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RəX Regent (349 KP) rated The Butterfly Effect (2004) in Movies
Mar 7, 2019
Deeper than it first appears...
Contains spoilers, click to show
Having always being a fan of Time Travel and Science Fiction, I was always keen on seeing this film upon its initial release, seven years ago, now. But for one reason or another, this just didn't happen, leaving me to watch this on TV a couple of years later.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
Not as funny as I hoped, but engaging enough
Holland has been obsessed with a handsome subway busker for quite some time. One evening, he winds up rescuing her after she falls on the subway tracks, kicking off a whirlwind of events. Holland helps Calvin get an audition with her uncle Robert, a Broadway musical director. Calvin is infinitely talented, but, it turns out, also in the United States illegally. So Holland does something she never does: makes an impulsive decision. She'll offer to marry Calvin so he can stay in the country, live out his dream, and help her uncle's hit show. Calvin quickly becomes a Broadway star. As for Calvin and Holland--they quickly realize they may be more than roommates. But what will it take for them to admit it? And for each to move past their own issues?
This was my first Christina Lauren book, which I picked up after hearing lots of Goodreads friends praise the dynamic duo. I am always a sucker for a good, fun romance. I was surprised to find the book start with Holland already lusting after Calvin, whom she called "Jack," as she watched him from afar at the subway. The action gets underway quickly, and it did seem like they each agreed to their extreme plan (marriage to someone they'd never met!) rather rapidly and easily. Even Holland's protective uncles came on board very quickly.
Some pros--a somewhat diverse cast, including Holland's adorable gay uncles, who were often couple goals. I enjoyed getting some insight into a Broadway musical, as well as the immigration process, although I bet both of those were sugarcoated a bit. Still, I found Holland a bit of a doormat; she frustrated me with her lack of ability to stand up for herself. While her inability to find herself is the premise of the book, a strong romance only works for me if I'm invested in the characters, and I just didn't always feel it with Holland and Calvin. Holland was too wishy washy and I never felt like I got to know Calvin enough. It was frustrating, because I could see moments of humor in the book, but never enough to truly win me over. I needed more to fully root for the couple. That's not to say I didn't enjoy the book: it's cute and fun at times, and an easy read.
Overall, I had a tough time warming up to the main characters, and I didn't always find the funny situations that humorous. The premise was a little crazy, but was engaging enough. I'll be curious to see how I feel about my next Christina Lauren read.
This was my first Christina Lauren book, which I picked up after hearing lots of Goodreads friends praise the dynamic duo. I am always a sucker for a good, fun romance. I was surprised to find the book start with Holland already lusting after Calvin, whom she called "Jack," as she watched him from afar at the subway. The action gets underway quickly, and it did seem like they each agreed to their extreme plan (marriage to someone they'd never met!) rather rapidly and easily. Even Holland's protective uncles came on board very quickly.
Some pros--a somewhat diverse cast, including Holland's adorable gay uncles, who were often couple goals. I enjoyed getting some insight into a Broadway musical, as well as the immigration process, although I bet both of those were sugarcoated a bit. Still, I found Holland a bit of a doormat; she frustrated me with her lack of ability to stand up for herself. While her inability to find herself is the premise of the book, a strong romance only works for me if I'm invested in the characters, and I just didn't always feel it with Holland and Calvin. Holland was too wishy washy and I never felt like I got to know Calvin enough. It was frustrating, because I could see moments of humor in the book, but never enough to truly win me over. I needed more to fully root for the couple. That's not to say I didn't enjoy the book: it's cute and fun at times, and an easy read.
Overall, I had a tough time warming up to the main characters, and I didn't always find the funny situations that humorous. The premise was a little crazy, but was engaging enough. I'll be curious to see how I feel about my next Christina Lauren read.
Ryan Hill (152 KP) rated Spider-Man: Homecoming (2017) in Movies
May 11, 2019
"if you are nothing without the suit then you shouldn't have it."
