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Kara Skinner (332 KP) rated Gunning for Trouble in Books
Jun 12, 2019
Bland Characters Gun Each Other Down in Gunning For Trouble
Genre: Contemporary
Page Count: 217 Pages
Average Goodreads Rating: 3.79 out of 5 stars
My rating: 1 out of 5 stars
Caleb was in a dead sleep until his phone alerts him to a break-in to his apartment. Immediately his defensive instincts — honed by his dangerous work of tracking missing persons and protecting witnesses — surface and he springs out of bed with his gun to tell the would-be burglar they have chosen the wrong apartment. But he ends up pointing the gun at Avery Walters, his former boss and ex-lover.
To Caleb’s irritation, Avery is on an assignment from Caleb’s boss about a string of murders in the witness protection program. Now dangerous people are after her and the only person she could turn to was Caleb. Despite Caleb’s resentment and anger toward Avery, he still feels the need to protect her. While they work together to stop the murders, old anger and mistrust rises between them, but so does the lust they feel for each other. Can they move forward and learn to love each other, or will the past always hold them back?
This book was awful. Caleb and Avery have the chemistry of fifth graders in their Drama Club rendition of Romeo and Juliet.
Caleb is a complete jackass. He protects Avery but it’s clear he doesn’t want to do it out of anything other than a sense of duty. Not only is he angry about her waking him up in the middle of the night– you know, just because her life is in danger. She should stop whining, right?– but he constantly makes her feel stupid and makes it clear he resents the shit out of her. He says she fired him so she could get a promotion, when in reality he was a loose cannon who deserved to be fired.
Even his friends and coworkers think he needs to tone down the anger.
“Haven’t heard you apologize to her,” (Zach, Caleb’s friend and coworker said).
“For what?”
“You tell me.”
“I was blindsided by what she did back then.”
“Any chance you had tunnel vision?”
Caleb is also so hot-headed I wouldn’t be surprised if he took steroids on a regular basis. Even someone like Avery, who has little more character than a stock photo, deserves better than that.
Caleb does eventually realize he’s been acting like a PMSing Neanderthal and “forgives her”, still thinking he did nothing wrong but wanting to put it behind him.
Avery isn’t as bad as Caleb, but Avery isn’t much of anything at all. She probably goes down in history as one of the least interesting protagonists ever created.
I might have cared more about the characters if I understood and liked the plot. But even that was a hot mess. While I get the gist of the situation– someone is selling names of people in the Witness Protection Program– I can’t make sense of the finer details. A hailstorm of minor characters were dumped on me at once and I couldn’t even keep them straight, let alone focus on what they were saying.
On top of that, there are a couple of times Avery seems to just “get” stuff and the reader is supposed to just “get” it too. But these aren’t obvious things, nor are they minor.
These things are like why Avery is too dangerous to be around Caleb’s coworkers’ wives. Avery just accepts that it’s reasonable she would put the wives in danger, but it’s not.
Even after reading the entire book and going back to skim parts of it for this review, I still don’t understand the plot that well.
If you are looking for a good Harlequin Intrigue book, you would be better off reading Scene of the Crime: Black Creek by Carla Cassidy. But don’t waste your time reading a half-assed story like Gunning for Trouble
Page Count: 217 Pages
Average Goodreads Rating: 3.79 out of 5 stars
My rating: 1 out of 5 stars
Caleb was in a dead sleep until his phone alerts him to a break-in to his apartment. Immediately his defensive instincts — honed by his dangerous work of tracking missing persons and protecting witnesses — surface and he springs out of bed with his gun to tell the would-be burglar they have chosen the wrong apartment. But he ends up pointing the gun at Avery Walters, his former boss and ex-lover.
To Caleb’s irritation, Avery is on an assignment from Caleb’s boss about a string of murders in the witness protection program. Now dangerous people are after her and the only person she could turn to was Caleb. Despite Caleb’s resentment and anger toward Avery, he still feels the need to protect her. While they work together to stop the murders, old anger and mistrust rises between them, but so does the lust they feel for each other. Can they move forward and learn to love each other, or will the past always hold them back?
This book was awful. Caleb and Avery have the chemistry of fifth graders in their Drama Club rendition of Romeo and Juliet.
Caleb is a complete jackass. He protects Avery but it’s clear he doesn’t want to do it out of anything other than a sense of duty. Not only is he angry about her waking him up in the middle of the night– you know, just because her life is in danger. She should stop whining, right?– but he constantly makes her feel stupid and makes it clear he resents the shit out of her. He says she fired him so she could get a promotion, when in reality he was a loose cannon who deserved to be fired.
Even his friends and coworkers think he needs to tone down the anger.
“Haven’t heard you apologize to her,” (Zach, Caleb’s friend and coworker said).
“For what?”
“You tell me.”
“I was blindsided by what she did back then.”
“Any chance you had tunnel vision?”
Caleb is also so hot-headed I wouldn’t be surprised if he took steroids on a regular basis. Even someone like Avery, who has little more character than a stock photo, deserves better than that.
Caleb does eventually realize he’s been acting like a PMSing Neanderthal and “forgives her”, still thinking he did nothing wrong but wanting to put it behind him.
Avery isn’t as bad as Caleb, but Avery isn’t much of anything at all. She probably goes down in history as one of the least interesting protagonists ever created.
I might have cared more about the characters if I understood and liked the plot. But even that was a hot mess. While I get the gist of the situation– someone is selling names of people in the Witness Protection Program– I can’t make sense of the finer details. A hailstorm of minor characters were dumped on me at once and I couldn’t even keep them straight, let alone focus on what they were saying.
On top of that, there are a couple of times Avery seems to just “get” stuff and the reader is supposed to just “get” it too. But these aren’t obvious things, nor are they minor.
These things are like why Avery is too dangerous to be around Caleb’s coworkers’ wives. Avery just accepts that it’s reasonable she would put the wives in danger, but it’s not.
Even after reading the entire book and going back to skim parts of it for this review, I still don’t understand the plot that well.
If you are looking for a good Harlequin Intrigue book, you would be better off reading Scene of the Crime: Black Creek by Carla Cassidy. But don’t waste your time reading a half-assed story like Gunning for Trouble
postapocalypticplayground (27 KP) rated Ready Player One in Books
Jan 29, 2018
The year is 2044, the world has burnt through it's fossil fuels and the effects of global warming has left the world in decline, many turn to drugs and crime to survive and to cope with the world around them. Tech giant James Halliday offers humanity an escape in "The Oasis" a virtual universe where you can pretty much do anything you want and mostly for free. When Halliday dies he has no heir to his vast fortune and announces to the world an elaborate game, the first to win and find his "easter egg" inherits everything. The game however is fiendish and after 5 years without a single clue answered, many have given up searching until one day, Wade Watts, becomes the first to enter the scoreboard and the race to win explodes back into everyone's lives.
