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Deborah (162 KP) rated Six Tudor Queens: Katherine of Aragon, the True Queen: Six Tudor Queens 1 in Books
Dec 19, 2018
Weir again goes from traditionalist historian to historical novelist, but she can't seem to leave the historian bit behind. Much as I dislike wholesale abandonment of historical accuracy and the flagrant sensationalism of Phillipa Gregory and her Ilk, I really found this book over long and tedious - I could quite cheerfully have done some poisoning myself just to get the book over and done with! It feels like Weir has looked up every single historical quote she could find from people in the period and tried to squeeze them into the book. I had read biographies of the period that are more enlightening that this and do more to bring the people and period to life.
During the third quarter of the book, we get a lot of Henry coming in to visit Katherine, giving us a bit of plot exposition and then having a strop and stomping out like a child having a tantrum. After about the tenth occurrence this gets rather tedious and doesn't feel altogether likely.
I was slightly weirded by the implication that Katherine on arrival quite fancied the ten year old Henry and the bit in the Tower with the 'ghost lady' and the shivers down the spine in Peterborough cathedral seemed out of place and both only really play off if you have a knowledge of the period already, in which case you really don't need to be reading this.
Finally, for all the historical stuff Weir has stuffed in there, she really does need to pay better attention to her geography. I know Ampthill isn't that far from Dunstable, but I think I little effort would inform her that it's more like 14 miles and not the 4 she has in the book!
While the writing isn't awful, it's just not engaging and the book is far too long and becomes tedious. Does Weir really believe that Katherine believed that, after everything that he had done, Henry would meekly accept the Pope's vastly overdue ruling, put Anne and Elizabeth and the change of a male heir aside along with his leadership of the Church of England? hindsight is a wonderful thing, but I find it hard to beleive that Katherine was as stupid and naive as she comes across here. She says she still loves Henry and wouldn't do anything against him, yet writes to the Pope and the Emperor with a clear intention of inciting war! I think Weir means to make her sympathetic, but I just found her exasperating. I would recommend some good non-fiction book on the period ahead of this.
During the third quarter of the book, we get a lot of Henry coming in to visit Katherine, giving us a bit of plot exposition and then having a strop and stomping out like a child having a tantrum. After about the tenth occurrence this gets rather tedious and doesn't feel altogether likely.
I was slightly weirded by the implication that Katherine on arrival quite fancied the ten year old Henry and the bit in the Tower with the 'ghost lady' and the shivers down the spine in Peterborough cathedral seemed out of place and both only really play off if you have a knowledge of the period already, in which case you really don't need to be reading this.
Finally, for all the historical stuff Weir has stuffed in there, she really does need to pay better attention to her geography. I know Ampthill isn't that far from Dunstable, but I think I little effort would inform her that it's more like 14 miles and not the 4 she has in the book!
While the writing isn't awful, it's just not engaging and the book is far too long and becomes tedious. Does Weir really believe that Katherine believed that, after everything that he had done, Henry would meekly accept the Pope's vastly overdue ruling, put Anne and Elizabeth and the change of a male heir aside along with his leadership of the Church of England? hindsight is a wonderful thing, but I find it hard to beleive that Katherine was as stupid and naive as she comes across here. She says she still loves Henry and wouldn't do anything against him, yet writes to the Pope and the Emperor with a clear intention of inciting war! I think Weir means to make her sympathetic, but I just found her exasperating. I would recommend some good non-fiction book on the period ahead of this.
Gareth von Kallenbach (980 KP) rated Aladdin (2019) in Movies
Jul 2, 2019
Guy Ritchie’s live action remake really was a hit for me. Not much of the story has changed which is fine. I went into this film excited but with a few weary doubts. I was for sure that nothing could compare to the 1992 two dimensional Genie I grew to adore. I then however convinced myself to treat the film as its own entity and not as a comparison. I mean come on, nothing can compare to a cartoon version of anything. You can animate just about anything but trying to flip the story to live-action and expecting the same results can be risky. In the remake it worked out well for the most part. Anytime Genie was his big blue self that’s when the CG that was used was extremely noticeable. I just have never been a fan of CG use on actors, it used to freak me out as a kid. I know it sounds strange but I quickly got over it and was able to really enjoy the film.
