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Suswatibasu (1703 KP) rated Her Body and Other Parties: Stories in Books
Nov 22, 2017 (Updated Nov 22, 2017)
Good writing but fairly disappointing
Her Body and Other Parties is like most short story collections I have read in that some of the stories worked for me far more than others.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Gloria (27 KP) rated Prison Break - Season 3 in TV
Jul 18, 2017
Still Good, But Lacking
Contains spoilers, click to show
As surprising and exciting as ever. The characters grew into something more than themselves. The story continues to amaze. Nothing feels forced even if it was a bit unrealistic for them to end up where they did.
Season 3 of Prison Break takes us back to a familiar scenario. Michael Scofield is trying once again to break out of prison. Only this time the setting is different. The previous season's finale ended on a tense note. It gave us a glimpse at what looked like a more brutal and darker place to be locked up when compared to the Fox River Penitentiary of the show's first season. It showed a lot of promise.
Unfortunately, it doesn't quite live up to that potential. "Sona" comes off as quite tame compared to Fox River. Shocking considering the lack of guards. The sense of anarchy that could have been in place is sadly lacking. That's not to say there isn't a sense of urgency. The lives of these characters are still in danger, and it's still a joy to watch them try and survive. Even if the story isn't up to par with the excellent first two seasons.
The mystery grows larger. Unfortunately, this season is lacking in big reveals. It leads for the season to feel more like a side-story rather than the next big chapter in the story of Michael and crew. A few shocking developments take place and some new players are introduced while older ones are killed off, but it's lacking in all of these categories when compared to previous seasons.
That's not to say the show isn't still enjoyable. It's just lost some steam. I was still on the edge of my seat in every scenario. Even when it was completely obvious that the writers were just teasing us with some tension that we know the characters would wiggle their way out of consequence free. The show is still at its best when it's using its brain. Watching the heroes and villains constantly play a game of chess in order to stay ahead is as thrilling as ever. Prison Break still provides plenty of satisfying moments where a plan comes together and our crew makes a narrow escape. It might not live up to what came before, but there are still plenty of reasons to follow this story.
Season 3 of Prison Break takes us back to a familiar scenario. Michael Scofield is trying once again to break out of prison. Only this time the setting is different. The previous season's finale ended on a tense note. It gave us a glimpse at what looked like a more brutal and darker place to be locked up when compared to the Fox River Penitentiary of the show's first season. It showed a lot of promise.
Unfortunately, it doesn't quite live up to that potential. "Sona" comes off as quite tame compared to Fox River. Shocking considering the lack of guards. The sense of anarchy that could have been in place is sadly lacking. That's not to say there isn't a sense of urgency. The lives of these characters are still in danger, and it's still a joy to watch them try and survive. Even if the story isn't up to par with the excellent first two seasons.
The mystery grows larger. Unfortunately, this season is lacking in big reveals. It leads for the season to feel more like a side-story rather than the next big chapter in the story of Michael and crew. A few shocking developments take place and some new players are introduced while older ones are killed off, but it's lacking in all of these categories when compared to previous seasons.
That's not to say the show isn't still enjoyable. It's just lost some steam. I was still on the edge of my seat in every scenario. Even when it was completely obvious that the writers were just teasing us with some tension that we know the characters would wiggle their way out of consequence free. The show is still at its best when it's using its brain. Watching the heroes and villains constantly play a game of chess in order to stay ahead is as thrilling as ever. Prison Break still provides plenty of satisfying moments where a plan comes together and our crew makes a narrow escape. It might not live up to what came before, but there are still plenty of reasons to follow this story.
Whatchareadin (174 KP) rated Gray Mountain in Books
May 10, 2018
Samantha Kofer is a real estate attorney working for a huge law firm in New York City. When all of the banks go belly up so does Samantha's job. She was given the option to being furloughed for one year and during that year, she is encouraged to volunteer during this year off at a non-profit that the firm has chosen.
Trying to find the right place to volunteer has been difficult since there are so many out of work lawyers who are all going through the same thing. She found "The Mountain Legal Aid Clinic[who]ran its low-budget operations from an abandoned hardware store on Main Street in Brady, Virginia, population twenty-two hundred and declining with each census Brady, was in southwest, Virginia, Appalachia, coal country."
