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Darren (1599 KP) rated Bound to Vengeance (2015) in Movies
Oct 14, 2019
Characters – Eve is one of the victims of the sexual predator, planning her escape she learns there are more girls being held captive. She sets out with her capturer to save the other victims determined to make him pay along the way. Phil is the sexual predator, he has the girls locked up in different locations and uses them as leverage to keep himself alive. We do meet the other girls, but rarely see much from them.
Performances – Tina Ivlev is the star of the show here, she uses every emotional encounter as fuel to drive her character, showing us determination and toughness through her ordeal. Richard Tyson is great too as the predator, showing us just how far one would go to stay ahead of the game.
Story – The story here does give us a revenge thriller that shows us what one woman who escapes her prison only to go on a mission to locate the other victims before handing in the predator. The story does turn the revenge thriller on its head because we only get a small glimpse at the suffering she has been through as we focus on her decision to do the right thing for the other victims. We do have twists along the way and unlikely reaction to being rescued too. While the jumps to the original life on camera can be frustrating and not needed the rest of the pacing of the story does feel like it keeps you going without any problems.
Horror – The horror in the film comes from just seeing what Eve and the other girls have gone through feeling and looking just as brutal as it should be.
Settings – The film takes us to different safe house like location to see where the girls are being kept, each one has a different look and style to how they will be used for the girls.
Special Effects – The effects through the film are good, they show us the attacks both sides will be dealing with and making it all look like it was real throughout.
Scene of the Movie – The escape seems planned as well as showing the panic.
That Moment That Annoyed Me – The camcorder material.
Final Thoughts – This is a good revenge thriller that does everything you want, it is blood soaked and does give us a fresh approach to handling the story.
Overall: Revenge Thriller for all.
Performances – Tina Ivlev is the star of the show here, she uses every emotional encounter as fuel to drive her character, showing us determination and toughness through her ordeal. Richard Tyson is great too as the predator, showing us just how far one would go to stay ahead of the game.
Story – The story here does give us a revenge thriller that shows us what one woman who escapes her prison only to go on a mission to locate the other victims before handing in the predator. The story does turn the revenge thriller on its head because we only get a small glimpse at the suffering she has been through as we focus on her decision to do the right thing for the other victims. We do have twists along the way and unlikely reaction to being rescued too. While the jumps to the original life on camera can be frustrating and not needed the rest of the pacing of the story does feel like it keeps you going without any problems.
Horror – The horror in the film comes from just seeing what Eve and the other girls have gone through feeling and looking just as brutal as it should be.
Settings – The film takes us to different safe house like location to see where the girls are being kept, each one has a different look and style to how they will be used for the girls.
Special Effects – The effects through the film are good, they show us the attacks both sides will be dealing with and making it all look like it was real throughout.
Scene of the Movie – The escape seems planned as well as showing the panic.
That Moment That Annoyed Me – The camcorder material.
Final Thoughts – This is a good revenge thriller that does everything you want, it is blood soaked and does give us a fresh approach to handling the story.
Overall: Revenge Thriller for all.
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Ivana A. | Diary of Difference (1171 KP) rated Multiverse in Books
Aug 3, 2020
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Multiverse is a collection of poems as well as short paragraphs that take on interesting topics and thought-provoking scenarios of our life.
After reading Multiverse, I cannot say for certain whether he is being arrogant or brave. I am still undecided as to whether I love or hate his style of writing. There is something very intriguing about his writing; sometimes he makes me smirk, and sometimes his words trigger me.
<b><i>"In a democracy, shouldn't there be room for those who don't want a fair society?"</i></b>
Even though I appreciate the style this book was written in, and the way the topics are being expressed, I am not in awe of how bombshells are dropped and then he proceeds to move on to a different subject.
Following up on this, I would also like to note the poem "Forsaking the Poppy", where the author opens us the suggestion of declining to wear a poppy. The thought process behind it is that this could be seen as synonymous with racism and chauvinism.
