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SMART Futures for a Flourishing World
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We know we have to change but the question is how. Many of us feel powerless to solve the looming...
Debbiereadsbook (1444 KP) rated Her Reluctant Heart in Books
May 23, 2024
bloody LOVED this book!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
What this is, my good book peeps, is the story of a woman, who has twice been burned, finding that sometimes, the third time really is a charm!
I LOVED this book! I have a minor niggle, but it really is a minor one, and I'll come back to that.
Sam is working hard to keep her family together. She struggles as a single parent to three exceptionally gifted children, without any help from their sperm donor (Eldest child's words, not mine!) or loser number two. Then Tony rail-roads himself into her life, and knocks things way off kilter.
What I especially loved about this, was the patience that Sam had with Tony, and vice versa, except maybe the spoiling thing. Sam is wary, and it takes time for her to fully open up to Tony about loser numbers one and two. Once he knows this, he tries, really REALLY hard to see things from Sam's point of view. He messes up, yes, but once Sam realises he only did that thing for HER and her children, with nothing wanted in return, she comes around.
I loved the kids: they really are amazing and they take to Tony wonderfully well. They warn him to look after their mum, and he takes that very VERY seriously.
I loved how Sam, once she found her feet, slotted into Tony's world. It was daunting, meeting all these Hollywood A-listers was difficult at best, but Tony's real friends, not the three dollar bills ones, took to Sam equally well. And the kids too!
It's deeply emotional, given what Sam has been through, and I felt her at some points, having been through some things like her myself. It's not overly smexy though, and I think for this book, it was a perfect amount of smexiness. It takes Sam time to let Tony get that close to her, and I loved that he was willing to wait for this amazing woman who couldn't see that she was!
I adored, I mean, it made me cry, what Tony did with Sam's house plans. That really was a wonderful way to show here that he was serious about her and the kids. Bawled my head off when she discovered the kitchen!
So, my niggle. And as I said, it really is just a niggle and me being greedy, but it's my review, and this is how I feel.
We don't get Tony. At all. And I desperately wanted to hear from him at some point along the way. Once I realised it was just Sam's point of view, I was resigned to not hearing from him. It would have just made this book, I think. Not that it takes away from this outstanding piece of work!
I wonder how much of the author I see in Sam. It's written in such a way that makes me think there is SOME author in Sam, and I loved that.
I loved this book, no Tony notwithstanding so it can only get. . . .
5 full and shiny stars.
*same worded review will appear elsewhere
What this is, my good book peeps, is the story of a woman, who has twice been burned, finding that sometimes, the third time really is a charm!
I LOVED this book! I have a minor niggle, but it really is a minor one, and I'll come back to that.
Sam is working hard to keep her family together. She struggles as a single parent to three exceptionally gifted children, without any help from their sperm donor (Eldest child's words, not mine!) or loser number two. Then Tony rail-roads himself into her life, and knocks things way off kilter.
What I especially loved about this, was the patience that Sam had with Tony, and vice versa, except maybe the spoiling thing. Sam is wary, and it takes time for her to fully open up to Tony about loser numbers one and two. Once he knows this, he tries, really REALLY hard to see things from Sam's point of view. He messes up, yes, but once Sam realises he only did that thing for HER and her children, with nothing wanted in return, she comes around.
I loved the kids: they really are amazing and they take to Tony wonderfully well. They warn him to look after their mum, and he takes that very VERY seriously.
I loved how Sam, once she found her feet, slotted into Tony's world. It was daunting, meeting all these Hollywood A-listers was difficult at best, but Tony's real friends, not the three dollar bills ones, took to Sam equally well. And the kids too!
It's deeply emotional, given what Sam has been through, and I felt her at some points, having been through some things like her myself. It's not overly smexy though, and I think for this book, it was a perfect amount of smexiness. It takes Sam time to let Tony get that close to her, and I loved that he was willing to wait for this amazing woman who couldn't see that she was!
I adored, I mean, it made me cry, what Tony did with Sam's house plans. That really was a wonderful way to show here that he was serious about her and the kids. Bawled my head off when she discovered the kitchen!
So, my niggle. And as I said, it really is just a niggle and me being greedy, but it's my review, and this is how I feel.
We don't get Tony. At all. And I desperately wanted to hear from him at some point along the way. Once I realised it was just Sam's point of view, I was resigned to not hearing from him. It would have just made this book, I think. Not that it takes away from this outstanding piece of work!
I wonder how much of the author I see in Sam. It's written in such a way that makes me think there is SOME author in Sam, and I loved that.
I loved this book, no Tony notwithstanding so it can only get. . . .
5 full and shiny stars.
*same worded review will appear elsewhere
Lindsay (1760 KP) rated Evergreen Forevermore in Books
Jun 16, 2024
Evergreen Forevermore is a captivating tale set in the picturesque hometown of Whitecap. It is a book brimming with mystery and intrigue. We are introduced to a young man named John Devore, who, driven by a deep sense of duty, becomes a paramedic to serve his community.
We are introduced to a judge who is a friend of John's. We meet a young woman named Katherine who needs to learn a few things about people. The story starts in a shelter in New York, where John volunteers and has met some friends along the way.
John and the Judge share a unique bond, a friendship that transcends their professional lives. The Judge, intrigued by John's tales of his hometown, expresses a desire to visit Whitecap. Will this wish be fulfilled? This book, with its rich tapestry of characters, holds the answer.
John sees a man working on the streets and wonders about him. His grandfather tells him his name is Fred Bates. John appears to start a conversation with Fred and introduces him. He also sees Fred Bates's interest in the new medic truck and wonders why. He finds a way to get Fred to work with him at the firehouse.
As the story goes on, there seems to be secrecy and mystery around every door. What are these mysteries, and will John be able to help? The story begins when the Judge has to sentence a woman he meets. Will a change of scenery and learning about others help the young woman? What about her father? There is more to the plot than just learning about expectations and how others feel. The young woman needs an attitude change or will be in much more trouble if she continues her path. Will her father understand that he needs to let his daughter learn the hard lessons and stand on her own to two feet?
Judge James Wilcox, a pivotal character, embarks on a journey with John to uncover long-awaited hidden secrets. Will his efforts lead to a long-overdue family reunion for Katherine and Fred? Will a sweet handyman, be haunted by the memory of his lost and beloved wife, find closure? Fred, a veteran, is finally recognized for his bravery. Will he be able to forgive himself for the past?
This book is heartwarming. I really enjoyed it. I love how this ends. The characters are my favorite. However, each main character's story is involved in the other's. It is more about a story about a town and town folk than just a personal story. TA Cline does a wonderfully good job on this. I recommend this book and these other two books as well. This one is a top favorite. I would like to know if this book can be beaten from the top of the list.
This book is a treasure trove for those who seek a rollercoaster of emotions. This book is a must-read if you are a fan of heartfelt stories, mysteries that keep you on the edge of your seat, and the complexities of family dynamics. It skillfully weaves together a diverse cast of characters, including a veteran, each adding a unique flavor to the narrative.
