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Kristy H (1252 KP) rated The Fifth Letter in Books
Feb 13, 2018
Joni, Eden, Deb, and Trina have been friends since high school, when a teacher grouped them together by their last names. However, as they age, it seems the women are growing apart. Desperate to keep her friends together, Joni books a vacation house for them by the ocean. It's been a yearly tradition for the group, and she's insistent they all keep it up. However, it becomes clear that the women are a little reluctant to gather together: three of them are mothers now, and many are busy with their careers and other worries. So they come up with an idea: they'll write anonymous letters on an old computer at the beach cottage, and read one a night during their vacation. But the game turns dark quickly, as the women struggle to guess who wrote what letter. Even worse, Joni discovers a "fifth letter" in the fireplace; partially burned, it appears to be filled with hate toward one of the women in the group (from another). The foursome is supposed to be the best of friends, but it appears it isn't so. Can they recover from this vacation? And who in the group wrote that awful letter?
I feel terrible, as I really enjoy the other Moriarty sisters ([a:Liane Moriarty|322069|Liane Moriarty|https://images.gr-assets.com/authors/1459827224p2/322069.jpg] and [a:Jaclyn Moriarty|47290|Jaclyn Moriarty|https://images.gr-assets.com/authors/1199066598p2/47290.jpg]), but I just didn't care for this book at all. Throughout the entire novel, I never found myself able to care for these four women or their problems whatsoever. The premise of the book seemed utterly ridiculous: why on earth would a group of grown women write a bunch of letters like children and if they were such good friends, how could they know so little about each other? It was painful to read. Furthermore, the book itself was difficult to read. The book was set up in various ways: we had the current day thread at the beach cottage; we had threads in the past with the girls at school. Then, there's a thread where Joni is telling a priest (via confession) about what had happened at the cottage. Then we get pieces of the letters. Then we get snippets from the fifth letter. It was so utterly confusing that for parts of it, I couldn't tell who was talking, or what the dialogue related to, and it drove me insane.
Pieces of the women's problems were resolved far too easily, while others were blown far too out of proportion. Others were incredibly serious and just - ugh. When the big "reveal" happened, it made me cringe. I feel awful, but it almost felt like a bad imitation of Liane's book, [b:Truly Madly Guilty|26247008|Truly Madly Guilty|Liane Moriarty|https://images.gr-assets.com/books/1467061262s/26247008.jpg|49997474]. A bunch of angst leading to a big "reveal," which sort of leaves you feeling let down.
Overall, I have high admiration for the Moriarty sisters, and I truly feel bad that I didn't enjoy this book more. I just couldn't find any sympathy with the characters, and the way the novel was laid out irked me. I kept comparing it with another book where the women escape for a girls getaway: [b:Girls' Weekend|28280644|Girls' Weekend|Cara Sue Achterberg|https://images.gr-assets.com/books/1453684219s/28280644.jpg|48328656], which was such a more nuanced and enjoyable portrayal of some similar subjects. I would recommend picking up Achterberg's book instead.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.
I feel terrible, as I really enjoy the other Moriarty sisters ([a:Liane Moriarty|322069|Liane Moriarty|https://images.gr-assets.com/authors/1459827224p2/322069.jpg] and [a:Jaclyn Moriarty|47290|Jaclyn Moriarty|https://images.gr-assets.com/authors/1199066598p2/47290.jpg]), but I just didn't care for this book at all. Throughout the entire novel, I never found myself able to care for these four women or their problems whatsoever. The premise of the book seemed utterly ridiculous: why on earth would a group of grown women write a bunch of letters like children and if they were such good friends, how could they know so little about each other? It was painful to read. Furthermore, the book itself was difficult to read. The book was set up in various ways: we had the current day thread at the beach cottage; we had threads in the past with the girls at school. Then, there's a thread where Joni is telling a priest (via confession) about what had happened at the cottage. Then we get pieces of the letters. Then we get snippets from the fifth letter. It was so utterly confusing that for parts of it, I couldn't tell who was talking, or what the dialogue related to, and it drove me insane.
Pieces of the women's problems were resolved far too easily, while others were blown far too out of proportion. Others were incredibly serious and just - ugh. When the big "reveal" happened, it made me cringe. I feel awful, but it almost felt like a bad imitation of Liane's book, [b:Truly Madly Guilty|26247008|Truly Madly Guilty|Liane Moriarty|https://images.gr-assets.com/books/1467061262s/26247008.jpg|49997474]. A bunch of angst leading to a big "reveal," which sort of leaves you feeling let down.
Overall, I have high admiration for the Moriarty sisters, and I truly feel bad that I didn't enjoy this book more. I just couldn't find any sympathy with the characters, and the way the novel was laid out irked me. I kept comparing it with another book where the women escape for a girls getaway: [b:Girls' Weekend|28280644|Girls' Weekend|Cara Sue Achterberg|https://images.gr-assets.com/books/1453684219s/28280644.jpg|48328656], which was such a more nuanced and enjoyable portrayal of some similar subjects. I would recommend picking up Achterberg's book instead.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.
Heather Cranmer (2721 KP) rated Lock Every Door in Books
Aug 12, 2019
I had previously read Final Girls and The Last Time I Lied by Riley Sager. I wasn't that impressed with those books, but I feel a loyalty to Riley Sager since I had read his previous books. When I heard about Lock Every Door by Riley Sager, the synopsis sounded interesting enough, so I decided to give it a try. I'm really glad I did because I feel that it's Sager's best book yet, and it was really good!
Jules has just lost her job and walked in on her boyfriend cheating on her. Almost penniless and practically homeless, when she comes across a wanted ad advertising a job for an apartment complex called the Bartholomew, a place for the very rich and wealthy, Jules jumps at the chance. The apartment is lush, and the pay is $1000 a week. Sure, there are some strange rules, but it's easy money. However, when apartment sitters start vanishing in the middle of the night, Jules feels as if something evil is going on at the Bartholomew. Jules decides to find out the truth despite putting herself in danger. Will she succeed or will she become another missing apartment sitter?
