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Haley Mathiot (9 KP) rated The Coldest Girl in Coldtown in Books
Apr 27, 2018
There were a lot of things about The Coldest Girl in Coldtown that I liked. There was only one thing I didn’t like.
1. I liked that Vampires were both romanticized, and despicable. They were beautiful, physically, but they were ugly and awful and broken and were the worst thing to happen to the world. I liked that even though there was a love story, it wasn’t a “Turn me into a vampire so I can be with you forever” story.
2. I loved the plot. It was action packed from the first chapter, easy to follow, but still complicated. The amount of twisting and changing and plotting it must have taken is astonishing, and I have become a fan of Holly Black simply because of her artistry of working this plot.
3. I absolutely loved the protagonist, Tana. She is awesome. She is brave, kick-ass, hard working, she loves passionately in her own way, she is broken and imperfect, and she makes hard choices. She’s stubborn in a good way. She’s wonderful. I want to be like her when I grow up.
4. I liked all the characters. They were all well developed and unique. I would have liked to get to know Pearl, her sister, a little more. I would have liked more relation between Tana and Aiden pre-vampiric adventures, but all things considered, all the other characters were still awesome.
5. The writing itself was lyric, descriptive, and engrossing. It was almost impossible to put down (I only stopped because my ipod died…)
The one thing I didn’t like was the ending. It was beautiful and excellent and sweet and nerve wracking… but the very last bit, the conclusion, the “now what,” was frustrating. I didn’t know what was going to happen and that irritates me. (HGHLIGHT TEXT FOR SPOILERS: does she sweat out the cold, or not? does she stay human? or forever cold? does she age? so many unanswered questions.) I know the open ending lends itself to the feel of the novel. You know it ends one of two ways, and you know both options are equally possible. That keeps it in your mind. It makes you wonder. It lends itself to a sequel, if the publishers decide to pursue one. But it still annoyed me because I like to know what happens!
All that being said, It was an excellent book, and I would re-read/listen to it in a heartbeat.
*pun intended.
1. I liked that Vampires were both romanticized, and despicable. They were beautiful, physically, but they were ugly and awful and broken and were the worst thing to happen to the world. I liked that even though there was a love story, it wasn’t a “Turn me into a vampire so I can be with you forever” story.
2. I loved the plot. It was action packed from the first chapter, easy to follow, but still complicated. The amount of twisting and changing and plotting it must have taken is astonishing, and I have become a fan of Holly Black simply because of her artistry of working this plot.
3. I absolutely loved the protagonist, Tana. She is awesome. She is brave, kick-ass, hard working, she loves passionately in her own way, she is broken and imperfect, and she makes hard choices. She’s stubborn in a good way. She’s wonderful. I want to be like her when I grow up.
4. I liked all the characters. They were all well developed and unique. I would have liked to get to know Pearl, her sister, a little more. I would have liked more relation between Tana and Aiden pre-vampiric adventures, but all things considered, all the other characters were still awesome.
5. The writing itself was lyric, descriptive, and engrossing. It was almost impossible to put down (I only stopped because my ipod died…)
The one thing I didn’t like was the ending. It was beautiful and excellent and sweet and nerve wracking… but the very last bit, the conclusion, the “now what,” was frustrating. I didn’t know what was going to happen and that irritates me. (HGHLIGHT TEXT FOR SPOILERS: does she sweat out the cold, or not? does she stay human? or forever cold? does she age? so many unanswered questions.) I know the open ending lends itself to the feel of the novel. You know it ends one of two ways, and you know both options are equally possible. That keeps it in your mind. It makes you wonder. It lends itself to a sequel, if the publishers decide to pursue one. But it still annoyed me because I like to know what happens!
All that being said, It was an excellent book, and I would re-read/listen to it in a heartbeat.
*pun intended.
Haley Mathiot (9 KP) rated 101 Family Meal-Time Devotions in Books
Apr 27, 2018
This book is such a great idea. The idea of spending meal-time talking about important things resonates with me, because that’s what my family did. They didn’t do it from a book, or from a list of questions. But I think on the days when our conversations didn’t happen organically, it would have been very useful to have this sort of book.
The stories are (I feel) mainly for younger children who are still feeling their way around in their personality and relationship with God, and still trying to apply basic truths like speaking with love, not getting frustrated, not being afraid to be friends with someone who is a little different.
