactic scene was censored, Cronenberg responded: "I had a long and loving close-up of Samantha licking the fetus […] when the censors, those animals, cut it out, the result was that a lot of people thought she was eating her baby. That's much worse than I was suggesting.
Its a distubing film but a excellent film.
The plot: follows a man and his mentally-ill ex-wife, who has been sequestered by a psychologist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
Conceived by Cronenberg after his own acrimonious divorce, he intended the screenplay as a meditation on a fractured relationship between a husband and wife who share a child, and cast Eggar and Hindle as loose facsimiles of himself and his ex-wife. He would later state that, despite its incorporation of science fiction elements, he considered it his sole feature that most embodied a "classic horror film".
Written in the aftermath of writer-director Cronenberg's divorce from his wife, The Brood has been noted by critics and film scholars for its prominent themes surrounding fears of parenthood, as well as corollary preoccupations with repression and the treatment of mental illness in women.
The Brood is my version of Kramer vs. Kramer, but more realistic." —Cronenberg commenting on his concept of the film, 1979.
In retrospect, Cronenberg stated that he felt The Brood was "the most classic horror film I've done" in terms of structure.
The Brood had cuts demanded for its theatrical release in the United States, Canada, and United Kingdom. Eggar conceived of the idea of licking the new fetuses that her character Nola Carveth has spawned. "I just thought that when cats have their kittens or dogs have puppies (and I think at that time I had about 8 dogs), they lick them as soon as they’re born. Lick, lick, lick, lick, lick…," Eggar said.
However, when the climactic scene was censored, Cronenberg responded: "I had a long and loving close-up of Samantha licking the fetus […] when the censors, those animals, cut it out, the result was that a lot of people thought she was eating her baby. That's much worse than I was suggesting.
Its a distubing film but a excellent film.
The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life
6.5
Rate It
Book
In this generation-defining self-help guide, a superstar blogger cuts through the crap to show us...
Psychology
Sea Breeze: Phantom Queen Book 8 - A Temple Verse Series (The Phantom Queen Diaries)
Shayne Silvers and Cameron O'Connell
9.0
Rate It
Book
Remember when dead in the water was just an expression? Not anymore. Fresh from her unplanned...
Hush (Nights #8)
6.3
Rate It
Book
Tom Sutherland is an arrogant prick. There, I said it. Okay, so he’s also my assistant and I...
Adult Contemporary Romance
Merissa (12051 KP) rated The Kiss (The Cotiere Chronicles #1) in Books
Apr 14, 2023
I was a bit wary when starting this book as I knew from the synopsis that there were three people involved and my immediate fear was a love triangle, which I'm really fed up with reading about! However, my fears were groundless as this book took a turn that I never saw coming and by this point, I was totally engrossed in the story.
Liesl, Baden and Koen all change and grow in this book, no stagnation for any of these characters! However, Liesl is the one who grows the most. She has been lied to and manipulated for most of her life but once the truth is given to her, she makes her stand in her own quiet way, showing a strength of will and character where you might have thought of weakness. I loved her! Baden and Koen are both fantastic characters and I loved both of them. One thing I will point out in particular though, and it's about Koen. He has asthma and I LOVED that. He was not an Alpha Male absolutely perfect in every way. Instead, he has a debilitating illness (that I also suffer with so my chest tightened every time I read about his suffering!) and STILL manages to be an Alpha Male absolutely perfect in every way! He is romantic, funny, caring, protective, and loving - everything a romantic like me needs to read about.
The plot was fantastic and was very smoothly written. There is enough depth to this to make it a fantastic book and, speaking as an English transplant in Germany, I loved reading the German sentences because I understood them without the translation. Trust me, this means that it is simple enough for anyone but the translation is there just in case.
Overall, this book swept me away. Well written, edited and with no grammatical mistakes that I found, I was lost within this book and certainly didn't want it to end. Absolutely brilliant and highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 26, 2015
Liesl, Baden and Koen all change and grow in this book, no stagnation for any of these characters! However, Liesl is the one who grows the most. She has been lied to and manipulated for most of her life but once the truth is given to her, she makes her stand in her own quiet way, showing a strength of will and character where you might have thought of weakness. I loved her! Baden and Koen are both fantastic characters and I loved both of them. One thing I will point out in particular though, and it's about Koen. He has asthma and I LOVED that. He was not an Alpha Male absolutely perfect in every way. Instead, he has a debilitating illness (that I also suffer with so my chest tightened every time I read about his suffering!) and STILL manages to be an Alpha Male absolutely perfect in every way! He is romantic, funny, caring, protective, and loving - everything a romantic like me needs to read about.
The plot was fantastic and was very smoothly written. There is enough depth to this to make it a fantastic book and, speaking as an English transplant in Germany, I loved reading the German sentences because I understood them without the translation. Trust me, this means that it is simple enough for anyone but the translation is there just in case.
Overall, this book swept me away. Well written, edited and with no grammatical mistakes that I found, I was lost within this book and certainly didn't want it to end. Absolutely brilliant and highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 26, 2015