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Emma @ The Movies (1786 KP) rated The Little Things (2021) in Movies
Apr 5, 2021
New movies this year feel like both a treat and a torture, but Denzel? Gimme!
Deputy Joe Deacon is forced into confronting his past when he's sent to LA to collect some evidence. But his reluctant trip takes a turn as he gets involved in the investigation into a spate of murders. The obsession for a solution can sometimes be too much for even the most seasoned professional.
We open in 1990 in a situation that feels like it could be any time. The period doesn't feel like it holds any importance over the tale that's being told. It's almost a distraction as the opening feels like a flashback rather than just an introduction.
It has the look of a gritty crime drama/thriller. It's got the right tone, the right sort of actors, and definitely the right subject matter, but it somehow fails to engage on that level.
I love a Denzel performance, and he has this sort of genre deep in his back catalogue, it should be an easy win putting them together. It should. This one was disappointing. There doesn't seem to be much to Joe Deacon, lots gets revealed but it's never quite enough to see anything below the surface.
Rami Malek plays Jim Baker, the "new" Joe Deacon. I'm not a fan, of Malek or his character. I felt like Baker needed to be more charismatic and likeable, I found that particularly evident when I saw the press conference scene. I'm willing to admit that this is me saying the film should stick with the more traditional stereotypes of these roles, and they absolutely don't have to, but I found myself not being able to like/dislike him for the "right" reasons.
In the bad guy role we have Jared Leto, and he does creepy very well here. Out of our three main actors I would say that his performance is the best. With the other two I can see things that the characters are missing that would make an improvement (in my opinion), but here I think the thing that let him down was the films around him.
It's difficult to really point a finger at the exact issues I had with The Little Things, it may just be a combination of... the little things. (Sorry, I had to put it in somewhere.) There's character development, tense moments to make it more of a thriller, and in general, atmosphere... all missing... and while some parts of the ending were good, I don't think it gives a satisfying ending to make up for anything that came before.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/the-little-things-movie-review.html
Deputy Joe Deacon is forced into confronting his past when he's sent to LA to collect some evidence. But his reluctant trip takes a turn as he gets involved in the investigation into a spate of murders. The obsession for a solution can sometimes be too much for even the most seasoned professional.
We open in 1990 in a situation that feels like it could be any time. The period doesn't feel like it holds any importance over the tale that's being told. It's almost a distraction as the opening feels like a flashback rather than just an introduction.
It has the look of a gritty crime drama/thriller. It's got the right tone, the right sort of actors, and definitely the right subject matter, but it somehow fails to engage on that level.
I love a Denzel performance, and he has this sort of genre deep in his back catalogue, it should be an easy win putting them together. It should. This one was disappointing. There doesn't seem to be much to Joe Deacon, lots gets revealed but it's never quite enough to see anything below the surface.
Rami Malek plays Jim Baker, the "new" Joe Deacon. I'm not a fan, of Malek or his character. I felt like Baker needed to be more charismatic and likeable, I found that particularly evident when I saw the press conference scene. I'm willing to admit that this is me saying the film should stick with the more traditional stereotypes of these roles, and they absolutely don't have to, but I found myself not being able to like/dislike him for the "right" reasons.
In the bad guy role we have Jared Leto, and he does creepy very well here. Out of our three main actors I would say that his performance is the best. With the other two I can see things that the characters are missing that would make an improvement (in my opinion), but here I think the thing that let him down was the films around him.
It's difficult to really point a finger at the exact issues I had with The Little Things, it may just be a combination of... the little things. (Sorry, I had to put it in somewhere.) There's character development, tense moments to make it more of a thriller, and in general, atmosphere... all missing... and while some parts of the ending were good, I don't think it gives a satisfying ending to make up for anything that came before.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/the-little-things-movie-review.html
Jesters_folly (230 KP) rated The Suicide Squad (2021) in Movies
Aug 4, 2021
The Suicide Squad is a (possible) reboot that may or may not follow on from Suicide Squad and (or only) Birds of Prey. Honestly I'm not sure that even DC knows what's going on with their movie time line. Anyway, Margot Robbie and Joel Kinnamen return as Harley Quinn and Rick Flagg to lead another team of criminal misfits on an impossible mission (or, if it's a reboot like James Gunn says then it's the first time they are together and we ignore that Flagg askes Harley why she's back in prison or that Waller's team are checking who has worked with who). This time task force X are sent to the island of Corto Maltese to find and destroy 'Project Starfish'.