There are some devotionals that kids read to adults, which I think awesome! Some of the most important moments for me as a kid (and even now) was when my parents were honest with me about their struggles. Some things I’ve heard from my parents that have impacted my life:
-“I wanted so badly to be mean to that person, and it was really hard not to.”
-“Your father frustrated me today but God told me to love him and respect him, and sometimes that means forgiving him even when he makes me upset.”
-“Your mother and I are very different people. But we don’t fight or argue. We love each other and that means sometimes we sit down and have to talk out our problems. Because it’s not about being right, it’s about keeping our relationship healthy and God-glorifying.”
-“Haley, I snapped at you this evening and that was wrong. Forgive me?”
And the thing about devotionals like this is, you don’t use them by themselves: they are a diving board you use to get to the good stuff. For instance, a devotional about wanting to snap at someone could remind you of a time you did snap at someone, and how you should have handled the situation, and then a story of a victory in a similar situation.
The text itself wasn’t edited very well, and I’m assuming it’s because I was reading an ARC. and even if those typos don’t get fixed, it won’t take away from the content.
I think this book is an awesome tool for young kids (ages 4-12) and their parents to get into the habit of having God-glorifying conversations that build each other up and prepare them for life, and empower them to make worshipful decisions.
The stories are (I feel) mainly for younger children who are still feeling their way around in their personality and relationship with God, and still trying to apply basic truths like speaking with love, not getting frustrated, not being afraid to be friends with someone who is a little different.
There are some devotionals that kids read to adults, which I think awesome! Some of the most important moments for me as a kid (and even now) was when my parents were honest with me about their struggles. Some things I’ve heard from my parents that have impacted my life:
-“I wanted so badly to be mean to that person, and it was really hard not to.”
-“Your father frustrated me today but God told me to love him and respect him, and sometimes that means forgiving him even when he makes me upset.”
-“Your mother and I are very different people. But we don’t fight or argue. We love each other and that means sometimes we sit down and have to talk out our problems. Because it’s not about being right, it’s about keeping our relationship healthy and God-glorifying.”
-“Haley, I snapped at you this evening and that was wrong. Forgive me?”
And the thing about devotionals like this is, you don’t use them by themselves: they are a diving board you use to get to the good stuff. For instance, a devotional about wanting to snap at someone could remind you of a time you did snap at someone, and how you should have handled the situation, and then a story of a victory in a similar situation.
The text itself wasn’t edited very well, and I’m assuming it’s because I was reading an ARC. and even if those typos don’t get fixed, it won’t take away from the content.
I think this book is an awesome tool for young kids (ages 4-12) and their parents to get into the habit of having God-glorifying conversations that build each other up and prepare them for life, and empower them to make worshipful decisions.
Haley Mathiot (9 KP) rated The Fire Lord's Lover (The Elven Lords, #1) in Books
Apr 27, 2018
Dominic has spent years perfecting his rock-hard shell, keeping his human heart under lock and key, for fear of getting hurt again. His brutal horrible father has tortured him for his softness and lack of black fire magic for years, and Dominic can’t handle any more. So he isn’t prepared for a kind, sweet, tender-hearted wife…
Cassandra has been raised in the catholic school, but trained in to fight in the rebellion as a death-dance assassin. She is sent to marry the son of the Imperial Fire Lord, so that she can get close enough to the Fire Lord to kill him. She knows it’s a death mission, and she’s fully prepared… but she’s not so sure she wants to part with Dominic once she breaks down his hard exterior shell.
As Dominic and Cassandra begin to love each other, Dominic starts to worry about Cassandra’s mission, and Cassandra worries about Dominic’s father trying to kill him. How can two people who love each other protect each other, if protection of the one ends with death for the other? And what of the evil Fire Lord’s hate towards the people and the rebellion against the elves?
I enjoyed The Fire Lord’s Lover from start to finish. The characters were developed quickly and I liked them, the dialogue felt right, and the pacing was great.
The most important thing about The Fire Lord’s Lover, the thing that made it good, was the character’s love for each other. It didn’t feel sappy and fake, centered around physical attraction. It was real and it had reason behind it. Cassandra and Dominic needed each other, and the people needed them together.