I think it's safe to say I devoured this book! Whilst set in a future world, most of what takes place is within the Oasis itself as Wade is a "gunter" (an whittled down name for egg hunter) he dedicates his life to the search for the egg, living on a diet rich with 80's pop culture his knowledge is great enough to rival Halliday's himself. He is far from alone in this though, many are still searching and the race is on against corporate egg hunters, the Sixers, who want to take the egg purely for profiteering. I loved Wade as a character and whilst everything seems overwhelming for him the writing never feels so. You feel everything he goes through, willing him to solve each riddle, sharing his frustration at each dead end and his joy when something goes right. It's almost as if Wade becomes the readers avatar. The 80's references are many as well as throwbacks to all kinds of gaming which I loved and there was many a knowing smile and laugh out loud moment for me whilst reading. I loved how the solving of each puzzle was well laid out and researched (apart from the Pan Galactic Gargle Blasters that is) and how the story felt comfortable moving away from it's linear path, sometimes surprisingly so.
It's quite lacking in female avatars though which I think is a little sad, other than Art3mis it's pretty much a lad zone, which given that female gamers now make up over 40% (various sources) of the gaming populous makes it feel that the book was written for a male stereotype (and stereotyping crops up a lot). Not only is she the only female avatar but it feels like she is only there to be the "love interest" despite her being a formidable gunter. It's not all bad, she is pretty much the most kick ass of all of them but I just wished there was a more even presence. There is also sadly a fair bit of tokenism going on and I felt some minority groups were marginalised.
It didn't detract from my overall enjoyment of the book at the time which I read pretty much every opportunity I got, but now having had time to reflect I'm going to have to knock a star off for everything I mentioned above. If you grew up in, or have a good knowledge of the 1980's and have a thing for retro gaming this will tick a ton of boxes for you. If you didn't or don't, this is still a great adventure that will pull you in and you will likely discover a whole new world of games, films and TV that you may find yourself wanting to check out!
I think it's safe to say I devoured this book! Whilst set in a future world, most of what takes place is within the Oasis itself as Wade is a "gunter" (an whittled down name for egg hunter) he dedicates his life to the search for the egg, living on a diet rich with 80's pop culture his knowledge is great enough to rival Halliday's himself. He is far from alone in this though, many are still searching and the race is on against corporate egg hunters, the Sixers, who want to take the egg purely for profiteering. I loved Wade as a character and whilst everything seems overwhelming for him the writing never feels so. You feel everything he goes through, willing him to solve each riddle, sharing his frustration at each dead end and his joy when something goes right. It's almost as if Wade becomes the readers avatar. The 80's references are many as well as throwbacks to all kinds of gaming which I loved and there was many a knowing smile and laugh out loud moment for me whilst reading. I loved how the solving of each puzzle was well laid out and researched (apart from the Pan Galactic Gargle Blasters that is) and how the story felt comfortable moving away from it's linear path, sometimes surprisingly so.
It's quite lacking in female avatars though which I think is a little sad, other than Art3mis it's pretty much a lad zone, which given that female gamers now make up over 40% (various sources) of the gaming populous makes it feel that the book was written for a male stereotype (and stereotyping crops up a lot). Not only is she the only female avatar but it feels like she is only there to be the "love interest" despite her being a formidable gunter. It's not all bad, she is pretty much the most kick ass of all of them but I just wished there was a more even presence. There is also sadly a fair bit of tokenism going on and I felt some minority groups were marginalised.
It didn't detract from my overall enjoyment of the book at the time which I read pretty much every opportunity I got, but now having had time to reflect I'm going to have to knock a star off for everything I mentioned above. If you grew up in, or have a good knowledge of the 1980's and have a thing for retro gaming this will tick a ton of boxes for you. If you didn't or don't, this is still a great adventure that will pull you in and you will likely discover a whole new world of games, films and TV that you may find yourself wanting to check out!
Kristy H (1252 KP) rated The Roanoke Girls in Books
Feb 1, 2018
Lane Roanoke is just a teenager when her mother commits suicide, and Lane is sent to live with her grandparents in Kansas. While Lane lived a sad life with her depressed, volatile mother, her wealthy grandparents represent a chance for a new start - and Lane can meet her cousin, Allegra, who is close to her age. But when Lane arrives in Kansas, while she quickly befriends Allegra and is amazed by the kindness of her grandfather, she also realizes not everything is as it seems.
Eleven years later, after Lane has fled the farm (and left her family there behind), Lane receives a call from her grandfather: Allegra is missing. Can she please come home? Reluctantly Lane returns to a place she vowed she'd never see again to search for her cousin, whom she has always felt bad about leaving behind. But returning only brings up bad memories, and Lane quickly worries that something terrible has happened to Allegra. Can Lane face her fears and figure out what happened to her cousin?
This book, oh this book. Wow. This is quite the novel! The story alternates between the present-day and that fateful summer (from Lane's point of view), with a few snippets from earlier generations of the other Roanoke girls thrown in. It's slightly confusing at first (you'll need easy access to the family tree at the beginning of the book), but quickly pulls you in and never lets you go. I was immediately captivated by this novel and read it in less than 24 hours. It's not some "feel good" novel, but it's amazingly well-written and just spellbinding. It starts off with a bombshell and then hooks you from there with the dark story of the twisted Roanoke family.
There is something completely alluring about how messed up and sick the Roanokes are. I couldn't turn away from them. The book is great because you become quickly intrigued and invested in the story of what happened to Allegra, but there's also a bit of suspense to the "then" storyline as Lane finds out something terrible about her family. Engel is remarkably talented because we know the secret already, and Lane knows it in the present-day portion of the book, but it's still enthralling watching it unravel as she's a teen. There's also just a pure fascination and horror at this family. There are also periodic shockers throughout the entire novel and several "wow" and "didn't see that coming" moments for me. The whole thing is extremely well-done.
I was extremely expressed by Engel's characters. For instance, Lane is a broken and damaged person who cannot trust or love. As such, she is frustrating with her guarded heart but still sympathetic. She drove me crazy, but I loved her. Engel did an excellent job with all of these characters. Even those that seemed (or were) absolutely awful; they all seemed so real. She also did a great job at portraying small towns and their tangled web of secrets. The broken Kansas town where the Roanokes lived was expertly done, with all of its bit characters and the descriptions of its streets and happenings.
