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LoganCrews (2861 KP) rated Annabelle Comes Home (2019) in Movies

Oct 26, 2020 (Updated Oct 26, 2020)  
Annabelle Comes Home (2019)
Annabelle Comes Home (2019)
2019 | Horror, Mystery, Thriller
Incompetent, one of the worst horror movies I've ever seen. No film with a 70s soundtrack this cool should suck this hard, just as a bylaw from now on. Gives you false hope by starting off with Patrick Wilson and Vera Farmiga's charming Warren couple (after rehashing that first 𝘛𝘩𝘦 𝘊𝘰𝘯𝘫𝘶𝘳𝘪𝘯𝘨 scene for the third goddamned time in three different movies) then violating your trust by immediately veering into pure shit. Not even remotely scary, just really loud and irritating - somehow even less frightening than 𝘈𝘯𝘯𝘢𝘣𝘦𝘭𝘭𝘦: 𝘊𝘳𝘦𝘢𝘵𝘪𝘰𝘯 and that useless spinoff wasn't scary either. The same tropes with increasingly less charm, wit, originality, and purpose with each subsequent entry - this one having the added facet of looking like total ass now too! You'd think a beloved multi-million dollar franchise would be able to produce a film that doesn't look like a cheap Halloween section at a Party City with only like one and a half cool shots lmfao. At first you may think that maybe its lack of polish is supposed to add into a nostalgic, old-school Hollywood horror vibe but no - they just didn't care. For a now defaced series so adamant on overstuffing itself with intertwining lore (like so many films feel the need to nowadays during this unholy "just wait for the good stuff... it's building for now..." franchise kick) to the point of losing all sense of singularity they really put nothing into this writing to justify any of that. They really just turned this into some disgraceful, borderline unwatchable, generic drek that'd feel right at home in 2011/2012's rotten horror catalogue. A sequel to a prequel of a prequel to a main entry which has its own sequel that has *its* own spinoff. The pits.
  
White Boy Rick (2018)
White Boy Rick (2018)
2018 | Crime, Drama
I'm in that bizarre situation again where I've just seen a film that I couldn't actually find a flaw in but it's getting a low rating because it really wasn't my sort of thing.

The cast did a great job, I couldn't fault any of them, even Eddie Marsan who I've become increasingly wary about since he's started popping up all over the place. Richie Merritt as Ricky gave such a great performance. Just the right amount of teenage attitude. His interactions with the police and agents really hit the right spot.

The film has such amazing accuracy on all the "period" items, and the general feel over the whole film really nails that era. Nothing felt out of place at all, every camera angle worked, every bit of scenery. It isn't often I think that about a film.

It baffles my mind a little to think that this isn't a made up story. It really is a shame that this isn't my sort of film. While it definitely had some interesting moments and a fairly strong, if rocky, family theme running through it, if you aren't engaging with it then it does feel a little drawn out. As I said, it's a well made film and brought to the screen incredibly well but it's definitely not made for me.

What you should do

If you're into true stories then this one might appeal to you. My score says don't watch it, but my brain is saying do. It is a good film, and if the subject matter appeals then I think you'll appreciate it a lot more than I was able to.

Movie thing you wish you could take home

I've got a shoe box under my bed, if it could be full of money the next time I check that would be great.
  
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Sarah (7800 KP) rated Joker (2019) in Movies

Oct 10, 2019  
Joker (2019)
Joker (2019)
2019 | Crime, Drama
Why so serious?
This is the first film in a long time that I've come out of feeling very divided, and it's taken a rather lengthy internal debate on the way home to figure out how I really feel about it.

This starts off slow, very slow and I was worried that I was going to get very bored very quickly. However Joaquin Phoenix's performance is phenomenal and although he is disturbingly thin for this, he's brilliant to watch, even considering the subject matter. If it wasn't for the Gotham setting and mention of the Wayne's, this wouldn't feel like a DC superhero/villain film and this is my main criticism. I love how dark and gritty Joker is and that this is mainly a study about mental health, but I do wish it had a little more in it to tie it to it's source material. Even just a nod to his most well known origin story as seen in some of the other films would've made this even better. I've heard a lot of people say this is uncomfortable viewing, but I didnt see that myself. It's just a stark portrayal of mental health and it does very well in this respect. The violence is sparse yet fits well - I didn't think it was overdone or excessive. And the final act with the talk show and ending was sheer brilliance and really brought Joker towards the character we know and love. It's this final part that sold this film for me, and I'm interested to see how they fit this into the rest of the DC universe, and if we start seeing more superhero films that are much darker and realistic. This is definitely a good example to follow!
  
The Man Who Killed Don Quixote (2018)
The Man Who Killed Don Quixote (2018)
2018 | Adventure, Comedy, Drama
What did I just watch?
I love Terry Gilliam but I'm really not too sure what to make of this film and whether it was really worth the 25 year wait it's taken to get this to the big screen.

This has a great cast, notably Jonathan Pryce who is absolutely wonderful as Don Quixote. And surprisingly Adam Driver. I really don't like him as Kylo Ren but it appears it may be that particular character letting him down as I've loved him in everything else I've seen him in and especially this. He's a hoot. Sadly though I think the rest of the cast may be let down by the sheer wackiness and confusion of it all. And that's the main issue I had with this film, it's absolutely crazy and I didn't have a clue what on earth was going on for the most part. There are the odd funny quips and scenes (one with Oscar Jaenada dressed in a cupid outfit whilst brief gave me the biggest laugh of all), but for me these are few and far between and not enough. The ending is rather silly and fitting and the film overall looks good (even if some of it is in a cheap Monty Python-esque way), but I spent the rest of the film nearly pulling my hair out in frustration as to what the heck was going on and some of the dodgy weird camera angles didn't help. And that's not really something you want to feel while watching a film.