I really enjoyed the plot of Lock Every Door, and I found it fairly original. Riley Sager does a fantastic job at making this book feel as if something like this could happen in real life. In fact, I wouldn't be surprised to hear about something like this in the news. Even though the action doesn't really take place until almost the end of the book, I still found myself grossly immersed in this book. I also was playing detective alongside Jules the whole time. I did figure out some of what was going on, but there were still some plot twists that I never predicted. The story flows very well and never feels rushed anywhere. At no point did this book lose my attention. I was heavily invested in finishing Lock Every Door as soon as possible. Every question I had was answered by the end of the book although there was one mystery that I would have liked to know more about, but even this mystery is touched upon at the end of the book.
I enjoyed reading about every character in Lock Every Door from even the minor characters to the major ones. Jules was a fantastic main character. She was fairly relatable. Actually, I would go as far as to say that she's the most relatable character in a book that I've read. I could sympathize with her financial struggles and her desperation when it came to making money. It was the same with the character of Ingrid. I could also relate to her struggle for money. My heart went out to all of the apartment sitters because I knew what they were feeling when it came to money. I felt like Nick was a bit predictable and cliched as the hunky neighbor, but he was still written well. Greta was my favorite character. She was definitely interesting, that's for sure! My favorite scenes always involved Greta.
Trigger warnings for Lock Every Door include profanity, sexual references (though not many and not graphic), violence (not graphic), death, kidnapping, murder, drinking, and some drug references.
All in all, Lock Every Door is a thrilling read that ticks all the right boxes to make it fantastic! With such a interesting plot and a fantastic cast of characters, this is one book not to miss. I would definitely recommend Lock Every Door by Riley Sager to those who crave a great mystery as well as those that love thrillers.
Jules has just lost her job and walked in on her boyfriend cheating on her. Almost penniless and practically homeless, when she comes across a wanted ad advertising a job for an apartment complex called the Bartholomew, a place for the very rich and wealthy, Jules jumps at the chance. The apartment is lush, and the pay is $1000 a week. Sure, there are some strange rules, but it's easy money. However, when apartment sitters start vanishing in the middle of the night, Jules feels as if something evil is going on at the Bartholomew. Jules decides to find out the truth despite putting herself in danger. Will she succeed or will she become another missing apartment sitter?
I really enjoyed the plot of Lock Every Door, and I found it fairly original. Riley Sager does a fantastic job at making this book feel as if something like this could happen in real life. In fact, I wouldn't be surprised to hear about something like this in the news. Even though the action doesn't really take place until almost the end of the book, I still found myself grossly immersed in this book. I also was playing detective alongside Jules the whole time. I did figure out some of what was going on, but there were still some plot twists that I never predicted. The story flows very well and never feels rushed anywhere. At no point did this book lose my attention. I was heavily invested in finishing Lock Every Door as soon as possible. Every question I had was answered by the end of the book although there was one mystery that I would have liked to know more about, but even this mystery is touched upon at the end of the book.
I enjoyed reading about every character in Lock Every Door from even the minor characters to the major ones. Jules was a fantastic main character. She was fairly relatable. Actually, I would go as far as to say that she's the most relatable character in a book that I've read. I could sympathize with her financial struggles and her desperation when it came to making money. It was the same with the character of Ingrid. I could also relate to her struggle for money. My heart went out to all of the apartment sitters because I knew what they were feeling when it came to money. I felt like Nick was a bit predictable and cliched as the hunky neighbor, but he was still written well. Greta was my favorite character. She was definitely interesting, that's for sure! My favorite scenes always involved Greta.
Trigger warnings for Lock Every Door include profanity, sexual references (though not many and not graphic), violence (not graphic), death, kidnapping, murder, drinking, and some drug references.
All in all, Lock Every Door is a thrilling read that ticks all the right boxes to make it fantastic! With such a interesting plot and a fantastic cast of characters, this is one book not to miss. I would definitely recommend Lock Every Door by Riley Sager to those who crave a great mystery as well as those that love thrillers.
Kirk Bage (1775 KP) rated The Boys - Season 2 in TV
Jan 22, 2021
As I have already stated in my review of season one of The Boys, it is a show that I have found compelling to watch without actually liking or thinking it is necessarily very good. The premise was intriguing, and threw up some pretty interesting dramatic conflicts in the first season. But it was obvious from very early on that this show wanted to make the most of its 18 certificate and use gore, violence and shock tactics to really make fans of those things gasp.
In season two they have taken that key point of difference and turned the volume up to ten! All I remember from it, some three months now since I finished it, is blood, exploding and crushed heads, severed limbs, gross out deaths and lots more blood. Which, you know, turns some people on, but after the first ten times I got pretty sick of it – almost literally – and was just riding it out to the finish mostly.
Performance wise, there isn’t really a stand out, and the writing doesn’t really offer the opportunity (yet) for true emotional depth. Antony Starr, as the deplorably egotistical maniac “hero” Homelander, is the one you love to hate though! Rarely have I found myself wanting a character to get his dues so much! He is utterly loathsome and repulsive, so much credit for that creation. Depending on where they take things in season 3 and beyond, he could emerge as one of the iconic characters of this era of streaming TV.
In terms of story progression, a decent job has been made by introducing Aya Cash as Stormfront, a depraved love interest for Homelander with a big secret and a great plot device. Most of the events have revolved around her introduction, development, backstory reveal and consequences of that on the show’s main man. Meanwhile the storyline around Karl Urban as Billy Butcher becomes more and more forgettable and sometimes irrelevant.
That is the problem with this show really; it has set itself up as being Superheros that are actually assholes vs renegade anti-heros that want to stop them… but, it knows that as soon as that conflict is resolved and satisfied the show is over. So, they drag the story along with very minimal contact as yet between the two. Plenty of inner turmoil within the two groups, but no action as such against one another.
And that is why the build up to this season’s climax felt mostly anti-climactic. Although it did land a half decent cliff-hanger right at the end. I don’t know… I just feel as if it’s a show to let wash over you without that much value in analysing it. And that wash always makes me feel slightly grubbier than I was before. If redemption, conflict and resolution are on the cards they need to get a dose of it into season three, or I will probably lose interest fast.