Overall, I was incredibly impressed with this book. Its entire plot was creepy and twisted, and it was compulsively readable, with plenty of shocking moments. Yet it also had empathetic, well-written characters. It was an amazing dark look at the power of childhood, your parents, and your past. It's a mean and twisted novel and impeccably written, because you feel such a range of emotions for its characters. Definitely recommend.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 03/07/2017.
Eleven years later, after Lane has fled the farm (and left her family there behind), Lane receives a call from her grandfather: Allegra is missing. Can she please come home? Reluctantly Lane returns to a place she vowed she'd never see again to search for her cousin, whom she has always felt bad about leaving behind. But returning only brings up bad memories, and Lane quickly worries that something terrible has happened to Allegra. Can Lane face her fears and figure out what happened to her cousin?
This book, oh this book. Wow. This is quite the novel! The story alternates between the present-day and that fateful summer (from Lane's point of view), with a few snippets from earlier generations of the other Roanoke girls thrown in. It's slightly confusing at first (you'll need easy access to the family tree at the beginning of the book), but quickly pulls you in and never lets you go. I was immediately captivated by this novel and read it in less than 24 hours. It's not some "feel good" novel, but it's amazingly well-written and just spellbinding. It starts off with a bombshell and then hooks you from there with the dark story of the twisted Roanoke family.
There is something completely alluring about how messed up and sick the Roanokes are. I couldn't turn away from them. The book is great because you become quickly intrigued and invested in the story of what happened to Allegra, but there's also a bit of suspense to the "then" storyline as Lane finds out something terrible about her family. Engel is remarkably talented because we know the secret already, and Lane knows it in the present-day portion of the book, but it's still enthralling watching it unravel as she's a teen. There's also just a pure fascination and horror at this family. There are also periodic shockers throughout the entire novel and several "wow" and "didn't see that coming" moments for me. The whole thing is extremely well-done.
I was extremely expressed by Engel's characters. For instance, Lane is a broken and damaged person who cannot trust or love. As such, she is frustrating with her guarded heart but still sympathetic. She drove me crazy, but I loved her. Engel did an excellent job with all of these characters. Even those that seemed (or were) absolutely awful; they all seemed so real. She also did a great job at portraying small towns and their tangled web of secrets. The broken Kansas town where the Roanokes lived was expertly done, with all of its bit characters and the descriptions of its streets and happenings.
Overall, I was incredibly impressed with this book. Its entire plot was creepy and twisted, and it was compulsively readable, with plenty of shocking moments. Yet it also had empathetic, well-written characters. It was an amazing dark look at the power of childhood, your parents, and your past. It's a mean and twisted novel and impeccably written, because you feel such a range of emotions for its characters. Definitely recommend.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 03/07/2017.
Kristy H (1252 KP) rated The Animators in Books
Feb 13, 2018
Sharon Kisses (yep, that's her real name) and Mel Vaught meet in college in upstate New York. Sharon is a reserved, talented girl from a rural Kentucky town. Mel is a out, tough, lesbian from Florida -- all bravado hiding a softer interior. The two form a fast friendship, bonding quickly over their art and their family histories: both come from dysfunctional families who have formed the girls into what they are today. Mel and Sharon pour this into their art, and they become talented animation partners, with their first movie showing a raw, truthful look at Mel's childhood and her mother, a rough woman who ended up in jail. The two are on the cusp of success -- tours, awards, artistic grants. But success comes with an edge: Mel starts drinking and turning to drugs, while Sharon doubts herself and her role in this brilliant duo. Suddenly, however, none of that matters when tragedy strikes the pair, and everything they've known changes in an instant.
This book is insane and amazing. I honestly had no idea what it was about when I started to read it; I surely had read the ARC blurb when I chose it, but had forgotten by the time I began, and the cover art seems to indicate a light-hearted tale about movies and animation. It is not. This is a powerful, gut-wrenching novel that will drag you into its story and characters and eventually spit you out, exhilarated and exhausted. There was so much about this novel I loved and related to: the fast friendship of two girls in college; an actual lead lesbian character (but whose lesbianism wasn't her only defining aspect - how refreshing); Sharon and her doubts and insecurities - the way she feels as if she's disappearing into herself in her thirties; the way Whitaker so easily captured growing up in a rural town (Sharon's Kentucky hometown)... I immediately identified with both characters, although Sharon is our protagonist, and the one telling us our story.
I won't lie to you: this book will make you feel uncomfortable. It's not a fun read, or really even a pleasant one. It's not a "feel good novel." It hurts--physically hurts--to read this book. Some of the novel is uneven, and it jumps around a bit. This is Whitaker's first novel, and I think she's only going to get more amazing as she goes, because you can look past this, and see so much power and force in this book. It's raw. It's the story of a friendship, and it's told so beautifully that you are completely drawn into Mel and Sharon's world. When you read this book, there is really nothing else going on in your life but this novel. Mel and Sharon are real, you love them, and you can see them in your mind. (I saw Mel as Kate McKinnon, despite the references to Lori Petty.) The storyline, for me, was unexpected, and, as I said, jumped a bit, but it worked. I had one issue with the end (a bit of a cliche about straight/lesbian friendship, but I won't go into it much, for spoiler reasons), but otherwise, found this novel to be energetic and forceful. It's dark, it's an ode to art and friendship and life, it's deep - I really have no words. It will take you to an exposed place inside of yourself, but you'll be glad it did.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 1/31/2017.
This book is insane and amazing. I honestly had no idea what it was about when I started to read it; I surely had read the ARC blurb when I chose it, but had forgotten by the time I began, and the cover art seems to indicate a light-hearted tale about movies and animation. It is not. This is a powerful, gut-wrenching novel that will drag you into its story and characters and eventually spit you out, exhilarated and exhausted. There was so much about this novel I loved and related to: the fast friendship of two girls in college; an actual lead lesbian character (but whose lesbianism wasn't her only defining aspect - how refreshing); Sharon and her doubts and insecurities - the way she feels as if she's disappearing into herself in her thirties; the way Whitaker so easily captured growing up in a rural town (Sharon's Kentucky hometown)... I immediately identified with both characters, although Sharon is our protagonist, and the one telling us our story.