At first, I didn’t really like the ending. I almost got a little annoyed at it… but the more I thought about it, the more I liked it—a lot like It’s Not Summer Without You. I didn’t quite like it at first, even though I knew why Kennedy had done what she did… but then I thought back over it again, envisioned in my mind how it would play out, and was very pleased. I won’t spoil it! But I will say that it was surprisingly satisfying.
Content: I thought the love scenes were slightly overkill… I was literally skipping chunks of pages at a time (I don’t read the scenes). There was a little bit of language, but it wasn’t bad and I felt it was appropriate.
Recommendation: Ages 18+
I’ve got a giveaway for 2 copies of The Fire Lord’s Lover up for grabs, and (soon) my ARC will be available for swap at ARC Swap.
Cassandra has been raised in the catholic school, but trained in to fight in the rebellion as a death-dance assassin. She is sent to marry the son of the Imperial Fire Lord, so that she can get close enough to the Fire Lord to kill him. She knows it’s a death mission, and she’s fully prepared… but she’s not so sure she wants to part with Dominic once she breaks down his hard exterior shell.
As Dominic and Cassandra begin to love each other, Dominic starts to worry about Cassandra’s mission, and Cassandra worries about Dominic’s father trying to kill him. How can two people who love each other protect each other, if protection of the one ends with death for the other? And what of the evil Fire Lord’s hate towards the people and the rebellion against the elves?
I enjoyed The Fire Lord’s Lover from start to finish. The characters were developed quickly and I liked them, the dialogue felt right, and the pacing was great.
The most important thing about The Fire Lord’s Lover, the thing that made it good, was the character’s love for each other. It didn’t feel sappy and fake, centered around physical attraction. It was real and it had reason behind it. Cassandra and Dominic needed each other, and the people needed them together.
At first, I didn’t really like the ending. I almost got a little annoyed at it… but the more I thought about it, the more I liked it—a lot like It’s Not Summer Without You. I didn’t quite like it at first, even though I knew why Kennedy had done what she did… but then I thought back over it again, envisioned in my mind how it would play out, and was very pleased. I won’t spoil it! But I will say that it was surprisingly satisfying.
Content: I thought the love scenes were slightly overkill… I was literally skipping chunks of pages at a time (I don’t read the scenes). There was a little bit of language, but it wasn’t bad and I felt it was appropriate.
Recommendation: Ages 18+
I’ve got a giveaway for 2 copies of The Fire Lord’s Lover up for grabs, and (soon) my ARC will be available for swap at ARC Swap.
Rachel King (13 KP) rated Masquerade in Books
Feb 11, 2019
I was surprised at how much I enjoyed reading this novel by the end of it. The beginning is a bit slow and dry, as Moser sets up the background information and almost struggles to get the reader to "side" with the main character Charlotte Gleason by using her maid's voice to excuse Charlotte's "spoiled rich girl" behavior. I really have a hard time buying the lines that Charlotte really is a good person even though she chooses to be naive about the world she lives in because she feels helpless to enact change. But what happens to her family to force her to travel to America is just the thing to wake her up to the real world and her own responsibilities in it.
I feel much more sympathetic to Dora Conners' plight, as she has little to no say in her life and what Charlotte forces on her, even if it does seem to benefit Dora in theory. To be forced into a position in which she has to lie about who she is and where she is from by her "boss" is atrocious, no matter how much a "friendship" has been built between them. In addition, the endgame is that she is expected to give of her own body to a man in marriage who does not even know who she really is - it's completely shameful.
The parallel way that the story is told once the girls get to America is quite interesting, especially how their paths intersect in seemingly coincidental ways, such as the sweat shop where Charlotte works temporarily manufacturing the clothes that Dora orders from the Tremaine's department store. The more that Charlotte suffers and the guiltier she feels for the lies she has told and has also forced on Dora makes me like her more for the maturation in character she experiences.
In contrast, I have a hard time blaming Dora for the choices she has to make while living in the Tremaine household given her circumstances. She was made to come to this place and perform to certain expectations, and she has no backup plan should she decide to do otherwise. The guilt she feels despite her lack of personal choice in the matter only make her more likeable to the reader. Given where she is from and what is being handed to her, there are not many who would fault her for going along with the "masquerade."
In the end, the goal of both girls is true love over financial stability, and since I am a romantic at heart, I can't help but approve of the ending.