Ok so 'The Suicide Squad' is a good film, it looks like it has learned form the problems of the first film and incorporated the humour from 'Birds of Prey'. Firstly It's not as formulaic as the first film, a problem that is caused by the premise of 'Task Force X', if each member of the task force is chosen because they have a skill that is useful for the mission then you would expect that skill to be used and the first film took this too literally, each member had a scene where they did their thing then they just faded into the background and 'The Suicide Squad' avoids this by focusing on the characters was, well characters and not powers.
The film is very action driven and very violent but, unlike some of the other recent DC films it's not dark, it has more of a 'Grindhouse' feel than the dark, brooding style of the Batman/Superman/Justice league films (I liked those but they were a bit heavy in parts). The Suicide Squad has humour in it, some of which is quite immature but it fits the tone of the film. The violence and humour is some what balanced out by the comic book feel the film has, King shark, Weasel and Staro are both some what cartoony in appearance and some of the costumes are straight out of the comic books and I think that this is what managed to keep it at a (UK) rating of 15 because (and I know I've said this) it's violent, it's bloody, people get ripped apart and there is torture and lots of talk about killing children.
Somehow 'The Suicide Squad' is a fun watchable film and defiantly one of the better DC films, don't be put of by the original Suicide Squad (no 'The).
Oh and also there's a, after credit scene that set's up for a film that's been announced so stick around until the credits finish.
Ok so 'The Suicide Squad' is a good film, it looks like it has learned form the problems of the first film and incorporated the humour from 'Birds of Prey'. Firstly It's not as formulaic as the first film, a problem that is caused by the premise of 'Task Force X', if each member of the task force is chosen because they have a skill that is useful for the mission then you would expect that skill to be used and the first film took this too literally, each member had a scene where they did their thing then they just faded into the background and 'The Suicide Squad' avoids this by focusing on the characters was, well characters and not powers.
The film is very action driven and very violent but, unlike some of the other recent DC films it's not dark, it has more of a 'Grindhouse' feel than the dark, brooding style of the Batman/Superman/Justice league films (I liked those but they were a bit heavy in parts). The Suicide Squad has humour in it, some of which is quite immature but it fits the tone of the film. The violence and humour is some what balanced out by the comic book feel the film has, King shark, Weasel and Staro are both some what cartoony in appearance and some of the costumes are straight out of the comic books and I think that this is what managed to keep it at a (UK) rating of 15 because (and I know I've said this) it's violent, it's bloody, people get ripped apart and there is torture and lots of talk about killing children.
Somehow 'The Suicide Squad' is a fun watchable film and defiantly one of the better DC films, don't be put of by the original Suicide Squad (no 'The).
Oh and also there's a, after credit scene that set's up for a film that's been announced so stick around until the credits finish.
Emma @ The Movies (1786 KP) rated Mom and Dad (2018) in Movies
Sep 25, 2019
A teenage girl and her little brother must survive a wild 24 hours during which a mass hysteria of unknown origins causes parents to turn violently on their own kids.
This. Was. Hilarious. It's a zombie movie without being a zombie movie.
Surprisingly not listed as a comedy though, horror/action/thriller all the way... did these guys watch their own film? Luckily I was the only one in the screen because I was pissing myself laughing.
As much as I love Nicolas Cage, seeing him rage always makes me laugh. I feel like he would make a good Batman villain... for the TV show. The redeeming bit for me though was hearing him say "anal beads" in a moment where he flips out at his daughter's boyfriend.
I had some sympathy for Selma Blair's mum character, I wanted to kill her kid for most of the film too. Mum was a much more subtle murderous switch, whereas dad looked like he'd been having a meltdown for months. Mum seemed to struggle more with the idea of killing her kids, but when she went, boy was she a force to be reckoned with. Being a woman I can quite happily say that the look on her face, and the slow but meaningful grab of the tenderiser really does sum up how we feel for at least a minute portion of the month. Usually though in real life it would be us getting that look, taking a deep breath, and then smiling politely and going about our day... but in our heads... yep.
