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Solomon Wendt (30 KP) rated The Big Book of Madness in Tabletop Games
May 5, 2019
Cooperation (3 more)
Spell Casting
Some randomization
Multiple Difficulties
Small cards (1 more)
Unclear rules/mechanics
This game is made by iello games, makers of Mountains of Madness and King of Tokyo. It is about student magicians that feel they aren't learning enough in their classes and decide to sneak into a library to learn new spells. There, they find a grimoire that contains monsters and accidentally releases them. They must work together to defeat the monsters and seal the book, learning from the books around them to learn new spells and collect elements to cast the spells, all while trying not to give into madness.
The game mechanics feature deck building, spell casting, cooperation, and some randomization of spells available and monsters to defeat. There are schools of magic related to the four elements; air, earth, fire, and water. Each element has two magician students that specializes in that element for a total of 8 different characters, each with their own special ability. There are four decks of spells, again related to the elements, that is randomized during set up, changing what spells are available game to game. Similarly, the monsters you must face are randomized, so the chance of having the same exact game as another is rare. The gameplay remains consistent, though.
Over the course of 6 rounds, players work together to defeat monsters. It is a pure cooperation game. No one has any secret objective and should communicate with other players. Games of this fashion, such as Pandemic, tend to end up having one or two people make all the decisions for the group. It my many plays of the game, I have only had that happen once or twice. The variation in spells, magicians, and elements usually make a player uniquely helpful to the group, allowing players to choose how they want to build their character. Although each magician has an elemental alignment, you can choose to focus on different elements and spells and are not limited to one type of role. Each element of magic has a different role to deal the challenges players face, meaning a good balance can be very beneficial. However, due to the randomization, it is possible either the spells or the monsters leave one of the elements non-essential, but that is fairly uncommon.
Overall, the game is very enjoyable and can be played multiple times with different variations. The difficulty can be adjusted if ot feels it is too hard or easy. My group that plays about once a week are clearing the 2nd difficulty 50% of the time and haven't cleared it with a variation yet. It can be a challenge and has elements of luck and strategy. It is a fun game to play with friends, especially because it is cooperative, and I would recommend adding it to your collection.
The game is 2-5 players and runs 60-90 minutes. It is family friendly and a great game for those who love magic fandoms such as Harry Potter.
The game mechanics feature deck building, spell casting, cooperation, and some randomization of spells available and monsters to defeat. There are schools of magic related to the four elements; air, earth, fire, and water. Each element has two magician students that specializes in that element for a total of 8 different characters, each with their own special ability. There are four decks of spells, again related to the elements, that is randomized during set up, changing what spells are available game to game. Similarly, the monsters you must face are randomized, so the chance of having the same exact game as another is rare. The gameplay remains consistent, though.
Over the course of 6 rounds, players work together to defeat monsters. It is a pure cooperation game. No one has any secret objective and should communicate with other players. Games of this fashion, such as Pandemic, tend to end up having one or two people make all the decisions for the group. It my many plays of the game, I have only had that happen once or twice. The variation in spells, magicians, and elements usually make a player uniquely helpful to the group, allowing players to choose how they want to build their character. Although each magician has an elemental alignment, you can choose to focus on different elements and spells and are not limited to one type of role. Each element of magic has a different role to deal the challenges players face, meaning a good balance can be very beneficial. However, due to the randomization, it is possible either the spells or the monsters leave one of the elements non-essential, but that is fairly uncommon.
Overall, the game is very enjoyable and can be played multiple times with different variations. The difficulty can be adjusted if ot feels it is too hard or easy. My group that plays about once a week are clearing the 2nd difficulty 50% of the time and haven't cleared it with a variation yet. It can be a challenge and has elements of luck and strategy. It is a fun game to play with friends, especially because it is cooperative, and I would recommend adding it to your collection.
The game is 2-5 players and runs 60-90 minutes. It is family friendly and a great game for those who love magic fandoms such as Harry Potter.
Phillip McSween (751 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
Jun 3, 2019
Hoping it Doesn't Become a Victim of its Own Success
The world is trying to kill John Wick (Keanu Reeves)…but not before he kills them first.
Acting: 9
Beginning: 10
Characters: 8
This third installment brings back a lot of the characters we have become familiar with in the first two movies. There’s Wick, of course, striking like a black mamba and trying to kill everything in his path. Winston (Ian McShane) is back as the tasteful Manager of the underworld assassin hotel being his usual charming self. I was excited to see hotel concierge Charon (Lance Reddick) get a larger slice of the action this time around as it was long overdue in my opinion.
The rest of the characters? Meh. I could take them or leave them. Reason being, they mostly felt flat for some reason. Take The Adjudicator (Asia Kate Dillon) for example. It felt like she just showed up to be an asshole for two minutes then she would disappear. Her role was annoying at best. But Wick is who we come to see. And Wick delivers. Who cares if he’s shooting at a bunch of cardboard cut-outs?
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Memorability: 8
Slightly more forgettable than the first two installments as it stumbles through a few parts here and there. There were a number of amazing scenes I can say for certain I haven’t seen done in any other action movie or any movie period. What they did with animals alone was a pleasant treat. I won’t spoil anything that you probably should know already, but I will say that the creativity and the stylistic choices of the kills makes movies like these really hard to forget.