A John Hughes-esque coming-of-age movie, disguised as a friendly neighborhood adventure from the MCU; Spider-Man: Homecoming is more about growing up, and less about saving the world.
Tom Holland is great as Spider-man. His Spidey is different, and in a way, refreshing. I like how the origin story is skipped, and instead, we dive head into the day-to-day adventures of a semi-awkward, fifteen-year-old. I'm more interested in the growth of Peter Parker, than the development of Holland's Spider-Man Spidey-Powers. I'm still undecided about the way Spidey looks in his costume. To me, he looks more like a CGI goofnut, than an Avenger. But, how many kids get to have Jennifer Connelly on standby, whenever they need a helpful voice?
Homecoming might not feel and act like your typical MCU movie, but it does prove we still need Tony Stark, Happy Hogan and Pepper Potts in our lives. I smiled with all the screen time Happy has. He's truly an underrated character in the MCU. Plus, Tony plays the "cool uncle" spot-on.
One of the biggest criticisms with the MCU people have is the boring villain. Not in this case. Michael Keaton plays reverse-Batman, and his character actually has depth, an interesting storyline and a surprise twist. Bookem Woodbine plays a fun henchman, and all movies benefit from the presence of Donald Glover. The bad guys are not a snore nor a bore at this Homecoming Dance with the Devil.
I hope I wasn't the only one laughing at the casting of Tony Revolori as Flash the Bully. He's about as intimidating as a can of ravioli. Zendaya is way underused, but she shines in her scenes. I wish Ned was my best friend, but the poor fella will probably be typecast for life. However, he's a hilarious guy. How can you not like him?
Did you think I forgot about Aunt May? Of course not! Marisa Tomei is smokin' and brings honest energy to her supporting role.
The final boss battle is fun. So are the scenes on a ferry and a national monument. There's action, and there's a lot of growing up for Peter Parker and his friends. I'm not MCU fatigued after watching, but I do have a sudden urge to revisit Pretty in Pink.
Tom Holland is great as Spider-man. His Spidey is different, and in a way, refreshing. I like how the origin story is skipped, and instead, we dive head into the day-to-day adventures of a semi-awkward, fifteen-year-old. I'm more interested in the growth of Peter Parker, than the development of Holland's Spider-Man Spidey-Powers. I'm still undecided about the way Spidey looks in his costume. To me, he looks more like a CGI goofnut, than an Avenger. But, how many kids get to have Jennifer Connelly on standby, whenever they need a helpful voice?
Homecoming might not feel and act like your typical MCU movie, but it does prove we still need Tony Stark, Happy Hogan and Pepper Potts in our lives. I smiled with all the screen time Happy has. He's truly an underrated character in the MCU. Plus, Tony plays the "cool uncle" spot-on.
One of the biggest criticisms with the MCU people have is the boring villain. Not in this case. Michael Keaton plays reverse-Batman, and his character actually has depth, an interesting storyline and a surprise twist. Bookem Woodbine plays a fun henchman, and all movies benefit from the presence of Donald Glover. The bad guys are not a snore nor a bore at this Homecoming Dance with the Devil.
I hope I wasn't the only one laughing at the casting of Tony Revolori as Flash the Bully. He's about as intimidating as a can of ravioli. Zendaya is way underused, but she shines in her scenes. I wish Ned was my best friend, but the poor fella will probably be typecast for life. However, he's a hilarious guy. How can you not like him?
Did you think I forgot about Aunt May? Of course not! Marisa Tomei is smokin' and brings honest energy to her supporting role.
The final boss battle is fun. So are the scenes on a ferry and a national monument. There's action, and there's a lot of growing up for Peter Parker and his friends. I'm not MCU fatigued after watching, but I do have a sudden urge to revisit Pretty in Pink.
Sassy Brit (97 KP) rated Write Yourself Happy: The Art of Positive Journalling in Books
Jun 5, 2019
With the book Write Yourself Happy: The Art of Positive Journalling, Megan C. Hayes reveals just how we can use practical and scientifically proven methods to increase our happiness through journalling. She’s an academic in Positive Psychology and Creative Writing, and that shows via her knowledge and understanding in this well-written and enlightening book.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.