Amazon Prime has a lot of shows a lot better than this one, but probably none that appeal as much to boys and men under 30. It has its place on the vast entertainment schedule, but personally I am craving more meaning and less of the puerile dependence on gore. However, if that is what its audience talk about, then its gonna increase not decrease. They have set their own bloody bar now and my fear is this is what the future of the show holds: more and more original ways to gross us out. I’d like to be proved wrong, but I don’t feel in a huge rush about it either way.
In season two they have taken that key point of difference and turned the volume up to ten! All I remember from it, some three months now since I finished it, is blood, exploding and crushed heads, severed limbs, gross out deaths and lots more blood. Which, you know, turns some people on, but after the first ten times I got pretty sick of it – almost literally – and was just riding it out to the finish mostly.
Performance wise, there isn’t really a stand out, and the writing doesn’t really offer the opportunity (yet) for true emotional depth. Antony Starr, as the deplorably egotistical maniac “hero” Homelander, is the one you love to hate though! Rarely have I found myself wanting a character to get his dues so much! He is utterly loathsome and repulsive, so much credit for that creation. Depending on where they take things in season 3 and beyond, he could emerge as one of the iconic characters of this era of streaming TV.
In terms of story progression, a decent job has been made by introducing Aya Cash as Stormfront, a depraved love interest for Homelander with a big secret and a great plot device. Most of the events have revolved around her introduction, development, backstory reveal and consequences of that on the show’s main man. Meanwhile the storyline around Karl Urban as Billy Butcher becomes more and more forgettable and sometimes irrelevant.
That is the problem with this show really; it has set itself up as being Superheros that are actually assholes vs renegade anti-heros that want to stop them… but, it knows that as soon as that conflict is resolved and satisfied the show is over. So, they drag the story along with very minimal contact as yet between the two. Plenty of inner turmoil within the two groups, but no action as such against one another.
And that is why the build up to this season’s climax felt mostly anti-climactic. Although it did land a half decent cliff-hanger right at the end. I don’t know… I just feel as if it’s a show to let wash over you without that much value in analysing it. And that wash always makes me feel slightly grubbier than I was before. If redemption, conflict and resolution are on the cards they need to get a dose of it into season three, or I will probably lose interest fast.
Amazon Prime has a lot of shows a lot better than this one, but probably none that appeal as much to boys and men under 30. It has its place on the vast entertainment schedule, but personally I am craving more meaning and less of the puerile dependence on gore. However, if that is what its audience talk about, then its gonna increase not decrease. They have set their own bloody bar now and my fear is this is what the future of the show holds: more and more original ways to gross us out. I’d like to be proved wrong, but I don’t feel in a huge rush about it either way.
Kristina (502 KP) rated It Ends With Us in Books
Dec 7, 2020
Holy mother of God. I don't know where to start, honestly. Colleen is very good at stunning me into silence, so it's difficult to put my emotions into words - which is why you'll notice I either have no reviews or pretty vague reviews for her books. But I just can't do that with this one. There's no way. What I read wrung me dry and had me staring at the wall for a full 5 minutes before I could even move. What Lily experiences is so real and raw, so emotional, I felt like I was her. Her thoughts were true to who she was and honest. As I read Lily's diary entries, I felt a kinship, because I had experienced some of the same growing up. I felt her fear, her worry, her anger, her curiosity. To watch your mother go through that is no fun. I found it endearing that Lily wrote her diary in the form of letters to Ellen DeGeneres - she's an awesome woman. I fell in love twice in the span of one book. Even though I hoped I was wrong, I had a strong premonition, and I was right about it. I truly wish I wasn't. After reading the Author's note, I completely agree with Colleen. I kind of wish she had written it differently; I kind of wish she hadn't used the plot that she did. But, as she also said, it would have ruined the whole point of writing this story, and I understand that. I still love the story, because it's beautiful (yet heartbreaking) in all its glory, and it gets the meaning across just the way Colleen meant it to. I'm ashamed to say I was like many of the others: "Why doesn't she just leave?" Sure, I questioned the opposite spouse, but this question has always been the first to enter my mind. After reading It Ends With Us, I feel even worse that I've ever had that thought. It's true, life isn't just black and white, and niether is any situation. We never truly know what it's like for anyone unless we were in that same situation - and no two situations are exactly alike. All I can say is that while I fell in love twice, my heart broke a million times, and it still didn't feel completely whole by the time the story ended. I do hope Colleen decides to write a short novella about Lily's future, because I feel like I need more closure. My heart needs more closure. Nothing could have prepared me for this book and I have absolutely no regrets about going in blind. The Queen never ceases to amaze me. Once again, I'm adding a CoHo book to my favorites shelf. Bravo, Colleen.
***Spoiler***
Naked truth?
I think a part of me still loves Ryle. I worried that he was too perfect in the beginning. I knew there had to be a flaw and I was scared Lily's mom's situation would have something to do with it. What I'm most scared about is the fact I kind of wanted Lily to forgive him and take him back. Because who knows, having a daughter could have knocked the abusive side of him right out. And, sure, she loved Atlas, but I felt like it could have blossomed into a mature, familial type love. I'm so very proud of Lily and the decision she made, especially because it was for little Emmy. But a part of me mourns the loss of Ryle. Because his pain was real, his regret was real. Still... No matter how sorry he was, as Lily stated, there is no excuse; she did what she had to do.
***Spoiler***
Naked truth?
I think a part of me still loves Ryle. I worried that he was too perfect in the beginning. I knew there had to be a flaw and I was scared Lily's mom's situation would have something to do with it. What I'm most scared about is the fact I kind of wanted Lily to forgive him and take him back. Because who knows, having a daughter could have knocked the abusive side of him right out. And, sure, she loved Atlas, but I felt like it could have blossomed into a mature, familial type love. I'm so very proud of Lily and the decision she made, especially because it was for little Emmy. But a part of me mourns the loss of Ryle. Because his pain was real, his regret was real. Still... No matter how sorry he was, as Lily stated, there is no excuse; she did what she had to do.
Emma @ The Movies (1786 KP) rated Peterloo (2018) in Movies
Sep 25, 2019
Peterloo was a daunting prospect even before getting into the screen. 154 minutes... that's 2 hours and 34 minutes of a very bleak piece of history.
