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Mark @ Carstairs Considers (2357 KP) rated A Simple Murder (Will Rees, #1) in Books
Feb 9, 2020
Simple Time but Complex Murder
It’s 1795, and Will Rees has spent the last few years as a traveling weaver while grieving his wife. He’s left his son and his Maine farm in the care of his sister and her husband, but his most recent trip home leads to the discovery that they’ve been abusing that trust, and his son, David, has run away to a Shaker community over a day’s travel away. Will goes to try to repair their relationship only to find himself involved in a murder. One of the Shaker women has been killed in their community, and the Elders have asked Will to find the killer. His problem, however, is that he is an outsider. Will anyone trust him enough to share the information he needs to solve the case?
I’m always on the lookout for a good historical mystery, so I was quite eager to pick this one up. I’m not familiar with the Shakers, so that was also an interesting aspect of the book. The plot is good with plenty of twists and a logical conclusion, however, I felt like the pacing could have been better. That might have just been me since Will could only talk to a couple of people at a time if he had to travel far to talk to them. This is a historical mystery, after all. That travel time may have helped lead me to feel like things were slow. The characters are strong. I really came to care for Will and several of the others. The characters were just as strong, and I had no trouble keeping them apart. However, as Will begins to find complex family relationships, I had a hard time keeping all of those straight. The everyday details of life in the time period were strong and helped make me feel like I was back in time when I was reading the book. I am definitely planning to visit Will again to find out what happens to him next.
I’m always on the lookout for a good historical mystery, so I was quite eager to pick this one up. I’m not familiar with the Shakers, so that was also an interesting aspect of the book. The plot is good with plenty of twists and a logical conclusion, however, I felt like the pacing could have been better. That might have just been me since Will could only talk to a couple of people at a time if he had to travel far to talk to them. This is a historical mystery, after all. That travel time may have helped lead me to feel like things were slow. The characters are strong. I really came to care for Will and several of the others. The characters were just as strong, and I had no trouble keeping them apart. However, as Will begins to find complex family relationships, I had a hard time keeping all of those straight. The everyday details of life in the time period were strong and helped make me feel like I was back in time when I was reading the book. I am definitely planning to visit Will again to find out what happens to him next.
Charlie Cobra Reviews (1840 KP) rated The Silence (2019) in Movies
Jul 7, 2020
Good But Not Great, Hints of Tension & Terror
The Silence is a 2019 horror film directed by John R. Leonetti and based on a screenplay by Carey Van Dyke and Shane Van Dyke. It is an adaptation of a novel by the same name by author Tim Lebbon. The movie was produced by Constantin Film and EMJAG Productions and distributed by Netflix. It stars Kiernan Shipka, Stanley Tucci, and Miranda Otto.
A team of researchers accidentally unleash an unknown species of blind winged creatures deep in a cavern underground. The creatures, called "vesps", violently attack the researchers, killing them before flying out of the cave seeking the noisiest areas next. Ally (Kiernan Shipka), who lost her hearing in a car accident, lives with her brother Jude (Kyle Harrison Breitkopf), parents, Hugh (Stanley Tucci) and Kelly (Miranda Otto), grandmother Lynn (Kate Trotter) and dog Otis. As the outbreak spreads, a state of emergency is declared and people are urged to stay quiet and indoors. However Ally suggests the countryside is likelier to be more quiet so they set out in two cars, accompanied by Glenn (John Corbett), Hugh's best friend.
This movie was alright, but i felt it could have been better. It wasnt terrible though and even had some really good scenes. It was a pretty cool idea/concept. I feel that the film A Quiet Place, did a better job in almost every way in comparison. I think that this movie wasn't able to sell the tension in a convincing way and was unrealistic in some parts. I liked Stanley Tucci's acting but the daughter's was hit or miss for me the entire film. And I'm sure there were plenty of plot holes in this film too, I could feel them as the movie went on. As critic Chris Agar of Screen Rant put it, "...a fairly bland thriller that struggles to leave much of an impact - despite some fleeting moments of pure tension and terror." I give it a 6/10.