Sassy Brit (97 KP) rated Every Wicked Man in Books
Jun 5, 2019
With the book Write Yourself Happy: The Art of Positive Journalling, Megan C. Hayes reveals just how we can use practical and scientifically proven methods to increase our happiness through journalling. She’s an academic in Positive Psychology and Creative Writing, and that shows via her knowledge and understanding in this well-written and enlightening book.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.
Kaysee Hood (83 KP) rated The Mortal Instruments 1: City of Bones in Books
Jan 27, 2018
Characters (2 more)
Diversity
Plot Twists
Some of those Plot Twists (1 more)
Overdone & Prolonged
Another I Wanted to Like
Contains spoilers, click to show
This is more of a overall review for the series, well, up to book 4 as I gave up on trying to get through it all at that point because by then I was tired of the senseless drama.
I wanted to like this series because my friend at the time liked it on top of it sounded interesting. By then the movie was out for it and rumors of the TV show was circling around in the Tumblr community. So, between her and the rest of Booklr I thought why not give it a shot? It couldn't be that bad. Oh how I was wrong.
I shocked a series like this has gained such popularity when really it's good at most. It's not amazing. It's not stunning. It's not special. It's an okay book, with an okay plot, and your basic set of characters.
A girl is average at best, her best friend loves her, and she's being thrown into a world where she's "the one". Oh, did I mention there is a perfect, hot guy with his pals who appear to both be jealous of her? AND THERE'S MORE! The totally hot guy is falling for her...... but they're brother and sister. Oh and they are okay with hooking up despite that. Sort of. It's major conflict. Until you learn they are related and her father was simply messing with them to cause problems in the hopes it would help him have both of them on his side.
As much as Clare offers different types of paranormal things it's all overdone and overplayed. Many times the moments that are suppose to change the whole game in the series are dragged out to the point you're bored to death. Sure, there are gay characters, but they feel more like a "come look at me I'm for your rights even though I'm using your suffering as a way to promote my books as me accepting you" rather than the characters written as simply real. Most of the time that's how secondary characters feel in the series as they are there to be there but not actually meant to be there. Yes, let that idea settle for a second.
I felt like many if Clare had a better team of people proof reading her drafts, pointed out some of these things were not okay (Incest for one), and had people guide her to make the characters more real this could have been a better set of books to me. Maybe it is me still wanting to like it. I'm not sure honestly. I just wish for such a popular series it was worthy of it for everyone.
I wanted to like this series because my friend at the time liked it on top of it sounded interesting. By then the movie was out for it and rumors of the TV show was circling around in the Tumblr community. So, between her and the rest of Booklr I thought why not give it a shot? It couldn't be that bad. Oh how I was wrong.
I shocked a series like this has gained such popularity when really it's good at most. It's not amazing. It's not stunning. It's not special. It's an okay book, with an okay plot, and your basic set of characters.
A girl is average at best, her best friend loves her, and she's being thrown into a world where she's "the one". Oh, did I mention there is a perfect, hot guy with his pals who appear to both be jealous of her? AND THERE'S MORE! The totally hot guy is falling for her...... but they're brother and sister. Oh and they are okay with hooking up despite that. Sort of. It's major conflict. Until you learn they are related and her father was simply messing with them to cause problems in the hopes it would help him have both of them on his side.
As much as Clare offers different types of paranormal things it's all overdone and overplayed. Many times the moments that are suppose to change the whole game in the series are dragged out to the point you're bored to death. Sure, there are gay characters, but they feel more like a "come look at me I'm for your rights even though I'm using your suffering as a way to promote my books as me accepting you" rather than the characters written as simply real. Most of the time that's how secondary characters feel in the series as they are there to be there but not actually meant to be there. Yes, let that idea settle for a second.