If you're not going to see this on your own then I'd advise you to go with friends. Not parents. As much as I love mine I was left wondering if the hysteria would make them want to drive across the country to try and kill me. I'm putting together a battle plan just in case. It is very much like my zombie apocalypse plan but less armour against biting.
The real question is whether the hysteria that was affecting the parents was entirely working on genetics or emotional connection... I'd have been interested to see the odd husband standing there with his kids, not affected while his wife goes full axe murderer and seeing him realise that his kids look more like the milkman/best friend than him. Conversely it would have been an awkward moment to admit that your kids were adopted... or would you attempt to kill them to hide the fact from them longer? Hmm... you know I say these things in jest though... it is only a film, don't get on my case about it.
This. Was. Hilarious. It's a zombie movie without being a zombie movie.
Surprisingly not listed as a comedy though, horror/action/thriller all the way... did these guys watch their own film? Luckily I was the only one in the screen because I was pissing myself laughing.
As much as I love Nicolas Cage, seeing him rage always makes me laugh. I feel like he would make a good Batman villain... for the TV show. The redeeming bit for me though was hearing him say "anal beads" in a moment where he flips out at his daughter's boyfriend.
I had some sympathy for Selma Blair's mum character, I wanted to kill her kid for most of the film too. Mum was a much more subtle murderous switch, whereas dad looked like he'd been having a meltdown for months. Mum seemed to struggle more with the idea of killing her kids, but when she went, boy was she a force to be reckoned with. Being a woman I can quite happily say that the look on her face, and the slow but meaningful grab of the tenderiser really does sum up how we feel for at least a minute portion of the month. Usually though in real life it would be us getting that look, taking a deep breath, and then smiling politely and going about our day... but in our heads... yep.
If you're not going to see this on your own then I'd advise you to go with friends. Not parents. As much as I love mine I was left wondering if the hysteria would make them want to drive across the country to try and kill me. I'm putting together a battle plan just in case. It is very much like my zombie apocalypse plan but less armour against biting.
The real question is whether the hysteria that was affecting the parents was entirely working on genetics or emotional connection... I'd have been interested to see the odd husband standing there with his kids, not affected while his wife goes full axe murderer and seeing him realise that his kids look more like the milkman/best friend than him. Conversely it would have been an awkward moment to admit that your kids were adopted... or would you attempt to kill them to hide the fact from them longer? Hmm... you know I say these things in jest though... it is only a film, don't get on my case about it.
Emma @ The Movies (1786 KP) rated Ant-Man and the Wasp (2018) in Movies
Sep 25, 2019
Yes Infinity War was good... but for me, Ant-Man And The Wasp was better. Yes IW was epic and devastating, but out of the two I didn't have any quibbles about this one. The CGI was what really did it for me. In IW Thanos' minions looked terrible, even when you take into consideration that they're aliens. But seeing the CGI in the flashback scenes in this one I was impressed at how real it all looked.
This is another film that makes me wish companies would think before they make their trailers. Fallout showed you a trailer that makes it look like Cavill is fighting Cruise and gives away a plot point that, at that point in the actual film, isn't certain. Fallen Kingdom shows you the shot of our giant aquatic friend playing with surfers, which in the actual movie doesn't happen until the closing scenes. In one of the Ant-Man trailers we see what amounts to the end of credits scene... yes there are things that are added to fit with the MCU timeline, but I don't feel like that really makes any difference to the situation. I also think that they should have left the shrinking building out of the trailers to give that a bigger impact in the release.
As far as the movies of the MCU go there are definitely some that are on the funnier side, and this fits that bill. Paul Rudd is obviously still a little goofy, and has an amazing montage sequence as he battles with his last few days of house arrest. But the real comedic star of this for me was Michael Peña. Lovable and an absolute gem. His face when he gets his hands on the Hot Wheels case... kid in a candy store. I truly hope that he survived the dusting of Infinity War. Pipe dreams I know, but I'm hoping he makes it through so he can Neville Longbottom Thanos.