<b><i>One thing is certain though. </i></b>
This book will definitely leave an impact on you, whether good or bad. And it will prompt a discussion, or at least spark a bit of curiosity on various topics that are relevant in today's world.
I recommend it to all curious minds out there. It may not be your cup of tea, but you never know. As for me, I like books that either make me feel good or learn something, so i will end this review with something I learnt from this book:
<b><i>"According to ancient Japanese culture, the Sakura tree represents the beauty and fragility of life, reminding us that things in life are incredibly precious but also tragically ephemeral." </i></b>
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<img src="https://diaryofdifference.com/wp-content/uploads/2020/04/Book-Review-Banner-38.png"/>;
Multiverse is a collection of poems as well as short paragraphs that take on interesting topics and thought-provoking scenarios of our life.
After reading Multiverse, I cannot say for certain whether he is being arrogant or brave. I am still undecided as to whether I love or hate his style of writing. There is something very intriguing about his writing; sometimes he makes me smirk, and sometimes his words trigger me.
<b><i>"In a democracy, shouldn't there be room for those who don't want a fair society?"</i></b>
Even though I appreciate the style this book was written in, and the way the topics are being expressed, I am not in awe of how bombshells are dropped and then he proceeds to move on to a different subject.
Following up on this, I would also like to note the poem "Forsaking the Poppy", where the author opens us the suggestion of declining to wear a poppy. The thought process behind it is that this could be seen as synonymous with racism and chauvinism.
<b><i>One thing is certain though. </i></b>
This book will definitely leave an impact on you, whether good or bad. And it will prompt a discussion, or at least spark a bit of curiosity on various topics that are relevant in today's world.
I recommend it to all curious minds out there. It may not be your cup of tea, but you never know. As for me, I like books that either make me feel good or learn something, so i will end this review with something I learnt from this book:
<b><i>"According to ancient Japanese culture, the Sakura tree represents the beauty and fragility of life, reminding us that things in life are incredibly precious but also tragically ephemeral." </i></b>
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
The Super Metabolism Diet: The Two-Week Plan to Ignite Your Fat-Burning Furnace and Stay Lean for Life!
David Zinczenko and Keenan Mayo
Book
TORCH FAT, LOOK YOUNGER, AND START LOSING YOUR BELLY—IN JUST 14 DAYS! NBC News health and...
health and fitness
Merissa (12934 KP) rated It's Complicated (Reservations #2) in Books
Dec 17, 2021 (Updated Jul 9, 2023)
IT'S COMPLICATED is the second book in the Reservations series and is also how I feel about this book. This is Julian's story; his and the Marlborough Man, otherwise known as Beckett.
Julian has lived through hell and come out the other side. Beckett only knows that he wants to know him better, no matter what happened in his past. Thane, in the first book, looked at Levi and wanted him, prepared to do whatever it took to have him. In a way, Beckett is the same, except he doesn't try to steamroller Julian. Instead, he goes for the perfect gentleman, gently-gently approach. Julian responds to him but ultimately, has different goals than Beckett.
And that, right there, is why I struggled with this book. I just don't like Julian. Now, I'm not saying anything about his past. What he dealt with, nobody should ever have to deal with. I'm talking about the present and future Julian. In his professional life, he constantly flouts the rules that are there for the protection of others, not just him. He is rude and has a major attitude. Only once does he acknowledge that he caused trouble for others, but then immediately justifies it by saying he was doing it for the betterment of the club. And in his personal life, the whole time he was with Beckett, he only had in mind getting his body back in the game of being an Escort. (Yes, I do realise he has to do that to have his epiphany...) And Beckett was a bit too soft and gentle if you know what I mean. If Julian had done to me what he did to Beckett, we certainly wouldn't be looking at sunsets with his family, put it that way.