Pace: 10
Plot: 5
There were definitely some parts that left me shaking my head. I don’t know why director Chad Stahelski chose to throw certain things in. It was almost as if they did it for the sake of trying to add more drama. With movies like these, there is no need to force anything as the drama typically comes anyway. The story is all over the place at times, overdone in others.
Resolution: 6
I watched the ending thinking, “Good…but stop there please.” It didn’t leave me wanting more, rather for the series to be done. Not sure what could have been done differently, but I think it stumbles compared to the endings of the first two.
Overall: 86
A solid addition to the franchise for sure. However, I feel it must be said: This series needs to end while it still has life. I know there is a fourth one on the way in a couple of years along with a TV show. Let’s just hope John Wick doesn’t get Hollywooded to death as a victim of its own success.
Acting: 9
Beginning: 10
Characters: 8
This third installment brings back a lot of the characters we have become familiar with in the first two movies. There’s Wick, of course, striking like a black mamba and trying to kill everything in his path. Winston (Ian McShane) is back as the tasteful Manager of the underworld assassin hotel being his usual charming self. I was excited to see hotel concierge Charon (Lance Reddick) get a larger slice of the action this time around as it was long overdue in my opinion.
The rest of the characters? Meh. I could take them or leave them. Reason being, they mostly felt flat for some reason. Take The Adjudicator (Asia Kate Dillon) for example. It felt like she just showed up to be an asshole for two minutes then she would disappear. Her role was annoying at best. But Wick is who we come to see. And Wick delivers. Who cares if he’s shooting at a bunch of cardboard cut-outs?
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Memorability: 8
Slightly more forgettable than the first two installments as it stumbles through a few parts here and there. There were a number of amazing scenes I can say for certain I haven’t seen done in any other action movie or any movie period. What they did with animals alone was a pleasant treat. I won’t spoil anything that you probably should know already, but I will say that the creativity and the stylistic choices of the kills makes movies like these really hard to forget.
Pace: 10
Plot: 5
There were definitely some parts that left me shaking my head. I don’t know why director Chad Stahelski chose to throw certain things in. It was almost as if they did it for the sake of trying to add more drama. With movies like these, there is no need to force anything as the drama typically comes anyway. The story is all over the place at times, overdone in others.
Resolution: 6
I watched the ending thinking, “Good…but stop there please.” It didn’t leave me wanting more, rather for the series to be done. Not sure what could have been done differently, but I think it stumbles compared to the endings of the first two.
Overall: 86
A solid addition to the franchise for sure. However, I feel it must be said: This series needs to end while it still has life. I know there is a fourth one on the way in a couple of years along with a TV show. Let’s just hope John Wick doesn’t get Hollywooded to death as a victim of its own success.
Movie Metropolis (309 KP) rated The Jungle Book (2016) in Movies
Jun 10, 2019
A New Classic
There’s an old saying; “if it ain’t broke, don’t fix it”, and that was the kind of reaction many people had towards Disney’s live-action remake of The Jungle Book.
Helmed by Iron Man director, Jon Favreau, it certainly garnered a mixed response come its first trailer release late last year. But what is the finished product like? And are we looking at a new classic?
Rudyard Kipling’s The Jungle Book is one of the most recognisable tales ever, despite its wafer thin plot, and the 1967 Disney animation is faithful to the first, and unfortunately also the latter.
We join this film in the midst of the action, as our young hero Mowgli (played by an unbelievably good Neel Sethi) learns how to run with his family – an adoptive pack of wolves. As the story progresses, Mowgli meets a whole host of friendly, and not so friendly, jungle animals as he strives to find just who he is.
This is a much darker interpretation of the classic story than we have been used to. There are scenes here that are genuinely terrifying, helped in part by the breath-taking CGI used to render the animals, with one infamous tiger in particular being the stuff of nightmares.
Speaking of which, an all-star cast that includes Ben Kingsley, Bill Murray, Scarlett Johansson, Idris Elba, Christopher Walken and Lupita Nyong’o lend their voices to fan favourites like Bagheera, Baloo, Kaa, Shere Khan, King Louie and Raksha. The vocal performances from each are sublime with Murray being a particular highlight with his comedic persona fitting perfectly with Baloo.
The jungle is brought to the screen in such detail that each frame is brimming with creatures, plants and life. In 3D, it is one of the most magnificent settings ever put to film as vibrant colours make the eyes dance with excitement. It lives and breathes right before your very eyes.
Then there’s the soundtrack. It’s true that the majority of the animation’s songs failed to make the cut, but looking back, it was only Bare Necessities that made any sort of impact and thankfully this survives, receiving a thundering orchestral backing track in the process. Christopher Walken’s gangster-like singing gives I Wanna Be Like You a whole new edge.
Nevertheless, it does, at times feel like Jon Favreau is going through the motions with the rest of the story – setting Mowgli up for one big set piece after another, though a few nice additions keep the plot flowing right up until the harrowing and beautifully filmed finale.