To briefly cover the mid credit scene, which obviously left me with my jaw dropped a bit. There's one thing I'm wondering about, Scott says... "our new ghost friend"... now initially you'd think that he's talking about Ava, but she went off separately at the end of the film and it's got to take a fairly long time to make a new Quantum Tunnel, so could he be talking about someone else?
I still don't quite understand the decision to release this after IW considering the film itself is based before in the timeline, the only thing requiring it to be that way were the after credit scenes. Bit of a shame as I feel like after the epic nature of IW this has suffered as it's not on the same world ending and story completing level
This is another film that makes me wish companies would think before they make their trailers. Fallout showed you a trailer that makes it look like Cavill is fighting Cruise and gives away a plot point that, at that point in the actual film, isn't certain. Fallen Kingdom shows you the shot of our giant aquatic friend playing with surfers, which in the actual movie doesn't happen until the closing scenes. In one of the Ant-Man trailers we see what amounts to the end of credits scene... yes there are things that are added to fit with the MCU timeline, but I don't feel like that really makes any difference to the situation. I also think that they should have left the shrinking building out of the trailers to give that a bigger impact in the release.
As far as the movies of the MCU go there are definitely some that are on the funnier side, and this fits that bill. Paul Rudd is obviously still a little goofy, and has an amazing montage sequence as he battles with his last few days of house arrest. But the real comedic star of this for me was Michael Peña. Lovable and an absolute gem. His face when he gets his hands on the Hot Wheels case... kid in a candy store. I truly hope that he survived the dusting of Infinity War. Pipe dreams I know, but I'm hoping he makes it through so he can Neville Longbottom Thanos.
To briefly cover the mid credit scene, which obviously left me with my jaw dropped a bit. There's one thing I'm wondering about, Scott says... "our new ghost friend"... now initially you'd think that he's talking about Ava, but she went off separately at the end of the film and it's got to take a fairly long time to make a new Quantum Tunnel, so could he be talking about someone else?
I still don't quite understand the decision to release this after IW considering the film itself is based before in the timeline, the only thing requiring it to be that way were the after credit scenes. Bit of a shame as I feel like after the epic nature of IW this has suffered as it's not on the same world ending and story completing level
Darren (1599 KP) rated Unforgettable (2017) in Movies
Sep 26, 2019
Characters – Julia Banks is hitting the high point of her, promotion and engagement to the man of her dream. She does have a past which is very secretive that even David doesn’t know about it. She does have a habit about losing stuff, well she starts too, her past can play into her downfall against Tessa. Tessa is the ex-wife of David, she is very controlling and hasn’t taken the idea of David moving on well, she wants him back and with her own demanding mother in her life she is acting the same towards her own daughter. She always feels distant from any human interaction as she is planning to make Julia’s life a nightmare. David is the man stuck in the middle of everything, he is trying to keep both women happy one for the new love in his life the other to keep his daughter part of his life.
Performances – Rosario Dawson is good in her role we needed to see more of the life falling apart around her though. Katherine Heigl has had a mixed reaction from the audience and business over the last few years, she does work in this role as you do get an uneasy feeling whenever she is on screen. Geoff Stults is fine, he never really gets too much to do through the movie.
Story – The story follows an ex-wife that wants to make the new girlfriends life a living nightmare in an attempt to get her husband back. This does play out like all over the stalker films we have seen before and yes, we have moved along technologically making the moves against the victim more personally. This is an easy enough watch and playing into the idea that the victim has a past which could make her easier to frame does help even if the whole thing plays out just like you would imagine.
Thriller – The film tries to give us the tension bound levels needed, only for the most part to feel like it was just being slowly building and any scenes involving Julia and Tessa feel empty for the first half of the film.
Settings – The film puts us in high-life houses which shows how the family can cope with divorce easily, while this works, a lower class of victim would make this more intense and interesting.
Scene of the Movie – The final showdown.
That Moment That Annoyed Me – There isn’t enough tension in the early part of the film.