I felt like many if Clare had a better team of people proof reading her drafts, pointed out some of these things were not okay (Incest for one), and had people guide her to make the characters more real this could have been a better set of books to me. Maybe it is me still wanting to like it. I'm not sure honestly. I just wish for such a popular series it was worthy of it for everyone.
Hazel (1853 KP) rated The Problem with Forever in Books
Dec 7, 2018
3.5
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Jennifer L. Armentrout is an American author best known for her young adult novel<i> Obsidian</i>. Although her previous books have contained fantasy elements, <i>The Problem With Forever</i> tackles a contemporary, realistic situation. It is a story of two teenage abuse survivors, and the ways they try to break free from their past.
Mallory has spent four years in therapy since being adopted/rescued by a couple of doctors, Carl and Rosa. Struggling with selective mutism as a result of her past, she has been unable to live a “normal” life. However, Mallory has ambitions to go to college, but in order to do this she must be able to cope being around and speaking to other people. So she takes what feels like the biggest step of her life and enrolls in high school for her senior year.
Of course high school was going to be a life changing experience for Mallory but she got even more than she bargained for. On her very first day she meets Rider, or rather is reunited; the boy she was in a foster home with. Neither believed they would ever see each other again and are delighted about being able to rekindle their strong friendship; except there are many obstacles in the way of their ‘happy ever after.’ A jealous girlfriend, over-protective parents, contrasting social circumstances, and, perhaps most importantly, the effects their challenging past has had on the pair.
The horror of Mallory and Rider’s past makes The Problem With Forever a heart-wrenching tale. It is shocking to think that children in real life have gone through, or are going through, similar experiences. Readers will want a happy ending for both characters, yet will undergo a foreboding sense that something will go wrong.
<i>The Problem With Forever</i> is also a love story – however this is where I think the novel falls down. The romance that blooms between Mallory and Rider seems to happen far too quickly, especially as they have only recently been reunited. That is not the only problem: Mallory and Rider grew up like foster siblings, which makes their new relationship feel somewhat wrong. The overall story could have been just as good without love coming into play.
Overall, I am sure readers will agree, Armentrout’s latest novel is a heart-wrenching story that comes with a strong message about letting go of the past and becoming someone new, someone better. You may have had a bad past, but you will have new experiences if you let yourself. You will not feel this way forever. Full of powerful statements, <i>The Problem With Forever</i> is likely to move many to tears – so be prepared!
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Jennifer L. Armentrout is an American author best known for her young adult novel<i> Obsidian</i>. Although her previous books have contained fantasy elements, <i>The Problem With Forever</i> tackles a contemporary, realistic situation. It is a story of two teenage abuse survivors, and the ways they try to break free from their past.
Mallory has spent four years in therapy since being adopted/rescued by a couple of doctors, Carl and Rosa. Struggling with selective mutism as a result of her past, she has been unable to live a “normal” life. However, Mallory has ambitions to go to college, but in order to do this she must be able to cope being around and speaking to other people. So she takes what feels like the biggest step of her life and enrolls in high school for her senior year.
Of course high school was going to be a life changing experience for Mallory but she got even more than she bargained for. On her very first day she meets Rider, or rather is reunited; the boy she was in a foster home with. Neither believed they would ever see each other again and are delighted about being able to rekindle their strong friendship; except there are many obstacles in the way of their ‘happy ever after.’ A jealous girlfriend, over-protective parents, contrasting social circumstances, and, perhaps most importantly, the effects their challenging past has had on the pair.
The horror of Mallory and Rider’s past makes The Problem With Forever a heart-wrenching tale. It is shocking to think that children in real life have gone through, or are going through, similar experiences. Readers will want a happy ending for both characters, yet will undergo a foreboding sense that something will go wrong.
<i>The Problem With Forever</i> is also a love story – however this is where I think the novel falls down. The romance that blooms between Mallory and Rider seems to happen far too quickly, especially as they have only recently been reunited. That is not the only problem: Mallory and Rider grew up like foster siblings, which makes their new relationship feel somewhat wrong. The overall story could have been just as good without love coming into play.