Overall, Disney has another classic on their hands. The Jungle Book is one of the most spectacular and breath-taking films ever put to the big screen. From a magnificent score to exceptional voice acting, it’s practically perfect in every way.
https://moviemetropolis.net/2016/04/16/a-new-classic-the-jungle-book-review/
Helmed by Iron Man director, Jon Favreau, it certainly garnered a mixed response come its first trailer release late last year. But what is the finished product like? And are we looking at a new classic?
Rudyard Kipling’s The Jungle Book is one of the most recognisable tales ever, despite its wafer thin plot, and the 1967 Disney animation is faithful to the first, and unfortunately also the latter.
We join this film in the midst of the action, as our young hero Mowgli (played by an unbelievably good Neel Sethi) learns how to run with his family – an adoptive pack of wolves. As the story progresses, Mowgli meets a whole host of friendly, and not so friendly, jungle animals as he strives to find just who he is.
This is a much darker interpretation of the classic story than we have been used to. There are scenes here that are genuinely terrifying, helped in part by the breath-taking CGI used to render the animals, with one infamous tiger in particular being the stuff of nightmares.
Speaking of which, an all-star cast that includes Ben Kingsley, Bill Murray, Scarlett Johansson, Idris Elba, Christopher Walken and Lupita Nyong’o lend their voices to fan favourites like Bagheera, Baloo, Kaa, Shere Khan, King Louie and Raksha. The vocal performances from each are sublime with Murray being a particular highlight with his comedic persona fitting perfectly with Baloo.
The jungle is brought to the screen in such detail that each frame is brimming with creatures, plants and life. In 3D, it is one of the most magnificent settings ever put to film as vibrant colours make the eyes dance with excitement. It lives and breathes right before your very eyes.
Then there’s the soundtrack. It’s true that the majority of the animation’s songs failed to make the cut, but looking back, it was only Bare Necessities that made any sort of impact and thankfully this survives, receiving a thundering orchestral backing track in the process. Christopher Walken’s gangster-like singing gives I Wanna Be Like You a whole new edge.
Nevertheless, it does, at times feel like Jon Favreau is going through the motions with the rest of the story – setting Mowgli up for one big set piece after another, though a few nice additions keep the plot flowing right up until the harrowing and beautifully filmed finale.
Overall, Disney has another classic on their hands. The Jungle Book is one of the most spectacular and breath-taking films ever put to the big screen. From a magnificent score to exceptional voice acting, it’s practically perfect in every way.
https://moviemetropolis.net/2016/04/16/a-new-classic-the-jungle-book-review/
Movie Metropolis (309 KP) rated Atomic Blonde (2017) in Movies
Jun 10, 2019
Say hello to Mrs. John Wick
David Leitch is one of the most exciting film-makers of the current crop of directors working today. His brilliant John Wick reignited Keanu Reeves’ career in spectacular fashion and he’s worked behind-the-scenes on films like Captain America: Civil War and Jurassic World.
Just this year he signed on to direct Deadpool 2 after Tim Miller’s sudden departure. In the meantime, he’s treating us to another adults-only thriller, Atomic Blonde. But is this Charlize Theron-led vehicle as good as his previous work?
Sensual and savage, Lorraine Broughton (Charlize Theron) is the most elite spy in MI6, an agent willing to use all her skills to stay alive during impossible missions. With the Berlin Wall ready to crumble, she travels into the middle of the city to retrieve a dossier and take down an espionage ring. Once there, she teams up with an embedded station chief (James McAvoy) to navigate her way through the deadliest game of spies.
Charlize Theron is fast-becoming one of Hollywood’s most bankable stars after decent turns in Fast & Furious 8 and Mad Max: Fury Road. In Atomic Blonde this is no exception. She commands the screen in each and every frame, oozing class and showing the world she is a first-class action superstar.
The rest of the cast are also exquisite. James McAvoy can do no wrong this year after his out-of-this-world performance in Split, and his David Percival here is fleshed out, well-written and beautifully acted. Elsewhere, John Goodman and Toby Jones add even more prowess to proceedings.
Add to this some stunning cinematography and you’ve got a recipe for success. Atomic Blonde relishes the era in which it is presented with a magnificent soundtrack and beautiful direction. Leitch makes the film feel very much alive, with brutally realistic action shot without needless shaky cam or over-the-top scoring.
Unfortunately, the story is less successful. If Theron is the living, beating heart of Atomic Blonde, the script nearly strangles her. It is nearly impossible to truly understand what is happening on screen as the plot throws more twists and turns at the audience than Spaghetti Junction. Ordinarily, this would be great, but here it’s distracting and nonsensical.
Nevertheless, this is a vastly entertaining film, very much in the same vein of John Wick. In fact, it’d be fantastic if we could see these two characters brought together in a crossover of epic proportions.
Overall, David Leitch hasn’t quite recaptured the success of his first feature film but has managed to craft a highly stylised and quick-moving thriller that feels very real and utilises its exceptional cast incredibly well, with Charlize Theron being an absolute delight. It’s just unfortunate the plot is a bit of a damp squib.
https://moviemetropolis.net/2017/08/10/atomic-blonde-review-say-hello-to-mrs-john-wick/
Just this year he signed on to direct Deadpool 2 after Tim Miller’s sudden departure. In the meantime, he’s treating us to another adults-only thriller, Atomic Blonde. But is this Charlize Theron-led vehicle as good as his previous work?