Final Thoughts – This is the trademark yearly stalker ex movie, it checks the boxes well without needing to be anything special or dreadful.
Overall: Simple Thriller.
Performances – Rosario Dawson is good in her role we needed to see more of the life falling apart around her though. Katherine Heigl has had a mixed reaction from the audience and business over the last few years, she does work in this role as you do get an uneasy feeling whenever she is on screen. Geoff Stults is fine, he never really gets too much to do through the movie.
Story – The story follows an ex-wife that wants to make the new girlfriends life a living nightmare in an attempt to get her husband back. This does play out like all over the stalker films we have seen before and yes, we have moved along technologically making the moves against the victim more personally. This is an easy enough watch and playing into the idea that the victim has a past which could make her easier to frame does help even if the whole thing plays out just like you would imagine.
Thriller – The film tries to give us the tension bound levels needed, only for the most part to feel like it was just being slowly building and any scenes involving Julia and Tessa feel empty for the first half of the film.
Settings – The film puts us in high-life houses which shows how the family can cope with divorce easily, while this works, a lower class of victim would make this more intense and interesting.
Scene of the Movie – The final showdown.
That Moment That Annoyed Me – There isn’t enough tension in the early part of the film.
Final Thoughts – This is the trademark yearly stalker ex movie, it checks the boxes well without needing to be anything special or dreadful.
Overall: Simple Thriller.
Darren (1599 KP) rated St. Vincent (2014) in Movies
Sep 26, 2019
Characters – Julia Banks is hitting the high point of her, promotion and engagement to the man of her dream. She does have a past which is very secretive that even David doesn’t know about it. She does have a habit about losing stuff, well she starts too, her past can play into her downfall against Tessa. Tessa is the ex-wife of David, she is very controlling and hasn’t taken the idea of David moving on well, she wants him back and with her own demanding mother in her life she is acting the same towards her own daughter. She always feels distant from any human interaction as she is planning to make Julia’s life a nightmare. David is the man stuck in the middle of everything, he is trying to keep both women happy one for the new love in his life the other to keep his daughter part of his life.
Performances – Rosario Dawson is good in her role we needed to see more of the life falling apart around her though. Katherine Heigl has had a mixed reaction from the audience and business over the last few years, she does work in this role as you do get an uneasy feeling whenever she is on screen. Geoff Stults is fine, he never really gets too much to do through the movie.
Story – The story follows an ex-wife that wants to make the new girlfriends life a living nightmare in an attempt to get her husband back. This does play out like all over the stalker films we have seen before and yes, we have moved along technologically making the moves against the victim more personally. This is an easy enough watch and playing into the idea that the victim has a past which could make her easier to frame does help even if the whole thing plays out just like you would imagine.
Thriller – The film tries to give us the tension bound levels needed, only for the most part to feel like it was just being slowly building and any scenes involving Julia and Tessa feel empty for the first half of the film.
Settings – The film puts us in high-life houses which shows how the family can cope with divorce easily, while this works, a lower class of victim would make this more intense and interesting.
Scene of the Movie – The final showdown.
That Moment That Annoyed Me – There isn’t enough tension in the early part of the film.
Final Thoughts – This is the trademark yearly stalker ex movie, it checks the boxes well without needing to be anything special or dreadful.
Overall: Simple Thriller.
Performances – Rosario Dawson is good in her role we needed to see more of the life falling apart around her though. Katherine Heigl has had a mixed reaction from the audience and business over the last few years, she does work in this role as you do get an uneasy feeling whenever she is on screen. Geoff Stults is fine, he never really gets too much to do through the movie.
Story – The story follows an ex-wife that wants to make the new girlfriends life a living nightmare in an attempt to get her husband back. This does play out like all over the stalker films we have seen before and yes, we have moved along technologically making the moves against the victim more personally. This is an easy enough watch and playing into the idea that the victim has a past which could make her easier to frame does help even if the whole thing plays out just like you would imagine.
Thriller – The film tries to give us the tension bound levels needed, only for the most part to feel like it was just being slowly building and any scenes involving Julia and Tessa feel empty for the first half of the film.
Settings – The film puts us in high-life houses which shows how the family can cope with divorce easily, while this works, a lower class of victim would make this more intense and interesting.