In Brady, Samantha works with Mattie and Annette and meets many of their clients who are poor people in need of everything from simple divorces and wills to black lung disease claims Mattie's nephew, Donovan, is also in Brady and his firm fights coal companies tooth and nail for the people of coal country who have been destroyed by their illegal practices. There are a lot of things that happen that help to shape Samantha into a more respectable lawyer, but they don't come without great loss.
John Grisham likes to get the heart of the matter, he likes to grip at your heartstrings so that you can feel the characters that he is portraying. For a big New York City attorney, though, Samantha is not really a character I got to enjoy as much as I thought I would. She seemed a bit of a wimp in some instances. Whining about never setting foot in a courtroom or drafting a will. I wanted to jump in the book and smack her one good time. Whether or not you have done these things, you are a lawyer, and is this not in your job description? This is one of the worse John Grisham books I have read. It didn't have the same go getter attitude that the other books have.
Overall, the book kept me interested and wanting to know what was going to happen next. There were parts that had me on the edge of my seat. I'm wondering if there is going to be more from Samantha Kofer, because the story seemed unfinished.
First title in Take Control of Your TBR 2015!
Trying to find the right place to volunteer has been difficult since there are so many out of work lawyers who are all going through the same thing. She found "The Mountain Legal Aid Clinic[who]ran its low-budget operations from an abandoned hardware store on Main Street in Brady, Virginia, population twenty-two hundred and declining with each census Brady, was in southwest, Virginia, Appalachia, coal country."
In Brady, Samantha works with Mattie and Annette and meets many of their clients who are poor people in need of everything from simple divorces and wills to black lung disease claims Mattie's nephew, Donovan, is also in Brady and his firm fights coal companies tooth and nail for the people of coal country who have been destroyed by their illegal practices. There are a lot of things that happen that help to shape Samantha into a more respectable lawyer, but they don't come without great loss.
John Grisham likes to get the heart of the matter, he likes to grip at your heartstrings so that you can feel the characters that he is portraying. For a big New York City attorney, though, Samantha is not really a character I got to enjoy as much as I thought I would. She seemed a bit of a wimp in some instances. Whining about never setting foot in a courtroom or drafting a will. I wanted to jump in the book and smack her one good time. Whether or not you have done these things, you are a lawyer, and is this not in your job description? This is one of the worse John Grisham books I have read. It didn't have the same go getter attitude that the other books have.
Overall, the book kept me interested and wanting to know what was going to happen next. There were parts that had me on the edge of my seat. I'm wondering if there is going to be more from Samantha Kofer, because the story seemed unfinished.
First title in Take Control of Your TBR 2015!
FilmIntuition (33 KP) rated The High Season in Books
May 23, 2018
A Terrific Beach Read
(Note: I received an Advance Readers Copy of this book in exchange for an honest review.)
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
Rachel King (13 KP) rated Fade Out (Morganville Vampires #7) in Books
Feb 11, 2019
Yet another good addition to the Morganville Vampires series, Fade Out is all about entertainment, but with a sinister twist. Eve wins a major part in the town's production of Tennessee Williams' A Street Car Named Desire and Claire's quirky boss, Myrnin, seems to have gained his sanity. But underneath this calm surface, rebellion is simmering while Amelie grieves, Ada-the-computer has it in for Claire, and the other goth chick in town, Kim, has less-than-honest designs for Morganville with a suspicious film project in the works.
Claire seems to have worked out a truce with her parents, which I liked since they just seem to get in the way. Her relationship with Shane is adorable and sweet, and I love their loyalty to each other even as they navigate the familiar territory of new romance. In contrast, Eve and Michael have hit a major bump in the road that I saw coming several books back - and I'm still a little annoyed that we don't get more details from Eve's perspective.