Sensual and savage, Lorraine Broughton (Charlize Theron) is the most elite spy in MI6, an agent willing to use all her skills to stay alive during impossible missions. With the Berlin Wall ready to crumble, she travels into the middle of the city to retrieve a dossier and take down an espionage ring. Once there, she teams up with an embedded station chief (James McAvoy) to navigate her way through the deadliest game of spies.
Charlize Theron is fast-becoming one of Hollywood’s most bankable stars after decent turns in Fast & Furious 8 and Mad Max: Fury Road. In Atomic Blonde this is no exception. She commands the screen in each and every frame, oozing class and showing the world she is a first-class action superstar.
The rest of the cast are also exquisite. James McAvoy can do no wrong this year after his out-of-this-world performance in Split, and his David Percival here is fleshed out, well-written and beautifully acted. Elsewhere, John Goodman and Toby Jones add even more prowess to proceedings.
Add to this some stunning cinematography and you’ve got a recipe for success. Atomic Blonde relishes the era in which it is presented with a magnificent soundtrack and beautiful direction. Leitch makes the film feel very much alive, with brutally realistic action shot without needless shaky cam or over-the-top scoring.
Unfortunately, the story is less successful. If Theron is the living, beating heart of Atomic Blonde, the script nearly strangles her. It is nearly impossible to truly understand what is happening on screen as the plot throws more twists and turns at the audience than Spaghetti Junction. Ordinarily, this would be great, but here it’s distracting and nonsensical.
Nevertheless, this is a vastly entertaining film, very much in the same vein of John Wick. In fact, it’d be fantastic if we could see these two characters brought together in a crossover of epic proportions.
Overall, David Leitch hasn’t quite recaptured the success of his first feature film but has managed to craft a highly stylised and quick-moving thriller that feels very real and utilises its exceptional cast incredibly well, with Charlize Theron being an absolute delight. It’s just unfortunate the plot is a bit of a damp squib.
https://moviemetropolis.net/2017/08/10/atomic-blonde-review-say-hello-to-mrs-john-wick/
ArecRain (8 KP) rated Servant: The Kindred (Servant, #3) in Books
Jan 18, 2018
I almost feel bad having this series as my first review since I have absolutely nothing good to say about this book, or the series for that matter. Every element of this book was just terrible, from the language to the plot development, or lack thereof.
By the time I came to the final novel in the Servant trilogy, I quite literally had to force myself to read every page. Unlike the first two, where I became hooked on a goal that Gabrielle Cody was trying to reach, this book just grossed me out, bored me, and irritated me when I wasnt bored. After the first chapter, I lost any hope that this novel was an improvement on the first two.
The foul language was so excessive that I noticed myself just passing over it like you would the word the or and. The fact that Gaby couldnt form a sentence without saying the f-word seemed a bit juvenile to me. Fosters attempt to make Gaby seem uneducated is contradicted when she randomly uses words like cathartic. It was out of her character.
The characters were more frustrating in this novel than in the previous ones. Gaby and Luthers arguing left me so annoyed that, at times, I just skipped over it. I could not understand why Luther was so obsessed with her since any normal person probably would just ignored her from the get go. However, I felt that Gabys character had become more realistic in her feelings and thoughts. I actually liked that Gaby was so jealous of Ann, Luthers partner who is perfect in every way. I also liked the relationship she forms with Bliss, a ex-prostitute that Gaby saved from the streets, and the two orphans that Gaby takes under her wing.
The biggest problem I have with this series is the pedestal that Foster place Gaby upon. Foster makes her protagonist so strong and unbeatable that, more than once, I thought that the author was trying to make Gaby a god on earth. Gaby only obtains one injury through the entire novel, a bullet wound that is used to further the plot. Without the bullet wound, Gaby would have never gone to get a tattoo. Nobody can touch Gaby, something I found not only a nuascance but unlikely.
The final noteworthy thing about this book, is that we discover Gaby ancestry. I felt appeased in my search for discovering more about Gabys past and parents. Any surprise I had about her parentage was nullified by Fosters writing style.
I do believe I have complained enough about this series. I did have hope for it but was disappointed. After reading such an unpleasing series, I am going to read a book I know I should end up enjoying.
By the time I came to the final novel in the Servant trilogy, I quite literally had to force myself to read every page. Unlike the first two, where I became hooked on a goal that Gabrielle Cody was trying to reach, this book just grossed me out, bored me, and irritated me when I wasnt bored. After the first chapter, I lost any hope that this novel was an improvement on the first two.
The foul language was so excessive that I noticed myself just passing over it like you would the word the or and. The fact that Gaby couldnt form a sentence without saying the f-word seemed a bit juvenile to me. Fosters attempt to make Gaby seem uneducated is contradicted when she randomly uses words like cathartic. It was out of her character.
The characters were more frustrating in this novel than in the previous ones. Gaby and Luthers arguing left me so annoyed that, at times, I just skipped over it. I could not understand why Luther was so obsessed with her since any normal person probably would just ignored her from the get go. However, I felt that Gabys character had become more realistic in her feelings and thoughts. I actually liked that Gaby was so jealous of Ann, Luthers partner who is perfect in every way. I also liked the relationship she forms with Bliss, a ex-prostitute that Gaby saved from the streets, and the two orphans that Gaby takes under her wing.