Scene of the Movie – The final showdown.
That Moment That Annoyed Me – There isn’t enough tension in the early part of the film.
Final Thoughts – This is the trademark yearly stalker ex movie, it checks the boxes well without needing to be anything special or dreadful.
Overall: Simple Thriller.
Lee (2222 KP) rated Angel Has Fallen (2019) in Movies
Aug 23, 2019
Gerard Butler returns once again as secret service agent Mike Banning in this third entry in the 'fallen' series. The first movie, Olympus Has Fallen (not to be confused with White House Down, the Channing Tatum movie which was also released in 2013 and also covered a similar plot!) saw Banning trapped in the White House during a terrorist attack. It had an enjoyable Die Hard feel to it, and a sequel was inevitable. London Has Fallen (2016) saw Banning venture to London for the funeral of the Prime Minister and becoming involved in a terrorist plot to assassinate the world leaders who were in attendance. Not quite as good as Olympus, losing that enclosed claustrophobic setting from the first movie, but it was still a fun piece of action.
Which brings us to Angel Has Fallen. That angel being Mike Banning, guardian angel to President Trumbull (Morgan Freeman) who has now been promoted from vice president in the last movie. Mike is starting to feel the strain of old age and his years of being a hero and one man army - insomnia, a reliance on pills, migraines. His secret service colleagues, even the president, are noticing his health issues and his doctor plainly tells him "You're a disaster waiting to happen"!
This time round, the terrorist attack comes in the form of a swarm of drones, which appear in the skies over the lake where the president is fishing on a boat. Taking out the secret service team on protection duty, both the president and Banning are forced into the water in order to try and avoid being blown to pieces. But, instead of being hailed a hero once again, Banning is now accused of masterminding and orchestrating the attack and it becomes clear that he is being setup, forcing him to go on the run in order to try and clear his name.
Once again, it's all ridiculous crowd pleasing stuff. Some elements make absolutely no sense whatsoever, and it's not exactly difficult to work out who the bad guys are right from the offset - hell, the trailer even gives one of them away! The action for the most part is fairly enjoyable, although it does suffer from the occasional bit of dodgy CGI and there are moments of dark close-up action - quickly edited, shaky camera work, which make it frustratingly difficult to work out what on earth is going on at times.
As with London Has Fallen, we lose that claustrophobic and confined Die Hard action once again, giving us something more alike to The Fugitive and a poor mans John Wick 3. But overall, it's still an enjoyable ride, with a fun cameo from Nick Nolte as Mike's long lost father and a third act which actually delivers.
Which brings us to Angel Has Fallen. That angel being Mike Banning, guardian angel to President Trumbull (Morgan Freeman) who has now been promoted from vice president in the last movie. Mike is starting to feel the strain of old age and his years of being a hero and one man army - insomnia, a reliance on pills, migraines. His secret service colleagues, even the president, are noticing his health issues and his doctor plainly tells him "You're a disaster waiting to happen"!
This time round, the terrorist attack comes in the form of a swarm of drones, which appear in the skies over the lake where the president is fishing on a boat. Taking out the secret service team on protection duty, both the president and Banning are forced into the water in order to try and avoid being blown to pieces. But, instead of being hailed a hero once again, Banning is now accused of masterminding and orchestrating the attack and it becomes clear that he is being setup, forcing him to go on the run in order to try and clear his name.
Once again, it's all ridiculous crowd pleasing stuff. Some elements make absolutely no sense whatsoever, and it's not exactly difficult to work out who the bad guys are right from the offset - hell, the trailer even gives one of them away! The action for the most part is fairly enjoyable, although it does suffer from the occasional bit of dodgy CGI and there are moments of dark close-up action - quickly edited, shaky camera work, which make it frustratingly difficult to work out what on earth is going on at times.
As with London Has Fallen, we lose that claustrophobic and confined Die Hard action once again, giving us something more alike to The Fugitive and a poor mans John Wick 3. But overall, it's still an enjoyable ride, with a fun cameo from Nick Nolte as Mike's long lost father and a third act which actually delivers.