I won't lie to you: this book will make you feel uncomfortable. It's not a fun read, or really even a pleasant one. It's not a "feel good novel." It hurts--physically hurts--to read this book. Some of the novel is uneven, and it jumps around a bit. This is Whitaker's first novel, and I think she's only going to get more amazing as she goes, because you can look past this, and see so much power and force in this book. It's raw. It's the story of a friendship, and it's told so beautifully that you are completely drawn into Mel and Sharon's world. When you read this book, there is really nothing else going on in your life but this novel. Mel and Sharon are real, you love them, and you can see them in your mind. (I saw Mel as Kate McKinnon, despite the references to Lori Petty.) The storyline, for me, was unexpected, and, as I said, jumped a bit, but it worked. I had one issue with the end (a bit of a cliche about straight/lesbian friendship, but I won't go into it much, for spoiler reasons), but otherwise, found this novel to be energetic and forceful. It's dark, it's an ode to art and friendship and life, it's deep - I really have no words. It will take you to an exposed place inside of yourself, but you'll be glad it did.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 1/31/2017.
Zuky the BookBum (15 KP) rated Her Every Fear in Books
Mar 15, 2018
Read my review here: https://bookbumzuky.wordpress.com/
NOW AVAILABLE!
<b><i>Face it. Accept it. Float with it. Let time pass.</i></b>
Kate, our anxiety riddled main character, has just flat swapped with her American cousin in order to boost her confidence and try to escape her haunted past for a little while, but as soon as she arrives at her cousin's luxurious apartment, things begin to go sour. Her new next door neighbour has been murdered, and her secretive American cousin seems to the main suspect.
<b>This <i>could</i> have been <i>so</i> good.</b> Swansons last hit novel, <a href="https://www.goodreads.com/review/show/1427280826">The Kind Worth Killing</a> (aw look at my baby review) was so goddamn exciting and thrilling but this was completely missing whatever spark the other had. A co-reviewer (Maxi/Slothreads) commented that this book was uninspired and I couldnt have put that any better myself, hence why Im quoting it. This had potential to work and be great but I feel like Swanson was pushed for time by his editors on this and spewed out whatever came to mind first. I know I sound like a total arse for saying that but Im just really disappointed in this novel! <b>Warning: some spoilers ahead.</b>
Lets start off by talking about our uninteresting characters. Kate suffers from anxiety disorder, made a lot worse by a terrifying incident she had with her ex boyfriend, so she decides to travel across the pond and into her cousin's apartment. While anxiety is something Im all too familiar with, I dont actually have any sympathy for Kate, as were supposed to. If she was really as damaged as she is made out to be, I find it very hard to believe she would move to America for 6 months all by herself, make friends and chat with everyone she comes across and sleep with a guy, Alan, whos admitted to be a creepy window watcher after 3 days of knowing him. Next comes ol cousin Corbin whos a cliche jock. Swanson makes him out to be the guilt ridden, caring man but after the revelation of his bad deeds in the past, how are we supposed to like him or feel sorry for him? It makes all the empathetic talk from him seem so creepy. Our only interesting character is, of course, the psycho. A bit of an over-the-top, cliche psycho, but at least worth reading about.
My <b>main</b> issue with this novel is the repetition of scenes. Our narrator chops and changes several times in the novel, so were often presented with a retelling of what weve already been told by another narrator. Id say that at least 25% of this book is a repeat of a part weve already read, so it gets very tedious, very quickly. Another issue with this novel is the lack of plot twist, I mean, there is a plot twist, but its not that exciting and it happens early on in the novel, so the rest of the book plays out exactly how you would expect it to. Can I also quickly just complain about the unnecessary focus on the fact that Alan is Jewish? It made me uncomfortable. And that Swanson should have done some more research into England because we dont have £100 notes.
This novel had great potential, but in the end, it was a let down. The ending was terribly mediocre and then the remaining chapters were a waste of time to read, they really could have been removed.
Thanks to Netgalley and Faber & Faber Ltd for giving me the opportunity to read this in exchange for an honest review.
NOW AVAILABLE!
<b><i>Face it. Accept it. Float with it. Let time pass.</i></b>
Kate, our anxiety riddled main character, has just flat swapped with her American cousin in order to boost her confidence and try to escape her haunted past for a little while, but as soon as she arrives at her cousin's luxurious apartment, things begin to go sour. Her new next door neighbour has been murdered, and her secretive American cousin seems to the main suspect.
<b>This <i>could</i> have been <i>so</i> good.</b> Swansons last hit novel, <a href="https://www.goodreads.com/review/show/1427280826">The Kind Worth Killing</a> (aw look at my baby review) was so goddamn exciting and thrilling but this was completely missing whatever spark the other had. A co-reviewer (Maxi/Slothreads) commented that this book was uninspired and I couldnt have put that any better myself, hence why Im quoting it. This had potential to work and be great but I feel like Swanson was pushed for time by his editors on this and spewed out whatever came to mind first. I know I sound like a total arse for saying that but Im just really disappointed in this novel! <b>Warning: some spoilers ahead.</b>
Lets start off by talking about our uninteresting characters. Kate suffers from anxiety disorder, made a lot worse by a terrifying incident she had with her ex boyfriend, so she decides to travel across the pond and into her cousin's apartment. While anxiety is something Im all too familiar with, I dont actually have any sympathy for Kate, as were supposed to. If she was really as damaged as she is made out to be, I find it very hard to believe she would move to America for 6 months all by herself, make friends and chat with everyone she comes across and sleep with a guy, Alan, whos admitted to be a creepy window watcher after 3 days of knowing him. Next comes ol cousin Corbin whos a cliche jock. Swanson makes him out to be the guilt ridden, caring man but after the revelation of his bad deeds in the past, how are we supposed to like him or feel sorry for him? It makes all the empathetic talk from him seem so creepy. Our only interesting character is, of course, the psycho. A bit of an over-the-top, cliche psycho, but at least worth reading about.
My <b>main</b> issue with this novel is the repetition of scenes. Our narrator chops and changes several times in the novel, so were often presented with a retelling of what weve already been told by another narrator. Id say that at least 25% of this book is a repeat of a part weve already read, so it gets very tedious, very quickly. Another issue with this novel is the lack of plot twist, I mean, there is a plot twist, but its not that exciting and it happens early on in the novel, so the rest of the book plays out exactly how you would expect it to. Can I also quickly just complain about the unnecessary focus on the fact that Alan is Jewish? It made me uncomfortable. And that Swanson should have done some more research into England because we dont have £100 notes.
This novel had great potential, but in the end, it was a let down. The ending was terribly mediocre and then the remaining chapters were a waste of time to read, they really could have been removed.
Thanks to Netgalley and Faber & Faber Ltd for giving me the opportunity to read this in exchange for an honest review.