The biggest problem I have with this series is the pedestal that Foster place Gaby upon. Foster makes her protagonist so strong and unbeatable that, more than once, I thought that the author was trying to make Gaby a god on earth. Gaby only obtains one injury through the entire novel, a bullet wound that is used to further the plot. Without the bullet wound, Gaby would have never gone to get a tattoo. Nobody can touch Gaby, something I found not only a nuascance but unlikely.
The final noteworthy thing about this book, is that we discover Gaby ancestry. I felt appeased in my search for discovering more about Gabys past and parents. Any surprise I had about her parentage was nullified by Fosters writing style.
I do believe I have complained enough about this series. I did have hope for it but was disappointed. After reading such an unpleasing series, I am going to read a book I know I should end up enjoying.
Kyera (8 KP) rated The Maze Runner in Books
Jan 31, 2018
I wanted to read this book before the movie came out. One usually hears, "The book is better than the movie." And I always make the effort to read the book first. I haven't seen the Fault in Our Stars yet (sorry) because I haven't read the book - but plan to!
I honestly didn't know the plot of this book prior to reading it and I'm glad. It's a dystopian-style novel akin to Divergent or the Hunger Games. The unique premise sparked my interest and compelling narrative kept it, rapt, for the two days it took me to "read" it. (The first copy I could get my hands from my library on was the audio version, so it's takes longer to read and forces me to review it differently.)
Unlike some novels, I found myself enjoying the speaker of the novel rather than being taking out of the story by their voice acting. It's always amusing to hear the reader do the opposite gender. Despite the quality of the audiobook, my advice? Read the physical book. There are intricacies and conversations that you may wish to reread, which can't happen easily with the audio. Simply, you miss things.
The main characters were quite enjoyable: witty, flawed, cunning, and volatile. Although the explanation of their thoughts or feelings might be redundant, even sometimes being repeated on numerous occasions, verbatim... The characters could have been developed a little better, but I do feel like they evolved. After a time, the characters came into their own. Each had a unique voice and personality. As with all good books, the reader develops a connection to a certain character or characters. That is a sign that the book is worthy of the notice and devoted readers that it receives. (You know the book where a main/supporting character dies and you think, 'that's sad...' and then the other one that caused you to break down in tears. Looking at you J.K.)
The slang? Not my cup of tea. You could tell what the words were supposed to represent if you paid attention to the context, and they weren't incredibly inventive. I could have done without that aspect of it.
I think that the revealing of important information could have been approached better, rather than an "info dump". The book would have been stronger if various characters worked out the why or how and together they determined what was happening. Unfortunately, the main character is the one who manages to "figure" everything out, solely by recalling every important detail when it is finally needed.
The plot was fantastic. I never found my attention wandering and highly recommend it for most teen readers. It's certainly an enjoyable, easy read (middle school level and above, generally) but one that has a degree of quality to substantiate it.
And in case you've been living under a rock, the Maze Runner is being released soon - so go read the book! Then you have my permission to see the movie.
I honestly didn't know the plot of this book prior to reading it and I'm glad. It's a dystopian-style novel akin to Divergent or the Hunger Games. The unique premise sparked my interest and compelling narrative kept it, rapt, for the two days it took me to "read" it. (The first copy I could get my hands from my library on was the audio version, so it's takes longer to read and forces me to review it differently.)
Unlike some novels, I found myself enjoying the speaker of the novel rather than being taking out of the story by their voice acting. It's always amusing to hear the reader do the opposite gender. Despite the quality of the audiobook, my advice? Read the physical book. There are intricacies and conversations that you may wish to reread, which can't happen easily with the audio. Simply, you miss things.
The main characters were quite enjoyable: witty, flawed, cunning, and volatile. Although the explanation of their thoughts or feelings might be redundant, even sometimes being repeated on numerous occasions, verbatim... The characters could have been developed a little better, but I do feel like they evolved. After a time, the characters came into their own. Each had a unique voice and personality. As with all good books, the reader develops a connection to a certain character or characters. That is a sign that the book is worthy of the notice and devoted readers that it receives. (You know the book where a main/supporting character dies and you think, 'that's sad...' and then the other one that caused you to break down in tears. Looking at you J.K.)
The slang? Not my cup of tea. You could tell what the words were supposed to represent if you paid attention to the context, and they weren't incredibly inventive. I could have done without that aspect of it.
I think that the revealing of important information could have been approached better, rather than an "info dump". The book would have been stronger if various characters worked out the why or how and together they determined what was happening. Unfortunately, the main character is the one who manages to "figure" everything out, solely by recalling every important detail when it is finally needed.
The plot was fantastic. I never found my attention wandering and highly recommend it for most teen readers. It's certainly an enjoyable, easy read (middle school level and above, generally) but one that has a degree of quality to substantiate it.
And in case you've been living under a rock, the Maze Runner is being released soon - so go read the book! Then you have my permission to see the movie.
Dana (24 KP) rated Queen of Shadows in Books
Mar 23, 2018
Warning, if you have not read this book or any of the other ones before this, this review will have some minor spoilers, so if you don't want to find out stuff, do not read this review!!
