"I recently shared this book with my daughter. Now we both read the affirmations daily. Love your body to make it happy and healthy and whole! Here’s an example of how easy it is to practice these ideas: I love to put my feet up at the end of the day and watch them looking kinda good. In my mind I say to them: ‘Thank you for taking me around for so many years to so many places—with happy steps. You’re the best!’ This is a very practical book. Every page just lists a part of your body and one or two lines of blessings you can repeat. Repeat out loud. When you need it quickly – like you had a rough night, your kidney is hurting, your liver is feeling heavy but you have to go into the subway/the tube as soon as you can – go to the pages in Louise Hay and just bless your liver and kidney before your morning starts. Isn’t that great? Don’t feel guilty if you forget to do it! I forget, too, you know. But my liver and kidney seem to understand me by now, that I do care about them."

"Royal Trux are a band I maybe got into four or five years ago. I think me liking them has a lot to do with just how good a guitar player Neil Hagerty is, but I like Royal Trux a lot more than any of the other bands he was in. It's just that feeling of when you're making music with the right person, a whole genre might evolve from it. They are completely unique and I think that he couldn't have done it without Jennifer Herrema - it could have only have ever been the two of them. That's what's so great about so many records I like... they often have a partnership of two people and their music couldn't have happened any other way. I feel The Horrors are like that a bit because we've seen so many bands come and go in the ten years since we've been a band. It feels like such a lottery whether a band stays together or not. But, on the other side of that, for us it feels like we could never actually break up. I guess that's an odd thing to say. That's about as optimistic as I get, probably."

"This one was one of my favorites because it was the opening track to The Rise & Fall Of Ziggy Stardust. What was wanted was a drum beat to introduce the song itself and to set an atmosphere for the whole album. The idea of the song is that the world is ending in five years, so it was about finding a drumbeat that got that across – which was quite a challenge! I remember going through drum rolls, cymbal crashes and I kind of thought: 'Well if it's the end of the world… I can't be bothered! Haha!' You wouldn't be excited and you wouldn't feel like doing a lot. So, that beat came out of sort of despair and apathy, and then when the band comes in and David starts singing, it just feels right. It felt like a really good beginning, so I was quite proud of that. I nailed the brief by all reports! It's been a lot of people's favorite bit of drumming, which is always nice to hear. They'll say: 'Oh when 'Five Years' starts, it gives my spine a tingle when I hear it!' Well my spine was tingling when I played it!"