Search

Search only in certain items:

Molly's Game (2017)
Molly's Game (2017)
2017 | Drama
Jessica Chastain (0 more)
My local cinema held a secret screening last night, and Molly's Game was the surprise movie they showed. Beforehand, I'd probably only seen the name of the movie along with the accompanying poster and I had literally no idea what it was about. If I'd seen the trailer, and knew a bit more about the plot movie, I don't think I'd have gone to watch it, but it actually turned out to be a pretty enjoyable movie. Despite the fact that there were about 10 other movies I was secretly hoping they'd screen instead, I wasn't disappointed by this. That's the gamble you take with a secret screening I guess.

Molly's Game is based on a true story, and the accompanying book written by Molly Bloom. It's written and directed by Aaron Sorkin, writer of, among other things, The West Wing and The Newsroom, so you get a pretty good idea of the quick-witted snappy dialogue that you're in for. Jessica Chastain plays Molly, and she is just absolutely incredible in this movie. Not knowing the basic story it was based on, the opening scenes changed direction so many times that I was left wondering what the movie was actually going to be about and which direction it was headed. Narrated by Molly, we're initially introduced to her life as an Olympic class skier. She describes her younger life training with her stern father (Kevin Costner), the spinal surgery which put her out of action for a while, her fight back to the top and the tragic accident which then put her out of action once more. Then we jump forward 12 years, where Molly is suddenly woken one morning by a phone call. It's the FBI, and they want her to come out of her room within the next few minutes or they're going to break down the door. When she does come out, she is cuffed and arrested for running high-stakes poker games. We then see her in the office of Charlie Jaffey (Idris Elba), a top (and expensive) lawyer who Molly would like to represent her. The remainder of the movie then switches between Molly narrating and filling us in on the events of the last decade or so leading up to now, and Molly and Charlie as they bicker and work together in piecing together her defence.

The first half of the movie is enjoyable as we follow Molly, working her way up from bored secretary to running hugely expensive poker games for the rich, famous and weird in Los Angeles and then New York. As mentioned earlier, Jessica Chastain is simply amazing, given a superb performance as we follow Molly from troubled child to shrewd, intelligent business woman and 'poker princess'. At the height of her game she was legally raking in thousands of dollars each night, and even getting on the wrong side of the Russian mob. However, after a while it all starts to drag a little and I feel the movie could have benefited from a much tighter run time (it's 160 minutes long). Things pick up again towards the end though, and Costner and Elba get their chance to shine. Well worth watching.
(2)   
40x40

Hazel (1853 KP) rated The Giver in Books

May 28, 2017  
The Giver
The Giver
Lois Lowry | 2012 | Children
9
8.5 (84 Ratings)
Book Rating
An imperfect perfect future
October 2014 Book of the Month

I received this book for free through Goodreads First Reads.

It has been over twenty years since Lois Lowry’s controversial children’s story The Giver was published and it certainly deserves its status as an essential modern classic. Jonas has grown up in the perfect world of the Community whose survival relies on strict rules and rituals. Adults are assigned spouses and children (one boy and one girl) as they take up their role within the society. At the beginning of the book Jonas is approaching then end of his eleventh year and feeling apprehensive about the Ceremony of Twelve where he will be assigned a job for him to do for the rest of his adult life. Jonas gets selected as the Receiver of Memory – a very rare position – and begins to experience memories from humans who lived a long time ago. For Jonas this is exciting until he begins to see the flaws in his perfect world.

Dystopian literature has become popular over the past few years and it would not be surprising if it were The Giver that inspired these contemporary works. Lowry claims that she did not intend for The Giver to have a sinister feel about it; she was writing an adventure story and exploring the concept of the importance of memory, but it turned out to be something much more thought provoking. As the children’s novelist Margaret Mahy (The Haunting) pointed out, up until the publication of this novel in 1993 Lowry was best known for her funny stories about Anastasia Krupnik resulting in The Giver being even more shocking and unexpected.

The Giver highlights that attempting to produce perfection can often result in the loss of good things as well as the bad. The notion of the ideal world may seem like a wonderful proposal, but in order to achieve it humans would have to do away with free choice as in ironing out the inequalities and injustices of the present world would result in everything becoming the same for each individual.

This is a difficult concept to grasp, particularly for a child. Although intended as a children’s series, The Giver and its following installments are more suitable for young adults and older. The only issue with this is that the writing style was target at a younger audience meaning that the overall story is short and lacks depth. If it were to have been written for older readers then there would have been the scope for it to become a much lengthier novel.