We are introduced to a judge who is a friend of John's. We meet a young woman named Katherine who needs to learn a few things about people. The story starts in a shelter in New York, where John volunteers and has met some friends along the way.
John and the Judge share a unique bond, a friendship that transcends their professional lives. The Judge, intrigued by John's tales of his hometown, expresses a desire to visit Whitecap. Will this wish be fulfilled? This book, with its rich tapestry of characters, holds the answer.
John sees a man working on the streets and wonders about him. His grandfather tells him his name is Fred Bates. John appears to start a conversation with Fred and introduces him. He also sees Fred Bates's interest in the new medic truck and wonders why. He finds a way to get Fred to work with him at the firehouse.
As the story goes on, there seems to be secrecy and mystery around every door. What are these mysteries, and will John be able to help? The story begins when the Judge has to sentence a woman he meets. Will a change of scenery and learning about others help the young woman? What about her father? There is more to the plot than just learning about expectations and how others feel. The young woman needs an attitude change or will be in much more trouble if she continues her path. Will her father understand that he needs to let his daughter learn the hard lessons and stand on her own to two feet?
Judge James Wilcox, a pivotal character, embarks on a journey with John to uncover long-awaited hidden secrets. Will his efforts lead to a long-overdue family reunion for Katherine and Fred? Will a sweet handyman, be haunted by the memory of his lost and beloved wife, find closure? Fred, a veteran, is finally recognized for his bravery. Will he be able to forgive himself for the past?
This book is heartwarming. I really enjoyed it. I love how this ends. The characters are my favorite. However, each main character's story is involved in the other's. It is more about a story about a town and town folk than just a personal story. TA Cline does a wonderfully good job on this. I recommend this book and these other two books as well. This one is a top favorite. I would like to know if this book can be beaten from the top of the list.
This book is a treasure trove for those who seek a rollercoaster of emotions. This book is a must-read if you are a fan of heartfelt stories, mysteries that keep you on the edge of your seat, and the complexities of family dynamics. It skillfully weaves together a diverse cast of characters, including a veteran, each adding a unique flavor to the narrative.
Kaysee Hood (83 KP) rated Attachments in Books
Nov 16, 2017
Unconventional Romance (3 more)
Read Life Issues
Movie/Book References
Friendships
Love at First...E-mail?
I've seen some low scored reviews for this book on GR and I realized it may keep some people from reading it, but here are some points I think some should consider before not giving Attachments a chance:
1. This is Rainbow Rowell's first published novel, so of course for some it doesn't hold the magic like Eleanor & Park. Keep in mind many first books never hold against later published works, but are still good or why would the author be allowed to continue?
2. Even though it was published in 2011, it is based in 1999/2000 for plot reasons as to why Lincoln would have his job. This may offset some readers who might not realize how different 1999 is to 2017 Internet use wise for jobs.
3. The lack of reading into who and why the characters are as they are. In a way, it is the adult version of Fangirl, expect the roles are flipped a tad bit.
Anyway, I loved Attachments because it stayed true to Rowell's style, yet it felt raw compared to how she writes now. There is the unconventional love story of a man falling in love with a woman through the e-mails he reads as part of his job to ensure people are working and not nonsense while on the job. There's characters of all sorts with real world problems and real life flaws. There are topics covered of overbearing mothers and mothers who are too cruel both because of their own life. There is men who never want to be tied down, yet one does due to advice and the right woman. The book covers pieces life without taking from the plot whatsoever.
Lincoln O'Neil is a 28-year-old who could have been a successful man with a normal day shift job if a break up had not left him shattered nine years before. Maybe also if his mother had not coddled him, even though she clearly meant well as it is clear him and his sister, Eve, might have been her whole life. Yet we would not have the awkward, shy man working a the swing shift in the IT office as a "security officer" fixing computers in his spare time when he isn't reading through e-mails that come up flagged in the Webfence program. Apparently the security part was ensuring no one at the newspaper office was using the Internet to look at porn, gamble, or idle chit chat instead of working. Not quite was Lincoln had pictured and he doesn't enjoy reading people's exchanges, but the money is good and will grant him the chance to move out his mom's sooner rather than later.
His mundane routine and nothingness during his shift is filled with some enjoyment as Lincoln reads the e-mails flagged from Beth Fremont and Jennifer Scribner-Snyder. There is nothing harmful. Innocent discussions of water cooler talk, life, relationships, and gossip. As much as he knows it is wrong to continue to read their messages about their lives without flagging them as he would anyone else Lincoln cannot help but to get a kick out of the e-mails.
However it soon becomes apparent Lincoln has fallen for Beth despite the fact he has no idea what she looks like or who is she outside of work. Not to mention she has a boyfriend, Chris, who even though she may rant about to Jennifer, she obviously has not intent on breaking ties with. Not for someone like Lincoln anyway. So he spends his time in turmoil trying to decide if a new job is in order, going back to college, or finding a woman to focus his attention on (which are the very things he tries to do). He even tries to ignore the e-mails, yet can't. He cannot help, but feel for Jennifer's worry over having a baby even though her husband wants one. He cannot help, but captivated by their friendship. He cannot help his feelings for Beth for who she is.
It doesn't help Beth has spotted him labeling him as "A Cute Guy" when he never realized she was around. It is like a game of cat and mouse between them then. Beth still unaware he is reading her e-mails. Lincoln unaware of how often she is close to him even when she is going out of her way to find him.
Thus a budding romance is born. But how much of a romance can it be when Beth has Chris and Lincoln can barely look a woman in the eyes?
1. This is Rainbow Rowell's first published novel, so of course for some it doesn't hold the magic like Eleanor & Park. Keep in mind many first books never hold against later published works, but are still good or why would the author be allowed to continue?
2. Even though it was published in 2011, it is based in 1999/2000 for plot reasons as to why Lincoln would have his job. This may offset some readers who might not realize how different 1999 is to 2017 Internet use wise for jobs.
3. The lack of reading into who and why the characters are as they are. In a way, it is the adult version of Fangirl, expect the roles are flipped a tad bit.
Anyway, I loved Attachments because it stayed true to Rowell's style, yet it felt raw compared to how she writes now. There is the unconventional love story of a man falling in love with a woman through the e-mails he reads as part of his job to ensure people are working and not nonsense while on the job. There's characters of all sorts with real world problems and real life flaws. There are topics covered of overbearing mothers and mothers who are too cruel both because of their own life. There is men who never want to be tied down, yet one does due to advice and the right woman. The book covers pieces life without taking from the plot whatsoever.
Lincoln O'Neil is a 28-year-old who could have been a successful man with a normal day shift job if a break up had not left him shattered nine years before. Maybe also if his mother had not coddled him, even though she clearly meant well as it is clear him and his sister, Eve, might have been her whole life. Yet we would not have the awkward, shy man working a the swing shift in the IT office as a "security officer" fixing computers in his spare time when he isn't reading through e-mails that come up flagged in the Webfence program. Apparently the security part was ensuring no one at the newspaper office was using the Internet to look at porn, gamble, or idle chit chat instead of working. Not quite was Lincoln had pictured and he doesn't enjoy reading people's exchanges, but the money is good and will grant him the chance to move out his mom's sooner rather than later.