I liked the cameos of Thane and Levi; for me, they helped move this story along. It's a Kindle Alexander book, which means it's steamy and generally a good read. However, this one just didn't do it for me as others have done.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 17, 2021
Julian has lived through hell and come out the other side. Beckett only knows that he wants to know him better, no matter what happened in his past. Thane, in the first book, looked at Levi and wanted him, prepared to do whatever it took to have him. In a way, Beckett is the same, except he doesn't try to steamroller Julian. Instead, he goes for the perfect gentleman, gently-gently approach. Julian responds to him but ultimately, has different goals than Beckett.
And that, right there, is why I struggled with this book. I just don't like Julian. Now, I'm not saying anything about his past. What he dealt with, nobody should ever have to deal with. I'm talking about the present and future Julian. In his professional life, he constantly flouts the rules that are there for the protection of others, not just him. He is rude and has a major attitude. Only once does he acknowledge that he caused trouble for others, but then immediately justifies it by saying he was doing it for the betterment of the club. And in his personal life, the whole time he was with Beckett, he only had in mind getting his body back in the game of being an Escort. (Yes, I do realise he has to do that to have his epiphany...) And Beckett was a bit too soft and gentle if you know what I mean. If Julian had done to me what he did to Beckett, we certainly wouldn't be looking at sunsets with his family, put it that way.
I liked the cameos of Thane and Levi; for me, they helped move this story along. It's a Kindle Alexander book, which means it's steamy and generally a good read. However, this one just didn't do it for me as others have done.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 17, 2021
Piper (13 KP) rated Strangers: Prey at Night (2018) in Movies
Nov 27, 2019
Real-feeling Characters (2 more)
Escalating Tension
Some Excellent Scenes
Some Naff Shots (1 more)
Hammy Acting
Contains spoilers, click to show
I’ve heard a lot of trash about this movie, and only some of it is right. Don’t get me wrong - it has its downfalls. We’ll get to those. But it’s a genuinely fun horror movie and, considering the predictability of the slasher genre, it’s fairly terrifying: the suspense doesn’t let up from damn near the beginning. For full disclosure, I haven’t seen the original Strangers movie, and I’ve heard it’s a whole lot better than this 2018 sequel. But the fact that Prey at Night stands successfully alone as a movie means it doesn’t matter which order you watch them in - all I’d say is that it’s probably best not to pay much attention to the reviews on this one (as sefl-destructive as a comment like that might be). It’s impressive in its own right, and if this apparently-subpar sequel is anything to go by, the original must be worthwhile. I’ll let you know once I’ve actually seen it.
Now, onto the juicy stuff. There really isn’t a whole lot of bad to this movie, and what there is is fairly standard for modern horror movies. The plot is fairly predictable: people with knives hunt down people without (the good guys do have a single gun between them, and in a display that makes you genuinely shout at your television it never gets used); a dysfunctional American family gets torn completely apart; every single time you think the evil nasty villain man is dead, he stands up, just a little out of our good guy’s eyeline. It’s fairly repetitive - how much story can you get out of some knives and masks and a little bit of running? - and while it nicely strays from the standard twisty ending, there’s a hint of danger at the end that a) doesn’t make sense, b) doesn’t mean anything, and c) isn’t explored or explained so falls very short of what it’s trying to do. And that’s nearly all the bad out of the way, but I’d like to give an honourable mention to some very corny Raimi-esque camera zooms that, momentarily, take the viewer completely out of the film and just look terrible.
Having said that, most of the camerawork is good - shaky where it needs to be, dead straight when it works. There are some claustrophobic close-ups that leave you wondering just what the director’s hiding out of frame. And while watching a creepily-masked figure loom silently into frame can get a little less scary every time, it’s certainly well-shot. Despite the pitfalls, most of which are just so easy to slip into, the good parts to this movie mostly fall into the categories of character work and nice, understated gore. The bloody parts are suitably bloody, but they don’t become unrealistic. In fact, there are gory moments that seem meticulously well-crafted and you can almost feel the pain. The characters are annoying at times, they all have their own quirks and tightly-wound baggage, and there are places where their obviously set-up arcs just don’t get the resolution they need - hang on, why do I think this is a good film?