If you've read some of my comments before about real-life event films you'll know that I struggle with the fact that it feels like I'm judging the subject rather than the film itself. Peterloo is no exception.
There is a truly impressive cast bringing this story to life. Lots of faces you'll recognise from one thing or another. I did have to stop myself from exclaiming out loud "Jack Boswell!" when he popped up and that certainly wasn't the only pointing at the screen moment. Performances all round were very good, whether they be someone to sympathise with, or someone to loathe.
You use the word massacre in the description of a film and you know it isn't going to be an easy watch. Unfortunately it was a difficult watch for a completely different reason. This film didn't seem accessible at all. You have to applaud them for wanting to bring a whole story to the screen without cutting lots of pieces out. The timeline seems to generally flow well and it did feel like we were getting the whole journey from start to finish.
Here's where I have a major problem.
The sheer length of this film. While I don't doubt that all the bits were important it honestly felt very repetitive. That coupled with the language made it a very dry watch. I nearly gave up and left. The couple behind me did. Which was actually a godsend because once they did I didn't feel so bad about having to move about to stop myself dozing off. This could easily have been 45 minutes shorter than it was, sacrificing something from the film would have given it a quicker pace to draw you.
What upset me most about this is that the powerful ending that was done so well felt entirely swamped by the long and drawn out beginning. When the scene unfolds you know what's coming but there's no way to prepare yourself for what they've created on the screen. In that moment I was thankful that I'd managed to stick it out just to get to that point. It was done in such a way that you completely understood what was happening and it came with an emotion that brought this tragedy shockingly to life.
Sadly that moment was stolen by this film's villain, time. This scene just kept going. There was a moment where it felt like it had come to a close... and yet it went on. I wasn't entirely surprised with that after seeing the beginning of the film, but I was disappointed. To add insult to injury we were given a brief dialogue at the end that felt very much like an after thought. And with that, I was done.
This is yet another film I've seen recently that felt like it would have been more suited to a multi episode TV series. It had very clear parts and I can't help but think that it would have benefited from being broken up into more manageable sections.
What you should do
Unless you're a massive history enthusiast I can't recommend this one to you. I really feel like your time would be better spent researching the story on the internet or finding a book in the library about it.
Movie thing you wish you could take home
It's difficult to want for anything in this period of history, but there's no denying that I would love to give that printer a go.
If you've read some of my comments before about real-life event films you'll know that I struggle with the fact that it feels like I'm judging the subject rather than the film itself. Peterloo is no exception.
There is a truly impressive cast bringing this story to life. Lots of faces you'll recognise from one thing or another. I did have to stop myself from exclaiming out loud "Jack Boswell!" when he popped up and that certainly wasn't the only pointing at the screen moment. Performances all round were very good, whether they be someone to sympathise with, or someone to loathe.
You use the word massacre in the description of a film and you know it isn't going to be an easy watch. Unfortunately it was a difficult watch for a completely different reason. This film didn't seem accessible at all. You have to applaud them for wanting to bring a whole story to the screen without cutting lots of pieces out. The timeline seems to generally flow well and it did feel like we were getting the whole journey from start to finish.
Here's where I have a major problem.
The sheer length of this film. While I don't doubt that all the bits were important it honestly felt very repetitive. That coupled with the language made it a very dry watch. I nearly gave up and left. The couple behind me did. Which was actually a godsend because once they did I didn't feel so bad about having to move about to stop myself dozing off. This could easily have been 45 minutes shorter than it was, sacrificing something from the film would have given it a quicker pace to draw you.
What upset me most about this is that the powerful ending that was done so well felt entirely swamped by the long and drawn out beginning. When the scene unfolds you know what's coming but there's no way to prepare yourself for what they've created on the screen. In that moment I was thankful that I'd managed to stick it out just to get to that point. It was done in such a way that you completely understood what was happening and it came with an emotion that brought this tragedy shockingly to life.
Sadly that moment was stolen by this film's villain, time. This scene just kept going. There was a moment where it felt like it had come to a close... and yet it went on. I wasn't entirely surprised with that after seeing the beginning of the film, but I was disappointed. To add insult to injury we were given a brief dialogue at the end that felt very much like an after thought. And with that, I was done.
This is yet another film I've seen recently that felt like it would have been more suited to a multi episode TV series. It had very clear parts and I can't help but think that it would have benefited from being broken up into more manageable sections.
What you should do
Unless you're a massive history enthusiast I can't recommend this one to you. I really feel like your time would be better spent researching the story on the internet or finding a book in the library about it.
Movie thing you wish you could take home
It's difficult to want for anything in this period of history, but there's no denying that I would love to give that printer a go.
Law of Attraction Hypnosis by Glenn Harrold
Lifestyle and Health & Fitness
App
This deeply relaxing Law of Attraction hypnosis recording by Glenn Harrold will help you to project...
Purple Phoenix Games (2266 KP) rated Sushi Go! in Tabletop Games
Aug 4, 2020
The eternal debate – do you allow snacking while gaming? If so, do you dictate what snacks are permissible so as to protect your games from grimy fingers? Or is no food allowed at all? You have your opinions and I have mine, but perhaps games about food can be a happy medium.
You and your friends enter the local sushi restaurant, ready for a relaxed meal. As the dishes pass by, you begin to realize that your friends are all vying for the same tasty selections that you are! You must be quick to snatch them up before they do, and end up with the yummiest sushi combination in the restaurant!
DISCLAIMER: There are expansions to this game, but we are not reviewing them at this time. Should we review them in the future we will either update this review or post a link to the new material here. -T
Sushi Go! is a game of card drafting, hand management, and set collection in which you are trying to collect combinations of different sushi dishes for the most points at the end of 3 rounds. Each round is played as follows: look at your hand of cards, select one to keep, pass the remaining cards to your neighbor, repeat process until all cards have been claimed. Points are added at the end of the round, cards are collected and shuffled, and then the next round begins. Simple, right? Mechanically, yes. But strategically, no! You’ve got to make decisions with each hand to decide which types of sushi you want to focus on in a given round. Keep an eye on your opponents selections as well, because you miiiiight just be able to keep them from getting a complete set and scoring tons of points!