His mundane routine and nothingness during his shift is filled with some enjoyment as Lincoln reads the e-mails flagged from Beth Fremont and Jennifer Scribner-Snyder. There is nothing harmful. Innocent discussions of water cooler talk, life, relationships, and gossip. As much as he knows it is wrong to continue to read their messages about their lives without flagging them as he would anyone else Lincoln cannot help but to get a kick out of the e-mails.
However it soon becomes apparent Lincoln has fallen for Beth despite the fact he has no idea what she looks like or who is she outside of work. Not to mention she has a boyfriend, Chris, who even though she may rant about to Jennifer, she obviously has not intent on breaking ties with. Not for someone like Lincoln anyway. So he spends his time in turmoil trying to decide if a new job is in order, going back to college, or finding a woman to focus his attention on (which are the very things he tries to do). He even tries to ignore the e-mails, yet can't. He cannot help, but feel for Jennifer's worry over having a baby even though her husband wants one. He cannot help, but captivated by their friendship. He cannot help his feelings for Beth for who she is.
It doesn't help Beth has spotted him labeling him as "A Cute Guy" when he never realized she was around. It is like a game of cat and mouse between them then. Beth still unaware he is reading her e-mails. Lincoln unaware of how often she is close to him even when she is going out of her way to find him.
Thus a budding romance is born. But how much of a romance can it be when Beth has Chris and Lincoln can barely look a woman in the eyes?
Heather Cranmer (2721 KP) rated What Alice Forgot in Books
Feb 27, 2019
For some reason, I kept seeing What Alice Forgot by Liane Moriarty almost every book place I would look. At first, I wasn't interested, but it kept showing up. Eventually, I took it as a sign that maybe I should read What Alice Forgot. I'm glad I did because it was a great book!
The plot for What Alice Forgot is a complex and deep one. It's not just about Alice. It's also about her sister Elisabeth, whom we learn more through letters to her therapist, Jeremy. Elisabeth is trying to conceive. She keeps going through failed IVF treatments time and time again. We learn about her struggle and how she's handling that. We also learn about Frannie, Alice's surrogate grandmother, through letters with a man named Phil. At the center of the story is Alice. After falling off a stationary bike and bumping her head during spin class, Alice wakes up to find some can't remember anything that happened for the past 10 years. Alice believes she is still 29, and she finds it frustrating and a tad funny that she's really almost 40 years old. Alice can't believe who she's turned into at 39. She would hate herself! The book explains if Alice will be more loving and carefree like her 29 year old self or if she'll be that rushed, cynical woman she was at 39 when and if she gets her memories back. There were one or two plot twists although I wouldn't consider them major. All of my questions were answered, and Liane Moriarty did an excellent job of tying up any loose ends and writing a great epilogue explaining what happened to each character years later.
I loved the characters in What Alice Forgot! I felt they were all very fleshed out and felt like I was reading about real live people. It was interesting to see Alice at odds with herself when her old self was surprised by what her new self (before she hit her head and lost her memory for the past 10 years) was like. I, personally, liked Alice after she forgot her memory. She was more fun loving and carefree. New Alice was always rushed and snippy. I also liked Nick, Alice's soon to be ex-husband. Although he was rushed with work, I loved how he still would help out Alice. I really related to Alice's oldest daughter, Madison, the most. Madison had experienced so much in her short life, so she was acting out a lot of the time. I just wanted to hug her. Alice's youngest daughter, Olivia, was really cute and funny. I loved how she referred to everything as "darling." My heart really went out to Elisabeth. I just wanted Elisabeth to finally have a baby of her own after miscarrying so many times in the past. Frannie was such a fun character! I was moved by her love of Elisabeth and Alice, and I really appreciated her humor at times!
The pacing for What Alice Forgot was a bit hit and miss sometimes. There were a lot of times, mostly during the first 60 percent or so in the book, that I thought about just giving up and finding something else to read. However, I would read a bit more, and the pacing would pick up again. Then it would go back to being slow. Once I got about 65 percent through the book, the pacing found its footing, and it was smooth sailing from there. My eyes devoured the rest of the pages, and I couldn't wait to find out if Alice would get her memory back or if she'd end up with Nick or Dominick. (I was Team Nick throughout the book.) I also wanted to know what would come of Elisabeth's IVF treatment. I really wanted her to have a baby of her own!
Trigger warnings for What Alice Forgot include miscarriages, failed fertility treatments, amnesia, divorce, death, drinking, some profanities, and a few mentions of sex but no details.
Overall, What Alice Forgot is a lovely read even though the pacing is a bit off for the first half or so in the book. Luckily, the pacing redeems itself, and with a great plot and fantastic characters, this book does make a good read. I would definitely recommend What Alice Forgot by Liane Moriarty to everyone aged 16+ who loves a feel good novel.
The plot for What Alice Forgot is a complex and deep one. It's not just about Alice. It's also about her sister Elisabeth, whom we learn more through letters to her therapist, Jeremy. Elisabeth is trying to conceive. She keeps going through failed IVF treatments time and time again. We learn about her struggle and how she's handling that. We also learn about Frannie, Alice's surrogate grandmother, through letters with a man named Phil. At the center of the story is Alice. After falling off a stationary bike and bumping her head during spin class, Alice wakes up to find some can't remember anything that happened for the past 10 years. Alice believes she is still 29, and she finds it frustrating and a tad funny that she's really almost 40 years old. Alice can't believe who she's turned into at 39. She would hate herself! The book explains if Alice will be more loving and carefree like her 29 year old self or if she'll be that rushed, cynical woman she was at 39 when and if she gets her memories back. There were one or two plot twists although I wouldn't consider them major. All of my questions were answered, and Liane Moriarty did an excellent job of tying up any loose ends and writing a great epilogue explaining what happened to each character years later.
I loved the characters in What Alice Forgot! I felt they were all very fleshed out and felt like I was reading about real live people. It was interesting to see Alice at odds with herself when her old self was surprised by what her new self (before she hit her head and lost her memory for the past 10 years) was like. I, personally, liked Alice after she forgot her memory. She was more fun loving and carefree. New Alice was always rushed and snippy. I also liked Nick, Alice's soon to be ex-husband. Although he was rushed with work, I loved how he still would help out Alice. I really related to Alice's oldest daughter, Madison, the most. Madison had experienced so much in her short life, so she was acting out a lot of the time. I just wanted to hug her. Alice's youngest daughter, Olivia, was really cute and funny. I loved how she referred to everything as "darling." My heart really went out to Elisabeth. I just wanted Elisabeth to finally have a baby of her own after miscarrying so many times in the past. Frannie was such a fun character! I was moved by her love of Elisabeth and Alice, and I really appreciated her humor at times!
The pacing for What Alice Forgot was a bit hit and miss sometimes. There were a lot of times, mostly during the first 60 percent or so in the book, that I thought about just giving up and finding something else to read. However, I would read a bit more, and the pacing would pick up again. Then it would go back to being slow. Once I got about 65 percent through the book, the pacing found its footing, and it was smooth sailing from there. My eyes devoured the rest of the pages, and I couldn't wait to find out if Alice would get her memory back or if she'd end up with Nick or Dominick. (I was Team Nick throughout the book.) I also wanted to know what would come of Elisabeth's IVF treatment. I really wanted her to have a baby of her own!