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Amy Norman (1042 KP) rated LINE WEBTOON - Daily Comics in Apps
May 17, 2020
'Webtoon' is a fantastic free app!
Whether or not you love manga, or comic books, this is a good step towards experiencing these formats in the digital world. It may even be the encouraging bridge towards them, especially if you have thought about dabbling in that world but never taken the leap.
The app itself is easy to use, and there are no adverts thrust upon you, or anything that gets in the way of enjoying the series you are reading.
A great deal of the series are produced weekly, you can 'subscribe' to those ones you enjoy, so that you will receive notifications of when they have been updated.
As with most apps there is also the opportunity to purchase 'coins'. Most series are about 3 weeks ahead of the general release, and you can spend those 'coins' on unlocking episodes ahead of the majority of readers (or if you simply can't wait until the next week!)
There are also occasionally 'challenges' so you can earn coins too.
The different series range from having audiences of a couple of hundred people to the millions, but each series is filled with such care and love, you can't help but fall in love with them all, and want to help the 'smaller' artists, by growing their fanbase!
The app also has different projects that give you tasters of potential series, which you can vote on, and then they will help the artist out and make their series a permanent feature.
There is a great community feel in the comments sections, and it is a perfect way for the artists/authors etc to gain feedback.
The artists/authors will occasionally incorporate this into their work, or even steer a story down a path that they hadn't considered before, or will drop an episode about a fan favourite character.
It all feels very personal, and I always thoroughly enjoy reading the episodes, then diving into the comments sections, to share joy with other enthusiastic fans (spoiler free ofc!)
All of the artwork is stunning, and there are so many styles to suit everyones tastes. Some artists will also work with musicians and incorporate music into the episode, this always adds to the magic, whether it is a few sound effects, or a full track.
The ONLY pitfall I would say is that occasionally it can feel like the episodes are a bit short but I imagine it is hard work keeping up with the schedules sometimes!!
However, if you fall in love with a series, it won't matter how long an episode is, it will always leave you wanting more and excited for the next episode ☺
Whether or not you love manga, or comic books, this is a good step towards experiencing these formats in the digital world. It may even be the encouraging bridge towards them, especially if you have thought about dabbling in that world but never taken the leap.
The app itself is easy to use, and there are no adverts thrust upon you, or anything that gets in the way of enjoying the series you are reading.
A great deal of the series are produced weekly, you can 'subscribe' to those ones you enjoy, so that you will receive notifications of when they have been updated.
As with most apps there is also the opportunity to purchase 'coins'. Most series are about 3 weeks ahead of the general release, and you can spend those 'coins' on unlocking episodes ahead of the majority of readers (or if you simply can't wait until the next week!)
There are also occasionally 'challenges' so you can earn coins too.
The different series range from having audiences of a couple of hundred people to the millions, but each series is filled with such care and love, you can't help but fall in love with them all, and want to help the 'smaller' artists, by growing their fanbase!
The app also has different projects that give you tasters of potential series, which you can vote on, and then they will help the artist out and make their series a permanent feature.
There is a great community feel in the comments sections, and it is a perfect way for the artists/authors etc to gain feedback.
The artists/authors will occasionally incorporate this into their work, or even steer a story down a path that they hadn't considered before, or will drop an episode about a fan favourite character.
It all feels very personal, and I always thoroughly enjoy reading the episodes, then diving into the comments sections, to share joy with other enthusiastic fans (spoiler free ofc!)
All of the artwork is stunning, and there are so many styles to suit everyones tastes. Some artists will also work with musicians and incorporate music into the episode, this always adds to the magic, whether it is a few sound effects, or a full track.
The ONLY pitfall I would say is that occasionally it can feel like the episodes are a bit short but I imagine it is hard work keeping up with the schedules sometimes!!