Overall, I am sure readers will agree, Armentrout’s latest novel is a heart-wrenching story that comes with a strong message about letting go of the past and becoming someone new, someone better. You may have had a bad past, but you will have new experiences if you let yourself. You will not feel this way forever. Full of powerful statements, <i>The Problem With Forever</i> is likely to move many to tears – so be prepared!
Goddess in the Stacks (553 KP) rated Gender Outlaw: On Men, Women and the Rest of Us in Books
Jul 23, 2019
This book has one of the best forewords I've ever seen. Bornstein explains that since 1994, when the book was first published, language has changed a lot, and terms that were used regularly then, like transsexual, are highly offensive now. So she has heavily rewritten the book to change the language, but she goes on to say that language is an always-changing thing, and in five or six years this edition, too, might be offensive in the language used. Then she apologizes for that. My favorite lines are one of the last paragraphs of the foreword:
"Now, if anything you read in this book makes you feel bad or wrong or small and weak, then please know that I said something wrong. This book was written many years ago, and the culture I wrote it in is not the culture in which you're reading it. So, if you find anything to be personally insulting, please accept my apology and keep reading with the knowledge that your identity and how you express your gender are correct only when you feel they are correct."
It was a wonderful note to start the book on. I just loved "if you are offended, if this invalidates your identity, then I AM WRONG." Bornstein transitioned in the 80s, and has been an outspoken advocate of queer and trans people most of her life. She is definitely a figure in queer history that more people should read about.
The rest of the book is every bit as good as the foreword. Bornstein absolutely destroys the concept of gender in this book, dissecting it and looking at all the parts and pieces to attempt to figure out why society is so set on the binary system. She more than makes her case that gender is a spectrum, not an either/or. And not just a spectrum between "more male" and "more female" but a colorful kaleidoscope of gender expression and identity. She does not shy away from sensitive topics like surgeries and anatomy. She talks to the reader like she's your favorite outrageous aunt, sitting in the family room gossiping over heavily-spiked tea.
The formatting was occasionally confusing; she has the usual justified text, but then she has left-aligned passages (usually quotes from other people) and right-aligned passages (side-bar like content; I'm unclear if these are notes she made on the original text or what, but it generally clarifies or alters what the main text is talking about.)
I would HIGHLY recommend this book for anyone who wants to learn more about gender issues. Bornstein has an incredibly entertaining way of writing, and she loves to challenge what we think of as gender.
You can find all my reviews and more at http://goddessinthestacks.com
"Now, if anything you read in this book makes you feel bad or wrong or small and weak, then please know that I said something wrong. This book was written many years ago, and the culture I wrote it in is not the culture in which you're reading it. So, if you find anything to be personally insulting, please accept my apology and keep reading with the knowledge that your identity and how you express your gender are correct only when you feel they are correct."
It was a wonderful note to start the book on. I just loved "if you are offended, if this invalidates your identity, then I AM WRONG." Bornstein transitioned in the 80s, and has been an outspoken advocate of queer and trans people most of her life. She is definitely a figure in queer history that more people should read about.
The rest of the book is every bit as good as the foreword. Bornstein absolutely destroys the concept of gender in this book, dissecting it and looking at all the parts and pieces to attempt to figure out why society is so set on the binary system. She more than makes her case that gender is a spectrum, not an either/or. And not just a spectrum between "more male" and "more female" but a colorful kaleidoscope of gender expression and identity. She does not shy away from sensitive topics like surgeries and anatomy. She talks to the reader like she's your favorite outrageous aunt, sitting in the family room gossiping over heavily-spiked tea.
The formatting was occasionally confusing; she has the usual justified text, but then she has left-aligned passages (usually quotes from other people) and right-aligned passages (side-bar like content; I'm unclear if these are notes she made on the original text or what, but it generally clarifies or alters what the main text is talking about.)