Heather Cranmer (2721 KP) rated Slated (Slated #1) in Books
Jun 7, 2018
(This review can also be found on my blog at <a href="http://themisadventuresofatwentysomething.blogspot.com">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
Slated by Teri Terry has been on my to read list for ages, so when I found out I was going to be moving from the UK to the US, I bought it ASAP because it isn't out over here in the US yet. I'm so glad I bought this book. It is so so so good!!
Kyla is a 16 year old girl whose memories have been erased in order to be a more compliant citizen. In other words, Kyla has been slated because she supposedly broke the law. Kyla can't remember anything about her previous life although she is having terrible nightmares that seem too real to just be a dream. Plus, she keeps drawing things that she can't remember ever seeing. Soon, people start disappearing around Kyla for no reason at all. Are they being Slated or is there something else going on?
The title of this book is very straight forward. Slating is the main point of this book. I wouldn't have picked a different title as I feel this one is perfect.
The cover is a bit too plain and boring. It's just kind of meh. Anyone who has read my reviews in the past knows how I don't like covers that just have a face on them. To me, it is an easy way out. It doesn't take much thought when it comes to putting a face on a cover. I wish the cover would show a bit more of the story.
The world building was great! The world in which Kyla lived felt very believable. In fact, the whole storyline felt believable. I especially thought the scenes in which Kyla is in the hospital felt like I was living them as well.
I felt that the author really nailed the pacing. I was hooked from the very first page. Everything just flowed so easily, and I felt myself become totally lost in the pages as the story progressed. It only took me longer to read Slated because I moved from the UK to the US so I didn't have much time to read, otherwise, I'd have had that book read in about 3 days or less.
The dialogue in Slated feels natural. This is a YA book, and the dialogue fits the genre perfectly. Not once does the dialogue feel forced or sound like it was adults speaking. I really enjoyed the internal conflict when it came to Kyla. As for swearing, I don't think there is any in this book.
All the characters in Slated were believable. Kyla really seemed to come across as a character who had lost their memory. At first, I was a bit concerned because Kyla seemed to know what things were even though she had lost all of her memory including motor skills. However, this was explained in the book. Kyla seems very much like a teenage girl. We don't really get to know too much about Amy or Jazz, but even they felt like real characters. For some reason, I couldn't connect to Ben. This wasn't because he was a poorly written character, but it was more of a personal thing. I just found him a tad bit annoying for some reason that I can't explain. My favourite character was Kyla's mum. I just loved the way she interacted with Kyla. Both Kyla's mum and dad are both hiding something that hasn't been revealed in this first book.
Everything about this book was fantastic. I can't think of one single thing wrong with it. It was so much fun to read. I'm only disappointed that I have to wait so long for the second book in the series to be out.
I'd recommend this book to everyone aged 14+ due to violence.
Slated by Teri Terry has been on my to read list for ages, so when I found out I was going to be moving from the UK to the US, I bought it ASAP because it isn't out over here in the US yet. I'm so glad I bought this book. It is so so so good!!
Kyla is a 16 year old girl whose memories have been erased in order to be a more compliant citizen. In other words, Kyla has been slated because she supposedly broke the law. Kyla can't remember anything about her previous life although she is having terrible nightmares that seem too real to just be a dream. Plus, she keeps drawing things that she can't remember ever seeing. Soon, people start disappearing around Kyla for no reason at all. Are they being Slated or is there something else going on?
The title of this book is very straight forward. Slating is the main point of this book. I wouldn't have picked a different title as I feel this one is perfect.
The cover is a bit too plain and boring. It's just kind of meh. Anyone who has read my reviews in the past knows how I don't like covers that just have a face on them. To me, it is an easy way out. It doesn't take much thought when it comes to putting a face on a cover. I wish the cover would show a bit more of the story.
The world building was great! The world in which Kyla lived felt very believable. In fact, the whole storyline felt believable. I especially thought the scenes in which Kyla is in the hospital felt like I was living them as well.
I felt that the author really nailed the pacing. I was hooked from the very first page. Everything just flowed so easily, and I felt myself become totally lost in the pages as the story progressed. It only took me longer to read Slated because I moved from the UK to the US so I didn't have much time to read, otherwise, I'd have had that book read in about 3 days or less.
The dialogue in Slated feels natural. This is a YA book, and the dialogue fits the genre perfectly. Not once does the dialogue feel forced or sound like it was adults speaking. I really enjoyed the internal conflict when it came to Kyla. As for swearing, I don't think there is any in this book.
All the characters in Slated were believable. Kyla really seemed to come across as a character who had lost their memory. At first, I was a bit concerned because Kyla seemed to know what things were even though she had lost all of her memory including motor skills. However, this was explained in the book. Kyla seems very much like a teenage girl. We don't really get to know too much about Amy or Jazz, but even they felt like real characters. For some reason, I couldn't connect to Ben. This wasn't because he was a poorly written character, but it was more of a personal thing. I just found him a tad bit annoying for some reason that I can't explain. My favourite character was Kyla's mum. I just loved the way she interacted with Kyla. Both Kyla's mum and dad are both hiding something that hasn't been revealed in this first book.
Everything about this book was fantastic. I can't think of one single thing wrong with it. It was so much fun to read. I'm only disappointed that I have to wait so long for the second book in the series to be out.
I'd recommend this book to everyone aged 14+ due to violence.
Chris Sawin (602 KP) rated The Brothers Bloom (2009) in Movies
Jun 19, 2019 (Updated Jun 22, 2019)
Stephen and Bloom are brothers who seem to bounce from foster home to foster home for whatever reason imaginable. That is until the day Stephen sets in motion his first con. After the con is executed exactly as planned, the brothers get their first taste of success only to quickly have it taken away from them. The wheels were already turning though as destiny had knocked on their door. Now, twenty five years later, The Brothers Bloom are arguably the two best con men in the world. While Stephen seems to enjoy pushing himself to create the perfect con, Bloom wants more out of life. He's sick of being a character his brother wrote and wants an unwritten life. They decide to do one last job involving a beautifully charming heiress, Penelope, that takes it upon herself to collect hobbies. Stephen plans on everything except for Bloom falling in love with her. So now, a con that was planned to take them around the world has turned into a romantic adventure that has an ending even Stephen couldn't see coming.