Here’s why. Because it’s real. People don’t always get resolution (okay, it isn’t always because one of the conflicting characters dies about five minutes into the experience, but we don’t always get closure, we don’t always get to fix relationships before it’s too late). The characters in this film are, despite everything, quite likeable once you get to know them, and there’s a truly heartbreaking moment fairly early on that can’t be shunned. The injuries these characters sustain throughout don’t just go away - they stick around, for the most part, slow them down, make them vulnerable. The setting is unassuming until you realise this family are literally the only characters in the film that aren’t dead (and quite beautifully mutilated) or wielding a knife/axe/pickup truck - and if you dare make the connection between a spooky trailer park and a certain Camp Crystal Lake, it makes sense. The slashers themselves are fairly unoriginal (I’m really trying not to stray into the negatives again) but they’re human. They can die. Their motives are revealed in a simple, nicely-put “Why not?” and it’s clear they don’t need a reason, this is just fun for them. The masks, obviously, add a little layer of creep, and there’s a swimming pool scene that really is quite beautifully done. Watching people get murdered to a corny, cheerful eighties soundtrack might get irritating, if it wasn’t established that that’s just a chilling preference of the primary slasher character. The popping-up-out-of-nowhere gimmick might get a little annoying if it wasn’t established that really, this is just that kind of movie. The fact that we never find out what Kenzie did to get her shipped off to boarding school, or who Tamara was (should I have seen the first movie? I’ll have to watch it soon or I just might be lambasted for my ignorance) didn't put us too out-of-place, because there are enough wonderful gore and inventive set-piece-driven slasher moments to remind you that, hang on, you don't really need to know. The tension builds, and it builds, and oh it keeps on building right until the end, and it’s the one thing about this film that's masterfully done.
At the end of the day, this isn’t a great movie. It’s certainly not perfect. But it’s good. It feels real, and it feels, in places, genuinely terrifying. It’s a fun watch and it hasn’t been ridiculously drawn-out like some recent films (I’m looking at you, Chapter Two) so it’s quick, it’s choppy, and there’s a half-decent scare every now and then. Will it scar you for life? Depends how you feel about Kim Wilde.
Now, onto the juicy stuff. There really isn’t a whole lot of bad to this movie, and what there is is fairly standard for modern horror movies. The plot is fairly predictable: people with knives hunt down people without (the good guys do have a single gun between them, and in a display that makes you genuinely shout at your television it never gets used); a dysfunctional American family gets torn completely apart; every single time you think the evil nasty villain man is dead, he stands up, just a little out of our good guy’s eyeline. It’s fairly repetitive - how much story can you get out of some knives and masks and a little bit of running? - and while it nicely strays from the standard twisty ending, there’s a hint of danger at the end that a) doesn’t make sense, b) doesn’t mean anything, and c) isn’t explored or explained so falls very short of what it’s trying to do. And that’s nearly all the bad out of the way, but I’d like to give an honourable mention to some very corny Raimi-esque camera zooms that, momentarily, take the viewer completely out of the film and just look terrible.
Having said that, most of the camerawork is good - shaky where it needs to be, dead straight when it works. There are some claustrophobic close-ups that leave you wondering just what the director’s hiding out of frame. And while watching a creepily-masked figure loom silently into frame can get a little less scary every time, it’s certainly well-shot. Despite the pitfalls, most of which are just so easy to slip into, the good parts to this movie mostly fall into the categories of character work and nice, understated gore. The bloody parts are suitably bloody, but they don’t become unrealistic. In fact, there are gory moments that seem meticulously well-crafted and you can almost feel the pain. The characters are annoying at times, they all have their own quirks and tightly-wound baggage, and there are places where their obviously set-up arcs just don’t get the resolution they need - hang on, why do I think this is a good film?