Trigger warnings for What Alice Forgot include miscarriages, failed fertility treatments, amnesia, divorce, death, drinking, some profanities, and a few mentions of sex but no details.
Overall, What Alice Forgot is a lovely read even though the pacing is a bit off for the first half or so in the book. Luckily, the pacing redeems itself, and with a great plot and fantastic characters, this book does make a good read. I would definitely recommend What Alice Forgot by Liane Moriarty to everyone aged 16+ who loves a feel good novel.
Phillip McSween (751 KP) rated The Last Dragon (1985) in Movies
Jun 7, 2019
So Bad You Just Might Like it
In his quest to find “The Master” and expand his training, black martial arts expert Bruce Leroy (Taimak) has to square off against Sho’nuff the Shogun of Harlem. With me, yet?
Acting: 10
The performances aren’t what killed this movie. Julius Carry pulls off one of my all-time favorite roles as Sho-Nuff, playing a villain that’s not hard to hate. His nemesis, hero Bruce Leroy is played with a sweet innocence by Taimak who harbors a fierce fighting style similar to his idol who is none other than…well, you guessed it, Bruce Lee. Sometimes a bit overdone, I thought overall the acting fit the movie’s overblown proportions as a whole.
Beginning: 3
Characters: 5
Again, the problem isn’t the acting. It’s the characters portrayed by the actors. They are as cardboard as they come, seemingly like caricatures of actual roles. This can be summed up by one role in particular: Eddie Arkadian (Chris Murney). Part business-owner, part gangster, you look at his mean scowl and listen to his horrible lines thinking, “Why are they ruining this man’s career with this role? This is awful!” I can imagine there were a lot of career-ruining roles in this movie. I haven’t even mentioned Eddie’s girlfriend, Angela whose voice alone gives me the urge to punt a baby. I can imagine director Michael Schultz walking up to Faith Prince saying, “Great take! Now, could you do me a favor? Could you sound more like Miss Piggy in distress? Please and thank you!”
Cinematography/Visuals: 4
The style that Schultz tries to establish comes off as cheesy and overdone. He takes the phrase “A little dab’ll do ya” and decides to do the complete opposite. There is nothing special to see and too much to see at the same time. As confusing as that might sound, if you watch the movie, you’ll get it. While there are glimpses of cool effects, even those are drowned by poor cinematic direction. There is one scene towards the end where Bruce Leroy’s hands starts to glow. He slowly moves them in a wavy pattern which creates a cool effect….until he starts doing it super fast and literally multiplies himself in some crazy funhouse type of way. Whomp whomp.
Conflict: 6
Because the movie struggles to find it’s way juggling back and forth between soundtrack-driven, drama, comedy, and action movie, the conflict suffers as a result. The fighting scenes aren’t terrible when they happen but there is too much of everything else to really leave you satisfied with those scenes. I would have been happier with no attempted character or story development and just two pure hours of Bruce Leroy kicking peoples’ teeth out. When I watched the last showdown between Leroy and Sho’nuff, I thought they were really on to something. Unfortunately they got lost along the way.
Genre: 7
Memorability: 5
Love it or hate it (or both), you’ll be hard-pressed leaving the movie not quoting at least a handful of lines. It’s a movie that sticks to you whether you want it to or not. It does leave something of an impact, although not very lasting.
Pace: 3
Between Leroy searching for The Master and Eddie trying to get his girl a record deal, the movie really drags on in spots. I don’t say this often, but a little more linearity in this case would have been just fine. The Last Dragon suffers from a severe case of Much Ado About Nothing. Just when you think something is about to pop off, the scene ends with a whimper.
Plot: 2
As a kid, I thought the storyline was funny. Now I think it’s just plain sad. I don’t know how much thought went into that script, but reading through it should give any aspiring screenwriter hope that they too can make it big. Stories within ridiculous stories, a meh love story, and terrible motivations all around take a machete to the movie before it even had a chance.
Resolution: 7
Overall: 52
For my 100th review, I wanted to review a movie that had some kind of value to me. I grew up with The Last Dragon and, I have to say, it is a pretty damn fun movie. Fun, unfortunately, doesn’t always equate to good. There is a reason it has an 86% audience score on Rotten Tomatoes right now, though. No matter how you feel about it, there will come a point when you’re watching, even if it’s for five minutes, where you find yourself having an actual good time. Unfortunately it’s the other 103 minutes you have to worry about.
Acting: 10
The performances aren’t what killed this movie. Julius Carry pulls off one of my all-time favorite roles as Sho-Nuff, playing a villain that’s not hard to hate. His nemesis, hero Bruce Leroy is played with a sweet innocence by Taimak who harbors a fierce fighting style similar to his idol who is none other than…well, you guessed it, Bruce Lee. Sometimes a bit overdone, I thought overall the acting fit the movie’s overblown proportions as a whole.
Beginning: 3
Characters: 5
Again, the problem isn’t the acting. It’s the characters portrayed by the actors. They are as cardboard as they come, seemingly like caricatures of actual roles. This can be summed up by one role in particular: Eddie Arkadian (Chris Murney). Part business-owner, part gangster, you look at his mean scowl and listen to his horrible lines thinking, “Why are they ruining this man’s career with this role? This is awful!” I can imagine there were a lot of career-ruining roles in this movie. I haven’t even mentioned Eddie’s girlfriend, Angela whose voice alone gives me the urge to punt a baby. I can imagine director Michael Schultz walking up to Faith Prince saying, “Great take! Now, could you do me a favor? Could you sound more like Miss Piggy in distress? Please and thank you!”
Cinematography/Visuals: 4
The style that Schultz tries to establish comes off as cheesy and overdone. He takes the phrase “A little dab’ll do ya” and decides to do the complete opposite. There is nothing special to see and too much to see at the same time. As confusing as that might sound, if you watch the movie, you’ll get it. While there are glimpses of cool effects, even those are drowned by poor cinematic direction. There is one scene towards the end where Bruce Leroy’s hands starts to glow. He slowly moves them in a wavy pattern which creates a cool effect….until he starts doing it super fast and literally multiplies himself in some crazy funhouse type of way. Whomp whomp.
Conflict: 6
Because the movie struggles to find it’s way juggling back and forth between soundtrack-driven, drama, comedy, and action movie, the conflict suffers as a result. The fighting scenes aren’t terrible when they happen but there is too much of everything else to really leave you satisfied with those scenes. I would have been happier with no attempted character or story development and just two pure hours of Bruce Leroy kicking peoples’ teeth out. When I watched the last showdown between Leroy and Sho’nuff, I thought they were really on to something. Unfortunately they got lost along the way.
Genre: 7
Memorability: 5
Love it or hate it (or both), you’ll be hard-pressed leaving the movie not quoting at least a handful of lines. It’s a movie that sticks to you whether you want it to or not. It does leave something of an impact, although not very lasting.