I can’t remember if I’ve said this in any of my previous reviews, but I LOVE games of card drafting and set collection. They are MY JAM. So I love Sushi Go! The gameplay is similar to 7 Wonders (maybe that’s why Bryan rated it the lowest in the group…), and it requires way more strategy than you might think. Throughout the rounds, you know what cards your opponents have kept, so you can actually see what points they have the potential to earn. That might influence which card you choose to keep – even if it scores you no points, it could hinder your opponent from scoring those points as well! You’re not only trying to collect complete sets of certain cards, you’re trying to make sure your opponents aren’t monopolizing high-scoring cards.
Another thing I love about Sushi Go! is that it is a fast game. It can be pretty strategic, but the game plays so fast that it doesn’t feel too heavy. I usually play it as a short filler between some bigger games. The neat thing is that it still keeps my mind moving and keeps me engaged throughout the game – it doesn’t just feel like a throwaway game between meatier games.
The game itself consists of a hefty deck of cards, housed in a cute tin. The card quality is good, and they feel sturdy in hand. The artwork is perhaps one of the best parts of Sushi Go! The cards are bright and colorful, and the adorable faces on every piece of food are delightful to look at. Dare I even say, cute enough to eat?
I think that Sushi Go! is a great game to use to introduce new gamers to the hobby. It’s simple to learn, fast to play, strategic enough to be engaging, and not complicated enough to be daunting to new players. I might not always think to play Sushi Go!, but if someone suggests it, I will never say no! Purple Phoenix Games gives it a tasty 19 / 24.
You and your friends enter the local sushi restaurant, ready for a relaxed meal. As the dishes pass by, you begin to realize that your friends are all vying for the same tasty selections that you are! You must be quick to snatch them up before they do, and end up with the yummiest sushi combination in the restaurant!
DISCLAIMER: There are expansions to this game, but we are not reviewing them at this time. Should we review them in the future we will either update this review or post a link to the new material here. -T
Sushi Go! is a game of card drafting, hand management, and set collection in which you are trying to collect combinations of different sushi dishes for the most points at the end of 3 rounds. Each round is played as follows: look at your hand of cards, select one to keep, pass the remaining cards to your neighbor, repeat process until all cards have been claimed. Points are added at the end of the round, cards are collected and shuffled, and then the next round begins. Simple, right? Mechanically, yes. But strategically, no! You’ve got to make decisions with each hand to decide which types of sushi you want to focus on in a given round. Keep an eye on your opponents selections as well, because you miiiiight just be able to keep them from getting a complete set and scoring tons of points!
I can’t remember if I’ve said this in any of my previous reviews, but I LOVE games of card drafting and set collection. They are MY JAM. So I love Sushi Go! The gameplay is similar to 7 Wonders (maybe that’s why Bryan rated it the lowest in the group…), and it requires way more strategy than you might think. Throughout the rounds, you know what cards your opponents have kept, so you can actually see what points they have the potential to earn. That might influence which card you choose to keep – even if it scores you no points, it could hinder your opponent from scoring those points as well! You’re not only trying to collect complete sets of certain cards, you’re trying to make sure your opponents aren’t monopolizing high-scoring cards.
Another thing I love about Sushi Go! is that it is a fast game. It can be pretty strategic, but the game plays so fast that it doesn’t feel too heavy. I usually play it as a short filler between some bigger games. The neat thing is that it still keeps my mind moving and keeps me engaged throughout the game – it doesn’t just feel like a throwaway game between meatier games.
The game itself consists of a hefty deck of cards, housed in a cute tin. The card quality is good, and they feel sturdy in hand. The artwork is perhaps one of the best parts of Sushi Go! The cards are bright and colorful, and the adorable faces on every piece of food are delightful to look at. Dare I even say, cute enough to eat?
I think that Sushi Go! is a great game to use to introduce new gamers to the hobby. It’s simple to learn, fast to play, strategic enough to be engaging, and not complicated enough to be daunting to new players. I might not always think to play Sushi Go!, but if someone suggests it, I will never say no! Purple Phoenix Games gives it a tasty 19 / 24.
Ivana A. | Diary of Difference (1171 KP) rated Falling Short in Books
Oct 2, 2020
Contains spoilers, click to show
When I first found out about Falling Short, written by Lex Coulton, the blurb promised to be ''fresh, funny and life-affirming''. I am sorry, but no. That is not correct. This book was none of those things. It wasn’t bad at all, but I would prefer describing it as a slow-paced, and confusingly complex in an unsatisfying way.
About the book:
Frances Pilgrim’s father went missing when she was five, and ever since all sorts of things have been going astray: car keys, promotions, a series of underwhelming and unsuitable boyfriends . . . Now here she is, thirty-bloody-nine, teaching Shakespeare to rowdy sixth formers and still losing things.
But she has a much more pressing problem. Her mother, whose odd behaviour Frances has long put down to eccentricity, is slowly yielding to Alzheimer’s, leaving Frances with some disturbing questions about her father’s disappearance, and the family history she’s always believed in. Frances could really do with someone to talk to. Ideally Jackson: fellow teacher, dedicated hedonist, erstwhile best friend. Only they haven’t spoken since that night last summer when things got complicated . . .
As the new school year begins, and her mother’s behavior becomes more and more erratic, Frances realizes that she might just have a chance to find something for once. But will it be what she’s looking for?
My thoughts:
I am usually good at explaining why I don’t like a certain book, or why I feel the way I feel, and believe me, with this one, I have spent two days and 6 sittings in front of this draft (now published post) to try and write about it. So I am doing my best now…
First of all, there has to be something about a certain book to make me want to read it. With this one – there were two things:
I love romance and intrigue, and the blurb promised two people not really talking to each other, but sparks flying around… so yes, that got me.
The Alzheimer’s disease – as a person that has worked with people suffering from Dementia and Alzheimer’s, this subject is very close to my heart. I couldn’t miss this book for this reason.
Now – the romance part disappointed me, as there was no romance. No romance at all. Unless, of course, you count as a romance a person in their mid-forties sleeping around with drunk teens, and is then too complicated of a character to even realise who he loves, and why, and the moment he does, he still has no idea what to do with that information.