I think this may have become my favorite of this series! After being somewhat disappointed with Heir of Fire (in relation to the other books in the series), Queen of Shadows had me jumping for joy.
I have loved how much the relationships between the characters have grown and have continuously evolved in the four books (plus The Assassin's Blade). In Heir of Fire, I couldn't really get into the story with Manon and her thirteen, but in this book, their story brought a lot more to the table. Her relationship with Eldie made me feel like she was more than she was in Heir of Fire. The fact that characters from the other books got such big parts in this novel. (Lysanna for the win!) Kaltain (from the first novel) and Lysanna (from The Assassin's Blade) became so important to this story line. It was great to see Aelin interacting with another female again in a way that wasn't just violence and heartache. I even love Rowan from this book. In the last book, he was kind if distant and unapproachable, but in Queen of Shadows, we got to see more of who he really was.
Chaol's development in this story was very good to see as well. From being a whiny little brat in Heir of Fire to being a decent human being in this book was fun to witness.
Abraxos is the freaking cutest little dragon I have ever read. I love him and I want my own!!!
It was cool to get to see Aelin slip on her Celaena mask again. The contrasts between the two is amazing to witness. Without those scenes, we wouldn't have been able to see how much she had actually grown--from being the bitchy assassin to being a badass queen, that was amazing. I think it was also very important to be able to see everyone's reactions to her slipping on the mask as well.
The changing of the narrators in this novel felt a lot more natural in the story than it did in Heir of Fire. It was as if they had all developed to a point where they cold tell their own stories in a way that made sense.
It is definitely important to read The Assassin's Blade before this book because without it, you won't get the weight of the actions that play out as much. You get more of the history behind Aelin, Lysanna, and Arobynn that make everything that happens make sense.
The action scenes were very well done. I enjoyed how the frenzied actions that were happening in the battles were equal to the frenzied writing on the page.
I think this may have become my favorite of this series! After being somewhat disappointed with Heir of Fire (in relation to the other books in the series), Queen of Shadows had me jumping for joy.
I have loved how much the relationships between the characters have grown and have continuously evolved in the four books (plus The Assassin's Blade). In Heir of Fire, I couldn't really get into the story with Manon and her thirteen, but in this book, their story brought a lot more to the table. Her relationship with Eldie made me feel like she was more than she was in Heir of Fire. The fact that characters from the other books got such big parts in this novel. (Lysanna for the win!) Kaltain (from the first novel) and Lysanna (from The Assassin's Blade) became so important to this story line. It was great to see Aelin interacting with another female again in a way that wasn't just violence and heartache. I even love Rowan from this book. In the last book, he was kind if distant and unapproachable, but in Queen of Shadows, we got to see more of who he really was.
Chaol's development in this story was very good to see as well. From being a whiny little brat in Heir of Fire to being a decent human being in this book was fun to witness.
Abraxos is the freaking cutest little dragon I have ever read. I love him and I want my own!!!
It was cool to get to see Aelin slip on her Celaena mask again. The contrasts between the two is amazing to witness. Without those scenes, we wouldn't have been able to see how much she had actually grown--from being the bitchy assassin to being a badass queen, that was amazing. I think it was also very important to be able to see everyone's reactions to her slipping on the mask as well.
The changing of the narrators in this novel felt a lot more natural in the story than it did in Heir of Fire. It was as if they had all developed to a point where they cold tell their own stories in a way that made sense.
It is definitely important to read The Assassin's Blade before this book because without it, you won't get the weight of the actions that play out as much. You get more of the history behind Aelin, Lysanna, and Arobynn that make everything that happens make sense.
The action scenes were very well done. I enjoyed how the frenzied actions that were happening in the battles were equal to the frenzied writing on the page.
Rat (1 KP) rated Peaky Blinders - Season 1 in TV
Mar 28, 2018
Forget everything you think you know about period drama
It would be easy to dismiss Peaky Blinders as just a British drama. It would be easy to dismiss it as just a period piece. It would be easy to claim that it was just a British Boardwalk Empire. You'd be so wrong to do so.
Every part of Peaky Blinders is perfection. From the superb acting of its regular cast (Cillian Murphy on a tv show? Sign me up!) to a roster of featured guests (Sam Neill? Tom Hardy? Adrien Brody? Who did the casting director sell their soul to, anyway?) to the use of colour and an outlaw music soundtrack that shouldn't work, but does (Nick Cave? PJ Harvey? Tom Waits? David Bowie? On a period drama? What is this? Freaking genius, that's what.)
Shortly after the end of the first World War, a family of Irish gypsy (their word, not mine) - blooded Birmingham bookmakers tries to recover from the horrors of that war and build up their business. Second oldest, Tommy Shelby (played expertly by Cillian Murphy who manages to play a gangster who is both ruthless and fragile with the ability to break your heart with a single look), came back from the war broken by his experiences, but determined to rise far beyond the limitations of his Small Heath upbringing. Not only does he have the expected clashes with those who want to keep him from growing his business (both criminal rivals and the police) but he has a family to run (with all the interpersonal conflicts that entails). All of this is set against a backdrop of political turmoil from the IRA and the rise of communist sympathy in the UK.