I would HIGHLY recommend this book for anyone who wants to learn more about gender issues. Bornstein has an incredibly entertaining way of writing, and she loves to challenge what we think of as gender.
You can find all my reviews and more at http://goddessinthestacks.com
Gareth von Kallenbach (980 KP) rated Salt (2010) in Movies
Aug 8, 2019
Angelina Jolie, as Agent Evelyn Salt, plays the sexy spy role well, but the charm she displayed in Mr. and Mrs Smith isn’t present here at all. This is unfortunate because her emotional ties to the rest of the cast are integral to the plot. As seen in the trailers, Salt is a CIA agent who is accused by a defector of being a Russian spy. Salt is forced to run and uses her training and skills to evade capture while trying to prove her innocence.
Her years of experience as a covert operative are supposed to make viewers believe that this slight woman can take down ayone, but some of her fight scenes expected too much benefit of the doubt from the audience, and didn’t feel real. It wasn’t very convincing having such a thin woman carry on in a full fight scene with heavier built men. Despite harsh sound effects and fast camera edits, it honestly didn’t look like she was hitting the baddies hard enough to hurt, let alone knock them out.
Salt has some great twists and turns that kept me entertained and guessing, but that wasn’t enough to keep the whole movie afloat. Before long, these twists began to feel forced, and because I was snapped out of the movie several times after realizing how confused I was, it began to be aggravating to wait for the film to give the audience its bearings again. Phillip Noyce, who also directed the 1997 Val Kilmer spy film The Saint could have imbued the movie with subtle foreshadowing, or at least some foreshadowing as it was nonexistent.
Liev Schreiber, playing Salt’s trusted colleague, did a great job. His imposing yet friendly and sly demeanor fit his part very well. Chiwetel Ejiofor did a good job as well, but his role as another fellow agent was too small. It needed to be bigger for him to really shine. After watching him in Talk to Me, I believe him to be a headline star who needs more screen time to show what he’s capable of. In this smaller role, he does the job effectively, but left me wanting to see more of him.
The special effects were effective and not distracting except for one particular “walk away from the camera during an explosion” moment. It’s not that it was cliche, it’s that any explosion (at that distance, in that environment) would knock someone unconscious. There’s pushing the boundaries of realism for artistic effect, and then there’s that step that’s one step too far.
Overall, the film was enjoyable, but I had higher hopes for this movie. If you’re looking for action with twists, this movie has them in spades.
Her years of experience as a covert operative are supposed to make viewers believe that this slight woman can take down ayone, but some of her fight scenes expected too much benefit of the doubt from the audience, and didn’t feel real. It wasn’t very convincing having such a thin woman carry on in a full fight scene with heavier built men. Despite harsh sound effects and fast camera edits, it honestly didn’t look like she was hitting the baddies hard enough to hurt, let alone knock them out.
Salt has some great twists and turns that kept me entertained and guessing, but that wasn’t enough to keep the whole movie afloat. Before long, these twists began to feel forced, and because I was snapped out of the movie several times after realizing how confused I was, it began to be aggravating to wait for the film to give the audience its bearings again. Phillip Noyce, who also directed the 1997 Val Kilmer spy film The Saint could have imbued the movie with subtle foreshadowing, or at least some foreshadowing as it was nonexistent.
Liev Schreiber, playing Salt’s trusted colleague, did a great job. His imposing yet friendly and sly demeanor fit his part very well. Chiwetel Ejiofor did a good job as well, but his role as another fellow agent was too small. It needed to be bigger for him to really shine. After watching him in Talk to Me, I believe him to be a headline star who needs more screen time to show what he’s capable of. In this smaller role, he does the job effectively, but left me wanting to see more of him.
The special effects were effective and not distracting except for one particular “walk away from the camera during an explosion” moment. It’s not that it was cliche, it’s that any explosion (at that distance, in that environment) would knock someone unconscious. There’s pushing the boundaries of realism for artistic effect, and then there’s that step that’s one step too far.