The other disappointment I had was that I expected to read about the Alzheimer’s, and not only that they weren’t there, but also some of the symptoms mentioned were not correct at all. There were only sex relationships and sex scenes, and that was supposed to define their relationship in the end. Not realistic at all.
Even though it seems that we follow Frances’s story throughout, we actually follow Jackson’s story as well. Their characters were too complicated and confusing for me, and it let me to now feel nor care about them at all. I honestly cared about Frances’s dog the most in this book.
The plot wasn’t perfect – there were times when the information given didn’t match.
[SPOILER ALERT]
The scene how Frances searches on Google to find the address of her dad. We are then told that she found out his address through Jean. Which one is it, then?
I am actually quite sad that I didn’t enjoy this book, but I will still be curious about new works from Lex Coulton, because, somehow, I really liked her writing style, despite all the flaws.
About the book:
Frances Pilgrim’s father went missing when she was five, and ever since all sorts of things have been going astray: car keys, promotions, a series of underwhelming and unsuitable boyfriends . . . Now here she is, thirty-bloody-nine, teaching Shakespeare to rowdy sixth formers and still losing things.
But she has a much more pressing problem. Her mother, whose odd behaviour Frances has long put down to eccentricity, is slowly yielding to Alzheimer’s, leaving Frances with some disturbing questions about her father’s disappearance, and the family history she’s always believed in. Frances could really do with someone to talk to. Ideally Jackson: fellow teacher, dedicated hedonist, erstwhile best friend. Only they haven’t spoken since that night last summer when things got complicated . . .
As the new school year begins, and her mother’s behavior becomes more and more erratic, Frances realizes that she might just have a chance to find something for once. But will it be what she’s looking for?
My thoughts:
I am usually good at explaining why I don’t like a certain book, or why I feel the way I feel, and believe me, with this one, I have spent two days and 6 sittings in front of this draft (now published post) to try and write about it. So I am doing my best now…
First of all, there has to be something about a certain book to make me want to read it. With this one – there were two things:
I love romance and intrigue, and the blurb promised two people not really talking to each other, but sparks flying around… so yes, that got me.
The Alzheimer’s disease – as a person that has worked with people suffering from Dementia and Alzheimer’s, this subject is very close to my heart. I couldn’t miss this book for this reason.
Now – the romance part disappointed me, as there was no romance. No romance at all. Unless, of course, you count as a romance a person in their mid-forties sleeping around with drunk teens, and is then too complicated of a character to even realise who he loves, and why, and the moment he does, he still has no idea what to do with that information.
The other disappointment I had was that I expected to read about the Alzheimer’s, and not only that they weren’t there, but also some of the symptoms mentioned were not correct at all. There were only sex relationships and sex scenes, and that was supposed to define their relationship in the end. Not realistic at all.
Even though it seems that we follow Frances’s story throughout, we actually follow Jackson’s story as well. Their characters were too complicated and confusing for me, and it let me to now feel nor care about them at all. I honestly cared about Frances’s dog the most in this book.
The plot wasn’t perfect – there were times when the information given didn’t match.
[SPOILER ALERT]
The scene how Frances searches on Google to find the address of her dad. We are then told that she found out his address through Jean. Which one is it, then?
I am actually quite sad that I didn’t enjoy this book, but I will still be curious about new works from Lex Coulton, because, somehow, I really liked her writing style, despite all the flaws.
Movie Metropolis (309 KP) rated It: Chapter Two (2019) in Movies
Sep 13, 2019
Part of this post is sponsored by 4DX Cinemas. With poignancy and heart on its side, 2017’s IT managed to avoid its occasional flaws to become an unnerving addition to the horror genre. While the film could never be classed as outright terrifying, the character of Pennywise, portrayed exceptionally by Bill Skarsgard, is an unsettling antagonist and one of the best in film.
Two years later, the town of Derry is back on the big screen in Andy Muschietti’s epic conclusion. But at nearly 3 hours long, is IT: Chapter Two just a bloated mess, or does it float to new heights?
Defeated by members of the Losers’ Club, the evil clown Pennywise returns 27 years later to terrorise the town of Derry, Maine, once again. Now adults, the childhood friends have long since gone their separate ways. But when people start disappearing, Mike Hanlon (Isaiah Mustafa) calls the others home for one final stand. Damaged by scars from the past, the united Losers must conquer their deepest fears to destroy the shape-shifting Pennywise – who is now more powerful than ever.
The film follows many of the same tropes as its predecessor, with beautiful cinematography and excellent performances masking some shoddy CGI and an over-reliance on jump scares, and while it does lack the simplicity and tightly-wound script of its predecessor, IT: Chapter Two is even more unsettling.
For director Andy Muschietti, it’s clear that the training wheels are off. After being guided through the process by Warner Bros. first time around, the success of IT (it grossed over $700million worldwide) now means he’s been free to splash his creative vision all over the screen – and it shows. A deeply disconcerting opening involving two of Derry’s LGBT community and some town bigots lets the audience know early on that this is going to be even darker and much more graphic than its predecessor.
From a casting point of view, they couldn’t have done better. Each adult version of the Loser’s Club nicely embodies their child counterpart, even if we spend more time with some than others. James McAvoy is as reliable as ever and Jessica Chastain plays Beverly nicely but it’s in Bill Hader and James Ransome that we find the perfect embodiments of their juvenile characters.
Hader and Ransome share the same chemistry that made Eddie and Richie so watchable in the first instalment and there is even some well-judged poignancy to go with their playful teasing. The Chinese restaurant scene, a fan favourite from the book and the TV mini-series, is present and correct and remains a highlight over the course of the running time.
IT: Chapter Two is a confident finale to one of 2017’s best films; filled with exceptional performances
Praise must be given to the scriptwriters here as ensembles of this size can all too often get lost with little character development. Thankfully, each cast member feels fully fleshed out, meaning we care for them a lot more than your typical horror-movie character.
However, this is Bill Skarsgard’s film and Pennywise is as menacing as ever. Skarsgard turns up the ante here with his physical performance being absolutely incredible. This portrayal is Heath Ledger Joker levels of good. It would be a shame if he wasn’t recognised officially for the exceptional work he has done to bring this wretched character to life.