There are a lot of mixed reviews surrounding this book although they have changed greatly since the original publication. To begin with The Giver was banned in some areas however the dystopian theme has become accepted in today’s society. What many people comment on now is the oversimplification of such strong ideas. Then again, as already mentioned, it needs to be emphasized that this book was aimed at children, thus the language reflects the reading skills of its target audience.

The Giver is a gem of a book that not only is enjoyable but also can educate the reader on the dangers of attempting a utopian society and why it is important to retain human memories – even the bad – in order that wisdom can exist. Those who have become fans of contemporary dystopian novels, for example Divergent by Veronica Roth or Delirium by Lauren Oliver, will be sure to love this series.
  
From Darkness to Light—My journey back from a brain filled with blood
by Lynn Christopher Roby
Rating: 3.5/5
Genre: Memoir, Autobiography, Christian

Summary: Lynn tells the story of her aneurysm, her life before and after, and her walk with God. She recalls her aneurysm and tells the sad and frightening story of her trials trying to get through it. Living through an aneurysm is hard—I had no idea how hard! She went through constant pain and a lot of depression. She also talks about her alcoholism early in life, mentions her sexual abuse, and her early depression. Eventually, after the aneurysm, she was able to heal enough to start her work for the Lord, opening a clinic to help people through the things she has gone through.

Thoughts: Lynn’s story is amazing and inspiring. This books shows how the bible verse “all things work together for good” plays out in real life. Lynn never would have been able to help the people she helped, or save the lives she helped save, if it hadn’t been for her very rough life.

Writing: The writing style and prose was tough to read in that it felt very choppy, had a lot of fragments, and quite a few typos, giving it an overall casual feel. The pacing was also a bit fast through the aneurysm, and slow through the rest. I found it difficult to read during the section where she explained the “12 steps to A.A.” which she explained in detail and then related it to her experiences, and showed how she used them through her life as a recovering alcoholic and getting through the aneurysm. The layout was a bit hard to follow, too. She starts with the aneurysm, then the healing process, then backtracks to tell about her alcoholism and depression, divorce, and second marriage before she finishes the story of what happened after the aneurysm. It was a little confusing, but once I saw what she was doing, it was easier to follow.

Content: There was no language or sex. She does mention God very often, as it is a memoir of a Christian’s suffering, but does not leave you with the feeling that you’ve been “preached to.”

Recommendation: Ages 13+ because of reference to alcohol. I really enjoyed this book—it had its on-the-edge-of-your-seat moments, its sad sections, and its happy parts.



About the author:
Lynn lives in Carroll Valley Pa. with her husband Bill and their Samoyed Abigail. She is a Mother blessed with four sons and beautiful grandchildren that add to filling her life with joy and fun.

Lynn is a certified Professional Level Kripalu Yoga Teacher; she continues her studies at The Kripalu Center for Yoga & Health in Stockbridge Ma. Lynn and her husband Bill are the founders and owners of The Gettysburg Holistic Health Center where Lynn teaches in her studio which is a Kripalu affiliated studio. Lynn is a Master level addictions specialist and a Reiki Master. She feels honored to work with folks who suffer from the disease of addiction as she watches them transform their lives from turmoil to surrender.

Lynn’s journey led her into writing this book that was very cathartic hoping to inspire anyone suffering not only from a ruptured brain aneurysm, or alcoholism, or abuse but to touch anyone who can relate to such pain and suffering and find hope from reading this book
**Thank you to Bostic Communications and Lynn for providing me with my review copy!**

~Haleyknitz
  
Don't You Cry
Don't You Cry
Mary Kubica | 2016 | Fiction & Poetry
6
7.0 (4 Ratings)
Book Rating
Quinn wakes up on Sunday morning to discover that her roommate, Esther, is gone. Quinn isn't sure what she should do. The window to the fire escape was left open, but there is no note or sign of where Esther could be. Should she go to the police or wait for Esther to return? When Quinn starts to find things that make her question the integrity of her roommate, she's not sure if she wants her to be found.

A few hours away on the shores of Lake Michigan, Alex, an 18 year old boy is on his way to work at the local diner. He's cleaning dishes, when the most beautiful girl he has ever seen walks in. It's all he can do to concentrate on his work and not watch her watching whatever it is she is looking at outside the window. Who is she and where did she come from? Alex is determined to find the answers to those questions.