Pace: 3
Between Leroy searching for The Master and Eddie trying to get his girl a record deal, the movie really drags on in spots. I don’t say this often, but a little more linearity in this case would have been just fine. The Last Dragon suffers from a severe case of Much Ado About Nothing. Just when you think something is about to pop off, the scene ends with a whimper.
Plot: 2
As a kid, I thought the storyline was funny. Now I think it’s just plain sad. I don’t know how much thought went into that script, but reading through it should give any aspiring screenwriter hope that they too can make it big. Stories within ridiculous stories, a meh love story, and terrible motivations all around take a machete to the movie before it even had a chance.
Resolution: 7
Overall: 52
For my 100th review, I wanted to review a movie that had some kind of value to me. I grew up with The Last Dragon and, I have to say, it is a pretty damn fun movie. Fun, unfortunately, doesn’t always equate to good. There is a reason it has an 86% audience score on Rotten Tomatoes right now, though. No matter how you feel about it, there will come a point when you’re watching, even if it’s for five minutes, where you find yourself having an actual good time. Unfortunately it’s the other 103 minutes you have to worry about.
Movie Metropolis (309 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
All hail the Titans
2014’s Godzilla was a thrilling and somewhat underrated return to form for the king of the kaiju. Directed by visionary film-maker Gareth Edwards, Godzilla’s return to the big screen was beautifully filmed with some of the best set pieces ever seen on celluloid. It certainly made up for the Roland Emmerich monstrosity that shall remain nameless here.
Little did we know 5 years ago that Edwards’ mega movie would be the start of a franchise culminating in a battle of the ages: Godzilla vs Kong. Follow-up film Kong: Skull Island was again, beautifully filmed, feeling like a movie from a completely different era. Now the follow-up to the follow-up is here. Still with us? Good.
Members of the crypto-zoological agency Monarch face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species-thought to be mere myths-rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.
Taking over from Gareth Edwards after he chose not to return to the franchise is director Michael Dougherty. If the name rings a bell, it’s because he co-wrote X2 and directed the fantastic horror comedy, Krampus. Used to much-lower budgets than this $200million behemoth, Dougherty crafts a film that throws everything including the kitchen sink at the audience, but lacks the lightness of touch that made its predecessors such popcorn-munching fun.
With a cast that includes Stranger Things’ Millie Bobby Brown, Vera Farmiga, Sally Hawkins, Ken Watanabe, Charles Dance and Kyle Chandler, you’d be forgiven that everything from a characterisation point of view would be spot on. Unfortunately, that just isn’t the case. The story and screenplay, penned by Dougherty himself is really lacklustre with poor, cringeworthy dialogue and some wooden performances by actors who should really know better. The attempts at Marvel-esque humour fall completely flat and this is a real shame.
Making her feature film debut, Mille Bobby Brown salvages what she can from the script and performs very well but when the screenplay doesn’t know what to do with individual characters, they’re tossed aside as Ghidorah fodder and completely forgotten about. Not only is this frustrating for the audience, but it certainly isn’t script-writing best practice.
Thankfully, things start to turn around when it comes to the cinematography. Lawrence Sher, who has worked on Paul, The Hangover and the upcoming Joker movie picks some outstanding shots that make you feel very much part of this almost apocalyptic universe the Titans are roaming. While stopping short of beautiful, many of the sequences are too messy for that, Godzilla: King of the Monsters is a very attractive film indeed and the colours used are ethereal in their nature and require the biggest screen possible to get the most from them.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work
The special effects too make a lasting impression. This was not a cheap film to make and thankfully this shows on screen. Whilst naturally heavy on CGI, Dougherty has stated that practical effects had been used wherever possible. Perhaps the biggest compliment here is that it’s impossible to tell where practical meets CG.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work that has gone into making Godzilla 2. Mothra in particular is a sight to behold.
Bear McCreary’s score too is very good. After working on relatively low-budget films until now, his orchestral and vocal compositions work beautifully with what’s being shown on screen and the music has an operatic vibe that feels truly fitting of a film of this magnitude.
Nevertheless, Godzilla: King of the Monster’s downfall is in that shoddy script. None of the actors bring their a-game here and moments that should have emotional poignancy don’t hit home because they’re not allowed to. Within 10 minutes of the film’s opening, we’re smack bang in the middle of an action sequence with it rarely letting up until the thrilling finale 2 hours later.
Overall, Godzilla: King of the Monsters is a perfectly adequate outing for the king of the kaiju but one that comes with a dash of disappointment. The bar was set incredibly high by Gareth Edwards and while the special effects and action scenes are impressive, that’s not enough to mask poor storytelling and thinly drawn characters.
https://moviemetropolis.net/2019/05/29/godzilla-king-of-the-monsters-review-all-hail-the-titans/
Little did we know 5 years ago that Edwards’ mega movie would be the start of a franchise culminating in a battle of the ages: Godzilla vs Kong. Follow-up film Kong: Skull Island was again, beautifully filmed, feeling like a movie from a completely different era. Now the follow-up to the follow-up is here. Still with us? Good.
Members of the crypto-zoological agency Monarch face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species-thought to be mere myths-rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.
Taking over from Gareth Edwards after he chose not to return to the franchise is director Michael Dougherty. If the name rings a bell, it’s because he co-wrote X2 and directed the fantastic horror comedy, Krampus. Used to much-lower budgets than this $200million behemoth, Dougherty crafts a film that throws everything including the kitchen sink at the audience, but lacks the lightness of touch that made its predecessors such popcorn-munching fun.
With a cast that includes Stranger Things’ Millie Bobby Brown, Vera Farmiga, Sally Hawkins, Ken Watanabe, Charles Dance and Kyle Chandler, you’d be forgiven that everything from a characterisation point of view would be spot on. Unfortunately, that just isn’t the case. The story and screenplay, penned by Dougherty himself is really lacklustre with poor, cringeworthy dialogue and some wooden performances by actors who should really know better. The attempts at Marvel-esque humour fall completely flat and this is a real shame.
Making her feature film debut, Mille Bobby Brown salvages what she can from the script and performs very well but when the screenplay doesn’t know what to do with individual characters, they’re tossed aside as Ghidorah fodder and completely forgotten about. Not only is this frustrating for the audience, but it certainly isn’t script-writing best practice.
Thankfully, things start to turn around when it comes to the cinematography. Lawrence Sher, who has worked on Paul, The Hangover and the upcoming Joker movie picks some outstanding shots that make you feel very much part of this almost apocalyptic universe the Titans are roaming. While stopping short of beautiful, many of the sequences are too messy for that, Godzilla: King of the Monsters is a very attractive film indeed and the colours used are ethereal in their nature and require the biggest screen possible to get the most from them.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work
The special effects too make a lasting impression. This was not a cheap film to make and thankfully this shows on screen. Whilst naturally heavy on CGI, Dougherty has stated that practical effects had been used wherever possible. Perhaps the biggest compliment here is that it’s impossible to tell where practical meets CG.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work that has gone into making Godzilla 2. Mothra in particular is a sight to behold.