While much of the film sees the Loser’s Club separate from each other as they try to locate tokens from their pasts, this allows the production team to create some truly staggering set pieces – although it’s unfortunate that many of them have been spoilt in the trailers. The much-marketed house of mirrors scene is brief but leaves a lasting impression and there’s a sequence early on involving a small girl that was really troubling.
Unfortunately, it’s not all good news. While the pacing for such a long film is spot on, the appearances of our titular character are not. Despite being billed as appearing more often, the movie’s gargantuan length means that Pennywise doesn’t feel like he’s on screen for any longer than in the first instalment. With such a great character and performance, it would have been nice to see him a little more.
And while you’ll have noticed me using adjectives like ‘unsettling’ and ‘unnerving’, the film isn’t truly scary unless Pennywise in clown form is on the screen. That’s mainly down to some of the CGI used to create the monsters. As in its predecessor, IT: Chapter Two’s monsters feel too glossy, lacking in any true sense of realism.
Nevertheless, IT: Chapter Two is a confident finale to one of 2017’s best films; filled with exceptional performances and the wit and humour that made its predecessor such a hit. While not reaching quite the same dizzy heights as that film and relying even more on jump scares, as a pair, it’s hard to think of a horror series that has made its mark in the last decade quite as much as IT.
⭐⭐⭐⭐ IT: Chapter Two in 4DX
I was unsure how a horror film would translate to 4DX but the good news is that the experience became even more immersive, with sight, smell and feel all being utilised to great effect.
Soaring over Derry, the advanced seating that 4DX provides means that you feel like you’re flying over the town too. Of course, while this is a pleasant experience when the film is playing nicely, as soon as the horror hits, 4DX jolts you back to reality with some well-timed movement, strobe lighting and weather effects.
A nice touch in this film was the use of smell, something not utilised in Hobbs & Shaw. Every time Pennywise was about to appear on screen, a sweet aroma would fill the cinema, lulling you into a false sense of security. It was a nice effect that added to the drama of the film beautifully.
Naturally, being a horror film, rain was utilised a lot and having the spray nozzle behind your seat was great. Although you are able to turn it off if you so wish, having the weather effects left on meant that you became immersed in what was happening on screen.
This was my first experience of 4D cinema utilised in a horror film and the overall impact was one that added to the terror rather than detracted from it. I would highly recommend viewing IT: Chapter Two in 4DX, and you can book tickets at 19 Cineworld locations across the UK.
Two years later, the town of Derry is back on the big screen in Andy Muschietti’s epic conclusion. But at nearly 3 hours long, is IT: Chapter Two just a bloated mess, or does it float to new heights?
Defeated by members of the Losers’ Club, the evil clown Pennywise returns 27 years later to terrorise the town of Derry, Maine, once again. Now adults, the childhood friends have long since gone their separate ways. But when people start disappearing, Mike Hanlon (Isaiah Mustafa) calls the others home for one final stand. Damaged by scars from the past, the united Losers must conquer their deepest fears to destroy the shape-shifting Pennywise – who is now more powerful than ever.
The film follows many of the same tropes as its predecessor, with beautiful cinematography and excellent performances masking some shoddy CGI and an over-reliance on jump scares, and while it does lack the simplicity and tightly-wound script of its predecessor, IT: Chapter Two is even more unsettling.
For director Andy Muschietti, it’s clear that the training wheels are off. After being guided through the process by Warner Bros. first time around, the success of IT (it grossed over $700million worldwide) now means he’s been free to splash his creative vision all over the screen – and it shows. A deeply disconcerting opening involving two of Derry’s LGBT community and some town bigots lets the audience know early on that this is going to be even darker and much more graphic than its predecessor.
From a casting point of view, they couldn’t have done better. Each adult version of the Loser’s Club nicely embodies their child counterpart, even if we spend more time with some than others. James McAvoy is as reliable as ever and Jessica Chastain plays Beverly nicely but it’s in Bill Hader and James Ransome that we find the perfect embodiments of their juvenile characters.
Hader and Ransome share the same chemistry that made Eddie and Richie so watchable in the first instalment and there is even some well-judged poignancy to go with their playful teasing. The Chinese restaurant scene, a fan favourite from the book and the TV mini-series, is present and correct and remains a highlight over the course of the running time.
IT: Chapter Two is a confident finale to one of 2017’s best films; filled with exceptional performances
Praise must be given to the scriptwriters here as ensembles of this size can all too often get lost with little character development. Thankfully, each cast member feels fully fleshed out, meaning we care for them a lot more than your typical horror-movie character.
However, this is Bill Skarsgard’s film and Pennywise is as menacing as ever. Skarsgard turns up the ante here with his physical performance being absolutely incredible. This portrayal is Heath Ledger Joker levels of good. It would be a shame if he wasn’t recognised officially for the exceptional work he has done to bring this wretched character to life.
While much of the film sees the Loser’s Club separate from each other as they try to locate tokens from their pasts, this allows the production team to create some truly staggering set pieces – although it’s unfortunate that many of them have been spoilt in the trailers. The much-marketed house of mirrors scene is brief but leaves a lasting impression and there’s a sequence early on involving a small girl that was really troubling.
Unfortunately, it’s not all good news. While the pacing for such a long film is spot on, the appearances of our titular character are not. Despite being billed as appearing more often, the movie’s gargantuan length means that Pennywise doesn’t feel like he’s on screen for any longer than in the first instalment. With such a great character and performance, it would have been nice to see him a little more.
And while you’ll have noticed me using adjectives like ‘unsettling’ and ‘unnerving’, the film isn’t truly scary unless Pennywise in clown form is on the screen. That’s mainly down to some of the CGI used to create the monsters. As in its predecessor, IT: Chapter Two’s monsters feel too glossy, lacking in any true sense of realism.
Nevertheless, IT: Chapter Two is a confident finale to one of 2017’s best films; filled with exceptional performances and the wit and humour that made its predecessor such a hit. While not reaching quite the same dizzy heights as that film and relying even more on jump scares, as a pair, it’s hard to think of a horror series that has made its mark in the last decade quite as much as IT.