Rian Johnson created a great modern day noir film (which was also his debut as a director) with Brick that was really enjoyable. When the word about The Brothers Bloom started making its rounds, it immediately reeled me in. Johnson's style in The Brothers Bloom seems to almost mimic Wes Anderson's at times as several scenes (especially the first ten minutes or so) have a similar feel that seem to be shot in the same way you'd see in an Anderson film. The film also has a Kiss Kiss Bang Bang feel to it with how colorful every shot is. The tone was similar in both films as they both had humor as an underlying tone amongst a dramatic adventure revolving around crime. This film is just a real pleasure to look at. The cinematography seems to tell a story all on its own as every shot seems to be done in a unique way and everything is so vividly colorful.
Every factor of the film is strong. The story isn't entirely original as we've all heard con men stories before, but the way the story unfolds and the development of the characters involved makes it a new experience. The dialogue is also top notch. Nothing stuck out as being cheesy or hokey. Every line spoken was either witty, charming, or something you'd expect to hear in everyday conversation. So it was realistic and natural. The entire cast has to be the film's strongest point though. There doesn't really seem to be a character that's wasted or isn't used to their full potential. Rachel Weisz does steal the show though. Her character is so charismatic, outgoing, and eccentric that she just steals every scene she's a part of.
The Brothers Bloom is one of the best films to be released this year, which is a shame since it seems to have a limited release. It offers something for everybody looking for a good time at the movies whether it's an adventure that will take them around the world, romance between two of the central characters, an oddball character that's great comedic relief, the development of both brothers as characters as their crime of swindling people as con men causes drama, and even plenty of explosions to satisfy the action junkie. The conclusion of the film is both heartwarming and heartbreaking, as well. The Brothers Bloom will probably be overlooked by the many assured blockbusters coming out this summer, but it comes highly recommended from me and should be on everyone's must see list.
Rian Johnson created a great modern day noir film (which was also his debut as a director) with Brick that was really enjoyable. When the word about The Brothers Bloom started making its rounds, it immediately reeled me in. Johnson's style in The Brothers Bloom seems to almost mimic Wes Anderson's at times as several scenes (especially the first ten minutes or so) have a similar feel that seem to be shot in the same way you'd see in an Anderson film. The film also has a Kiss Kiss Bang Bang feel to it with how colorful every shot is. The tone was similar in both films as they both had humor as an underlying tone amongst a dramatic adventure revolving around crime. This film is just a real pleasure to look at. The cinematography seems to tell a story all on its own as every shot seems to be done in a unique way and everything is so vividly colorful.
Every factor of the film is strong. The story isn't entirely original as we've all heard con men stories before, but the way the story unfolds and the development of the characters involved makes it a new experience. The dialogue is also top notch. Nothing stuck out as being cheesy or hokey. Every line spoken was either witty, charming, or something you'd expect to hear in everyday conversation. So it was realistic and natural. The entire cast has to be the film's strongest point though. There doesn't really seem to be a character that's wasted or isn't used to their full potential. Rachel Weisz does steal the show though. Her character is so charismatic, outgoing, and eccentric that she just steals every scene she's a part of.
The Brothers Bloom is one of the best films to be released this year, which is a shame since it seems to have a limited release. It offers something for everybody looking for a good time at the movies whether it's an adventure that will take them around the world, romance between two of the central characters, an oddball character that's great comedic relief, the development of both brothers as characters as their crime of swindling people as con men causes drama, and even plenty of explosions to satisfy the action junkie. The conclusion of the film is both heartwarming and heartbreaking, as well. The Brothers Bloom will probably be overlooked by the many assured blockbusters coming out this summer, but it comes highly recommended from me and should be on everyone's must see list.
Hazel (1853 KP) rated Notes on Blindness: A Journey Through The Dark in Books
Dec 17, 2018
<I>I received this book for free through Goodreads First Reads.</I>
It is not often a blind man writes a book, and “write” is a word used due to the lack of a better. John M. Hull gradually lost his sight, registering as blind in 1980, a couple of days before the birth of his son. Although anticipating the event, John struggled to come to terms with his new circumstances and adjust to a new way of living. From 1983 through to 1985, John recorded his thoughts on tape, in diary form, as a way to ascertain and understand his predicament. Originally titled <I>Touching the Rock</I> (1990), John’s book has been republished as <I>Notes on Blindness</i> after the release of the film of the same name.
Initially, John made recordings every day, dictating the everyday occurrences he encountered. Amazingly, despite his disability, John was able to continue as a university lecturer and delve deeper into the world of theology. The way John thinks things through as he speaks reflects his academic abilities. Although he may have despaired at the thoughts of not being able to see his children, he had a fairly positive outlook on life.
John’s thought capacity and religious ideology are evident in his assemblage of diary entries. As a blind person, he learns to see the world in an alternative way, and often feels closer to God as a result. Through these new experiences, John begins to see the light despite the darkness.
The metaphorical descriptions of blindness help the reader to understand the horror and difficulties not being able to see visually provokes. This is heightened by John’s recordings of the bad dreams he often suffers, in which he is able to see. His fixations on these dreams are assumedly a fascination with visual imagery, which he does not have access to in his waking life.
It is hard not feel sorry for John as he reports the conversations he has with his young children. The effort to communicate and play with them is far greater than a seeing parent. Remarkably, as John begins to adjust to his new lifestyle, his children take the situation in their stride.
<i>Notes on Blindness</i> is also an educational narrative for those without sight problems. John explains the things other people, in attempts to be helpful, do that result in making things far more confusing for John as he tries to navigate his way from one place to another. Despite what most think, blind people are fairly good at walking routes they are familiar with, and, with the help of a stick, can safely travel through new areas. Once people start shouting instructions, it is difficult to pay attention to the location and listen to everyone else at the same time.
John’s voice is extremely articulate, and his thoughts profound, which may suggest heavy editing when compiling the recordings into written form. However, as he is an academician, his eloquence of speech does not feel forced or faked.
<i>Notes on Blindness</i> remains the same as the original publication but with the added inclusion of an introduction by Cathy Rentzenbrink, and an epilogue by his wife Marilyn, written in 2016, a year after his death. These, the latter in particular, provide an insight into how John’s blindness affected those around him and emphasises what a truly remarkable man he was.
Of the many memoirs available on bookshelves today,<i> Notes on Blindness</i> is a truly unique publication. It is not telling a story, or recounting a well-lived life, but gives great insight into the world of the blind. As John’s thoughts were not originally recorded with intention of being available to everyone, they are all the more personal and honest, provoking emotion and providing the reader with a new way of seeing. It is a book that will stay with you for a very long time.