I feel much more sympathetic to Dora Conners' plight, as she has little to no say in her life and what Charlotte forces on her, even if it does seem to benefit Dora in theory. To be forced into a position in which she has to lie about who she is and where she is from by her "boss" is atrocious, no matter how much a "friendship" has been built between them. In addition, the endgame is that she is expected to give of her own body to a man in marriage who does not even know who she really is - it's completely shameful.
The parallel way that the story is told once the girls get to America is quite interesting, especially how their paths intersect in seemingly coincidental ways, such as the sweat shop where Charlotte works temporarily manufacturing the clothes that Dora orders from the Tremaine's department store. The more that Charlotte suffers and the guiltier she feels for the lies she has told and has also forced on Dora makes me like her more for the maturation in character she experiences.
In contrast, I have a hard time blaming Dora for the choices she has to make while living in the Tremaine household given her circumstances. She was made to come to this place and perform to certain expectations, and she has no backup plan should she decide to do otherwise. The guilt she feels despite her lack of personal choice in the matter only make her more likeable to the reader. Given where she is from and what is being handed to her, there are not many who would fault her for going along with the "masquerade."
In the end, the goal of both girls is true love over financial stability, and since I am a romantic at heart, I can't help but approve of the ending.
graveyardgremlin (7194 KP) rated Cleopatra's Moon in Books
Feb 15, 2019
<i>Cleopatra's Moon</i> tells the childhood story of Cleopatra Selene, daughter of Marc Antony (Marcus Antonius) and the most famous Cleopatra (VII) in history. The story covers her life from ages six to sixteen, from her parents' fall from power to the capture of Cleopatra Selene and her brothers to their lives living in Rome.
Catered to the young adult market, <i>Cleopatra's Moon</i> has a lot to offer older readers as well. While there may not be as much meat on the bones as many adult historical fiction novels have, the history is plentiful and smoothly incorporated into the story. Aside from a few, minor instances, not much Cleopatra Selene said or did stood out as odd and the history seemed sound (though I am far from an expert). The author's writing style is easy to read, has a nice flow, and the descriptions are well-done; I could easily picture the surroundings, so the scenes came alive for me. She doesn't shy away from suggestive scenes, making the story feel more realistic, though nothing is described explicitly either. The author is up front about what is and is not fact in the six-page section at the end of book entitled "The Facts Within the Fiction," which gives the reader more information about the people mentioned within the book. If anyone goes into this book expecting more love story than historical fiction, they will be sadly disappointed. Any love story takes a back seat to Cleopatra Selene's struggle with both herself and her circumstances in life.
If I had one quibble with the book, it was the children's and Cleopatra Selene's voices. The children sounded a bit too mature at times, including Cleopatra Selene when young. Although in her case, it was more her voice didn't change much throughout the ten years the book covered and it was too familiar. I've come across other young adult protagonists that sounded very similar to her, both historical and contemporary, so I was hoping hers would be a bit more distinctive from the rest. Still, it's a very small thing and I did like Cleo Selene; she wasn't passive, but she wasn't aggressive either, she fell somewhere in between the two, which worked well for the book.
After all has been said, <i>Cleopatra's Moon</i> does what any (good) historical fiction novel should aspire to, it made me want to know more about the time, people, and places.
Catered to the young adult market, <i>Cleopatra's Moon</i> has a lot to offer older readers as well. While there may not be as much meat on the bones as many adult historical fiction novels have, the history is plentiful and smoothly incorporated into the story. Aside from a few, minor instances, not much Cleopatra Selene said or did stood out as odd and the history seemed sound (though I am far from an expert). The author's writing style is easy to read, has a nice flow, and the descriptions are well-done; I could easily picture the surroundings, so the scenes came alive for me. She doesn't shy away from suggestive scenes, making the story feel more realistic, though nothing is described explicitly either. The author is up front about what is and is not fact in the six-page section at the end of book entitled "The Facts Within the Fiction," which gives the reader more information about the people mentioned within the book. If anyone goes into this book expecting more love story than historical fiction, they will be sadly disappointed. Any love story takes a back seat to Cleopatra Selene's struggle with both herself and her circumstances in life.
If I had one quibble with the book, it was the children's and Cleopatra Selene's voices. The children sounded a bit too mature at times, including Cleopatra Selene when young. Although in her case, it was more her voice didn't change much throughout the ten years the book covered and it was too familiar. I've come across other young adult protagonists that sounded very similar to her, both historical and contemporary, so I was hoping hers would be a bit more distinctive from the rest. Still, it's a very small thing and I did like Cleo Selene; she wasn't passive, but she wasn't aggressive either, she fell somewhere in between the two, which worked well for the book.