This is the first book I have read by Mary Kubica. I have heard nothing but great things about all of her books. Recently, I won a copy of her most recent book, [b:Every Last Lie|32735394|Every Last Lie|Mary Kubica|https://images.gr-assets.com/books/1486762991s/32735394.jpg|53325365], and wanted to read something else of hers to get a feel for her writing style. When I first started the book, I dove in head first, I was very intrigued from the start and wanted to know what was going to happen.

I will say, that I found out what was going to happen about a third of the way through the book, although I was surprised at the end that I wasn't completely right. That is why I gave the book 3 stars.

What would you do if you found your roommate missing? A girl who you thought was one of the sweetest people you had ever known. Then you found evidence that maybe she wasn't so sweet after all, and maybe it was a good thing she was now gone. Quinn enlists the help of her friend and co-worker, Ben, who also knows Esther to help her get to the bottom of the mystery. When stranger and stranger details start to emerge, Quinn has no choice, but to go to the police for help. But will they help, or will they just assume, Esther has gone of her own free will and doesn't want to be found.

For Alex his motive is quite different. His life is not filled with much excitement, so when a new face appears in town and can shake up his boring world a bit, he's all for taking a chance on getting to know this girl. She is quite a change from dealing with his alcoholic father and the agoraphobic woman, Ingrid, who he frequently brings food to from the diner. But this girl won't tell him her name(he calls her Pearl because of her bracelet) or where she came from or why she is here. So he makes assumptions and tries his best to get to know her and find out who she is.

Are Esther and Pearl the same person? That is the question that plagues us through the whole book. You will have to read it to find out!
  
40x40

Daniel Boyd (1066 KP) rated Russian Doll in TV

Feb 5, 2019 (Updated Feb 5, 2019)  
Russian Doll
Russian Doll
2019 | Comedy, Mystery
Natasha Lyonne carries this entire series phenomenally (2 more)
Good, tight script full of quick, witty dialogue
Short and sweet
Death Becomes Her
I watched Netflix's latest series Russian Doll over the past weekend and I loved it. Natasha Lyonne stars as a woman who on the night of her 36th birthday party, is suddenly hit by a car and dies. She then comes to and finds herself again standing in the bathroom in front of the sink back at her birthday party without a scratch. Then after dying a few more times and returning to the same spot in the bathroom, she realises that she is unable to stay dead and is going to be stuck in this loop indefinitely.

I had no clue what to expect going into this one. I was a fan of Natasha Lyonne from her role in Orange Is The New Black and had heard that she had co-wrote this project and even had a hand in directing it. This peaked my curiosity enough to give it a shot, and I'm glad that I did because, (although it is only February,) this is my favourite show of this year so far.

There is of course the presence of the obvious 'Groundhog Day,' trope, but thankfully the show uses this mechanic to it's benefit and manages to tell a fairly unique story based on a pretty unoriginal story-telling device. The show was co-written by Lyonne, Amy Poehler and Leslye Headland and the writing is brilliant. The show is comedic in all of the right places while managing to achieve and maintain a more serious tone when it wants to for certain moments, especially towards the end of the series.

Consisting of eight episodes all around 30 minutes in duration, the series moves at an extremely brisk pace and it is a pace that matches the quick dialogue and editing style that the series adopts during many of the death montage sequences. This all gels together to ensure that the show never feels stagnant or dragging in any sense. The score and cinematography are also great and compliment the other aspects of the show very nicely. All of this together is what gives this show it's unique, quirky feel.

Though, none of this would work without having a reliable lead protagonist to tie the whole thing together and Natasha Lyonne pulls off this difficult task flawlessly. I have always enjoyed seeing Lyonne pop up in several projects as a solid supporting actress, but this is the first time that I have seen her in the lead role and she is phenomenal through the entire eight episodes that Russian Doll consists of. Match that with the writing and directing credits that she claims on this series and you realise that we are watching an artist with incredible talent getting to realise her vision through this project and it is a joy to witness the whole thing unfold.