⭐⭐⭐⭐ IT: Chapter Two in 4DX
I was unsure how a horror film would translate to 4DX but the good news is that the experience became even more immersive, with sight, smell and feel all being utilised to great effect.
Soaring over Derry, the advanced seating that 4DX provides means that you feel like you’re flying over the town too. Of course, while this is a pleasant experience when the film is playing nicely, as soon as the horror hits, 4DX jolts you back to reality with some well-timed movement, strobe lighting and weather effects.
A nice touch in this film was the use of smell, something not utilised in Hobbs & Shaw. Every time Pennywise was about to appear on screen, a sweet aroma would fill the cinema, lulling you into a false sense of security. It was a nice effect that added to the drama of the film beautifully.
Naturally, being a horror film, rain was utilised a lot and having the spray nozzle behind your seat was great. Although you are able to turn it off if you so wish, having the weather effects left on meant that you became immersed in what was happening on screen.
This was my first experience of 4D cinema utilised in a horror film and the overall impact was one that added to the terror rather than detracted from it. I would highly recommend viewing IT: Chapter Two in 4DX, and you can book tickets at 19 Cineworld locations across the UK.
Hazel (1853 KP) rated Spilt Milk in Books
May 30, 2017
Not about milk
I received this book for free through Goodreads First Reads.
Spilt Milk is the second historical novel by Amanda Hodgkinson, award-winning British author of 22 Britannia Road. Split into two parts it follows the lives of two sisters over several decades during the first half of the twentieth century. Set in Britain, this is a novel about relationships, family, secrets… and illegitimate pregnancies. Lots of illegitimate pregnancies.
The first part spans from 1913 until 1917 thus covering the First World War period. The second part picks up the storyline in 1939 and continues until the novel’s final pages set in 1965. So yet another world war is included, although it has little impact on the plot. The first chapter is almost like the calm before the storm. Everything appears peaceful and happy until everything spirals out of control. Vivian and Nellie Marsh (aged twenty three and twenty two) have been raised by their older sister Rose in a small farmhouse since the death of their parents when Nellie was a baby. We first meet Nellie rinsing chamber pots outside where she has a feeling that something is going to happen; something good, she hopes. Alas, it turns out it was a bad feeling after all as floodwaters rise and Rose dies. The only apparent good thing is the arrival of a hired farm hand, Joe Ferier. But no, that is also a bad occurrence that leaves one sister pregnant and the other temporarily homeless.
Over the years we see how the sisters deal with the way in which their lives have drastically changed up until Nellie has a child with her husbands brother. Luckily her husband is willing to pass the child off as his own, and so Nellie, unlike the other secret pregnancies in this story, actually gets to keep her love child.
At the start of part two, Nellie’s daughter Bertha (commonly known as Birdie) is eighteen years old and finds herself – can you guess? – pregnant after a one night stand. So that it can remain secret she goes to live with her Aunt Vivian until the baby is born and adopted. Vivian ends up housing many girls including a couple of minor characters who have got themselves in a similar way. I did say there were a lot of illegitimate pregnancies! It also comes to light that supposedly innocent, spinster Rose had not one but two babies during her teenage years.
The remainder of the novel shows us how the girls: Nellie, Vivian and Birdie; get on with their lives under the burden of their personal secrets and emotions. It is Birdie who struggles the most with the knowledge that her daughter is growing up without her but to talk to anyone about it would have deep consequences.
The size of the time period means that the reader can become attached to certain key characters and feel their pain as they struggle with their emotional afflictions, however each scene passes quickly as time goes on which means we do not really get to appreciate the minor characters.
Overall it is a good, reasonably quick read which many women would enjoy, particularly those who appreciate historical fiction and may have sisters of their own and therefore understand what the power of keeping secrets can result in.
Spilt Milk is the second historical novel by Amanda Hodgkinson, award-winning British author of 22 Britannia Road. Split into two parts it follows the lives of two sisters over several decades during the first half of the twentieth century. Set in Britain, this is a novel about relationships, family, secrets… and illegitimate pregnancies. Lots of illegitimate pregnancies.
The first part spans from 1913 until 1917 thus covering the First World War period. The second part picks up the storyline in 1939 and continues until the novel’s final pages set in 1965. So yet another world war is included, although it has little impact on the plot. The first chapter is almost like the calm before the storm. Everything appears peaceful and happy until everything spirals out of control. Vivian and Nellie Marsh (aged twenty three and twenty two) have been raised by their older sister Rose in a small farmhouse since the death of their parents when Nellie was a baby. We first meet Nellie rinsing chamber pots outside where she has a feeling that something is going to happen; something good, she hopes. Alas, it turns out it was a bad feeling after all as floodwaters rise and Rose dies. The only apparent good thing is the arrival of a hired farm hand, Joe Ferier. But no, that is also a bad occurrence that leaves one sister pregnant and the other temporarily homeless.
Over the years we see how the sisters deal with the way in which their lives have drastically changed up until Nellie has a child with her husbands brother. Luckily her husband is willing to pass the child off as his own, and so Nellie, unlike the other secret pregnancies in this story, actually gets to keep her love child.
At the start of part two, Nellie’s daughter Bertha (commonly known as Birdie) is eighteen years old and finds herself – can you guess? – pregnant after a one night stand. So that it can remain secret she goes to live with her Aunt Vivian until the baby is born and adopted. Vivian ends up housing many girls including a couple of minor characters who have got themselves in a similar way. I did say there were a lot of illegitimate pregnancies! It also comes to light that supposedly innocent, spinster Rose had not one but two babies during her teenage years.
The remainder of the novel shows us how the girls: Nellie, Vivian and Birdie; get on with their lives under the burden of their personal secrets and emotions. It is Birdie who struggles the most with the knowledge that her daughter is growing up without her but to talk to anyone about it would have deep consequences.
The size of the time period means that the reader can become attached to certain key characters and feel their pain as they struggle with their emotional afflictions, however each scene passes quickly as time goes on which means we do not really get to appreciate the minor characters.
Overall it is a good, reasonably quick read which many women would enjoy, particularly those who appreciate historical fiction and may have sisters of their own and therefore understand what the power of keeping secrets can result in.