When the film was being discussed and or planned the stipulation at least for the two leads (Mena Massaud and Naomi Scott) was, they of course had to be of Indian or Middle Eastern descent, they had to be able to sing and dance and they had to be newcomers. I thought they were perfectly cast and had great chemistry. They also were both able to stand their ground and their performances certainly didn’t get lost playing along side Will Smith. Though he is incomparable to Robin Williams he did do an outstanding job at Genie and I think Williams would be proud of his rendition.
One of my favorite things Disney films have always delivered in any of their films has been the atmosphere and sets. The colors of Agraba are vibrant and inviting. You can almost smell the spices and feel the warm breeze flowing through the city. I am also pleased that Alan Mankin has returned to compose the music for the film. All songs have been kept the same with the addition of a few new songs so be sure to at least sing along with them.
In my honest opinion this live-action remake of Disney’s Aladdin has been my favorite of the live-action Disney remade films so far. It is a two hour nostalgic film filled wth laughs, action, lots of parkour and good life lessons. Money or power can’t always buy happiness.
When the film was being discussed and or planned the stipulation at least for the two leads (Mena Massaud and Naomi Scott) was, they of course had to be of Indian or Middle Eastern descent, they had to be able to sing and dance and they had to be newcomers. I thought they were perfectly cast and had great chemistry. They also were both able to stand their ground and their performances certainly didn’t get lost playing along side Will Smith. Though he is incomparable to Robin Williams he did do an outstanding job at Genie and I think Williams would be proud of his rendition.
One of my favorite things Disney films have always delivered in any of their films has been the atmosphere and sets. The colors of Agraba are vibrant and inviting. You can almost smell the spices and feel the warm breeze flowing through the city. I am also pleased that Alan Mankin has returned to compose the music for the film. All songs have been kept the same with the addition of a few new songs so be sure to at least sing along with them.
In my honest opinion this live-action remake of Disney’s Aladdin has been my favorite of the live-action Disney remade films so far. It is a two hour nostalgic film filled wth laughs, action, lots of parkour and good life lessons. Money or power can’t always buy happiness.
Neon's Nerd Nexus (360 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Nov 4, 2019
Ice Cream
Le mans 66 aka Ford v Ferrari (the extended cut) is a blistering thrill ride equally perfect for both petrol heads and casual car lovers alike. I wont lie I was so excited to see this movie as I cant remember the last time I saw a trully great race movie and ill tell you now Le mans 66 does not disappoint. Primarily a film about pride, jealousy, ego, power and the need to be first and while the movie handles all that stuff perfectly it still manages to pack in so much more too. The art of driving, building/manufacturing, selling and owning cars is frequently and subtley liked to both war and sex in many diffrent ways but what it mostly boils down to is beating the other guy and looking good while doing it. Power is also portrayed perfectly and seeing how essentially its the little guys putting in all the work while the big men in charge reap all the rewards, fame and profit is trully disheartening but ever so relatable too. Story is constantly intresting starting slow and methodical letting you take in all the scenery and character depth before pushing you over the edge and giving you all its got, its trully exciting stuff and the attachment you gain for the main characters this way is thrilling by its self alone. Never ever predictable the film seems to swerve every time you think you know the route it will take always keeping you on the edge of your seat. Sound design is the best ive experienced all year with every tire rip, exhaust pop, speed barrier break, and narrow miss tearing though your ears and booming in your chest really putting you inside these beast machines. Visually its so god damn clean too and I kid you not I have no idea if all the effects are cgi or practical its that slick, with transitions that are immaculate making the racing scenes feel full of tension, danger and anxiety. Matt damon is solid as usual but it christian bale that really knocks it out the park here as a talented man who only strives to impress himself who would give up everything in a heart beat just to with his family (infact I think my favorite perfomance of his). Honestly this movie blew me away its thrilling, intresting, emotional, engaging, rewarding and the main characters are layerd each with thier own drive and goals. I simply can not recomend it enough and the only fault is my own for not seeing it in imax.