Bear McCreary’s score too is very good. After working on relatively low-budget films until now, his orchestral and vocal compositions work beautifully with what’s being shown on screen and the music has an operatic vibe that feels truly fitting of a film of this magnitude.
Nevertheless, Godzilla: King of the Monster’s downfall is in that shoddy script. None of the actors bring their a-game here and moments that should have emotional poignancy don’t hit home because they’re not allowed to. Within 10 minutes of the film’s opening, we’re smack bang in the middle of an action sequence with it rarely letting up until the thrilling finale 2 hours later.
Overall, Godzilla: King of the Monsters is a perfectly adequate outing for the king of the kaiju but one that comes with a dash of disappointment. The bar was set incredibly high by Gareth Edwards and while the special effects and action scenes are impressive, that’s not enough to mask poor storytelling and thinly drawn characters.
https://moviemetropolis.net/2019/05/29/godzilla-king-of-the-monsters-review-all-hail-the-titans/
Movie Metropolis (309 KP) rated Cold Pursuit (2019) in Movies
Jun 10, 2019
Neeson's best film in years
Yes, we all know the jokes. Liam Neeson’s spiral into revenge thriller territory is one of the most meme-worthy things in film, except maybe John Travolta and Battlefield Earth. Starting with Taken and its, let’s be honest, dreadful sequels, the Irish actor has made a name for himself as the go-to guy to rough someone up after a spate of bad-luck.
He’s had kids killed, kidnapped and spouses murdered in cold blood, he’s even been framed for hijacking a jumbo jet – if anyone deserves a break, it’s Liam Neeson. Unfortunately, his films have ranged from great (Taken, Non-Stop), to middling (Run All Night, The Commuter), to downright dreadful (Taken 2, Taken 3) and that’s how the meme-worthiness was born. Nevertheless, Neeson is back for yet another revenge thriller in Cold Pursuit. But how does it stack up?
Nels Coxman’s (Neeson) quiet life as a snowplough driver comes crashing down when his beloved son (Micheál Richardson) dies under mysterious circumstances. His search for the truth soon becomes a quest for revenge against a psychotic drug lord named Viking (Tom Bateman) and his sleazy henchmen. Transformed from upstanding citizen to cold-blooded vigilante, Coxman unwittingly sets off a chain of events that includes a kidnapping, a series of deadly misunderstandings and a turf war between Viking and a rival boss called White Bull.
Let’s get the elephant in the room out of the way first. This is not a review biased by Neeson’s, shall we say, ill-worded rant on his former life. We all have our own opinions on the matter, but that should not detract from individuals going to see a movie in the cinema. In fact, Cold Pursuit is Neeson’s most accomplished film in years, helped by stylish directing from Swedish director Hans Petter Moland. It’s worth noting that Cold Pursuit is in fact a US remake of Swedish film, In Order of Disappearance and there’s a tasteful nod to the film’s roots in the end-credits.
With a dark, comedic edge, Cold Pursuit is as funny as much as it is gory and it is this hybridity of genres that remains the film’s trump card. The script, penned by Moland himself, is witty and sharp, filled with fantastic line-delivery by the entire cast who look like they’re having a cracking time. There are twists and turns and even a gay-romantic subplot – how very contemporary.
Apart from Neeson, Tom Bateman is an absolute stand-out as the film’s primary antagonist. Allowing him to be a presence in the film from the outset allows the audience to fully feel his character and there’s no doubt that he is a despicable human-being. Neeson performs in typical Liam Neeson fashion. He snarls and growls his way through the film but allows a softer side to creep in than we’re used to, helped in part by that comedic script.
Revenge thrillers rarely have the budget for flashy CGI or top-notch practical effects but Cold Pursuit is one of the better in the genre
It’s not perfect however. Laura Dern is a massively underused presence throughout and disappears completely from the film about 1-hour in with no other references to her character. This is a real shame as her chemistry with Neeson is good and they make a believable couple, especially when they’re dealing with the ramifications of their son’s death.
Dern continues to prove her acting prowess and it would have been nice to see her continue to be a feature throughout the film. The pacing is a little off too. At 118 minutes long, the film plods a little as it gets going and then doesn’t stop until the fun and entirely ridiculous finale.
However, it’s good to see the special effects are up to scratch for the genre. Revenge thrillers rarely have the budget for flashy CGI or top-notch practical effects but Cold Pursuit is one of the better in the genre. With a relatively modest budget of $60million, it appears that was well spent with clever editing and cinematography masking any less-than-stellar visuals.
Overall, Cold Pursuit is a fun, if forgettable revenge thriller that features some delicious dark comedy mixed with an intriguing story. It’s certainly Neeson’s best film since Non-Stopand marks a return to form for the Irish actor. Unfortunately, these type of flicks are ten-a-penny nowadays and I’m unsure whether snappy one-liners and beautiful snow-capped peaks are enough to differentiate it in a crowded marketplace.
https://moviemetropolis.net/2019/03/01/cold-pursuit-review-neesons-best-film-in-years/
He’s had kids killed, kidnapped and spouses murdered in cold blood, he’s even been framed for hijacking a jumbo jet – if anyone deserves a break, it’s Liam Neeson. Unfortunately, his films have ranged from great (Taken, Non-Stop), to middling (Run All Night, The Commuter), to downright dreadful (Taken 2, Taken 3) and that’s how the meme-worthiness was born. Nevertheless, Neeson is back for yet another revenge thriller in Cold Pursuit. But how does it stack up?
Nels Coxman’s (Neeson) quiet life as a snowplough driver comes crashing down when his beloved son (Micheál Richardson) dies under mysterious circumstances. His search for the truth soon becomes a quest for revenge against a psychotic drug lord named Viking (Tom Bateman) and his sleazy henchmen. Transformed from upstanding citizen to cold-blooded vigilante, Coxman unwittingly sets off a chain of events that includes a kidnapping, a series of deadly misunderstandings and a turf war between Viking and a rival boss called White Bull.
Let’s get the elephant in the room out of the way first. This is not a review biased by Neeson’s, shall we say, ill-worded rant on his former life. We all have our own opinions on the matter, but that should not detract from individuals going to see a movie in the cinema. In fact, Cold Pursuit is Neeson’s most accomplished film in years, helped by stylish directing from Swedish director Hans Petter Moland. It’s worth noting that Cold Pursuit is in fact a US remake of Swedish film, In Order of Disappearance and there’s a tasteful nod to the film’s roots in the end-credits.
With a dark, comedic edge, Cold Pursuit is as funny as much as it is gory and it is this hybridity of genres that remains the film’s trump card. The script, penned by Moland himself, is witty and sharp, filled with fantastic line-delivery by the entire cast who look like they’re having a cracking time. There are twists and turns and even a gay-romantic subplot – how very contemporary.
Apart from Neeson, Tom Bateman is an absolute stand-out as the film’s primary antagonist. Allowing him to be a presence in the film from the outset allows the audience to fully feel his character and there’s no doubt that he is a despicable human-being. Neeson performs in typical Liam Neeson fashion. He snarls and growls his way through the film but allows a softer side to creep in than we’re used to, helped in part by that comedic script.