It is not often a blind man writes a book, and “write” is a word used due to the lack of a better. John M. Hull gradually lost his sight, registering as blind in 1980, a couple of days before the birth of his son. Although anticipating the event, John struggled to come to terms with his new circumstances and adjust to a new way of living. From 1983 through to 1985, John recorded his thoughts on tape, in diary form, as a way to ascertain and understand his predicament. Originally titled <I>Touching the Rock</I> (1990), John’s book has been republished as <I>Notes on Blindness</i> after the release of the film of the same name.
Initially, John made recordings every day, dictating the everyday occurrences he encountered. Amazingly, despite his disability, John was able to continue as a university lecturer and delve deeper into the world of theology. The way John thinks things through as he speaks reflects his academic abilities. Although he may have despaired at the thoughts of not being able to see his children, he had a fairly positive outlook on life.
John’s thought capacity and religious ideology are evident in his assemblage of diary entries. As a blind person, he learns to see the world in an alternative way, and often feels closer to God as a result. Through these new experiences, John begins to see the light despite the darkness.
The metaphorical descriptions of blindness help the reader to understand the horror and difficulties not being able to see visually provokes. This is heightened by John’s recordings of the bad dreams he often suffers, in which he is able to see. His fixations on these dreams are assumedly a fascination with visual imagery, which he does not have access to in his waking life.
It is hard not feel sorry for John as he reports the conversations he has with his young children. The effort to communicate and play with them is far greater than a seeing parent. Remarkably, as John begins to adjust to his new lifestyle, his children take the situation in their stride.
<i>Notes on Blindness</i> is also an educational narrative for those without sight problems. John explains the things other people, in attempts to be helpful, do that result in making things far more confusing for John as he tries to navigate his way from one place to another. Despite what most think, blind people are fairly good at walking routes they are familiar with, and, with the help of a stick, can safely travel through new areas. Once people start shouting instructions, it is difficult to pay attention to the location and listen to everyone else at the same time.
John’s voice is extremely articulate, and his thoughts profound, which may suggest heavy editing when compiling the recordings into written form. However, as he is an academician, his eloquence of speech does not feel forced or faked.
<i>Notes on Blindness</i> remains the same as the original publication but with the added inclusion of an introduction by Cathy Rentzenbrink, and an epilogue by his wife Marilyn, written in 2016, a year after his death. These, the latter in particular, provide an insight into how John’s blindness affected those around him and emphasises what a truly remarkable man he was.
Of the many memoirs available on bookshelves today,<i> Notes on Blindness</i> is a truly unique publication. It is not telling a story, or recounting a well-lived life, but gives great insight into the world of the blind. As John’s thoughts were not originally recorded with intention of being available to everyone, they are all the more personal and honest, provoking emotion and providing the reader with a new way of seeing. It is a book that will stay with you for a very long time.
Heather Cranmer (2721 KP) rated Spin in Books
Jun 21, 2019
The synopsis for Spin by K.J. Farnham really grabbed my attention. I had to know why Jenna was acting out. Plus, I liked how the synopsis mentioned that diary entries would be involved. Luckily, I was not disappointed one bit.
Jenna is a 16 year old high school girl. She's the picture of perfection. She's beautiful, popular, makes good grades, athletic, and is a great friend and daughter. However, when a certain person from her past moves back to her town, Jenna's painful memories of the past resurface. When it all becomes too much, Jenna acts out by drinking, taking drugs, and other bad behaviors. One night, on the way to confront her abuser, Jenna disappears. Through Jenna's diary, her point of view, and the points of view from her friends and family, we are able to piece together what happened to Jenna during her childhood and leading up to her disappearance.
I found the plot for Spin to be very interesting. Although it has been done many times before, Farnham was able to keep it fresh as well as fascinating. The plot leaves no cliff hangers and every question I had was answered. The one thing that was a little annoying was that in the same chapter, in a few parts of the book, the tense would switch between past and present. This was obviously missed in editing since the whole book is written in past tense. Other than that, Spin was written beautifully.
I really did enjoy the characters in Spin. Jenna was very likable, and I felt bad for her. I wanted things to go back to normal for her throughout the book. She was so vulnerable, and I hated how her events of her childhood had robbed her of all she had going for her. Keeley and Delaney, Jenna's best friends, felt realistic. Their actions regarding Jenna's behavior seemed like what most friends would be like at that age. I enjoyed reading things from their point of view. Dustin, Jenna's boyfriend, was also a great character. I hated how Jenna was treating him. I understood why she was acting the way she was towards him, but I just hate that he never knew the reasoning behind her actions. It still wouldn't have made it right, but at least Dustin would have had some insight. Leighton was my favorite character in Spin. Even I wanted to be friends with Leighton. I love what a great friend she was to Jenna and how loyal she was. Yes, Leighton did make some bad decisions, but her love for Jenna was admirable. I do wish Bonnie, Jenna's mom, would have read more of her diary. My heart went out to Bonnie especially when she felt like it was her fault after reading an entry in Jenna's diary before she went missing. I did feel that Bonnie was a little strict with Jenna especially when it came to Dustin. I felt like the character of Joseph was written perfectly. Was he truly a changed man or was he still sick?
The pacing for Spin was fantastic. Not once did I feel like the pacing was too slow or slowing down. It was never too quick either where I became lost. This book held my attention throughout. I was buckled up to go wherever Spin wanted to take me!
Trigger warnings for Spin include underage drinking, drug use, sexual situations (although not graphic), rape, attempted rape, child and teen sexual abuse, incest, profanity, and death.
All in all, Spin is a great read with a fantastic set of characters and an enthralling plot. Yes, it is a dark and emotional read, but it will not be a disappointing one for sure! I would definitely recommend Spin by K.J. Farnham to those aged 16+!
Jenna is a 16 year old high school girl. She's the picture of perfection. She's beautiful, popular, makes good grades, athletic, and is a great friend and daughter. However, when a certain person from her past moves back to her town, Jenna's painful memories of the past resurface. When it all becomes too much, Jenna acts out by drinking, taking drugs, and other bad behaviors. One night, on the way to confront her abuser, Jenna disappears. Through Jenna's diary, her point of view, and the points of view from her friends and family, we are able to piece together what happened to Jenna during her childhood and leading up to her disappearance.
I found the plot for Spin to be very interesting. Although it has been done many times before, Farnham was able to keep it fresh as well as fascinating. The plot leaves no cliff hangers and every question I had was answered. The one thing that was a little annoying was that in the same chapter, in a few parts of the book, the tense would switch between past and present. This was obviously missed in editing since the whole book is written in past tense. Other than that, Spin was written beautifully.