A team of researchers accidentally unleash an unknown species of blind winged creatures deep in a cavern underground. The creatures, called "vesps", violently attack the researchers, killing them before flying out of the cave seeking the noisiest areas next. Ally (Kiernan Shipka), who lost her hearing in a car accident, lives with her brother Jude (Kyle Harrison Breitkopf), parents, Hugh (Stanley Tucci) and Kelly (Miranda Otto), grandmother Lynn (Kate Trotter) and dog Otis. As the outbreak spreads, a state of emergency is declared and people are urged to stay quiet and indoors. However Ally suggests the countryside is likelier to be more quiet so they set out in two cars, accompanied by Glenn (John Corbett), Hugh's best friend.
This movie was alright, but i felt it could have been better. It wasnt terrible though and even had some really good scenes. It was a pretty cool idea/concept. I feel that the film A Quiet Place, did a better job in almost every way in comparison. I think that this movie wasn't able to sell the tension in a convincing way and was unrealistic in some parts. I liked Stanley Tucci's acting but the daughter's was hit or miss for me the entire film. And I'm sure there were plenty of plot holes in this film too, I could feel them as the movie went on. As critic Chris Agar of Screen Rant put it, "...a fairly bland thriller that struggles to leave much of an impact - despite some fleeting moments of pure tension and terror." I give it a 6/10.
Daniel Rossen recommended track The Children, Save the Children by Elvin Jones in It Don't Mean a Thing by Elvin Jones in Music (curated)
Hazel (2934 KP) rated Shadow Sands (Kate Marshall #2) in Books
Oct 24, 2020
I stupidly thought that you wouldn't be able to better or even come close to be as good as the first in this series "Nine Elms", which was one of my all time top reads, but I was so wrong ... Mr Bryndza has written another doozy of a book that I absolutely gobbled up. You don't have to have read the first story as this works as a stand alone BUT you really should!
Once again, I was totally engrossed from the first to the last word and became totally invested in the strong characters and their stories. The pace felt spot on for me and the tension, particularly when the story is being told from the victim's side, was spine-tinglingly good. Similarly, when the story is told from the killer's point of view, there were times when I got shivers up my neck he was so cold and matter-of-fact about the terror he was inflicting on a fellow human being - it was perfect.
As I've said, the characters are strong. The relationship between Kate and Tristan feels natural and genuine and I really feel for them as they go through their own struggles as if they were real people such is the strength of how they have been developed by the author. I thought it was genius to have Peter Conway (from Nine Elms) make an appearance and I hope we get to "see" more of him in subsequent books.
Mr Bryndza says "there are lots more books to come, and I hope you stay with me for the ride!" ... well, I certainly will and can't wait for the next instalment.
Highly recommended for readers who love dark, exciting, suspense-filled stories that despite making you feel ill at ease at times, you read on into the night.
I am so grateful to Little, Brown Book Group and NetGalley for providing my advance copy in return for an honest and unbiased review.
Once again, I was totally engrossed from the first to the last word and became totally invested in the strong characters and their stories. The pace felt spot on for me and the tension, particularly when the story is being told from the victim's side, was spine-tinglingly good. Similarly, when the story is told from the killer's point of view, there were times when I got shivers up my neck he was so cold and matter-of-fact about the terror he was inflicting on a fellow human being - it was perfect.
As I've said, the characters are strong. The relationship between Kate and Tristan feels natural and genuine and I really feel for them as they go through their own struggles as if they were real people such is the strength of how they have been developed by the author. I thought it was genius to have Peter Conway (from Nine Elms) make an appearance and I hope we get to "see" more of him in subsequent books.
Mr Bryndza says "there are lots more books to come, and I hope you stay with me for the ride!" ... well, I certainly will and can't wait for the next instalment.
Highly recommended for readers who love dark, exciting, suspense-filled stories that despite making you feel ill at ease at times, you read on into the night.
I am so grateful to Little, Brown Book Group and NetGalley for providing my advance copy in return for an honest and unbiased review.