However, if you fall in love with a series, it won't matter how long an episode is, it will always leave you wanting more and excited for the next episode ☺
Kristy H (1252 KP) rated Heartbreak for Hire in Books
Aug 19, 2021
A wreck of a romance
Brinkley Saunders tells everyone she works as an administrative assistant. But she really works at
Heartbreak for Hire, an undercover operation that specializes in a variety of revenge schemes for jilted lovers, annoyed coworkers, and more. She dropped out of grad school in the aftermath of a disastrous relationship--much to the despair of her mother--but the job helps Brinkley save for her dream of opening her own art gallery. However, when her boss Margo announces she's hiring male Heartbreakers for the first time, Brinkley starts questioning her purpose, especially when one of the new hires is a target she was paid to take down. Markus Cavanaugh is an adjunct anthropology professor at University of Chicago. He doesn't seem like the backstabbing academic she was told to go after... and as she gets to know Markus more and continues to question her role as a Heartbreaker, Brinkley realizes a lot of things aren't what they seem.
"I had my career, my cat, control. The Three C's of avoiding that hopeless cycle of loving someone who didn't love me back."
I feel awful, but this book just did not work for me at all. I almost didn't finish it, but I really try to complete all my ARCs. Ironically I hated most of it except the end, which was actually pretty good. But most of this one had me cringing. Brinkley's job is terrible and makes no sense--I couldn't even see how Heartbreakers and the division of "Egos, Players, Cheaters, and Grifters" would even possibly translate to the real world. Her boss is absolutely awful.
"If we trained men to break women's hearts, what did that say about our mission? What did that say about us?"
The book is filled with ridiculous contrived fights and plot-lines, and I didn't buy the relationship between her and Markus at all. They like each other, hate each other, rinse and repeat, with a bunch of silly "twists" thrown in over and over to keep them apart. Do something and stop whining (this applies equally to them both). It was just boring and stupid, and I couldn't handle all the bad decisions. If there's going to be conflict, I want it to be realistic, and if there's going to be romance, I want to buy into the couple and feel a genuine affection toward them. But with everyone being so hateful to each other, an entire profession created toward tearing people down, and a bunch of random contrived obstacles thrown up to keep Markus and Brinkley apart... I just couldn't handle it.
A lot of other people enjoyed this one far more than me, so hopefully you will too.
I received a copy of this book from Gallery Books and Netgalley in return for an unbiased review.
Heartbreak for Hire, an undercover operation that specializes in a variety of revenge schemes for jilted lovers, annoyed coworkers, and more. She dropped out of grad school in the aftermath of a disastrous relationship--much to the despair of her mother--but the job helps Brinkley save for her dream of opening her own art gallery. However, when her boss Margo announces she's hiring male Heartbreakers for the first time, Brinkley starts questioning her purpose, especially when one of the new hires is a target she was paid to take down. Markus Cavanaugh is an adjunct anthropology professor at University of Chicago. He doesn't seem like the backstabbing academic she was told to go after... and as she gets to know Markus more and continues to question her role as a Heartbreaker, Brinkley realizes a lot of things aren't what they seem.
"I had my career, my cat, control. The Three C's of avoiding that hopeless cycle of loving someone who didn't love me back."
I feel awful, but this book just did not work for me at all. I almost didn't finish it, but I really try to complete all my ARCs. Ironically I hated most of it except the end, which was actually pretty good. But most of this one had me cringing. Brinkley's job is terrible and makes no sense--I couldn't even see how Heartbreakers and the division of "Egos, Players, Cheaters, and Grifters" would even possibly translate to the real world. Her boss is absolutely awful.
"If we trained men to break women's hearts, what did that say about our mission? What did that say about us?"
The book is filled with ridiculous contrived fights and plot-lines, and I didn't buy the relationship between her and Markus at all. They like each other, hate each other, rinse and repeat, with a bunch of silly "twists" thrown in over and over to keep them apart. Do something and stop whining (this applies equally to them both). It was just boring and stupid, and I couldn't handle all the bad decisions. If there's going to be conflict, I want it to be realistic, and if there's going to be romance, I want to buy into the couple and feel a genuine affection toward them. But with everyone being so hateful to each other, an entire profession created toward tearing people down, and a bunch of random contrived obstacles thrown up to keep Markus and Brinkley apart... I just couldn't handle it.
A lot of other people enjoyed this one far more than me, so hopefully you will too.
I received a copy of this book from Gallery Books and Netgalley in return for an unbiased review.