Phil Leader (619 KP) rated Jayden's Cybermountain (The Sanctum Series #1) in Books
Nov 15, 2019
I read this book on my recent holiday and it kept me enthralled, my eReader didn't leave my side and I was always itching to read a bit more to see what happened next.
At the start of the story Jayden is 11 and due to family problems is sleeping rough. One night he is given an opportunity to turn his life around from an unexpected source. Dubious at first, Jayden accepts and is soon settling into a new life, studying at a secret school where all the pupils are from disadvantaged backgrounds. Clearly there is a purpose behind the school, but what exactly is it?
This is a hard book to review simply because it's tough to give any idea of the story without spoiling it. And really this is a story I don't want to spoil for anyone.
Although aimed at young adults (particularly around 11, the same age as Jayden) as with all the best young adult fiction it's an excellent read for anyone.
The plot is really well handled; The journey of Jayden and his friends is one aspect, the purpose of the school another and the reader is kept on their toes by regular twists and turns. Some of these are totally unexpected, others are nicely flagged for the observant reader who will feel very pleased with themselves for having spotted the clue.
The characters are all clearly drawn and the descriptions are detailed enough to sketch them out out not laboured and allow enough space for the reader's imagination to add the finishing touches. All the main characters are very positive role models for young people and many will identify with them and hopefully appreciate how they develop. The writing moves at a really good pace and it is never slow and always grabs attention.
There are moments of humour - mostly around the student's antics either trying to break the rules or playing tricks on each other. Much darker threads are wound in with skill by Cope covering topics such as drug abuse, bullying and terrorism but these are never laboured and always dealt with sympathetically and optimistically. As a parent it is great to see these topics mentioned.
My 9-going-on-10 year old read this book and said it was 'great' and could he have 'more like that'. I don't think you could get a better recommendation.
Overall this is definitely a must read, not just for its target audience but anyone who wants to read a thoughtfully constructed, engaging and thrilling story. I will definitely be reading the sequel.
At the start of the story Jayden is 11 and due to family problems is sleeping rough. One night he is given an opportunity to turn his life around from an unexpected source. Dubious at first, Jayden accepts and is soon settling into a new life, studying at a secret school where all the pupils are from disadvantaged backgrounds. Clearly there is a purpose behind the school, but what exactly is it?
This is a hard book to review simply because it's tough to give any idea of the story without spoiling it. And really this is a story I don't want to spoil for anyone.
Although aimed at young adults (particularly around 11, the same age as Jayden) as with all the best young adult fiction it's an excellent read for anyone.
The plot is really well handled; The journey of Jayden and his friends is one aspect, the purpose of the school another and the reader is kept on their toes by regular twists and turns. Some of these are totally unexpected, others are nicely flagged for the observant reader who will feel very pleased with themselves for having spotted the clue.
The characters are all clearly drawn and the descriptions are detailed enough to sketch them out out not laboured and allow enough space for the reader's imagination to add the finishing touches. All the main characters are very positive role models for young people and many will identify with them and hopefully appreciate how they develop. The writing moves at a really good pace and it is never slow and always grabs attention.
There are moments of humour - mostly around the student's antics either trying to break the rules or playing tricks on each other. Much darker threads are wound in with skill by Cope covering topics such as drug abuse, bullying and terrorism but these are never laboured and always dealt with sympathetically and optimistically. As a parent it is great to see these topics mentioned.
My 9-going-on-10 year old read this book and said it was 'great' and could he have 'more like that'. I don't think you could get a better recommendation.
Overall this is definitely a must read, not just for its target audience but anyone who wants to read a thoughtfully constructed, engaging and thrilling story. I will definitely be reading the sequel.