Overall, Russian Doll is a fantastic series that is enjoyable from start to finish. It features brilliant writing, fantastic performances and plenty of laughs. Due to the oddball nature and tone of this wonderful series, I am not sure if I want to see a second season. However, I am very much looking forward to seeing wherever Lyonne goes from here and what she plans to do next, both as an actress and as an auteur.
(3)   
Network (1976)
Network (1976)
1976 | Comedy, Drama
“I’m mad as hell and I’m not gonna take it anymore!”
…the lasting legacy of Peter Finch’s rants, which began with a breakdown and became the ratings winner in the 1970’s Network driven news media. This is of course, fiction but the commentary on the changing and more corporate driven American media industry of the the time is not without merit.

Smartly scripted, on the ball cynicism and yet harking back to the rose tinted nostalgia common with American media movies in whcih the industry was supposedly filled with Walter Cronkites,

the notion that American press was once beyond reproach is clearly a fallacy, in contrast, the notion that American news media was becoming so ratings driven that the news gave way to outlandish editorialism, is not.

Howard Beale (Finch) has an on air breakdown and whilst his best friend and producer, Max Schumacher (William Holden) tries to pull him from the air waves, allowing him to bow out with some dignity, the new wave of corporate management lead by CEO Frank Hackett (Robert Duval) and Holden’s replacement and eventual lover, Diana, (Faye Dunaway), have other ideas.

She sees an opportunity in the ratings spike gained by Beale’s rants which speak to the peoples growing frustrations and takes advantage, only driven by ratings.

Though the screenplay and performances are nothing less than brilliant, there are two core problems with this movie.

The first being that it is too long. The plot seems to be dragged out and repetitive as we approach the almost inevitable conclusion and the second is the level of preaching. But this is a symptom of the first, opening with a good argument, with old school journalism versus the TV generation and as the film goes on, the arguments need to escalate but since this was covered in the first half an hour, the points become laboured and over started.

The notion that the TV generation is shallow and amoral is put at odds with the middle aged newspaper reader, where time and decency are standard. This is a point which I refuse to accept since some of the 20th centuries most amoral acts where committed either before 1936, the birth of television and in the first couple of decades there after, by the very generation whcih is being held up as the moral standard here.

large_network_blu-ray_3The press has always had its paymasters, always had to sell newspapers and whilst the medium and methods may have changed, this does feel like sour grapes by the end. Criticising the characters motivations is one thing, but this film seems to imply that the modern world of television is making sociopaths of us all, dumbing us down and numbing our emotions to the point of accepting nothing but pure spectacle.

In many ways this is true but is also a very flawed argument and comes across as bunch old men crying into there Scotch in some dimly lit bar, in a way not too dissimilar to the print or broadcast media of today, hitting out at the blogging and twitter generation.

The ending was amusing though with the quote “This was the story of Howard Beale, the only known case of a man killed because of poor ratings”.

Very droll.
(1)   
Pirates of the Caribbean: On Stranger Tides (2011)
Pirates of the Caribbean: On Stranger Tides (2011)
2011 | Action, Comedy, Sci-Fi
8
6.3 (30 Ratings)
Movie Rating
Return to form
Based, believe it or not, loosely, on the Tim Powers novel, On Stranger Tides, Pirates 4 seemed about as appealing as hole in the head after the diabolical sequels to the excellent first outing. Then it was to be in 3D, scrap several key characters and shed the direction of Gore Verbinski, in favour of Chicago's, Rob Marshall. A recipe for disaster? It seemed that way.

Though saying that, Gore had certainly sealed his fate with me, turning what was a well conceived, action adventure romp with some very memorable characters into an unnecessary epic saga which seriously missed the point and derailed itself. One dubious decision taken in the production of Dead Man's Chest, was to keep Orlando Bloom and Keira Knightly's characters, let alone giving them so much prominence.

Knightly was fine, for the first film,. in fact, she was spot on, but she couldn't carry the role any further and began to look ridiculous as the series progressed. This should have been the adventures of Jack Sparrow, so excellently portrayed by Johnny Depp, and Geoffrey Rush's, Barbossa was the perfect pirate. So I was more than pleased to see the continuing adventures of these two characters, with Depp, returning to form after I felt that he had lost it in the sequels.

Penélope Cruz was another pleasant surprise, as never being a fan of her's, I was dubious but this was casting done properly. She was more than convincing as a pirate and put Knightly's efforts to shame. But what of Ian McShane's Blackbeard? Well, another great showing from him, but the inexplicable magic displayed as he waves in his 3D sword around and points it at the camera to remind us that 3D is here, not so much.