Myrnin has to be my favorite character in the series. Even as a sane individual, he is still incredibly unique - from his fashion sense, to the unexpected things he randomly spouts, to his mercurial behavior and unpredictable loyalties among the town's inhabitants. What develops with Ada's subplot in the book shows that beneath the vampire still lurks some humanity, and he obviously has many more secrets that have yet to be revealed.
Amelie grieves for the loss of Sam, and the way she randomly appears in Claire's day-to-day life during this period of stark vulnerability is equal parts mystifying and encouraging. While the downside of this is that the rebellious factions feel stronger, the upside is that the readers gets to see some of the characteristics typical only to humans show themselves in Amelie.
As for Claire herself, Shane makes an observation about her that I think sums her up quite nicely. Some people come to Morganville and disappear, but when Claire came to Morganville, she began to thrive.
Every time I pick up one of the books in this series, I simply can not stop reading until I've finished it - always the perfect blend of suspense, mystery, and supernatural elements to keep me hooked.
Claire seems to have worked out a truce with her parents, which I liked since they just seem to get in the way. Her relationship with Shane is adorable and sweet, and I love their loyalty to each other even as they navigate the familiar territory of new romance. In contrast, Eve and Michael have hit a major bump in the road that I saw coming several books back - and I'm still a little annoyed that we don't get more details from Eve's perspective.
Myrnin has to be my favorite character in the series. Even as a sane individual, he is still incredibly unique - from his fashion sense, to the unexpected things he randomly spouts, to his mercurial behavior and unpredictable loyalties among the town's inhabitants. What develops with Ada's subplot in the book shows that beneath the vampire still lurks some humanity, and he obviously has many more secrets that have yet to be revealed.
Amelie grieves for the loss of Sam, and the way she randomly appears in Claire's day-to-day life during this period of stark vulnerability is equal parts mystifying and encouraging. While the downside of this is that the rebellious factions feel stronger, the upside is that the readers gets to see some of the characteristics typical only to humans show themselves in Amelie.
As for Claire herself, Shane makes an observation about her that I think sums her up quite nicely. Some people come to Morganville and disappear, but when Claire came to Morganville, she began to thrive.
Every time I pick up one of the books in this series, I simply can not stop reading until I've finished it - always the perfect blend of suspense, mystery, and supernatural elements to keep me hooked.
graveyardgremlin (7194 KP) rated Unsympathetic Magic (Esther Diamond, #3) in Books
Feb 15, 2019
Here we are in the third entry into the Esther Diamond series. UNSYMPATHETIC MAGIC doesn't feature the zany characters that the previous two books had, which is a nice shift, and the focus on Esther and Max that was lost in [b:Doppelgangster|6678045|Doppelgangster (Esther Diamond, #2)|Laura Resnick|http://photo.goodreads.com/books/1275658691s/6678045.jpg|3150652] is back. The plot about Vodou*, zombies, and bokors is okay, but gets a little too predictable for my liking. Luckily, the author writes well enough to lift it up a level and ends up entertaining, and at times interesting.
Now for the bad news: the humor isn't as fresh or funny and I can't remember once laughing aloud during the book. Some of the scenes felt too forced to be funny, and one scene in particular had me cringing because of a character that got hurt. Maybe that scene wasn't supposed to be funny, but it seemed as if that was it's purpose before the injury happened. Basically all the humor in the book is a comedy of errors, and that's fine, as long as it's humorous and not as repetitive as it's been in these three books. Next, the length of the story needs a drastic paring down. While the book moves at a fairly brisk pace, I can't help but feel that another go or two with an editor was needed and the plot should have been tightened so it's more cohesive. I think it'd be a much better book with at least fifty pages less and I wouldn't get as tired of the plot or characters by then. There's a reason for the phrase "too much of a good thing" and both DOPPELGANGSTER and UNSYMPATHETIC MAGIC fit the bill. Still, I didn't hate the book and thought it was a small step up from the last, so I'll give the next book a shot because I enjoy the characters a lot (sorry for the unintentional bad rhyme). Even if the series hasn't hit the mark for me since the first, I have hope yet. Besides, how can I pass up a book called VAMPARAZZI? 3.5 stars
*Apparently Vodou is not pronounced like 'voodoo', it's either vo(like in toe)-dow(cow) or vo-doo, but I'm not sure which is right, from what I've figured out online. The book has a glossary, which is rather unnecessary since everything is explained in text, but not a pronunciation guide.