Phil Leader (619 KP) rated The Loch Ness Legacy (Tyler Locke #4) in Books
Nov 20, 2019
When Tyler Locke foils an attack on a summit of Middle Eastern leaders at the Eiffel Tower he suspects there is more going on than meets the eye. He is soon proved correct as delegates at the summit start to die of a mysterious disease and an old enemy breaks out of prison bent on revenge. In a race for survival Locke and his friends must find out the truth and prevent all out war.
This book immediately gripped me. I have picked up many adventure thriller type books from many authors and few have impressed me. However Boyd Morrison manages to avoid the usual pitfalls. His characters are likeable and share realistic dialogue and act according to their motivations - even the main villain who is just ever so slightly over the top but still manages to be realistic as a character.
The action scenes - and there are plenty featuring more chases and fight scenes than a whole franchise of movies - are extremely well handled. People tire during fight scenes, nobody is a crack shot with a gun, injuries are realistic.
The plot cracks along as Locke and his team uncover the secrets one at a time. There are clues to solve and the whole time they are racing to beat the terrorists who always seem to be one step ahead.
I feel I must make special mention of the dialogue of the English and Scottish characters. A lot of American authors tend to assume everyone in the UK is either a 'cor blimey guv'nor' cockney or an 'I say old chap' aristocrat and so to my ears the dialogue always sounds phoney. Morrison does not fall into this trap and that really did enhance the immersion in the story.
Yes ultimately this is a hunt for the Loch Ness Monster but really that's just a McGuffin to drive the plot, and an ingenious one at that. I'm not aware of anyone else using Nessie in this kind of book and Morrison handles it well.
Overall a terrific book, well worth a read and would make a terrific holiday book. I've already got the first Tyle Locke novel lined up to read and am looking forward to it immensely. Morrison has immediately become on of my favourite authors. I noticed that he is credited as co-writer on the latest Clive Cussler Oregon Files book (Piranha) and will need to read that too, I suspect that he will inject some energy into the franchise and is a good choice as this book reads like one of Cussler's first novels - in fact I'd say even better.
This book immediately gripped me. I have picked up many adventure thriller type books from many authors and few have impressed me. However Boyd Morrison manages to avoid the usual pitfalls. His characters are likeable and share realistic dialogue and act according to their motivations - even the main villain who is just ever so slightly over the top but still manages to be realistic as a character.
The action scenes - and there are plenty featuring more chases and fight scenes than a whole franchise of movies - are extremely well handled. People tire during fight scenes, nobody is a crack shot with a gun, injuries are realistic.
The plot cracks along as Locke and his team uncover the secrets one at a time. There are clues to solve and the whole time they are racing to beat the terrorists who always seem to be one step ahead.
I feel I must make special mention of the dialogue of the English and Scottish characters. A lot of American authors tend to assume everyone in the UK is either a 'cor blimey guv'nor' cockney or an 'I say old chap' aristocrat and so to my ears the dialogue always sounds phoney. Morrison does not fall into this trap and that really did enhance the immersion in the story.
Yes ultimately this is a hunt for the Loch Ness Monster but really that's just a McGuffin to drive the plot, and an ingenious one at that. I'm not aware of anyone else using Nessie in this kind of book and Morrison handles it well.
Overall a terrific book, well worth a read and would make a terrific holiday book. I've already got the first Tyle Locke novel lined up to read and am looking forward to it immensely. Morrison has immediately become on of my favourite authors. I noticed that he is credited as co-writer on the latest Clive Cussler Oregon Files book (Piranha) and will need to read that too, I suspect that he will inject some energy into the franchise and is a good choice as this book reads like one of Cussler's first novels - in fact I'd say even better.
Veronica Pena (690 KP) rated Always and Forever, Lara Jean in Books
Jan 21, 2020
I was really nervous to read this book after reading the second one. It almost felt like there wasn't much of the story left to go. The letters have found their way back to Lara Jean, she's made her decision and she's sticking to it. What I loved about this book is that it was more about growing up than anything else.