After all has been said, <i>Cleopatra's Moon</i> does what any (good) historical fiction novel should aspire to, it made me want to know more about the time, people, and places.
p3anut (62 KP) rated Pet Sematary (2019) in Movies
Apr 11, 2019
Contains spoilers, click to show
I'm 33 and I saw the original pet semetary when I was about 10 on some cable channel like nbc or abc. Back in the 90's, tv was heavily edited. Even then it scared the shit out of me!
The 2019 just didn't give me that same vibe. Yes, I'm older and don't scare as easy. But I also get creeped out pretty easily when a movie does something right. And this movie didn't do to much right to chill me to my core.
Now that's not to say this movie was bad or awful in anyway. The pacing was very good. The twist that they showed us in the trailers was great and added to the later plot device. And even having Gage running towards the road as the truck came barreling towards Ellie made me think they were about to lose two kids. Hell even Lithgow was pretty stellar in his role. But this movie just tried too hard to top the original.
The wife's back story about Zelda should have stopped after she told what had happened to Zelda. They drug it out by giving her some PTSD bullshit that I didn't feel really fit into the story.
The guy that gets hit by a car (victor) and warns Louis about the dangers that are about to unfold was rushed and not as fleshed out as the character in the 90's film. And I don't mean to compare this to that film because it is it's own thing, but they could have tried to humanize him a little more that just a device plot.
Ellie being self aware that she had died and turning evil because of it was fucking creepy. And Everytime this girl had screen time you felt like she was back from the dead and completely changed. The scene where Ellie terrorizes Jud was pretty close to the original but with some twists and I thought that made it more enjoyable. especially since these characters seemed to think situations out better than typical horror movies.
The last twist was fantastic and I'm not going to spoil it. I didn't care for the ending. I thought it was very bleak and bland. And really didn't lead to what was going to happen now as a whole, not just Gage potentially dying.
Overall I really enjoyed the movie for what it was, a fun popcorn horror flick.
Have you seen it? What did you think of the movie?
The 2019 just didn't give me that same vibe. Yes, I'm older and don't scare as easy. But I also get creeped out pretty easily when a movie does something right. And this movie didn't do to much right to chill me to my core.
Now that's not to say this movie was bad or awful in anyway. The pacing was very good. The twist that they showed us in the trailers was great and added to the later plot device. And even having Gage running towards the road as the truck came barreling towards Ellie made me think they were about to lose two kids. Hell even Lithgow was pretty stellar in his role. But this movie just tried too hard to top the original.
The wife's back story about Zelda should have stopped after she told what had happened to Zelda. They drug it out by giving her some PTSD bullshit that I didn't feel really fit into the story.
The guy that gets hit by a car (victor) and warns Louis about the dangers that are about to unfold was rushed and not as fleshed out as the character in the 90's film. And I don't mean to compare this to that film because it is it's own thing, but they could have tried to humanize him a little more that just a device plot.
Ellie being self aware that she had died and turning evil because of it was fucking creepy. And Everytime this girl had screen time you felt like she was back from the dead and completely changed. The scene where Ellie terrorizes Jud was pretty close to the original but with some twists and I thought that made it more enjoyable. especially since these characters seemed to think situations out better than typical horror movies.
The last twist was fantastic and I'm not going to spoil it. I didn't care for the ending. I thought it was very bleak and bland. And really didn't lead to what was going to happen now as a whole, not just Gage potentially dying.
Overall I really enjoyed the movie for what it was, a fun popcorn horror flick.
Have you seen it? What did you think of the movie?
I'm not one to give spoilers so I'll just give the overall impression the book made.
The book tells the story of Nick and Amy Dunne through a series of diary entries. Nick's entries chronicle the day his wife disappears, their fifth wedding anniversary, and all the events that follow. Amy's entries begin several years before and paint a picture of her and Nick's life together over the course of their five year marriage.
As I was reading, I could identify a bit with both Nick and Amy. Then things start to get a little dull and predictable. Still able to identify with both characters, I start to like one a little bit more than the other, because that's the opinion the author wants me to have and I fall into the trap of forming cliched opinions of these characters. I'm left with a sense of <i>yeah, we all know where this is going</i>.