You shouldn't like Tommy Shelby, but he is written and acted so well that you won't be able to not like him. The same can be said for older brother, Arthur, younger siblings John, Ada, and Finn. If you don't love Aunt Polly, then you must have a problem with strong female characters.
Steven Knight has taken a world told to him through family legend and turned it into a world that you will be eager to inhabit an hour (or, if you're like everyone I know, a season) at a time. He writes a period drama that doesn't feel dated. The characters and their struggles are as relevant today as they were nearly a hundred years ago.
Take a chance on the show with the weird name and discover why there are very few casual Peaky Blinders fans. There's a reason why the late, great David Bowie was a huge fan and made sure that they would have a song from his last album before he died. There's a reason the show's dated fashion and hairstyles are making a comeback, why Peaky Blinders pubs and pub nights are popping up all over. It's that good. Check it out for yourself.
Every part of Peaky Blinders is perfection. From the superb acting of its regular cast (Cillian Murphy on a tv show? Sign me up!) to a roster of featured guests (Sam Neill? Tom Hardy? Adrien Brody? Who did the casting director sell their soul to, anyway?) to the use of colour and an outlaw music soundtrack that shouldn't work, but does (Nick Cave? PJ Harvey? Tom Waits? David Bowie? On a period drama? What is this? Freaking genius, that's what.)
Shortly after the end of the first World War, a family of Irish gypsy (their word, not mine) - blooded Birmingham bookmakers tries to recover from the horrors of that war and build up their business. Second oldest, Tommy Shelby (played expertly by Cillian Murphy who manages to play a gangster who is both ruthless and fragile with the ability to break your heart with a single look), came back from the war broken by his experiences, but determined to rise far beyond the limitations of his Small Heath upbringing. Not only does he have the expected clashes with those who want to keep him from growing his business (both criminal rivals and the police) but he has a family to run (with all the interpersonal conflicts that entails). All of this is set against a backdrop of political turmoil from the IRA and the rise of communist sympathy in the UK.
You shouldn't like Tommy Shelby, but he is written and acted so well that you won't be able to not like him. The same can be said for older brother, Arthur, younger siblings John, Ada, and Finn. If you don't love Aunt Polly, then you must have a problem with strong female characters.
Steven Knight has taken a world told to him through family legend and turned it into a world that you will be eager to inhabit an hour (or, if you're like everyone I know, a season) at a time. He writes a period drama that doesn't feel dated. The characters and their struggles are as relevant today as they were nearly a hundred years ago.
Take a chance on the show with the weird name and discover why there are very few casual Peaky Blinders fans. There's a reason why the late, great David Bowie was a huge fan and made sure that they would have a song from his last album before he died. There's a reason the show's dated fashion and hairstyles are making a comeback, why Peaky Blinders pubs and pub nights are popping up all over. It's that good. Check it out for yourself.
Heather Cranmer (2721 KP) rated Hysteria in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I am a HUGE fan of Megan Miranda. I love the way she writes, and I love the plot of her stories. When I saw Hysteria by her, I knew I had to read this book! I must say that she didn't disappoint me.
Mallory killed her ex-boyfriend in self defense, so she claims, but she can't really remember what happened that night. Mallory's parents ship her off to a boarding school to get her away from everything that happened back at home. However, she can't help but feel that her ex-boyfriend's ghost has followed her. She can hear his heartbeat. She has the impression of a hand indented on her shoulder from where she's being grabbed by his ghost. Not long after Mallory arrives, another pupil is found dead in her room. Mallory claims she was sleeping and can't remember anything. Could she have possibly done it? Is Mallory a killer?
The title of this book called out to me. Hysteria is a brilliant title for this book, and it suits the story rather well.
How wicked does the cover to Hysteria look!?! The cover was another aspect that made me want to read this book. Whilst the cover doesn't really let you know too much about what's going on with the story, the design is still amazing!
I loved how the setting of this book mostly took place at some old boarding school surrounded by a forest. Yes, it is a bit cliched, but it worked well for this book.
The pacing was fantastic. There was never a dull moment in this book. I kept on reading without ever wanting to put this book down. It is very action packed and thrilling!
As for the dialogue, I felt it was fantastic. I imagined it to be exactly how older teens would speak. Be warned that there are a few swear words, but they aren't overly used just for the sake of swearing. The dialogue is smooth and never once feels forced.
The characters of this story were developed quite well. I loved how Mallory seemed very down to Earth, yet was always trying to get her memories back. She just felt very real. Reid was fantastic! I loved the way he wanted to protect Mallory. Colleen was my favourite character. I loved her free spirited attitude towards everything!
Overall, I thought this story was very well executed. There weren't really any major plot twists, I thought, but the story itself was really great!! This had me on the edge of my seat...well my bed as I was laying down reading it.
I'd recommend this book to everyone aged 15+ as it's such a good book!
I am a HUGE fan of Megan Miranda. I love the way she writes, and I love the plot of her stories. When I saw Hysteria by her, I knew I had to read this book! I must say that she didn't disappoint me.
Mallory killed her ex-boyfriend in self defense, so she claims, but she can't really remember what happened that night. Mallory's parents ship her off to a boarding school to get her away from everything that happened back at home. However, she can't help but feel that her ex-boyfriend's ghost has followed her. She can hear his heartbeat. She has the impression of a hand indented on her shoulder from where she's being grabbed by his ghost. Not long after Mallory arrives, another pupil is found dead in her room. Mallory claims she was sleeping and can't remember anything. Could she have possibly done it? Is Mallory a killer?