Lara Jean is plagued with this thought about college and her future and what it means for her relationship and what her mom always said, "Never go to college with a boyfriend." The story evolves from one about Lara Jean falling in love for the first time and turns into her growing and learning to choose that love and to fight for that love and to follow her heart, even when it's hard, even when people are telling you to do the opposite, even when it might not make the most sense, you have to be true to who you are and it's nice to watch her grow and learn all those things.
I'm happy with who she ended up with and surprised at how much I enjoyed the ending. I will say that I was disappointed that she didn't ever lose her virginity but I also don't feel like it was crucial to the story. I think it would've just been nice because she loves him so much and for her to have sex, it was like that was sealing it - not that it needed to be sealed, but I guess in some ways it did. I'm not sure how to describe it without giving too much away.
I think this is the perfect trilogy to read in high school and I wish I would've read it sooner. It's interesting to read stories about people in high school and have so much to relate to and then read about them stressing about college and think idly to yourself, "you have no idea, kid."
Overall, I think this series is really well written. I love the plot and the characters, I love the development, I love the progressive undertones and the way that you can just tell that it was so obviously written by a woman of color. I think those types of stories are always the best. I could live in Lara Jean's world for a long while so I'm bummed to say goodbye but I'm excited for the final two films to come out and I'm hoping that they're every bit as good as the books.
Lara Jean is plagued with this thought about college and her future and what it means for her relationship and what her mom always said, "Never go to college with a boyfriend." The story evolves from one about Lara Jean falling in love for the first time and turns into her growing and learning to choose that love and to fight for that love and to follow her heart, even when it's hard, even when people are telling you to do the opposite, even when it might not make the most sense, you have to be true to who you are and it's nice to watch her grow and learn all those things.
I'm happy with who she ended up with and surprised at how much I enjoyed the ending. I will say that I was disappointed that she didn't ever lose her virginity but I also don't feel like it was crucial to the story. I think it would've just been nice because she loves him so much and for her to have sex, it was like that was sealing it - not that it needed to be sealed, but I guess in some ways it did. I'm not sure how to describe it without giving too much away.
I think this is the perfect trilogy to read in high school and I wish I would've read it sooner. It's interesting to read stories about people in high school and have so much to relate to and then read about them stressing about college and think idly to yourself, "you have no idea, kid."
Overall, I think this series is really well written. I love the plot and the characters, I love the development, I love the progressive undertones and the way that you can just tell that it was so obviously written by a woman of color. I think those types of stories are always the best. I could live in Lara Jean's world for a long while so I'm bummed to say goodbye but I'm excited for the final two films to come out and I'm hoping that they're every bit as good as the books.
Night Reader Reviews (683 KP) rated Bad News Belinda in Books
Jan 9, 2020
Bad News Belinda by Stewart Martin Johnson is an amazingly cute little childrens book of only about thirty pages or so. Each page only has an average of about one sentence which makes it a very easy read. For some reason, it brought back memories of Amelia Bedelia from my childhood, but that may just be because of the name.
Aunt Belinda coming to stay for a visit is one of those visits that we all come to dread. In some way, most people can probably relate to having a relative that they are less than enthusiastic to see but hopefully they are not as bad as Belinda. When Belinda is around the children have to hide their candy and clean while Belinda either sits around or makes a mess of things.
Belinda doesn't do fun things with the children like the other aunts do, instead, she makes things miserable for them. The other Aunts help the children plan to get rid of Belinda, but Belinda overhears them. After everyone tells Belinda what they really think of her she leaves on her own and the children have a party with the good aunts.
What I liked best was how the artwork and the story worked very well together. For childrens books, I feel it is very important that the artwork and the story work together. This book is a wonderful example of that. When Belinda is around the coloring is darker, messy, and has a negative feeling, but it is bright, happy, and cheerful when she is gone. If I had to choose something that I didnt like it would be how everyone told Belinda they did not like her. However, seeing as how Belinda being a problem was kind of the whole point of the book it's not really a negative.