But then, it dawns on me; I am only nearing the end of Book One, the halfway point of the book. Clearly, there is something I'm missing because you can't need half a book to detail the outcome of what has obviously happened. So I reach the end of Book One and feel a bit blasé about it. It's a story I've read so many times before, nothing new (same sh%t, different characters).
I start reading Book Two and everything I thought about this book was promptly turned on it's ear. Everything I thought I knew, I quickly learned was not at all what it seemed. I can't remember the last time a book has surprised me so you can imagine by joy at being proven wrong. It was like a slap in the face that made me sit up and pay attention.
The rest of the book takes you on a journey to find out the truth. The truth about who these two people really are and what <i>really</i> happened; not just on that fateful day of Amy's disappearance, but over the course of Amy's life. Everything that played a part in shaping their lives together.
If you are a fan of mystery/thriller, I would highly recommend this book. It is not a typical mystery/thriller that keeps you on the edge of your seat, biting your nails even though you know the outcome. What it is, is a good psychological mindf$%k that will prove you don't know as much as you might think you know.
The book tells the story of Nick and Amy Dunne through a series of diary entries. Nick's entries chronicle the day his wife disappears, their fifth wedding anniversary, and all the events that follow. Amy's entries begin several years before and paint a picture of her and Nick's life together over the course of their five year marriage.
As I was reading, I could identify a bit with both Nick and Amy. Then things start to get a little dull and predictable. Still able to identify with both characters, I start to like one a little bit more than the other, because that's the opinion the author wants me to have and I fall into the trap of forming cliched opinions of these characters. I'm left with a sense of <i>yeah, we all know where this is going</i>.
But then, it dawns on me; I am only nearing the end of Book One, the halfway point of the book. Clearly, there is something I'm missing because you can't need half a book to detail the outcome of what has obviously happened. So I reach the end of Book One and feel a bit blasé about it. It's a story I've read so many times before, nothing new (same sh%t, different characters).
I start reading Book Two and everything I thought about this book was promptly turned on it's ear. Everything I thought I knew, I quickly learned was not at all what it seemed. I can't remember the last time a book has surprised me so you can imagine by joy at being proven wrong. It was like a slap in the face that made me sit up and pay attention.
The rest of the book takes you on a journey to find out the truth. The truth about who these two people really are and what <i>really</i> happened; not just on that fateful day of Amy's disappearance, but over the course of Amy's life. Everything that played a part in shaping their lives together.
If you are a fan of mystery/thriller, I would highly recommend this book. It is not a typical mystery/thriller that keeps you on the edge of your seat, biting your nails even though you know the outcome. What it is, is a good psychological mindf$%k that will prove you don't know as much as you might think you know.
Yvonne (12 KP) rated A Secret Muse in Books
Jun 9, 2019
Coco Rhodes was happy with her life, an artist and teacher, she enjoyed her freedom. Her brother Chris was a member of a secret society The Allegiance, and whilst her family and friends were members, she wanted nothing to do with them. However, when her life was put in danger, she had no choice but to accept their protection. But could that be enough to save her from Kenan, one of the evilest vampires they have come across
I liked Coco, she was happy to be herself, she was a free spirit, lost in her art and content with her own company. Even though her best friend and her brother were part of The Allegiance, she wanted nothing to do it, which showed how headstrong she was. Even after her accident, she was still stubborn and was literally forced into having additional protection.
I enjoyed how the supernatural overlapped with the real world, regular humans were not aware that supernatural beings lived and worked with them. Only a few people knew about the Allegiance and this kept everyone safe. Due to the society being large, they're quite a few characters in the story, but each one is relevant to the story and when we are introduced to them, parts of their backstory is revealed. As the story continues you soon come to realise how their lives interweave with each other and how they are connected in the future. There are various supernatural beings in this story, witches, vampires, to name but a few. All have an important role in the story.
This story was well researched and as some of the characters are vampires, the story spans over a long time period. Whilst I do not know anything about art, I enjoyed reading about the supernatural involvement used to create some of the most famous paintings. The scenic views of Italy and the places visited were described in fine detail and whether it is the 15th century or the modern day you feel like you are transported there. The pace would quicken with the action, making it more intense. The fight scenes were full on, but the characters would change from fighters to lovers in a few scenes, slowing the pace making it an enjoyable read.