The title of this book called out to me. Hysteria is a brilliant title for this book, and it suits the story rather well.
How wicked does the cover to Hysteria look!?! The cover was another aspect that made me want to read this book. Whilst the cover doesn't really let you know too much about what's going on with the story, the design is still amazing!
I loved how the setting of this book mostly took place at some old boarding school surrounded by a forest. Yes, it is a bit cliched, but it worked well for this book.
The pacing was fantastic. There was never a dull moment in this book. I kept on reading without ever wanting to put this book down. It is very action packed and thrilling!
As for the dialogue, I felt it was fantastic. I imagined it to be exactly how older teens would speak. Be warned that there are a few swear words, but they aren't overly used just for the sake of swearing. The dialogue is smooth and never once feels forced.
The characters of this story were developed quite well. I loved how Mallory seemed very down to Earth, yet was always trying to get her memories back. She just felt very real. Reid was fantastic! I loved the way he wanted to protect Mallory. Colleen was my favourite character. I loved her free spirited attitude towards everything!
Overall, I thought this story was very well executed. There weren't really any major plot twists, I thought, but the story itself was really great!! This had me on the edge of my seat...well my bed as I was laying down reading it.
I'd recommend this book to everyone aged 15+ as it's such a good book!
Bookapotamus (289 KP) rated From the Corner of the Oval in Books
Jun 18, 2018
Super Fun Look of a Young Obama Admin Employee
From the Corner of the Oval is the EXACT book you want to read for all the revealing scoop inside the Obama Administration White House and what it would be like to work inside. We see what it's like to work alongside the president, travel the world and hang out with other staffers. MINUS the boring political swill and old school players in Washington, DC. OK, well there ARE technically players, but of a "sleep me with and then don't talk to me for months" kinda way.
It's not so much about the inner workings of Obama's administration - you aren't going to learn any federal secrets or inside Obama family scoop - but follows one young woman's journey working in the depths of the white house on a super-low rung of the totem pole, as she builds some pretty fun relationships and interactions between the staffers.
Beck Dorey-Stein is living in Washington D.C. at an all-time career low (out of work teacher) when through of all things - a vague Craigslist ad - is hired as a stenographer in the Obama White House. She is totally out of her element and finds herself navigating the DC elite, finding out who she is and what she wants from life and making WAY TOO MANY HORRIBLE mistakes in love.
I LOVED getting all the inside looks to what a day could be like in the White House from a 20-somethings' perspective. She zooms all over the world in Air Force One following POTUS to just about every speaking engagement he had throughout almost his entire administration. She has several fun interactions with him, and sees and experiences high and lows of our country and our world that she will never forget. All the while, she is navigating falling in love and trying to find where in this world she fits in.
She has a really fun group of friends and I thought every character in the memoir deserved some more attention. I do wish there was a bit more development or backstory of some of the people she is closest to, but we mostly learn about Beck's life here. At some points you can feel how hard she truly tries to make relationships work, but it gets really intense and a bit annoying, and you're like "Get your Sh*t together already woman!" But that's the story - Beck is trying to get her Sh*t together and it's a fun journey to follow!
There's some super colorful language - so if calling Congress a 'Bag of D*cks' is not your thing... be forewarned! I personally enjoy a good F-bomb every now and again, so it only made the story more light and fun. I TORE through this. It's fun, and fascinating, and I wanted so much more!!
It's not so much about the inner workings of Obama's administration - you aren't going to learn any federal secrets or inside Obama family scoop - but follows one young woman's journey working in the depths of the white house on a super-low rung of the totem pole, as she builds some pretty fun relationships and interactions between the staffers.
Beck Dorey-Stein is living in Washington D.C. at an all-time career low (out of work teacher) when through of all things - a vague Craigslist ad - is hired as a stenographer in the Obama White House. She is totally out of her element and finds herself navigating the DC elite, finding out who she is and what she wants from life and making WAY TOO MANY HORRIBLE mistakes in love.
I LOVED getting all the inside looks to what a day could be like in the White House from a 20-somethings' perspective. She zooms all over the world in Air Force One following POTUS to just about every speaking engagement he had throughout almost his entire administration. She has several fun interactions with him, and sees and experiences high and lows of our country and our world that she will never forget. All the while, she is navigating falling in love and trying to find where in this world she fits in.
She has a really fun group of friends and I thought every character in the memoir deserved some more attention. I do wish there was a bit more development or backstory of some of the people she is closest to, but we mostly learn about Beck's life here. At some points you can feel how hard she truly tries to make relationships work, but it gets really intense and a bit annoying, and you're like "Get your Sh*t together already woman!" But that's the story - Beck is trying to get her Sh*t together and it's a fun journey to follow!
There's some super colorful language - so if calling Congress a 'Bag of D*cks' is not your thing... be forewarned! I personally enjoy a good F-bomb every now and again, so it only made the story more light and fun. I TORE through this. It's fun, and fascinating, and I wanted so much more!!
The Marinated Meeple (1853 KP) May 7, 2019