The target readers for this book are any children who like to be read to and young beginning readers. As an adult I also found this book to be fun and enjoyed reading it to my children. That being said I rate this book to be a perfect 4 out of 4. This is because everything about this book is great. The short sentences and overall length do not intimidate young readers. The artwork is spot on with the tones of the book. It has some funny and silly moments such as Belinda eating a goldfish and some very nice rhymes.
https://nightreaderreviews.blogspot.com/
https://www.austinmacauley.com/book/bad-news-belinda
Aunt Belinda coming to stay for a visit is one of those visits that we all come to dread. In some way, most people can probably relate to having a relative that they are less than enthusiastic to see but hopefully they are not as bad as Belinda. When Belinda is around the children have to hide their candy and clean while Belinda either sits around or makes a mess of things.
Belinda doesn't do fun things with the children like the other aunts do, instead, she makes things miserable for them. The other Aunts help the children plan to get rid of Belinda, but Belinda overhears them. After everyone tells Belinda what they really think of her she leaves on her own and the children have a party with the good aunts.
What I liked best was how the artwork and the story worked very well together. For childrens books, I feel it is very important that the artwork and the story work together. This book is a wonderful example of that. When Belinda is around the coloring is darker, messy, and has a negative feeling, but it is bright, happy, and cheerful when she is gone. If I had to choose something that I didnt like it would be how everyone told Belinda they did not like her. However, seeing as how Belinda being a problem was kind of the whole point of the book it's not really a negative.
The target readers for this book are any children who like to be read to and young beginning readers. As an adult I also found this book to be fun and enjoyed reading it to my children. That being said I rate this book to be a perfect 4 out of 4. This is because everything about this book is great. The short sentences and overall length do not intimidate young readers. The artwork is spot on with the tones of the book. It has some funny and silly moments such as Belinda eating a goldfish and some very nice rhymes.
https://nightreaderreviews.blogspot.com/
https://www.austinmacauley.com/book/bad-news-belinda
Emma @ The Movies (1786 KP) rated Playing with Fire (2019) in Movies
Jan 9, 2020
Seeing the trailer for this I was mildly excited, this sort of daft family humour holds a place in my heart and it looked like I was going to get another film to add to the "pick me up" watchlist. But oh my, everything about this experience rubbed me the wrong way.
Jake Carson runs a rugged group of smokejumpers that swoop into action and stop fires from taking hold. On their latest callout they find a cabin about to be engulfed by flames and trapped inside are three children in need of help.
Following the rules, Jake calls Child Protective Services, but being so remote they won't be able to get to them quickly. It's now their duty to keep the three of them safe until they arrive. Four grown men, three kids... what could possibly go wrong?
Where to start? How about that humour I was looking forward to? Or perhaps the severe lack of it. Over the whole runtime I laughed more at the end credits that I did at the whole film. Keegan-Michael Key is by far the funniest thing about the film, but it still isn't a perfect part. Key's way of sliding into scenes and just taking over was excellent, it made me smile, but when these moments started he was funny with just the right amount of over the top but the script would quite often throw him over that fine line and it became tiresome.
John Cena generally isn't bad when it comes to comedy offerings, but in Playing With Fire he's very stiff even for the by-the-books character he's playing. It felt like Jake had been made too straight-laced, he needs to make the transition from uptight to more relaxed but they could have brought it down just one step and it would have been something a lot easier to watch.
Brianna Hildebrand plays the oldest of the rescued children, Brynn. She gives a solid performance and probably has the best character overall, no frustrating quirks, nothing over the top. While she manages to make a good show of it being up against the over the top nature of everything else means it gets lost in the background.
While there might be a twist on the sort of story it doesn't feel new in any respects. I'm feeling rather let down with the whole thing but thankfully we're not short of other films that do this exact thing.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/playing-with-fire-movie-review.html
Jake Carson runs a rugged group of smokejumpers that swoop into action and stop fires from taking hold. On their latest callout they find a cabin about to be engulfed by flames and trapped inside are three children in need of help.
Following the rules, Jake calls Child Protective Services, but being so remote they won't be able to get to them quickly. It's now their duty to keep the three of them safe until they arrive. Four grown men, three kids... what could possibly go wrong?