Erika (17789 KP) rated Hamnet in Books
Jan 10, 2021
Hamnet was the 1st book I read in 2020 that was named after the son, but, in reality, the entire book is about the mother.
Hamnet is the story of an little, unknown playwright's son, who died of the plague. Just kidding, the playwright is obviously Shakespeare, but he is never named. Which is fine with me, he wasn't the focus.
Nothing much is really known about Hamnet, the author did some extensive research, and created the series of events. I thought they were all plausible, and I always appreciate a heavily researched historical fiction novel.
In truth, the focus of the novel is on Anne Hathaway, called Agnes in this novel. It's possible her true name was Agnes, rather than Anne. Now, I had a slight problem with the character of Agnes in general. This was the major negative in the book for me, I feel as though the woman in the woods, is she or isn't she a witch situation is getting overplayed way too much. Now, I see it as the equivalent as the manic pixie dream girl. I understand this woman of the woods trope is to empower the female characters, but it's just too familiar at this point.
I feel mostly that every book I read is predictable, when you read over 100 books a year, it's hard not to predict the ending. Is it necessarily a bad thing? Of course it's not, but that coupled with the manic pixie woman of the woods is why I can't rate this higher than good.
I have to add that one of my favorite parts, that was probably really unnecessary, was the journey of the plague-carrying flea. I thought it was amusing, and kind of odd.
I can definitely see why this book was up for prizes, and I'm sure to the casual reader, it was better than good.
Hamnet is the story of an little, unknown playwright's son, who died of the plague. Just kidding, the playwright is obviously Shakespeare, but he is never named. Which is fine with me, he wasn't the focus.
Nothing much is really known about Hamnet, the author did some extensive research, and created the series of events. I thought they were all plausible, and I always appreciate a heavily researched historical fiction novel.
In truth, the focus of the novel is on Anne Hathaway, called Agnes in this novel. It's possible her true name was Agnes, rather than Anne. Now, I had a slight problem with the character of Agnes in general. This was the major negative in the book for me, I feel as though the woman in the woods, is she or isn't she a witch situation is getting overplayed way too much. Now, I see it as the equivalent as the manic pixie dream girl. I understand this woman of the woods trope is to empower the female characters, but it's just too familiar at this point.
I feel mostly that every book I read is predictable, when you read over 100 books a year, it's hard not to predict the ending. Is it necessarily a bad thing? Of course it's not, but that coupled with the manic pixie woman of the woods is why I can't rate this higher than good.
I have to add that one of my favorite parts, that was probably really unnecessary, was the journey of the plague-carrying flea. I thought it was amusing, and kind of odd.
I can definitely see why this book was up for prizes, and I'm sure to the casual reader, it was better than good.
Darren (1599 KP) rated The Ghoul (2016) in Movies
Sep 13, 2019
Characters – Chris is an undercover detective that starts seeing a psychotherapist to help solve the latest case, but the more time he spends in therapy the thinner the line between reality and the truth come from. Kathleen is an old friend from university that supports Chris, while also having him when she needs help. We have other characters that come into the life of Chris, the therapists trying to help him, the fellow patient trying to warn him, the film does keep the character numbers down with each posing a potential end of the investigation for Chris.
Performances – Tom Meeten appears in every scene and his performances needs to be great to carry the film, he is wonderful through the film as we feel his confusion through it all. Going into the supporting cast, we do have good performances for Tom to bounce off too.
Story – The story is the hardest thing to describe, it will keep you guessing from start to finish as you wait to see where the film will go next. This is both a good thing and a bad thing, because you will need to give the film 100% attention to make sure you don’t miss anything and even if you blink you might miss an important clue.
Thriller – This has tension driven through the film as we can see how thing could end up becoming something shocking.
Settings – The film is set in London which helps us se the busy street feel to the busy lives that the people are living.
Scene of the Movie – The final reveal.
That Moment That Annoyed Me – It is slightly too confusing.
Final Thoughts – This is a real mind bender, I always enjoy seeing film makers push things to the limits even if I don’t personally enjoy the film as much as I should have.
Overall: Real mind bender for all.