There's a scene towards the end of this film where someone says "try to keep up with the plot" and Adam Driver's character replies with "There's a plot?" - this exchange literally sums up the way I feel about this entire film.
  
Dark Phoenix (Phoenix #2)
Dark Phoenix (Phoenix #2)
Elise Faber | 2019 | Romance, Science Fiction/Fantasy
10
10.0 (1 Ratings)
Book Rating
OMG, I never expected this story to go this way! I will say now that I think I spent far too long actually wanting to whop a character upside his head!

Dark Phoenix pretty much starts where Phoenix Rising left off. Cody and Daughtry are still trying to learn what it's like to be bonded mates, but things aren't going too well given outside circumstances. For example, there is a big shocker that happens about who it was that actually kidnapped Daughtry. This results in Cody being a complete donk and pushing Daughtry away. She is feeling overwhelmed and her feelings of inadequacy are rampant. She also feels very lonely as her friendships with John and Suz take a beating too. Daughtry is so strong in some ways, as Morgan very eloquently said. She has faced so much, been betrayed by so many, and yet still carries on with a pure heart.

Just like with book one, this book has it all - an action-packed climax, enough feels to leave you feeling wrung out, and a big enough dollop of humour that you feel like you just have to carry on. The secrets and mysteries that are revealed in this book are stunning and I personally hope for some more from this series, as I don't feel that I am ready to leave Daughtry and Cody yet. I am hopeful from the way it ended that there will be more to come. Highly recommended.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Dec 17, 2015
  
Protecting What's Mine (Men Of Maddox Security #1)
Protecting What's Mine (Men Of Maddox Security #1)
Logan Chance | 2025 | Contemporary, Romance
8
8.0 (1 Ratings)
Book Rating
fast intense read!
Independent reviewer for BookSirens, I was gifted my copy of this book.

What this book is, right, is one of those books you can just fall into and READ, you know?? It's not complicated, or twisted. You don't have to pay too much attention (which for me, is perfect right now!) It's got steam and smexy times, a bit of drama, but no real angst and I really needed this book at this point in my reading list!

Ranger is part of Maddox Security and he is tasked with keeping Tory safe while her scientist father talks at a summit. But some folk take offense at what he is talking about, and threats have been made.

What I especially LOVED about this book, was there was no preamble: it's intense right from the start and both Tory and Ranger both feel it from that very first minute. They just jump straight in, and I really loved that.

All the guys from Maddox Security will get a book, and each book starts with the same meeting, so I assume there will be overlapping timelines. I liked that I knew what was coming.

So why four stars and not five? First person, present tense, mulit point of view. It really is a personal choice, and sometimes I can over see it; sometimes I will dump a book written so. But I can't quite stretch to the 5 stars for this reason only.

I would love to be able to read Dean's story (the big boss man at Maddox) at some point and I really REALLY want to continue with these guys. I feel they are all gonna fall hard and fast, just like Ranger does!

4 very VERY good stars

*same worded review will appear elsewhere
  
Good Will Hunting (1997)
Good Will Hunting (1997)
1997 | Drama
Well Deserved Oscars for Williams, Damon and Affleck
One of the benefits of “Secret Movie Night” is that it forces me to watch (or rewatch) a film that I would not seek out on my own. Such is the case with this month’s selection - GOOD WILL HUNTING - the film that made Matt Damon and Ben Affleck stars and earned the late, great Robin Williams his only Academy Award.

Leaning hard on the mantra “write what you know”, GOOD WILL HUNTING tells the tale of a generationally talented math prodigy, who grew up in South Boston and fights his demons to find his place in this world.

Famously, the screenplay of this film earned Damon and Affleck Oscars for Best Original Screenplay and it is well deserved. They paint a picture of life of these “Southies” that appears to me real and genuine. The “family” feel of the friendship of the main characters rings true and Damon and Affleck have real chemistry with each other - like old friends playing off each other.

However, the relationship between Affleck and Damon’s character in this film is only the 3rd best relationship in this film. The best, of course, is the relationship between Will Hunting (Damon) and the shrink that is assigned to him, played by Robin Williams. It is a haunting, raw, emotional and REAL performance by Williams - one very deserving of the Oscar - and I was more than a little sad to watch this performance knowing that this uniquely talented performer is no longer with us.

The surprise to me in this rewatch of the film is the performance of Minnie Driver as a young lady that becomes emotionally attached to Will. Driver’s performance as Harvard student Skylar is also real and the struggles of her character to get a connection with Will was heartbreaking to watch.

Good Will Hunting also features strong supporting work by Stellan Skarsgard as the MIT Math Professor who discovers - and then becomes jealous of - Will’s talents and Ben Affleck’s younger brother, a then unknown Casey Affleck, who steals almost every scene he is in.

All of this would not have worked without the magnificent, Oscar nominated, Direction of Gus Van Sant (DRUGSTORE COWBOY). He was the perfect choice to direct this intimate, personal drama and he has a way of drawing out the emotions and rawness of the characters on the screen without being cloying or overdramatic. He was a strong contender for Best Director that year (as was Good Will Hunting for Best Picture) but it ran into a roadblock that was James Cameron and TITANIC.

If you have never seen this film - or if you haven’t seen this in quite some time - check out GOOD WILL HUNTING, it is well worth your time.

Letter Grade: A

9 stars (out of 10) and you can take that to the Bank(ofMarquis)