But the 3D was pretty naff. You could watch most of the film without the glasses, with the effect being limited to several sequences. It looked good, it was inoffensive and unobtrusive but what was the point again? I don't think that this film will do 3D any real harm but that's because nobody really noticed it in the first place.

The sense of adventure from the The Curse Of The Black Pearl was evident here and long over due. I find it puzzling as to why so many reviews have been so harsh, branding it boring, overly complicated and not pulled together properly, but I would disagree. Granted, it is a bit scrappy, it's not going to be used as case study in tight scripting, or deep character development and it is somewhat derivative, but it was fun, flashy and flamboyant.

Isn't this what these films are all about? Depp created a classic character with Sparrow back in 2003, and tough I felt that he was a one trick pony, Sparrow that is, not Depp, this was a partial return to form, under new direction from Marshall. But I am left feeling that no matter how much I enjoyed this for what it was, the first Pirates Of The Caribbean was a film which successfully transferred a theme park ride into a career defining blockbuster, but I feel that it should have remained one film, a single triumph and not a franchise that has been saved in my eyes, by the fourth installment.
  
The Woman in the Window
The Woman in the Window
A.J. Finn | 2018 | Thriller
9
8.0 (41 Ratings)
Book Rating
Anna has what's called Agoraphobia, meaning that she has anxiety leaving her house. Therefore, anything that needs to be done outside the house, she has done for her. Any medications she needs, groceries, etc., they are delivered to her house. She can't even bare to open a window because it would trigger her phobia. You learn there are different reasons for this kind of phobia.

Loss of a loved one.

Tragic accident.

Or...it could be something else entirely.

Ann also talks to other people with the same phobia and tries to also council them. You don't find out till much later as to why Anna who was a child psychologist now cannot bare to leave her home. She suffers from depression and is on multiple medications. She's separated from her husband, whom also has their daughter with him.

And she drinks...a lot.

One of the things I liked about Anna is her love for old movies. I loved how Finn incorporated some lines from different movies, including Alfred Hitchcock. Anna witnesses a murder in her neighbors house across the street. Try as she may, nobody takes her seriously and blame it on the medication she takes with alcohol.

“You can hear someone’s secrets and their fears and their wants, but remember that these exist alongside other people’s secrets and fears, people living in the same room.”

I kind of felt bad for her, but sometime during the story, I started to get frustrated with her as well. I really got a Girl on a Train feel. The main character always needs a drink or has to drink something in order to keep herself together, even though the alcohol doesn't help her situation at all.

On a different note, Girl on a Train was highly depressing.

The more the story progressed the more intrigued I got because there were quite a few twists that I honestly didn't see coming and I found myself yelling, 'WHAT?' Glad I was only listening to a book in the car and not in my house where someone could look at me funny. Not that people don't do that anyway, but such as life as a bookworm, I don't care.

“The definition of insanity, Fox, Wesley used to remind me, paraphrasing Einstein, is doing the same thing again and again and expecting different result.”

I've read a few psychological thrillers and while they were good, none kept me on my toes like this one. So many things happen with Anna and they come in bits and pieces but eventually make up a whole puzzle. You almost start to believe that perhaps Anna didn't see someone being murdered...maybe she did have an illusion.

Did it happen?

You have to read and find out.

I'd definitely give this 4 1/2 stars. Finn's writing in Anna's point of view is brilliant. You are inside her head and you are seeing everything through her eyes. She may start to ramble from time to time, but that just shows that she's still someone who is suffering. Other characters that play a major role in her life you don't know all that much...but you learn who they are in the end.

It's a long book, but every minute of it was well worth the listen. I will say that toward the beginning it was more like Girl on a Train, but it slowly morphs into Alfred Hitchcock's, Rear Window. I will say that I look forward to A.J. Finn's next novel.
(1)   
You Died, But a Necromancer Revived You
You Died, But a Necromancer Revived You
2019 | Action
Fast Paced Action (5 more)
Ever changing maps
Traps that make you think
Great art design
Great level design
Simple gameplay
So Frustrating!!!!! (0 more)
Let Me Die!
You Died but a Necromancer Revived You......but you'll wish you had just stayed dead as you face the same levels over and over and over again. Speed and Accuracy are mandatory.