Here’s why. Because it’s real. People don’t always get resolution (okay, it isn’t always because one of the conflicting characters dies about five minutes into the experience, but we don’t always get closure, we don’t always get to fix relationships before it’s too late). The characters in this film are, despite everything, quite likeable once you get to know them, and there’s a truly heartbreaking moment fairly early on that can’t be shunned. The injuries these characters sustain throughout don’t just go away - they stick around, for the most part, slow them down, make them vulnerable. The setting is unassuming until you realise this family are literally the only characters in the film that aren’t dead (and quite beautifully mutilated) or wielding a knife/axe/pickup truck - and if you dare make the connection between a spooky trailer park and a certain Camp Crystal Lake, it makes sense. The slashers themselves are fairly unoriginal (I’m really trying not to stray into the negatives again) but they’re human. They can die. Their motives are revealed in a simple, nicely-put “Why not?” and it’s clear they don’t need a reason, this is just fun for them. The masks, obviously, add a little layer of creep, and there’s a swimming pool scene that really is quite beautifully done. Watching people get murdered to a corny, cheerful eighties soundtrack might get irritating, if it wasn’t established that that’s just a chilling preference of the primary slasher character. The popping-up-out-of-nowhere gimmick might get a little annoying if it wasn’t established that really, this is just that kind of movie. The fact that we never find out what Kenzie did to get her shipped off to boarding school, or who Tamara was (should I have seen the first movie? I’ll have to watch it soon or I just might be lambasted for my ignorance) didn't put us too out-of-place, because there are enough wonderful gore and inventive set-piece-driven slasher moments to remind you that, hang on, you don't really need to know. The tension builds, and it builds, and oh it keeps on building right until the end, and it’s the one thing about this film that's masterfully done.
At the end of the day, this isn’t a great movie. It’s certainly not perfect. But it’s good. It feels real, and it feels, in places, genuinely terrifying. It’s a fun watch and it hasn’t been ridiculously drawn-out like some recent films (I’m looking at you, Chapter Two) so it’s quick, it’s choppy, and there’s a half-decent scare every now and then. Will it scar you for life? Depends how you feel about Kim Wilde.
Merissa (12934 KP) rated Last Chance (Royal-Kagan Shifter World #7) in Books
Oct 5, 2017
Last Chance (Royal-Kagan Shifter World #7) by Nancy Corrigan
Last Chance is Gwen's story, with Xander and Vlad/Vader. We met her at the same time we met Molly, but then she disappeared. Xander left his pack in the care of Xane, his twin brother, and put all his time and energy into finding her. Vlad was also doing the same, with Shifter Affairs as his back up. Both of these males have a history with Gwen, but none that she is aware of. Their history comes from previous incarnations that Gwen can't yet remember, and they always have a sad ending. Because triads aren't common, neither Vlad nor Xander were aware of the implications in Gwen's past lives. However, with the triad that has now happened, the way is open for them to finally make their soul-bond... if Gwen can forgive them for their errors.
Yes, Gwen is a virgin and she's human, but she is NOT weak. She has weak moments, when events overwhelm her, but come on, be honest. If you had undergone all that she has, you'd feel overwhelmed at times too. And don't forget, once you've stopped fighting for your life, the adrenaline drops, and it is then that you feel overwhelmed. I loved Gwen, and her sassy, feisty attitude, that will not just accept what her mates are telling her. Xander and Vlad are both exceptional males, but that didn't stop me from wanting to whomp them upside the head when they started - either at each other, or their misguided attempts of 'protecting' Gwen. There is so much in this story, more than enough to get your teeth into. Molly, the Ulgran clan, Lena, past incarnations, current situations, prickly males and sassy females. Not only do you get Gwen's story, but you get an update on Lena and Molly, with it being an integral part to both this story and moving forwards.