Overall, the film was enjoyable, but I had higher hopes for this movie. If you’re looking for action with twists, this movie has them in spades.
Kirk Bage (1775 KP) rated After Life in TV
Mar 3, 2020
As Ricky Gervais cheekily crow-barred in to his opening speech at the 2020 Golden Globes a few weeks ago, it is possible to watch all of After Life series one in less time than it takes to watch The Irishman. And that is exactly what I did; binged the whole thing on autoplay until it was done! Not to get it over with as soon as possible, but rather because it is hard to turn off – you just keep wanting more.
It’s not a complicated idea – Tony’s wife has died of cancer and he wishes he was dead too. Surrounded by tedious work colleagues in a dead end job, a father in a home with dementia, and having only a very hungry dog to lean on, he is filled with such bitterness and grief that he decides there is no point not doing anything he wants and being as nasty as possible to all around him.
The show glides effortlessly between hilarious situations, filled with sharp dialogue / small moments of comedy genius, and genuinely sad moments that leave a lump in the throat. It is a trick Gervais has been honing in all his shows since The Office, and now he has it down to a work of art you just have to applaud. No matter how ridiculous, it always seems rooted in truth and real emotion. Each vitriolic outburst is written so well we empathise with Tony almost every time, because he is usually right; and when he isn’t right, that moment of awkwardness is used with almost preternatural understanding of the audience to demonstrate the point of the whole conceit.
It boils down to the truth that no matter how much you want to give up on life and people, you can’t forget that happiness is a gift. Not just yours, but anyone’s. And to go around being an arsehole, wallowing in self-pity is entirely selfish, even if you have good reason to be that way. Distilled into less than 3 hours in total, After Life is no less than a magic trick, in not only achieving the passing on of that message, but in entertaining us every single minute in the meantime!
Thinking of how to rate it, I just can’t find much fault in what it sets out to be. It isn’t a grand or expensive production, it feels humble and economical, but oh so very focused. Do we want more bells and whistles? Have we come to expect that from our entertainment now. Is that what is missing? I feel I would recommend this show to anyone, and am very much looking forward to a second season in the Spring, but I also feel like it doesn’t need to have its trumpet over-blown; it’s just a lovely, funny, simple show about being alive.
It’s not a complicated idea – Tony’s wife has died of cancer and he wishes he was dead too. Surrounded by tedious work colleagues in a dead end job, a father in a home with dementia, and having only a very hungry dog to lean on, he is filled with such bitterness and grief that he decides there is no point not doing anything he wants and being as nasty as possible to all around him.
The show glides effortlessly between hilarious situations, filled with sharp dialogue / small moments of comedy genius, and genuinely sad moments that leave a lump in the throat. It is a trick Gervais has been honing in all his shows since The Office, and now he has it down to a work of art you just have to applaud. No matter how ridiculous, it always seems rooted in truth and real emotion. Each vitriolic outburst is written so well we empathise with Tony almost every time, because he is usually right; and when he isn’t right, that moment of awkwardness is used with almost preternatural understanding of the audience to demonstrate the point of the whole conceit.
It boils down to the truth that no matter how much you want to give up on life and people, you can’t forget that happiness is a gift. Not just yours, but anyone’s. And to go around being an arsehole, wallowing in self-pity is entirely selfish, even if you have good reason to be that way. Distilled into less than 3 hours in total, After Life is no less than a magic trick, in not only achieving the passing on of that message, but in entertaining us every single minute in the meantime!
Thinking of how to rate it, I just can’t find much fault in what it sets out to be. It isn’t a grand or expensive production, it feels humble and economical, but oh so very focused. Do we want more bells and whistles? Have we come to expect that from our entertainment now. Is that what is missing? I feel I would recommend this show to anyone, and am very much looking forward to a second season in the Spring, but I also feel like it doesn’t need to have its trumpet over-blown; it’s just a lovely, funny, simple show about being alive.
Kate (355 KP) Mar 8, 2019