Performances – Tom Meeten appears in every scene and his performances needs to be great to carry the film, he is wonderful through the film as we feel his confusion through it all. Going into the supporting cast, we do have good performances for Tom to bounce off too.
Story – The story is the hardest thing to describe, it will keep you guessing from start to finish as you wait to see where the film will go next. This is both a good thing and a bad thing, because you will need to give the film 100% attention to make sure you don’t miss anything and even if you blink you might miss an important clue.
Thriller – This has tension driven through the film as we can see how thing could end up becoming something shocking.
Settings – The film is set in London which helps us se the busy street feel to the busy lives that the people are living.
Scene of the Movie – The final reveal.
That Moment That Annoyed Me – It is slightly too confusing.
Final Thoughts – This is a real mind bender, I always enjoy seeing film makers push things to the limits even if I don’t personally enjoy the film as much as I should have.
Overall: Real mind bender for all.
A refreshing take on superheroes
I’ve never read the comics, so took a punt on this as it’s been recommended by a few of my friends, and i absolutely loved it.
It’s the perfect antidote to the homely, suitable for kids superhero films like Marvel that bombard our screens every year. Instead The Boys is rude, crude, dark and downright hilarious at times. It’s full of blood and gore too that you’d never find anywhere near any Marvel films. There’s something beyond refreshing watching a show with superheroes behaving badly like villains, and the take on superheroes being owned and represented by a massive corporation is rather brilliant. You can almost imagine that this is how superheroes would turn out if they lived in today’s society.
This has a great cast too, and there are some wonderful performances in this. I adore Karl Urban and he’s good in this, although I feel like he’s let down a little by the fact that they’ve made him a cliched cockney. Antony Starr is seriously creepy and yet charming as Homelander, and he was great to watch. Although my favourite had to be Chace Crawford as The Deep. I feel like he was a little under-utilised in the main plot, but he provided some of the funniest scenes in the entire series and I really wanted to see more of him.
The ending was good and a nice reveal, although I wanted more and felt like it ended maybe a little too abruptly. Aside from Karl Urban’s English accent, the superhero names grate a little after a while because they are super cheesy and cringey (which I’m assuming they’re meant to be). And I felt like the character of Black Noir was a complete mystery and whilst this may be intentional, I do there has been a little bit more of him.
Aside from these little niggles though, this is a refreshingly entertaining series. So much so I’d love to watch a second series, like now.
It’s the perfect antidote to the homely, suitable for kids superhero films like Marvel that bombard our screens every year. Instead The Boys is rude, crude, dark and downright hilarious at times. It’s full of blood and gore too that you’d never find anywhere near any Marvel films. There’s something beyond refreshing watching a show with superheroes behaving badly like villains, and the take on superheroes being owned and represented by a massive corporation is rather brilliant. You can almost imagine that this is how superheroes would turn out if they lived in today’s society.
This has a great cast too, and there are some wonderful performances in this. I adore Karl Urban and he’s good in this, although I feel like he’s let down a little by the fact that they’ve made him a cliched cockney. Antony Starr is seriously creepy and yet charming as Homelander, and he was great to watch. Although my favourite had to be Chace Crawford as The Deep. I feel like he was a little under-utilised in the main plot, but he provided some of the funniest scenes in the entire series and I really wanted to see more of him.
The ending was good and a nice reveal, although I wanted more and felt like it ended maybe a little too abruptly. Aside from Karl Urban’s English accent, the superhero names grate a little after a while because they are super cheesy and cringey (which I’m assuming they’re meant to be). And I felt like the character of Black Noir was a complete mystery and whilst this may be intentional, I do there has been a little bit more of him.
Aside from these little niggles though, this is a refreshingly entertaining series. So much so I’d love to watch a second series, like now.
Amy Norman (1048 KP) rated The Umbrella Academy - Season 2 in TV
Aug 5, 2020
This quirky show always seems to deliver!
I don't normally start out by mentioning soundtracks but from the get-go it packed an absolute punch, and became a living, breathing, essential part of the show.