Where to start? How about that humour I was looking forward to? Or perhaps the severe lack of it. Over the whole runtime I laughed more at the end credits that I did at the whole film. Keegan-Michael Key is by far the funniest thing about the film, but it still isn't a perfect part. Key's way of sliding into scenes and just taking over was excellent, it made me smile, but when these moments started he was funny with just the right amount of over the top but the script would quite often throw him over that fine line and it became tiresome.
John Cena generally isn't bad when it comes to comedy offerings, but in Playing With Fire he's very stiff even for the by-the-books character he's playing. It felt like Jake had been made too straight-laced, he needs to make the transition from uptight to more relaxed but they could have brought it down just one step and it would have been something a lot easier to watch.
Brianna Hildebrand plays the oldest of the rescued children, Brynn. She gives a solid performance and probably has the best character overall, no frustrating quirks, nothing over the top. While she manages to make a good show of it being up against the over the top nature of everything else means it gets lost in the background.
While there might be a twist on the sort of story it doesn't feel new in any respects. I'm feeling rather let down with the whole thing but thankfully we're not short of other films that do this exact thing.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/playing-with-fire-movie-review.html
Kristy H (1252 KP) rated I Know Who You Are in Books
Aug 5, 2019
Aimee Sinclair is an actress. She's not really famous yet, but you might have heard of her. Aimee is working on her latest film when she comes home and discovers that her husband, Ben, has vanished without his wallet, phone, keys, coat, or shoes. Initially she isn't too worried as the two had a large fight the night before. But he isn't home the next morning, and Aimee's card is declined when she tries to use it. The bank tells her her account has been emptied. She immediately suspects Ben, but the bank tells her it was her. Aimee has a history of "forgetting," but she's sure she would remember this. Soon the police are at Aimee's door, and her world starts to turn upside down.
"My husband is gone"
I really enjoyed Alice Feeney's first book, SOMETIMES I LIE, and this one lived up to expectations. I have to say that Feeney has cornered the market on confusing books with unreliable narrators who bring along messed up backstories. (How's that for a mouthful?) Aimee is an interesting character--an actress with a spotty past and flitty mentions of her "forgetting"--yet you can't help but feel somewhat drawn to her. Things go south pretty quickly once Ben disappears, and we are sucked down with her. Yet Aimee is tough, and she's pretty determined to figure out what is going on.
"Acting is easy; it's being me that I find difficult"
Like Feeney's first book, this one will leave you feeling confused and disjointed as you read, much like Aimee's brain. What is going on? Can we trust her? Can we trust anyone? Complicating things is the fact that Aimee's story alternates with that of a young girl who wanders away from home and, well, let's just say that doesn't end well. These two storylines are oddly captivating, motivating you to madly flip the pages. Eventually, I found myself caring not so much about what actually happened to Ben, but just caught up in Aimee's overall story and saga.
"Sometimes it's the people who love us the most that hurt us the hardest; because they can."
Now, be warned. This is not just a befuddling tale, but a twisted one. Feeney goes dark, very dark with our story here. Oh man, but it's a really good surprise, and while I saw hints of it, I loved it, and quite enjoyed how everything came together. (Or, conversely, fell apart?) The book keeps you guessing, that's for sure.
Overall, this is a really twisted, mesmerizing thriller that keeps you engaged. I will definitely be reading anything Alice Feeney writes. 4+ stars.
"My husband is gone"
I really enjoyed Alice Feeney's first book, SOMETIMES I LIE, and this one lived up to expectations. I have to say that Feeney has cornered the market on confusing books with unreliable narrators who bring along messed up backstories. (How's that for a mouthful?) Aimee is an interesting character--an actress with a spotty past and flitty mentions of her "forgetting"--yet you can't help but feel somewhat drawn to her. Things go south pretty quickly once Ben disappears, and we are sucked down with her. Yet Aimee is tough, and she's pretty determined to figure out what is going on.