Now for the bad news: the humor isn't as fresh or funny and I can't remember once laughing aloud during the book. Some of the scenes felt too forced to be funny, and one scene in particular had me cringing because of a character that got hurt. Maybe that scene wasn't supposed to be funny, but it seemed as if that was it's purpose before the injury happened. Basically all the humor in the book is a comedy of errors, and that's fine, as long as it's humorous and not as repetitive as it's been in these three books. Next, the length of the story needs a drastic paring down. While the book moves at a fairly brisk pace, I can't help but feel that another go or two with an editor was needed and the plot should have been tightened so it's more cohesive. I think it'd be a much better book with at least fifty pages less and I wouldn't get as tired of the plot or characters by then. There's a reason for the phrase "too much of a good thing" and both DOPPELGANGSTER and UNSYMPATHETIC MAGIC fit the bill. Still, I didn't hate the book and thought it was a small step up from the last, so I'll give the next book a shot because I enjoy the characters a lot (sorry for the unintentional bad rhyme). Even if the series hasn't hit the mark for me since the first, I have hope yet. Besides, how can I pass up a book called VAMPARAZZI? 3.5 stars
*Apparently Vodou is not pronounced like 'voodoo', it's either vo(like in toe)-dow(cow) or vo-doo, but I'm not sure which is right, from what I've figured out online. The book has a glossary, which is rather unnecessary since everything is explained in text, but not a pronunciation guide.
graveyardgremlin (7194 KP) rated Trio of Sorcery (Diana Tregarde, #0.5) (Jennifer Talldeer, #2) in Books
Feb 15, 2019
<u>Arcanum 101</u>
Even though this came out decades after the first Diana Tregarde novel, it's a prequel so I read this first. Having just finished [b:Children of the Night|14012|Children of the Night (Diana Tregarde, #1)|Mercedes Lackey|https://d.gr-assets.com/books/1385445746s/14012.jpg|16102], I see a big difference in both Lackey's writing (it's definitely better) and in some continuity holes. Mostly minor, but for one thing, in this she calls her grandmother "Memaw" and in CotN, "Granny." She goes to college in Boston, at Harvard no less, in the short story and Connecticut is the only place mentioned in CotN. With the exception for a minor mention of Itzaak in the full-length book, none of the others featured in Arcanum 101 are in it, so apparently they were just created for the short story, which is a major bummer because I liked them better than the ones in CotN.
Okay onto an actual review...
While there's a bit of a slower start, introducing Diana and the others, I quite liked the pace. It felt natural and didn't bore me, which is a surprise in itself. Diana is much more likable here and has a strength of character and practical nature that appeals to me. The characters and plot kept the momentum going and if this wasn't a series that had already been written, I would have liked to see the universe expanded upon. Some of the characters didn't get fully fleshed out but just enough to make they feel like they were needed in some way. The plot was interesting, though the ending hasty but serviceable. A good story and introduction that also works fine as a standalone.
<i>3.5 stars</i>
<u>Drums</u>
A decent short story with some interesting ideas, especially the American Indian beliefs and mythology. I doubt I'll remember it much in a week, but it was overall enjoyable.
<i>3 stars</i>
<u>Ghost in the Machine</u>
I loved the idea of this story and it was very well-paced and plotted. While this could be dated with computers and gaming, I believe most of it stands up well. In a way Ellen seems to be Diana Tregarde 2.0, she's more believeable and interesting; she doesn't seem perfect. this would be a very cool series, too bad it probably won't happen.
<i>4.25 stars</i>
Even though this came out decades after the first Diana Tregarde novel, it's a prequel so I read this first. Having just finished [b:Children of the Night|14012|Children of the Night (Diana Tregarde, #1)|Mercedes Lackey|https://d.gr-assets.com/books/1385445746s/14012.jpg|16102], I see a big difference in both Lackey's writing (it's definitely better) and in some continuity holes. Mostly minor, but for one thing, in this she calls her grandmother "Memaw" and in CotN, "Granny." She goes to college in Boston, at Harvard no less, in the short story and Connecticut is the only place mentioned in CotN. With the exception for a minor mention of Itzaak in the full-length book, none of the others featured in Arcanum 101 are in it, so apparently they were just created for the short story, which is a major bummer because I liked them better than the ones in CotN.