Revenge thrillers rarely have the budget for flashy CGI or top-notch practical effects but Cold Pursuit is one of the better in the genre
It’s not perfect however. Laura Dern is a massively underused presence throughout and disappears completely from the film about 1-hour in with no other references to her character. This is a real shame as her chemistry with Neeson is good and they make a believable couple, especially when they’re dealing with the ramifications of their son’s death.
Dern continues to prove her acting prowess and it would have been nice to see her continue to be a feature throughout the film. The pacing is a little off too. At 118 minutes long, the film plods a little as it gets going and then doesn’t stop until the fun and entirely ridiculous finale.
However, it’s good to see the special effects are up to scratch for the genre. Revenge thrillers rarely have the budget for flashy CGI or top-notch practical effects but Cold Pursuit is one of the better in the genre. With a relatively modest budget of $60million, it appears that was well spent with clever editing and cinematography masking any less-than-stellar visuals.
Overall, Cold Pursuit is a fun, if forgettable revenge thriller that features some delicious dark comedy mixed with an intriguing story. It’s certainly Neeson’s best film since Non-Stopand marks a return to form for the Irish actor. Unfortunately, these type of flicks are ten-a-penny nowadays and I’m unsure whether snappy one-liners and beautiful snow-capped peaks are enough to differentiate it in a crowded marketplace.
https://moviemetropolis.net/2019/03/01/cold-pursuit-review-neesons-best-film-in-years/
Kara Skinner (332 KP) rated Dreamz in Books
Jun 12, 2019
Genre: Science Fiction, Dystopian
Word Count: 12,470
Average Goodreads Rating: 4.54/5 stars
My rating: 3/5 stars
To be honest, I automatically started to dislike this book because “Dreams” is spelled with a Z. And while it was okay, it was not as good as it could have been.
Wunder has been dreaming about a man for as long as she can remember, always the same man. The dreams leave her aroused to no end at night. Unfortunately, this man doesn’t exist in her life, at least not yet. But her love life is nonexistent and thanks to her being half zombie, that’s not going to change any time soon.
Little does she know that her dream man exists and his name is Pete. Not only does he exist, but he’s been dreaming about her as well. Pete is also half zombie and lives in the next town over with his uncle. When he moves to Wunder’s town to recover from a huge zombie attack, will they finally get to meet in real life?
You can get this book for free on Smashwords.
I have such mixed feelings about this book. On one hand, it’s a cool story with some damn good world-building. The explanation behind a half zombie, half human is actually logical, or as logical as anything to do with zombies is. This also sets up a lot of potential plotlines for the other books in the series, all of them sounding interesting. And the Resilient Infected Police, or RIP, have a fantastic name.
Also, I can always appreciate a bad-ass girl who knows how to kick some ass, zombie or otherwise.
But learn to fricking edit.
Aside from the grammatical and punctuational atrocities that made my eyes widen in horror while I was reading this, there are so many strange things in this story that aren’t even rookie mistakes. This story is as loose as your post Taco Bell shit.
Never mind the crazy summaries and excessive telling instead of showing. I’ve seen that so many times by now, I’m almost immune to that. What I haven’t seen is a fucking tree fetish.
Yes, ladies and gents, you read that right. Either Wunder loves trees a little too much, or the author does. Why else would Wunder interrupt her retelling of a very hot and kinky sex dream to describe at length the tree she’s tied to, when she first saw it, and how beautiful she thinks it is.
Damn, Wunder, get back to how your sexy dream man is dominating you. I don’t have patience for this arousal-killing nature shit.
Also, A. R. Von got so distracted with setting the stage for future plot lines that she totally forgot to dazzle the reader with the current plot. There was an awful lot of talk about how Pete’s town attracts zombies a lot more than normal towns do, and about the life test they have to take every month to make sure the people aren’t dead, although I feel like the rotting flesh would give it away. (Also how does a person keep their zombie side secret when being blood tested monthly for proof of life? Asking for a friend).
But the current plot of restless RIP agents going to save a town from a hoard of zombies while having kinky dreams is sadly neglected. The exchange between Wunder and her friend feels more like a free write than a final draft and the epic battle is slow-paced and anti-climactic.
Then at the end, Pete asks his uncle about Wunder, and Pete is able to tell him all about Wunder’s famous reputation of being an all-around badass, which brings up the question: how does Pete, who lives with his uncle and works with his uncle in the RIP not know even a little bit about Wunder’s existence when his uncle is able to recognize her on sight and gush about how awesome she is?
But I do like Pete and Wunder. Wunder is a bad-ass and Pete is sexy as hell. The chemistry between them is great. While there’s only a promise of a love connection in this book, I do believe they have a very juicy love story ahead of them.
Unfortunately the story needs massive editing and the dialogue and action often feels forced. I’m tempted to read the next book in the series, just to see how the love story plays out, but I doubt I will because I have a feeling the other stories are as unedited as this one was. But if you still want to check it out, you can get it for free on Smashwords.
Word Count: 12,470
Average Goodreads Rating: 4.54/5 stars
My rating: 3/5 stars
To be honest, I automatically started to dislike this book because “Dreams” is spelled with a Z. And while it was okay, it was not as good as it could have been.
Wunder has been dreaming about a man for as long as she can remember, always the same man. The dreams leave her aroused to no end at night. Unfortunately, this man doesn’t exist in her life, at least not yet. But her love life is nonexistent and thanks to her being half zombie, that’s not going to change any time soon.
Little does she know that her dream man exists and his name is Pete. Not only does he exist, but he’s been dreaming about her as well. Pete is also half zombie and lives in the next town over with his uncle. When he moves to Wunder’s town to recover from a huge zombie attack, will they finally get to meet in real life?
You can get this book for free on Smashwords.
I have such mixed feelings about this book. On one hand, it’s a cool story with some damn good world-building. The explanation behind a half zombie, half human is actually logical, or as logical as anything to do with zombies is. This also sets up a lot of potential plotlines for the other books in the series, all of them sounding interesting. And the Resilient Infected Police, or RIP, have a fantastic name.
Also, I can always appreciate a bad-ass girl who knows how to kick some ass, zombie or otherwise.
But learn to fricking edit.
Aside from the grammatical and punctuational atrocities that made my eyes widen in horror while I was reading this, there are so many strange things in this story that aren’t even rookie mistakes. This story is as loose as your post Taco Bell shit.
Never mind the crazy summaries and excessive telling instead of showing. I’ve seen that so many times by now, I’m almost immune to that. What I haven’t seen is a fucking tree fetish.
Yes, ladies and gents, you read that right. Either Wunder loves trees a little too much, or the author does. Why else would Wunder interrupt her retelling of a very hot and kinky sex dream to describe at length the tree she’s tied to, when she first saw it, and how beautiful she thinks it is.
Damn, Wunder, get back to how your sexy dream man is dominating you. I don’t have patience for this arousal-killing nature shit.
Also, A. R. Von got so distracted with setting the stage for future plot lines that she totally forgot to dazzle the reader with the current plot. There was an awful lot of talk about how Pete’s town attracts zombies a lot more than normal towns do, and about the life test they have to take every month to make sure the people aren’t dead, although I feel like the rotting flesh would give it away. (Also how does a person keep their zombie side secret when being blood tested monthly for proof of life? Asking for a friend).