I really did enjoy the characters in Spin. Jenna was very likable, and I felt bad for her. I wanted things to go back to normal for her throughout the book. She was so vulnerable, and I hated how her events of her childhood had robbed her of all she had going for her. Keeley and Delaney, Jenna's best friends, felt realistic. Their actions regarding Jenna's behavior seemed like what most friends would be like at that age. I enjoyed reading things from their point of view. Dustin, Jenna's boyfriend, was also a great character. I hated how Jenna was treating him. I understood why she was acting the way she was towards him, but I just hate that he never knew the reasoning behind her actions. It still wouldn't have made it right, but at least Dustin would have had some insight. Leighton was my favorite character in Spin. Even I wanted to be friends with Leighton. I love what a great friend she was to Jenna and how loyal she was. Yes, Leighton did make some bad decisions, but her love for Jenna was admirable. I do wish Bonnie, Jenna's mom, would have read more of her diary. My heart went out to Bonnie especially when she felt like it was her fault after reading an entry in Jenna's diary before she went missing. I did feel that Bonnie was a little strict with Jenna especially when it came to Dustin. I felt like the character of Joseph was written perfectly. Was he truly a changed man or was he still sick?
The pacing for Spin was fantastic. Not once did I feel like the pacing was too slow or slowing down. It was never too quick either where I became lost. This book held my attention throughout. I was buckled up to go wherever Spin wanted to take me!
Trigger warnings for Spin include underage drinking, drug use, sexual situations (although not graphic), rape, attempted rape, child and teen sexual abuse, incest, profanity, and death.
All in all, Spin is a great read with a fantastic set of characters and an enthralling plot. Yes, it is a dark and emotional read, but it will not be a disappointing one for sure! I would definitely recommend Spin by K.J. Farnham to those aged 16+!
Emma @ The Movies (1786 KP) rated Red Joan (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
There are some films that just stop me in my tracks, not because they're good or bad, but because they're so mediocre. I watched this two weeks ago and I've sat down to try and write this review about 8 times, each time I've ended up barely writing a sentence before giving up.
The film is split between present and past, this means that there's very little Dench despite what we're led to believe in the trailer. Old Joan doesn't get much of a chance to do anything other than be old, when she does get the chance to do something else it is effective but far too rare.
When the whole story relies so heavily on stories from the past I was surprised that they didn't use more of a storytelling idea. You don't see any of the evidence that they have in the modern case, we're just propelled back into Joan's memories. This made for a very easy leap from the interview room to the past. Joan was there telling her story so the fact they didn't use this opportunity to have her telling a story that spills over into the flashbacks as a voiceover seems like a rather large missed opportunity. It also might have helped form a bigger connection between the two versions of the main character and allowed us a better connection with her.
Dench was definitely not used to the best effect. I'd expect Joan in her old age to still have some of the pep from her youth about her, but there seemed to be few similarities between the two incarnations. I think I enjoyed Sophie Cookson as young Joan, but again, it wasn't something I was wowed about.
The whole production erred too much on the side of relationships rather than the espionage. I certainly think it could have stood up to having something a bit grittier in it. As it was it felt very much like a TV movie, and I possibly would have been more interested in it had it been a TV movie rather than a general release. Now I said that I feel it's completely mad that I have different expectations from the two areas for film releases.
Red Joan had very little that stood out for me, there were only two moments that shone. Tom Hughes as Leo giving his speech before meeting Joan, the reaction of the crowd to him was tremendous and overall the scene worked well. Then there's Ben Miles as Joan's son, Nick. He isn't bad in any of his scenes but right at the end of the film when he stands with his mother I was actually moved. The first of these scenes made me think there was hope for the film, the second sadly came too late to make a difference to the whole thing.
Everything about Red Joan was just okay in the end. When someone asked me about it my response was a shrug and the comment "it was a film". Coming from me that generally means the film will be forgotten very quickly.
I wish there was more to say about it. Ultimately I think I would have had more enjoyment out of researching the story this was loosely based on.
What you should do
This isn't one I'd recommend, the moments that are interesting and satisfying to watch do not outweigh the mediocre. Red Joan is something I would say is more interesting as non-fiction than fiction.
Movie thing you wish you could take home
One thing from the movie that I feel we should all take as a top life tip is that men are easily scared by sanitary products, a very handy thing to remember.
The film is split between present and past, this means that there's very little Dench despite what we're led to believe in the trailer. Old Joan doesn't get much of a chance to do anything other than be old, when she does get the chance to do something else it is effective but far too rare.
When the whole story relies so heavily on stories from the past I was surprised that they didn't use more of a storytelling idea. You don't see any of the evidence that they have in the modern case, we're just propelled back into Joan's memories. This made for a very easy leap from the interview room to the past. Joan was there telling her story so the fact they didn't use this opportunity to have her telling a story that spills over into the flashbacks as a voiceover seems like a rather large missed opportunity. It also might have helped form a bigger connection between the two versions of the main character and allowed us a better connection with her.
Dench was definitely not used to the best effect. I'd expect Joan in her old age to still have some of the pep from her youth about her, but there seemed to be few similarities between the two incarnations. I think I enjoyed Sophie Cookson as young Joan, but again, it wasn't something I was wowed about.
The whole production erred too much on the side of relationships rather than the espionage. I certainly think it could have stood up to having something a bit grittier in it. As it was it felt very much like a TV movie, and I possibly would have been more interested in it had it been a TV movie rather than a general release. Now I said that I feel it's completely mad that I have different expectations from the two areas for film releases.
Red Joan had very little that stood out for me, there were only two moments that shone. Tom Hughes as Leo giving his speech before meeting Joan, the reaction of the crowd to him was tremendous and overall the scene worked well. Then there's Ben Miles as Joan's son, Nick. He isn't bad in any of his scenes but right at the end of the film when he stands with his mother I was actually moved. The first of these scenes made me think there was hope for the film, the second sadly came too late to make a difference to the whole thing.
Everything about Red Joan was just okay in the end. When someone asked me about it my response was a shrug and the comment "it was a film". Coming from me that generally means the film will be forgotten very quickly.
I wish there was more to say about it. Ultimately I think I would have had more enjoyment out of researching the story this was loosely based on.
What you should do
This isn't one I'd recommend, the moments that are interesting and satisfying to watch do not outweigh the mediocre. Red Joan is something I would say is more interesting as non-fiction than fiction.
Movie thing you wish you could take home
One thing from the movie that I feel we should all take as a top life tip is that men are easily scared by sanitary products, a very handy thing to remember.