With no editing or grammatical errors, the pacing was smooth, leading to a gripping story with natural peaks and troughs. It flowed smoothly, from one scene to the next, leading up to the ending. I was completely enthralled with this story, and it has definitely left me a) wanting to read them all again, and b) waiting oh so patiently for the next one!
Highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Yes, Gwen is a virgin and she's human, but she is NOT weak. She has weak moments, when events overwhelm her, but come on, be honest. If you had undergone all that she has, you'd feel overwhelmed at times too. And don't forget, once you've stopped fighting for your life, the adrenaline drops, and it is then that you feel overwhelmed. I loved Gwen, and her sassy, feisty attitude, that will not just accept what her mates are telling her. Xander and Vlad are both exceptional males, but that didn't stop me from wanting to whomp them upside the head when they started - either at each other, or their misguided attempts of 'protecting' Gwen. There is so much in this story, more than enough to get your teeth into. Molly, the Ulgran clan, Lena, past incarnations, current situations, prickly males and sassy females. Not only do you get Gwen's story, but you get an update on Lena and Molly, with it being an integral part to both this story and moving forwards.
With no editing or grammatical errors, the pacing was smooth, leading to a gripping story with natural peaks and troughs. It flowed smoothly, from one scene to the next, leading up to the ending. I was completely enthralled with this story, and it has definitely left me a) wanting to read them all again, and b) waiting oh so patiently for the next one!
Highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Steven Sklansky (231 KP) rated Justice League (2017) in Movies
Nov 17, 2017
Fantastic Story (4 more)
Left you wanting more
The Mix of comedy and action
The Flash
Length of the movie
A Super Hero Movie Everyone Can Enjoy
Well folks, it finally arrived. The Justice League was one of the best super hero movies I have seen. I did not go into the movie with high expectation. I just went in wanting to be entertained. I got and so much more. I walked out of the theater with a big smile on my face and nothing but good things to say.
I will get this over with first, but I did not care to much for how the movie opened with the kids interviewing Superman. It kind of felt off with the way the rest of the movie played out. After that moment it was just high flying from there.
The best part of this movie was the lack of origin story feel. They introduced the character in a way that made it feel they have been around forever. It didn't get into detail one where they came from and how they got there powers. They just gave us just enough to want to see more of them in another movie. What they showed us in this movie is that characters just needed to be placed in to the story and let go from there.
I would not call this a spoiler but Superman does come back from the dead. It was done perfectly. I think the weird thing though is that it was done in broad daylight and only 2 cops were around to see it. And Batman was out during the day too. Oh well.
The core story line of the movie, Steppenwolf getting the mother boxes told very well. Not to long and not to short. It I told us who the bad guy was, why he was doing it and how it was going to be accomplished. You can probably tell I like shorter movies. I know people are going to be a little upset with the lack of Darkseid, but I am sure it will make a big splash in a future movie.
Well I don't want to spoil the ending because I want you to go and see it, but it will make you wanting so much more. Also stay till the end of the credits, you will not be disappointed like you were at the end of the Wonder Women credits.
Well until next time, enjoy the show.
I will get this over with first, but I did not care to much for how the movie opened with the kids interviewing Superman. It kind of felt off with the way the rest of the movie played out. After that moment it was just high flying from there.
The best part of this movie was the lack of origin story feel. They introduced the character in a way that made it feel they have been around forever. It didn't get into detail one where they came from and how they got there powers. They just gave us just enough to want to see more of them in another movie. What they showed us in this movie is that characters just needed to be placed in to the story and let go from there.
I would not call this a spoiler but Superman does come back from the dead. It was done perfectly. I think the weird thing though is that it was done in broad daylight and only 2 cops were around to see it. And Batman was out during the day too. Oh well.
The core story line of the movie, Steppenwolf getting the mother boxes told very well. Not to long and not to short. It I told us who the bad guy was, why he was doing it and how it was going to be accomplished. You can probably tell I like shorter movies. I know people are going to be a little upset with the lack of Darkseid, but I am sure it will make a big splash in a future movie.