This is a book for adults and whether you are looking for those tall dark and brooding men or just a good fantasy read to start a new series than this is the story for you
I liked Coco, she was happy to be herself, she was a free spirit, lost in her art and content with her own company. Even though her best friend and her brother were part of The Allegiance, she wanted nothing to do it, which showed how headstrong she was. Even after her accident, she was still stubborn and was literally forced into having additional protection.
I enjoyed how the supernatural overlapped with the real world, regular humans were not aware that supernatural beings lived and worked with them. Only a few people knew about the Allegiance and this kept everyone safe. Due to the society being large, they're quite a few characters in the story, but each one is relevant to the story and when we are introduced to them, parts of their backstory is revealed. As the story continues you soon come to realise how their lives interweave with each other and how they are connected in the future. There are various supernatural beings in this story, witches, vampires, to name but a few. All have an important role in the story.
This story was well researched and as some of the characters are vampires, the story spans over a long time period. Whilst I do not know anything about art, I enjoyed reading about the supernatural involvement used to create some of the most famous paintings. The scenic views of Italy and the places visited were described in fine detail and whether it is the 15th century or the modern day you feel like you are transported there. The pace would quicken with the action, making it more intense. The fight scenes were full on, but the characters would change from fighters to lovers in a few scenes, slowing the pace making it an enjoyable read.
This is a book for adults and whether you are looking for those tall dark and brooding men or just a good fantasy read to start a new series than this is the story for you
Purple Phoenix Games (2266 KP) rated Friday in Tabletop Games
Jun 12, 2019
Game nights with the group are some of my favorite nights, but pesky schedules and “personal lives” often get in the way. Not being able to play with the group hasn’t slowed my gaming roll though, and I am always on the lookout for good, solo-able games! So when I saw ‘Friday – A Solo Adventure’ at my local used game sale, I knew I had to grab it.
Picture this – you live on a tropical island. One day as you’re walking down by the ocean, you see something on the shore. As you approach, you realize it is a grown man! Turns out this castaway is Robinson Crusoe. You decide to help Crusoe learn the ways of the jungle, combat hazards, build up his strength, and eventually escape your island via a nearby pirate ship. The island is a rough place, though, so you must be diligent in your guidance! Otherwise your newest comrade may not survive…
A cute little card drafting game of survival on a deserted island – how hard can it be, right? I seriously underestimated how tough this game actually is – I have never won a game to date. The premise of the game is simple enough (draw cards, overcome hazards, and build your deck), but successful execution is the tricky part.
It all really comes down to the luck of the draw. Some cards are excellent for fighting hazards, while others can seriously negatively impact a fight. Success or failure depends on how well you shuffle and where the cards end up in your draw pile. That is to be expected though – if all the cards were helpful, the game would be so easy! The balance (or should I say imbalance?) of positive and negative cards is what makes the game so difficult. There are almost as many negative cards as there are positive, which makes every fight feel completely random to me. It is hard to strategize because each turn is almost a 50/50 shot as to whether your next card is positive or negative. The game is supposed to last 3 phases, but I am lucky to survive into phase 2.
Friday will stay in my collection, for the time being, while I continue trying to formulate a working strategy. Overall, though, it is not my go-to solo game. Purple Phoenix Games gives it a 8 / 12. (Josh and Bryan haven’t played it yet!)
https://purplephoenixgames.wordpress.com/2018/12/12/friday-a-solo-adventure-review/
Picture this – you live on a tropical island. One day as you’re walking down by the ocean, you see something on the shore. As you approach, you realize it is a grown man! Turns out this castaway is Robinson Crusoe. You decide to help Crusoe learn the ways of the jungle, combat hazards, build up his strength, and eventually escape your island via a nearby pirate ship. The island is a rough place, though, so you must be diligent in your guidance! Otherwise your newest comrade may not survive…
A cute little card drafting game of survival on a deserted island – how hard can it be, right? I seriously underestimated how tough this game actually is – I have never won a game to date. The premise of the game is simple enough (draw cards, overcome hazards, and build your deck), but successful execution is the tricky part.