There was a good range of old and modern, foreign language versions, and just a whole mix of genres - that had me looking up tracks and adding them to my playlists.
Adele's 'Hello' will never be the same again.
This season I genuinely sang, laughed, cried, cheered, and my jaw dropped. Watching programmes on my own means it is normally hard to elicit an actual physical, or emotional, response.
The show has definitely eased into a comfortable stride, and the characters were far more likeable, now that a lot of the angst is out of the way. All the characters have matured somewhat but retained many of their issues, it's what makes them them, and in any good TV show, it takes a bit of time to fully overcome these.
I have come to love and appreciate many of the characters differently from season one. Season one had a few more stand out characters, and they really pushed those ones on to the audience. Whereas this time, it felt more like an ensemble piece, with all the parts being essential (and did I mention more likeable 😅).
The show touched on some tricky themes, and resonates with the current political climate. I feel like the show dealt with these historically horrific times with an elegance and dignity that was in keeping with the feel of the programme.
A few more puzzle pieces fell into place but there is still plenty of mystery left to keep you wanting more.
The whole thing is over the top, messy, and utterly outrageous at times, but that is all part of the charm.
I am eager for the next season, and hope it isn't delayed too much.
I don't normally start out by mentioning soundtracks but from the get-go it packed an absolute punch, and became a living, breathing, essential part of the show.
There was a good range of old and modern, foreign language versions, and just a whole mix of genres - that had me looking up tracks and adding them to my playlists.
Adele's 'Hello' will never be the same again.
This season I genuinely sang, laughed, cried, cheered, and my jaw dropped. Watching programmes on my own means it is normally hard to elicit an actual physical, or emotional, response.
The show has definitely eased into a comfortable stride, and the characters were far more likeable, now that a lot of the angst is out of the way. All the characters have matured somewhat but retained many of their issues, it's what makes them them, and in any good TV show, it takes a bit of time to fully overcome these.
I have come to love and appreciate many of the characters differently from season one. Season one had a few more stand out characters, and they really pushed those ones on to the audience. Whereas this time, it felt more like an ensemble piece, with all the parts being essential (and did I mention more likeable 😅).
The show touched on some tricky themes, and resonates with the current political climate. I feel like the show dealt with these historically horrific times with an elegance and dignity that was in keeping with the feel of the programme.
A few more puzzle pieces fell into place but there is still plenty of mystery left to keep you wanting more.
The whole thing is over the top, messy, and utterly outrageous at times, but that is all part of the charm.
I am eager for the next season, and hope it isn't delayed too much.
Lyndsey Gollogly (2893 KP) rated Moonville ( Gold Prophecy 1-4) in Books
Mar 1, 2024
40 of 220
Kindle
Booksirens arc
Moonville (Gold Blood Prophecy 1-4)
By K.J Devoir
⭐️⭐️
Please check Trigger warnings
Psycho gets the girl.
Leena Sperling has fallen into darkness. Darkness has a name...
ZAND BYRON
He’s larger than life. He’s also a deeply dangerous, twisted soul, a textbook psychopath. But, somehow...she makes him feel.
"You can run, Leena. But I will find you."
Leena: When I arrived to the City of Souls, the tiny cemetery town wrapping the Bay Area foothills where Moonvine Manor is located, I had no idea what to expect or how insane my life would become after moving into the former, Queen Anne, funeral home that belonged to my missing sister. I should have known that being greeted by a tombstone-shaped granite welcome sign was either a sick joke or a bad omen. But I could never have predicted that I would fall in love with the darkness.
Zand: I don’t want to ever stop making her cry. Her tears are full of human feelings, and I love the taste. She makes me feel, but part of me wants to end the human in her that brings out the human in me. In a heartbeat, I could make her nightmares infinitely darker. I'm a bad man, trying to be good.
Ok so this premise was good it gave me very much Morganville vibes but a little darker and steamy. The characters were ok and certainly lived up to the dark paranormal romance vibe.
But I had a few issues and I can only be honest. There were bits of the book that didn’t quite add up and there was something really off about it all. A few times I wanted to stop reading. It just wasn’t for me.
