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Mortal Kombat Legends: Scorpion's Revenge (2020)
Mortal Kombat Legends: Scorpion's Revenge (2020)
2020 | Action, Adventure, Animation
Scorpion's Revenge is an animated re-tread of a story that has been told countless times by now. The attempt to fit a narrative around a standard fighting game, especially one that exclusively deals with straight up murder, had never really worked with me until recently. I'm one of the few who doesn't really like the 1995 movie, even ironically, and have always found the stories in the Mortal Kombat franchise kind of forced.
Recently however, the backstory has been fleshed out pretty well, especially with last year's Mortal Kombat 11. This movie deals with the events of the first tournament once again, but it benefits from the aforementioned good story-telling. Characters like the titular Scorpion, and Sub-Zero are no longer simple colour pallette swaps, they have proper, well realised back stories, and Scorpion's Revenge relishes in it.
What happens to Scorpion in the opening of the film is just horrible, and the whole runtime I really wanted him to DESTROY the people who wronged him.

Lots of fan favourites appear here - Sonya Blade, Johnny Cage, Liu Kang, Raiden, Quan Chi, Shang Tsung, Baraka, Reptile, Kano, Kitana, Jax, Goro - and all are represented just as much as they need to me, none of them feel like dead weight, it's well balanced. It has a decent voice cast as well, including Jennifer Carpenter and Joel McHale.

The animation is ok. I found myself disliking it at times, and then loving it at other times. It just didn't seem too consistent to me, but it's not a massive negative. There's plenty of action, and a truly staggering amount of gore, which is really all you could want from a Mortal Kombat film.

Truth be told, I would much rather watch this than the live action stuff any day of the week. It's pretty entertaining and a must for any fans of the game series.
  
The Cloverfield Paradox (2018)
The Cloverfield Paradox (2018)
2018 | Sci-Fi
The Cloverfield Paradox is a kind of semi decent sci-fi thriller, with a relatively tenuous link to the wider Cloverfield story.
Much like 10 Cloverfield Lane, Paradox started life as a non-Cloverfield property. My only real issue with it's predecessor is that the link to the original film felt tacked onto the end, after the (excellent) main bulk of the story was done. My main issue with Paradox, is that the links are weaved in from the get go, but it's painfully obvious that the original plot was retconned to fit the overall Cloverfield narrative, and it doesn't quite flow properly.
This is most evident in the scenes that take place on Earth, and centre around Roger Davies' character. They just feel a bit out of place, even if they do have a monster movie kind of vibe.

The stuff that takes place up in space isn't too awful. A crew of scientists are orbiting earth in a space station, using a partical accelerator to find new sources of energy, energy that Earth desperately needs as reserves run low, and global war seems imminent. Of course, it doesn't all go to plan, and the crew find themselves in a parallel dimension, space and time is ripped apart etc etc.
To cut it short, lots of weird shit starts to happen aboard the station. It comes across like a poor man's Event Horizon. The pacing is a little off and the obligatory twist near the films climax is a bit silly and unearned, but honestly, there are worse sci-fi 'horror' films out there. There's some good effects work on show, and the cast are mostly likeable.

It's an entertaining enough film, but honestly, the Cloverfield links sort of spoil it a little. I love the original, and I loved 10 Cloverfield Lane, but I sincerely hope that if the franchise continues to move forward, they do some proper big budget sequels, and stop retconning other films!
  
The Other Half of Augusta Hope
The Other Half of Augusta Hope
Joanna Glen | 2019 | Contemporary
9
8.3 (3 Ratings)
Book Rating
Augusta Hope is the other twin - Julia is the beautiful one who everyone feels able to easily connect with. Augusta is harder work. Whilst Julia wants to stay at home and marry the boy next door, Augusta wants to go to University and travel. Her favourite book is the dictionary, she collates a folder on Burundi and hopes to go there one day. Augusta follows her own path, tells people what she thinks and drives her very conventional family mad.

Alongside the story of Augusta, chapters are alternated with Parfait and his story. He lives in Burundi - a country torn apart by Civil War. Parfaits family is destroyed by the horrors of this war, so he and his younger brother leave for what they feel will be a better life in Spain. Life has more sadness to throw at Parfait, though - and Augusta is dealt a cruel hand as well. She finds solace in Spain, which is where Parfait and Augusta are destined to meet.

I liked the alternating chapters of Augusta and Parfait - this device really highlighted the huge differences in their lives early on. As the story progresses though, it also shows that no matter how different we may all appear, there are actually more similarities than differences. We are all human; we all experience love and loss.

This was such a good way to highlight the refugee crisis in Europe. At a couple of points in the story, Parfait announces to the Spanish town how many people had died in the Mediterranean that year in their quest to live a better life. This book is heartbreaking in more than this one way. Both characters suffer unimaginable loss, and both learn to value life, a feeling of home and belonging.

It’s a wonderful book, and one that I’d heartily recommend. Many thanks to NetGalley and The Borough Press for my ebook copy.
  
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