Well I don't want to spoil the ending because I want you to go and see it, but it will make you wanting so much more. Also stay till the end of the credits, you will not be disappointed like you were at the end of the Wonder Women credits.
Well until next time, enjoy the show.
kitty ♡ (68 KP) rated 13 Reasons Why in TV
Jan 9, 2018 (Updated Jan 9, 2018)
there are only 13 episodes (1 more)
we get to see part of the aftermath of the tapes
they changed the way hannah kills herself (3 more)
it felt too mainstream
i didn't feel the same watching it as i did when i read the book
that *particular* scene made me want to vomit
something just didn't click.
Contains spoilers, click to show
I would add the whole "suicide glamorization" factor as a negative, but that's something to be taken up with the author of the novel, Jay Asher, and not the television series. I'll talk about that when I review the book after I finish re-reading it.
TRIGGER WARNING: I will be talking about suicide here, which should be no surprise as this is a show about suicide, but I will be doing so in semi-detail.
The main bone I have to pick with this portrayal of 13 Reasons Why is that they changed the way Hannah kills herself. In the book, Hannah Baker kills herself by swallowing a handful of pills. And as the book is limited to Clay's point of view, Asher doesn't describe it in greater detail. If I can recall, he just leaves it as that (but feel free to correct me if I'm wrong!) In the series, however, Hannah kills herself by bleeding out in the bathtub. Instead of showing her swallowing pills, the writers decided that having the girl slit her wrists would be a better option which is WRONG. They really wanted those bonus points for gore, huh? The fact that they made her death more gruesome than it already is, is simply just disgusting, in my opinion.
Actually, the fact that they even showed her death scene at all is just disgusting. Not only is it so, but it may also be triggering for some people. They shouldn't have done it in such detail. What they could've done was they could've shown the blade (if she were still going to bleed out) and a little bit of blood to allude to the fact that she died this way. But no, they just had to show the whole process, which can easily turn into a how-to for viewers in a bad place.
Really, the only good thing I have to add about this is the fact that they show Tony giving Hannah's parents a copy of her tapes, and by the looks of it, the tapes may be handed to the police, which means Bryce's nasty ass can get what he deserves. Hopefully. But we really don't need a part 2. Sorry about it.
TRIGGER WARNING: I will be talking about suicide here, which should be no surprise as this is a show about suicide, but I will be doing so in semi-detail.
The main bone I have to pick with this portrayal of 13 Reasons Why is that they changed the way Hannah kills herself. In the book, Hannah Baker kills herself by swallowing a handful of pills. And as the book is limited to Clay's point of view, Asher doesn't describe it in greater detail. If I can recall, he just leaves it as that (but feel free to correct me if I'm wrong!) In the series, however, Hannah kills herself by bleeding out in the bathtub. Instead of showing her swallowing pills, the writers decided that having the girl slit her wrists would be a better option which is WRONG. They really wanted those bonus points for gore, huh? The fact that they made her death more gruesome than it already is, is simply just disgusting, in my opinion.
Actually, the fact that they even showed her death scene at all is just disgusting. Not only is it so, but it may also be triggering for some people. They shouldn't have done it in such detail. What they could've done was they could've shown the blade (if she were still going to bleed out) and a little bit of blood to allude to the fact that she died this way. But no, they just had to show the whole process, which can easily turn into a how-to for viewers in a bad place.
Really, the only good thing I have to add about this is the fact that they show Tony giving Hannah's parents a copy of her tapes, and by the looks of it, the tapes may be handed to the police, which means Bryce's nasty ass can get what he deserves. Hopefully. But we really don't need a part 2. Sorry about it.