It all really comes down to the luck of the draw. Some cards are excellent for fighting hazards, while others can seriously negatively impact a fight. Success or failure depends on how well you shuffle and where the cards end up in your draw pile. That is to be expected though – if all the cards were helpful, the game would be so easy! The balance (or should I say imbalance?) of positive and negative cards is what makes the game so difficult. There are almost as many negative cards as there are positive, which makes every fight feel completely random to me. It is hard to strategize because each turn is almost a 50/50 shot as to whether your next card is positive or negative. The game is supposed to last 3 phases, but I am lucky to survive into phase 2.
Friday will stay in my collection, for the time being, while I continue trying to formulate a working strategy. Overall, though, it is not my go-to solo game. Purple Phoenix Games gives it a 8 / 12. (Josh and Bryan haven’t played it yet!)
https://purplephoenixgames.wordpress.com/2018/12/12/friday-a-solo-adventure-review/
Kristy H (1252 KP) rated All the Bright Places in Books
Feb 8, 2018
Theodore is a quirky teen whose life has been troubled by sadness. His parents are divorced and Theo's recent past has been marked by dark patches, what he thinks of as a deep sleep, where he zones out from depression and sadness. He finds himself thinking often of suicide. One day, while on the ledge of their school's Bell Tower, Theo comes across Violet. Violet's life has changed drastically since the death of her older sister in a car accident. She's not so sure about life lately, either. So Theo lets everyone at school think Violet "saved" him on that Tower, when it's really him who talks her down. The two form an unlikely friendship and embark on a school project, documenting the "natural wonders" of their home state of Indiana. But do Violet and Finch realize the sadness each is dealing with?
Oh how I wanted to like this book. I'd heard so many good things about it, and it was compared to [b:Eleanor & Park|15745753|Eleanor & Park|Rainbow Rowell|https://d.gr-assets.com/books/1341952742s/15745753.jpg|17225055], which I adore. But whereas Eleanor and Park each felt so real, these characters didn't always come across as true, versus caricatures. I did find myself caring, often deeply, for Violet, and I liked Finch, but he changed his personality types so often -- it was hard to relate to his character. I'm glad the book covered the topic of mental illness, but its portrayal was odd sometimes. I almost worry that it glorified mental illness and suicidal thoughts somehow (hard to explain without too many spoilers).
Also, Theo and Violet seem to fall for each other awfully quickly. Why does this happen so often in YA novels? Am I just a jaded adult now (entirely possible)? Also a huge issue - where are the freaking adults in this book, and why don't they help Violet and Finch? Kids and teens shouldn't feel that mental illness is something they need to deal with alone. I also think truly portraying Finch's "deep sleep" and how that affected him could have done wonders for showing the effects and ills of mental illness on teens.
Overall, this book certainly had its lovely moments. Violet and Finch are touching characters in many ways. As I said, I really liked Violet - her character really grows on you. Niven's writing is beautiful at times, and the teens' school project is an interesting touch. This was also hard for me to read, having experienced mental illness and suicide in my family. I think it was worth reading, but it didn't completely live up to my expectations.
Oh how I wanted to like this book. I'd heard so many good things about it, and it was compared to [b:Eleanor & Park|15745753|Eleanor & Park|Rainbow Rowell|https://d.gr-assets.com/books/1341952742s/15745753.jpg|17225055], which I adore. But whereas Eleanor and Park each felt so real, these characters didn't always come across as true, versus caricatures. I did find myself caring, often deeply, for Violet, and I liked Finch, but he changed his personality types so often -- it was hard to relate to his character. I'm glad the book covered the topic of mental illness, but its portrayal was odd sometimes. I almost worry that it glorified mental illness and suicidal thoughts somehow (hard to explain without too many spoilers).
Also, Theo and Violet seem to fall for each other awfully quickly. Why does this happen so often in YA novels? Am I just a jaded adult now (entirely possible)? Also a huge issue - where are the freaking adults in this book, and why don't they help Violet and Finch? Kids and teens shouldn't feel that mental illness is something they need to deal with alone. I also think truly portraying Finch's "deep sleep" and how that affected him could have done wonders for showing the effects and ills of mental illness on teens.
Overall, this book certainly had its lovely moments. Violet and Finch are touching characters in many ways. As I said, I really liked Violet - her character really grows on you. Niven's writing is beautiful at times, and the teens' school project is an interesting touch. This was also hard for me to read, having experienced mental illness and suicide in my family. I think it was worth reading, but it didn't completely live up to my expectations.