Okay onto an actual review...
While there's a bit of a slower start, introducing Diana and the others, I quite liked the pace. It felt natural and didn't bore me, which is a surprise in itself. Diana is much more likable here and has a strength of character and practical nature that appeals to me. The characters and plot kept the momentum going and if this wasn't a series that had already been written, I would have liked to see the universe expanded upon. Some of the characters didn't get fully fleshed out but just enough to make they feel like they were needed in some way. The plot was interesting, though the ending hasty but serviceable. A good story and introduction that also works fine as a standalone.
<i>3.5 stars</i>
<u>Drums</u>
A decent short story with some interesting ideas, especially the American Indian beliefs and mythology. I doubt I'll remember it much in a week, but it was overall enjoyable.
<i>3 stars</i>
<u>Ghost in the Machine</u>
I loved the idea of this story and it was very well-paced and plotted. While this could be dated with computers and gaming, I believe most of it stands up well. In a way Ellen seems to be Diana Tregarde 2.0, she's more believeable and interesting; she doesn't seem perfect. this would be a very cool series, too bad it probably won't happen.
<i>4.25 stars</i>
Neon's Nerd Nexus (360 KP) rated Ralph Breaks the Internet: Wreck-It Ralph 2 (2018) in Movies
May 13, 2019
Log on or log off?
#ralphbreakstheinternet is an ambitious sequel not only full to the brim with #popculture but intelligence too. Opening up I wasnt sure i was going to like #wreckitralph2 but then as it slowly gained momentum i started to see not only obscure references to things i love #2001aspaceodyssey #carmageddon #totalrecall #lalaland but clear inspiration from #tron & #tronlegacy as well as a ton of really clever & intelligent ideas. More an animation for adults than #children this time around the sequel deals with way more mature themes & adult subject matter but thats not surprising really with a film based around the #internet. Visuals while also bright & colourful at times generally have a darker more creepy & grimey look to them at times which i really was not expecting & therefore im wondering if younger #kids will be bored or scared because of it. Thats not to say visually its not great because it is, the world they have created here is fantastic filled with life & detail with so much going on that at times it was overwhelming & incredibly immersive. They have absolutely nailed every inch of what being an internet user is like these days here & theres a running theme of how the internet is used as a tool to exploit us all & not only take our money but our lives too. Its also touched on how the internet creates competition between us, obsessions & rivalries even with out friends. Infact there is so much depth here & so many different current themes are explored that i found my mind on the verge of overflowing trying to think about them all. While there are alot of negative themes i was happy that the film does infact conclude with an extremely positive message & i walked out #happy yet feeling my thoughts had been provoked. Genuinely also really #funny there was one character that had me #laughing out louder than the kids in my screening. As #disney now seem to own everything they also make great use of all the properties they own giving the film a very #whoframedrogerrabbit feel which was so fun yet a worrying sign of control. A damn good #animated film especially for grown ups that will leave your brain thinking & your mouth #smiling. #retro #starwars #princess
Leighann Twist (26 KP) rated Pet Sematary (2019) in Movies
May 15, 2019
Meh....