"Acting is easy; it's being me that I find difficult"
Like Feeney's first book, this one will leave you feeling confused and disjointed as you read, much like Aimee's brain. What is going on? Can we trust her? Can we trust anyone? Complicating things is the fact that Aimee's story alternates with that of a young girl who wanders away from home and, well, let's just say that doesn't end well. These two storylines are oddly captivating, motivating you to madly flip the pages. Eventually, I found myself caring not so much about what actually happened to Ben, but just caught up in Aimee's overall story and saga.
"Sometimes it's the people who love us the most that hurt us the hardest; because they can."
Now, be warned. This is not just a befuddling tale, but a twisted one. Feeney goes dark, very dark with our story here. Oh man, but it's a really good surprise, and while I saw hints of it, I loved it, and quite enjoyed how everything came together. (Or, conversely, fell apart?) The book keeps you guessing, that's for sure.
Overall, this is a really twisted, mesmerizing thriller that keeps you engaged. I will definitely be reading anything Alice Feeney writes. 4+ stars.
Gareth von Kallenbach (980 KP) rated The Purge: Election Year (2016) in Movies
Aug 6, 2019
Sen Roan (Elizabeth Mitchell) was the only member of her family to survive the Purge as a youth. Years later she runs on the platform of ending the Purge and exposing the various factors and rationale in its implementation and continuance. She and many others see the Purge as nothing more than a way for the powers that be and the wealthy to stay in power at the expense of the poor and people of color. As the Purge approaches, the American people are being torn as to the direction that their nation should take. The New Founding Fathers of America (NFFA) see the threat that Sen. Roan poses and seek out to use the annual purge as a way to rid themselves of her and those that seek to change the system that they have put into place.
Purge: Election Year is not about mindless killing as those who are unfamiliar with the series would assume. The films are a mirror being held back on American Society to make us think about what we would do in similar situations if faced with them. The horror of the film is not in the shocking scenes, violence, or gore. What we can find to be truly scary is that many people only need to be given the option of financial gain or the removal of any repercussions in order to engage in such nefarious activity. The Purge: Election Year allows us to live vicariously through the trauma presented on-screen and the ability to leave at any time that we feel too uncomfortable with what is being presented. The films, especially this third iteration demonstrates to its audience what class warfare looks like and what happens when the populace is truly deceived by its media and politicians. It is a true dystopian reality that some people might welcome for all the wrong reasons.
The action of the film is inventive. The plot is on par with what you would expect for an action-horror film. It is the touch of reality and characters that are not limited to two dimensions that truly allows the film to create a deeper connection with the audience so they find themselves rooting for the “good guys” to not just win, but to survive the night. Viewers and fans of action, horror, political drama, and suspense will all be satisfied with The Purge: Election Year. Fans new and old of this franchise will leave theaters hoping for this to become a lasting franchise that has fresh ideas and storylines each time.
Purge: Election Year is not about mindless killing as those who are unfamiliar with the series would assume. The films are a mirror being held back on American Society to make us think about what we would do in similar situations if faced with them. The horror of the film is not in the shocking scenes, violence, or gore. What we can find to be truly scary is that many people only need to be given the option of financial gain or the removal of any repercussions in order to engage in such nefarious activity. The Purge: Election Year allows us to live vicariously through the trauma presented on-screen and the ability to leave at any time that we feel too uncomfortable with what is being presented. The films, especially this third iteration demonstrates to its audience what class warfare looks like and what happens when the populace is truly deceived by its media and politicians. It is a true dystopian reality that some people might welcome for all the wrong reasons.
The action of the film is inventive. The plot is on par with what you would expect for an action-horror film. It is the touch of reality and characters that are not limited to two dimensions that truly allows the film to create a deeper connection with the audience so they find themselves rooting for the “good guys” to not just win, but to survive the night. Viewers and fans of action, horror, political drama, and suspense will all be satisfied with The Purge: Election Year. Fans new and old of this franchise will leave theaters hoping for this to become a lasting franchise that has fresh ideas and storylines each time.