Haley Mathiot (9 KP) rated Buckley's Story in Books
Apr 27, 2018
Buckley’s Story by Ingrid King
Genre: Memoir
Rating: 4.5/5
Summary: Ingrid adopts a kitten named Buckley while she is still working in an animal hospital. Eventually, she leaves and starts her own business, as a Reiki healer, someone who transfers healing energy to a client. As cats are able to sense energy in a room or in a person, Buckley becomes her assistant healer, as she is able to sense where more energy is always needed, and Buckley becomes a healer-cat. Buckley’s story is the tail (pun intended) of Buckley and Ingrid’s sweet, joyful life together.
Thoughts:
I absolutely loved this book. This cat is such a character! She is lively and energetic, and does the funniest things sometimes.
There were also some very informative sections in the book. I learned the real truth about “healing animals,” cats, and the affect that animals have on people. We’ve all heard the stories about the animals that could sense cancer in people before the doctors find it—Ingrid throws in some interesting data into the book as well. However, it doesn’t feel like an out of place paragraph, and it isn’t dry like a text book.
When Ingrid described Buckley’s “time to wake up my owner” process, I laughed out loud (much to the dismay of the other people sitting in the library). Buckley reminded me a little bit of Simon’s Cat—“Meow, meow (bang on the head with a baseball bat) Meow.”
There was an interesting spiritual aspect of this book, too. The healing process of Reiki is supposed to be a spiritual and physical experience, and I found it an intriguing idea. I’ve experienced my cats and dog knowing when I’m stressed and being able to make me feel better… But I had no idea that it was a transfer of energy. Ingrid also talks about Animal Communicators, people who are able to understand animals by connecting to that energy, and able to almost communicate with them telepathically.
At the end of the story, Ingrid shares the secrets (which are no longer secrets) that Buckley taught her on how to relax and live a less stressful life.
All in all, this book was a lovely and interesting story, and one that wraps you in a blanket and makes you want to cuddle a purring cat on your lap.
Recommendation: Ages 14+ This book is perfect for anybody who loves cats, animals in general, or a good memoir.
Genre: Memoir
Rating: 4.5/5
Summary: Ingrid adopts a kitten named Buckley while she is still working in an animal hospital. Eventually, she leaves and starts her own business, as a Reiki healer, someone who transfers healing energy to a client. As cats are able to sense energy in a room or in a person, Buckley becomes her assistant healer, as she is able to sense where more energy is always needed, and Buckley becomes a healer-cat. Buckley’s story is the tail (pun intended) of Buckley and Ingrid’s sweet, joyful life together.
Thoughts:
I absolutely loved this book. This cat is such a character! She is lively and energetic, and does the funniest things sometimes.
There were also some very informative sections in the book. I learned the real truth about “healing animals,” cats, and the affect that animals have on people. We’ve all heard the stories about the animals that could sense cancer in people before the doctors find it—Ingrid throws in some interesting data into the book as well. However, it doesn’t feel like an out of place paragraph, and it isn’t dry like a text book.
When Ingrid described Buckley’s “time to wake up my owner” process, I laughed out loud (much to the dismay of the other people sitting in the library). Buckley reminded me a little bit of Simon’s Cat—“Meow, meow (bang on the head with a baseball bat) Meow.”
There was an interesting spiritual aspect of this book, too. The healing process of Reiki is supposed to be a spiritual and physical experience, and I found it an intriguing idea. I’ve experienced my cats and dog knowing when I’m stressed and being able to make me feel better… But I had no idea that it was a transfer of energy. Ingrid also talks about Animal Communicators, people who are able to understand animals by connecting to that energy, and able to almost communicate with them telepathically.
At the end of the story, Ingrid shares the secrets (which are no longer secrets) that Buckley taught her on how to relax and live a less stressful life.
All in all, this book was a lovely and interesting story, and one that wraps you in a blanket and makes you want to cuddle a purring cat on your lap.
Recommendation: Ages 14+ This book is perfect for anybody who loves cats, animals in general, or a good memoir.