Contains spoilers, click to show
I am so on the fence about this film. I liked some of the changes they made to this film. The kids in the masks made me uneasy which I like in a horror film but I feel like they could have done more with the orgin of the masks but other than the kids wearing the masks in the beginning of the film, the only other time you see them is when Ellie starts her killing spree. So the scene at her birthday party....I find it ridiculous that there were all those adults there and while Louis is blindfolded no one is watching the kids to make sure they dont run out into the street. Now one could argue who was watching Guage when he dies in the original but there are A LOT more parents around in this one. And who plays hide and seek in the front yard of a house on a busy highway anyway? Dont they have a backyard too? But despite all that I really enjoyed the scene leading up to Ellies death. They did a good job with Louis going after Guage and then Ellie getting hit instead. It was intense and sucked me right in. Let's talk Zelda for a second. Quite possibly the best and most terrifying part of the movie. Wasnt sure how Zelda could be anymore creepy than she was in the original but OMG they so nailed it. My favorite parts of this remake were the Rachel and Zelda storyline and it had me on the edge of my seat for sure. The ending however lost it for me and left me so angry that I paid to see this movie in the theater. The ending is where everything fell apart for me. It seemed very rushed and sloppily done. Such cheese. Realistically would everyone turn 3 seconds after they were buried? Do zombies have superhuman strength? Cuz Ellie taking her dad to the burial ground and making it over that hill with the weight of his body seemed so cheesy. Then the father killing the mother and them going to get Guage
...I dunno it fell apart for me and was so cheesy. It felt rushed
But hey Zelda... am I right?
...I dunno it fell apart for me and was so cheesy. It felt rushed
But hey Zelda... am I right?
Kaz (232 KP) rated Never Say Spy- Book 1 of the 'Never Say Spy' Series in Books
May 18, 2019 (Updated May 18, 2019)
A Real Page Turner
This book was given to me as a present by a friend and is the first in the 'Never Say Spy' Series.
Firstly, what I really liked about this novel, was that the main character was a woman. This is a book set within a crime/spy environment and it's unusual to have a female main character, within this genre. I also really liked how Aydan Kelly was not portrayed as a weak, helpless victim, who was waiting to be rescued. She had guts and could definitely hold her own in a tricky situation.
This is a very fast- paced novel, from the very beginning. I liked this because you felt like you were finding out things, as Aydan was. This is so gripping, that I found it difficult to put this book down.
I also liked the Sci-Fi element to this novel. Usually I don't like books mixing genres too much, but actually., I wish that it could have been used a bit more, because it makes this different from every other novel within this genre.
I enjoyed reading about the male characters within this novel. They are all very distinctive and I liked that they all had their own identities. I loved the dynamics of the two main male characters with Aydan and it kept me wanted to know how this was going to resolve.
Due to the fact that Aydan Kelly is such as strong character, she has some very funny one liners and I really cared what happened to her. However, my only criticism of this novel would be that, as well as being a feisty woman, she also has a lustful mind. This is good because it's realistic, but, I did feel that these thoughts crept into her mind at the most inappropriate times, particularly when she had just been in an intense, dangerous situation.
This is also violent and gory in places. Although I wouldn't say that these parts were not inappropriate to the story.
I'm generally not a fan of spy novels and films, but I really enjoyed this one. I will definitely be reading the rest of this series.
Firstly, what I really liked about this novel, was that the main character was a woman. This is a book set within a crime/spy environment and it's unusual to have a female main character, within this genre. I also really liked how Aydan Kelly was not portrayed as a weak, helpless victim, who was waiting to be rescued. She had guts and could definitely hold her own in a tricky situation.
This is a very fast- paced novel, from the very beginning. I liked this because you felt like you were finding out things, as Aydan was. This is so gripping, that I found it difficult to put this book down.
I also liked the Sci-Fi element to this novel. Usually I don't like books mixing genres too much, but actually., I wish that it could have been used a bit more, because it makes this different from every other novel within this genre.
I enjoyed reading about the male characters within this novel. They are all very distinctive and I liked that they all had their own identities. I loved the dynamics of the two main male characters with Aydan and it kept me wanted to know how this was going to resolve.
Due to the fact that Aydan Kelly is such as strong character, she has some very funny one liners and I really cared what happened to her. However, my only criticism of this novel would be that, as well as being a feisty woman, she also has a lustful mind. This is good because it's realistic, but, I did feel that these thoughts crept into her mind at the most inappropriate times, particularly when she had just been in an intense, dangerous situation.
This is also violent and gory in places. Although I wouldn't say that these parts were not inappropriate to the story.
I'm generally not a fan of spy novels and films, but I really enjoyed this one. I will definitely be reading the rest of this series.