But the current plot of restless RIP agents going to save a town from a hoard of zombies while having kinky dreams is sadly neglected. The exchange between Wunder and her friend feels more like a free write than a final draft and the epic battle is slow-paced and anti-climactic.
Then at the end, Pete asks his uncle about Wunder, and Pete is able to tell him all about Wunder’s famous reputation of being an all-around badass, which brings up the question: how does Pete, who lives with his uncle and works with his uncle in the RIP not know even a little bit about Wunder’s existence when his uncle is able to recognize her on sight and gush about how awesome she is?
But I do like Pete and Wunder. Wunder is a bad-ass and Pete is sexy as hell. The chemistry between them is great. While there’s only a promise of a love connection in this book, I do believe they have a very juicy love story ahead of them.
Unfortunately the story needs massive editing and the dialogue and action often feels forced. I’m tempted to read the next book in the series, just to see how the love story plays out, but I doubt I will because I have a feeling the other stories are as unedited as this one was. But if you still want to check it out, you can get it for free on Smashwords.
Ivana A. | Diary of Difference (1171 KP) rated The Dead Sagas, Volume I, Part I in Books
Jul 10, 2018
The Dead Sagas: Volume I, Part I by Lee Conley is a dark fantasy novel, a horror saga unlike any other. This is not a book for the weak. This is the book for the bravest, the ones who dare to read it, and the ones who can handle to continue living with what they now know.
Book description:
In a land called Arnar, where brave warriors fight for glory, a great evil comes alive.
The secrets of which the scholars were writing about in the past years, the scary stories that were being told in families throughout the generations are becoming true.
Creatures we thought were dead are now walking through the streets, spreading their disease, killing innocent people, and are about to take over Arnar.
The brave warriors are prepared to die defending their lands, but how can you fight creatures that barely feel pain? Are the warriors strong enough?
My Thoughts:
A story that will leave you breathless until the very end, a story that will push you into anxiety and make you bite your nails. A story that speaks about evil, and good, love, bravery and survival, a book that will sit on your shelf after reading it, and you’ll give it a look once in a while, and say: Ahh.. that was good!
In The Dead Sagas we have the chance to follow the stories of many characters. We will meet scholars and apprentices, we meet warriors and lords, we meet people from the street, doing everything they can to survive, we meet survivors that have seen things and we will meet sailors that are dying.
From chapter to chapter, the story goes from one character to another, and we slowly see the progression of the evil creatures, the spreading pace by pace. While it starts with sailors getting sick and dying afterwards on a ship, it slowly continues to become more and more intense, as we see people literally transforming into dead walkers right after they die, right in front of our eyes.
You will meet Bjorn, who escaped a tribe that cooks and eats people, you will meet Arnulf, who sees unimaginable things will being a lord of the watch. You will see him go through the greatest pain in life, you will see him afraid and brave, you will see him fighting, even though he wants to go and cry in the corner and die.
You will meet a girl that sells her body, so she can buy food for her and her little brother. You will meet a woman warrior, and learn about her amazing and brave story, you will watch how people see their loved ones die right in front of their eyes, and sometimes, they even have to be the ones to kill them in order to survive.
Even though we learn so much about the characters and their stories, it was hard for me to really connect with any of them, as the chapters moved fast from one character to another. This is probably the reason to why I also found the beginning quite slow. It took me around 90 pages, to start realising what is happening.
There will be a lot of violence in this book, a lot of swearing, and scenes that might upset or offend you. This book is not for the weak ones, that is for sure. And while for some of you this might put you off this book, I do have to say that if the book didn’t have a strong language and violent scenes like it does, it wouldn’t have been the same.
The biggest ''flaw'' I had was the ending. I won’t say anything spoiler-ish , as I don’t want to ruin the book for you, but let’s just say that I didn’t expect it to end the way it did.
Even though this is a story about the dead people walking around and killing everything in front of them, this is actually a book about the survivors, the ones that managed to retell this story - the ones that lost anything and everything to be where they are now. This is for the lives of the brave souls, the mighty warriors, that were noble and tried to protect their lands.
A massive thanks to the author, Lee Conley, who managed to find me in the deep waters of Twitter, and who agreed to send me a paperback copy of this book in exchange for my honest opinion.
Book description:
In a land called Arnar, where brave warriors fight for glory, a great evil comes alive.
The secrets of which the scholars were writing about in the past years, the scary stories that were being told in families throughout the generations are becoming true.
Creatures we thought were dead are now walking through the streets, spreading their disease, killing innocent people, and are about to take over Arnar.
The brave warriors are prepared to die defending their lands, but how can you fight creatures that barely feel pain? Are the warriors strong enough?
My Thoughts:
A story that will leave you breathless until the very end, a story that will push you into anxiety and make you bite your nails. A story that speaks about evil, and good, love, bravery and survival, a book that will sit on your shelf after reading it, and you’ll give it a look once in a while, and say: Ahh.. that was good!
In The Dead Sagas we have the chance to follow the stories of many characters. We will meet scholars and apprentices, we meet warriors and lords, we meet people from the street, doing everything they can to survive, we meet survivors that have seen things and we will meet sailors that are dying.
From chapter to chapter, the story goes from one character to another, and we slowly see the progression of the evil creatures, the spreading pace by pace. While it starts with sailors getting sick and dying afterwards on a ship, it slowly continues to become more and more intense, as we see people literally transforming into dead walkers right after they die, right in front of our eyes.
You will meet Bjorn, who escaped a tribe that cooks and eats people, you will meet Arnulf, who sees unimaginable things will being a lord of the watch. You will see him go through the greatest pain in life, you will see him afraid and brave, you will see him fighting, even though he wants to go and cry in the corner and die.
You will meet a girl that sells her body, so she can buy food for her and her little brother. You will meet a woman warrior, and learn about her amazing and brave story, you will watch how people see their loved ones die right in front of their eyes, and sometimes, they even have to be the ones to kill them in order to survive.
Even though we learn so much about the characters and their stories, it was hard for me to really connect with any of them, as the chapters moved fast from one character to another. This is probably the reason to why I also found the beginning quite slow. It took me around 90 pages, to start realising what is happening.
There will be a lot of violence in this book, a lot of swearing, and scenes that might upset or offend you. This book is not for the weak ones, that is for sure. And while for some of you this might put you off this book, I do have to say that if the book didn’t have a strong language and violent scenes like it does, it wouldn’t have been the same.
The biggest ''flaw'' I had was the ending. I won’t say anything spoiler-ish , as I don’t want to ruin the book for you, but let’s just say that I didn’t expect it to end the way it did.
Even though this is a story about the dead people walking around and killing everything in front of them, this is actually a book about the survivors, the ones that managed to retell this story - the ones that lost anything and everything to be where they are now. This is for the lives of the brave souls, the mighty warriors, that were noble and tried to protect their lands.
A massive thanks to the author, Lee Conley, who managed to find me in the deep waters of Twitter, and who agreed to send me a paperback copy of this book in exchange for my honest opinion.