I received an advance review copy for free, and I am leaving this review voluntarily.
Please check Trigger warnings
Kindle
Booksirens arc
Moonville (Gold Blood Prophecy 1-4)
By K.J Devoir
⭐️⭐️
Please check Trigger warnings
Psycho gets the girl.
Leena Sperling has fallen into darkness. Darkness has a name...
ZAND BYRON
He’s larger than life. He’s also a deeply dangerous, twisted soul, a textbook psychopath. But, somehow...she makes him feel.
"You can run, Leena. But I will find you."
Leena: When I arrived to the City of Souls, the tiny cemetery town wrapping the Bay Area foothills where Moonvine Manor is located, I had no idea what to expect or how insane my life would become after moving into the former, Queen Anne, funeral home that belonged to my missing sister. I should have known that being greeted by a tombstone-shaped granite welcome sign was either a sick joke or a bad omen. But I could never have predicted that I would fall in love with the darkness.
Zand: I don’t want to ever stop making her cry. Her tears are full of human feelings, and I love the taste. She makes me feel, but part of me wants to end the human in her that brings out the human in me. In a heartbeat, I could make her nightmares infinitely darker. I'm a bad man, trying to be good.
Ok so this premise was good it gave me very much Morganville vibes but a little darker and steamy. The characters were ok and certainly lived up to the dark paranormal romance vibe.
But I had a few issues and I can only be honest. There were bits of the book that didn’t quite add up and there was something really off about it all. A few times I wanted to stop reading. It just wasn’t for me.
I received an advance review copy for free, and I am leaving this review voluntarily.
Please check Trigger warnings
Goddess in the Stacks (553 KP) rated Rebel of the Sands in Books
May 19, 2018 (Updated May 19, 2018)
Amani is a girl in a country that doesn't value women, and treats them as useless property only good for breeding sons. The country is basically occupied by another country that the Sultan is "allied" with, but lets run roughshod over his people. She has her sights set on escaping her backwoods, dead-end town, and running to the capital city, where the aunt she's never met lives. All of that is derailed when she meets Jin at an underground shooting competition, and then later hides him from the armed forces hunting him.
The country is definitely middle-east inspired, but there's a lot of religion-bashing, and complaining about the culture oppressing women. It's the same problem I have with a lot of knight-and-castle era fantasy - just because historically in OUR world those time periods weren't kind to women, doesn't mean they have to be the same in fantasy. It's FANTASY! It can be anything you want! Break the tropes! It's a fine line to walk, taking the good parts of a culture without just cherry-picking and appropriating the culture, and who's judging what the good and bad parts are, anyway? So I understand it's difficult, but bashing the culture in a book inspired by their mythology is not quite cool, either. I feel like City of Brass, another fantasy book set in the middle east, hit a better middle ground of embracing the culture of the inspiration without bashing parts of it.
That gripe aside, I really enjoyed the world-building. I'm not quite sold on the characters yet - Amani is far too quick to abandon things she should fight for - but I'm interested enough to see how they progress in the next two books.
You can find all my reviews at http://goddessinthestacks.wordpress.com
The country is definitely middle-east inspired, but there's a lot of religion-bashing, and complaining about the culture oppressing women. It's the same problem I have with a lot of knight-and-castle era fantasy - just because historically in OUR world those time periods weren't kind to women, doesn't mean they have to be the same in fantasy. It's FANTASY! It can be anything you want! Break the tropes! It's a fine line to walk, taking the good parts of a culture without just cherry-picking and appropriating the culture, and who's judging what the good and bad parts are, anyway? So I understand it's difficult, but bashing the culture in a book inspired by their mythology is not quite cool, either. I feel like City of Brass, another fantasy book set in the middle east, hit a better middle ground of embracing the culture of the inspiration without bashing parts of it.
That gripe aside, I really enjoyed the world-building. I'm not quite sold on the characters yet - Amani is far too quick to abandon things she should fight for - but I'm interested enough to see how they progress in the next two books.
You can find all my reviews at http://goddessinthestacks.wordpress.com