This game is so simple with no other controls to worry about other than your movement using the analog stick, or the D-Pads. The skill to get through the levels however becomes increasingly more difficult, and rapidly more frustrating as you will die.....over and over and over again, only to either respawn at the first level, or if you play on easy mode, you just have to play that same floor again where you just died, but don't bother memorising the traps placements, cos this game doesn't let you off the hook that easily....the maps change even when your playing the same floor you just died on.

Part of you might think at first, I'll wait for the trap to go before I move, but oh no, once again speed and accuracy are key here, you have to time your runs right, get through the traps, try not to get shot, stabbed, squashed, or even more so....try not to run off the edge into a floor full of spikes....it's not as easy to avoid as you might think, one small step in the wrong direction of those floors and you're gone.

This game is addictive, but so utterly frustrating and I had a good laugh on my own the first 100 times I died but I can imagine that with 3 other players on the board in 4-Player Co-Op mode, it will leave you in stitches (hopefully not literally....leave that to your character to injure themselves).

Difficulty levels I have seen this far are simply Easy, or Normal. I don't know if a hard difficulty unlocks after complete the game, because honestly at the minute....I can't complete it. The levels where you face the Necromancer himself are super frustrating and very difficult to do without messing up again and again. However, don't thin easy level makes the traps etc any easier....all it does is simply keep you on the floor you died (unless its a boss battle). The difficulty level of the traps does not change and in Normal mode, if you die, you go right back to the beginning of the level, but luckily there are checkpoints along the way so you don't start from square one again.

Oh and did I mention that as time goes on, the floor eventually starts blowing up behind you, making you rush through to the end.

There are a variety of awesome 8-bit characters to choose from, which gives this whole game a great nostalgic vibe of playing retro games, but with so much added in that it stills feels modern and definitely a game you'll keep going back to. Especially for a game night with friends.

I highly recommend this game for anyone who's a fan of action packed arcade games with a retro feel.

Just try not to throw the remote.
(2)   
Badlands (Badlands #1)
Badlands (Badlands #1)
Morgan Brice | 2019 | LGBTQ+, Paranormal, Romance
8
8.0 (1 Ratings)
Book Rating
rather good!
Independent reviewer for Archaeolibrarian, I was gifted the audio copy of this book.

Simon has run to Myrtle Beach after he lost his job and his love. Vic is there after he saw something he could not explain. There have been some murders in town, and Vic, a homicide cop, comes across Simon's ghost tours and seance shop and figures it can't do any harm, right? To ask? But as Simon and Vic get closer to each other, so the killer gets closer to Simon. And Simon doesn't think anyone can stop him, except Simon, or that he will walk away alive.

I liked this! A lot!

Simon is disgraced by a disgruntled parent who says he was teaching the occult, and leaves his Folklore professor job and runs to Myrtle Beach. He finds relative happiness in town, with his shop and ghost tours. Meeting Vic makes him realise he is lonely though. Helping Vic with his murders seems a natural thing to do, but that puts Simon in the cross hairs of the murderer. And also makes Simon a suspect so Vic has to take a step back from Simon and become objective in his job. It breaks his heart that he might lose Simon before he can have him, though. Simon solves the case, and has to hope that he can stop the murderer and maybe, just maybe, he can survive.

Both Simon and Vic have a say, and I loved that was they are drawn to each other, right from the start, so powerfully! The attraction both men feel is off the charts, and it doesn't take them long to give into that attraction. Simon's abilities are a bit of a sticking point, but they do come through for Vic and his case. Vic doesn't want to believe, look how much trouble it caused him when he voiced what he saw in Pittsburgh, for crying out loud! But he knows, deep down, Simon is for real, and maybe, Simon is FOREVER for Vic. They just need get through this.

It's a bit gruesome in places, because the crime scenes are described in some, but not great, detail. Just enough to make you cringe, and wish you could un-see the picture that comes up in your head.

Sexy in places, scary in others. First of Brice I've read, and would like to read more.

Kale Williams narrates. I *thought* I had listened to something else by Williams before, but I can't find what, but no matter. I really did like his narration here. There are a lot of characters with foreign accents, and Williams delivers them very well. His reading voice is clear and even, and all the voices are distinctive enough for me to follow who was speaking, without out being told. As a person with some hearing loss, this is VITAL for me to enjoy a book!

I loved the way Williams gets the emotions of Simon and Vic across. Even when things were going down, and things were getting scary, Simon's love for Vic shone as the brightest emotion. Fabulous narrating!

4 solid stars for the book
4 solid stars for the narration

**same worded review ill appear elsewhere**