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Emma @ The Movies (1786 KP) rated Apollo 11 (2019) in Movies
Apr 7, 2020
I was sad to miss this one at the cinema, I imagine having it up on the big screen would have been very impressive, but only one of the mainstream cinemas had it on.
Space documentaries are always interesting, to think that all of that technology was really in its infancy and we were making such big strides for humanity is mindblowing... and that's why this felt like a letdown.
It's wonderful that we're getting this unseen footage but they've turned it into a film, it's not really a documentary at all. In a documentary I expect to learn things I didn't know before, but here while I was seeing things I'd never seen it's actually not showing you a new angle on the story. It's great to see everything evolving as it did on the day and through the journey but that isn't new. With such a rich story of science and discovery behind space exploration I am at a loss as to why they would forego having a narrator.
Having a narrator adds an extra layer of information that really does add something and makes the footage accessible to new viewers. I've seen documentaries on things like this before and so some of what I was seeing on screen was recognisable, but there were still some shots where I didn't know what I was looking at. Some prompting would have been useful, it was like walking through a museum where they've taken down the labels on the exhibits.
The footage is generally well edited throughout, and as I said before, the feel is that of a film as opposed to a documentary. They're compiled picture, audio and video images together to follow the crew on and above the Earth and the fact they can line it up so well is impressive. There's a montage as the crew return to Earth and this was particularly good when paired with "Mother Country" by John Stewart.
Putting the footage together can't have been an easy task, but some of it suffered for the sake of a shot. At one point we get a slightly out of place split screen "Go" sequence which showed all the departments calling out. I liked it as an idea but the audio isn't the best quality as it carries through, and after the initial effect it's difficult to understand what's going on and that detracts from some of the impact.
I appreciate the fact they dug into the archives for everything, the studio even used their 1969 logo, and crafting music that would have been possible then was impressive... even if a lot of it wasn't as inspiring as the moments it accompanied.
While Apollo 11 itself is a mindblowing event the way this "documentary" has been produced is not. Well crafted, yes, but its lack of further detail and background had a heavy negative impact for me. If I was rating just for the event then it would absolutely be a 5 star review, as a newly produced bit of work it doesn't bring anything new to the table even with it all being new footage.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/04/apollo-11-movie-review.html
Space documentaries are always interesting, to think that all of that technology was really in its infancy and we were making such big strides for humanity is mindblowing... and that's why this felt like a letdown.
It's wonderful that we're getting this unseen footage but they've turned it into a film, it's not really a documentary at all. In a documentary I expect to learn things I didn't know before, but here while I was seeing things I'd never seen it's actually not showing you a new angle on the story. It's great to see everything evolving as it did on the day and through the journey but that isn't new. With such a rich story of science and discovery behind space exploration I am at a loss as to why they would forego having a narrator.
Having a narrator adds an extra layer of information that really does add something and makes the footage accessible to new viewers. I've seen documentaries on things like this before and so some of what I was seeing on screen was recognisable, but there were still some shots where I didn't know what I was looking at. Some prompting would have been useful, it was like walking through a museum where they've taken down the labels on the exhibits.
The footage is generally well edited throughout, and as I said before, the feel is that of a film as opposed to a documentary. They're compiled picture, audio and video images together to follow the crew on and above the Earth and the fact they can line it up so well is impressive. There's a montage as the crew return to Earth and this was particularly good when paired with "Mother Country" by John Stewart.
Putting the footage together can't have been an easy task, but some of it suffered for the sake of a shot. At one point we get a slightly out of place split screen "Go" sequence which showed all the departments calling out. I liked it as an idea but the audio isn't the best quality as it carries through, and after the initial effect it's difficult to understand what's going on and that detracts from some of the impact.
I appreciate the fact they dug into the archives for everything, the studio even used their 1969 logo, and crafting music that would have been possible then was impressive... even if a lot of it wasn't as inspiring as the moments it accompanied.
While Apollo 11 itself is a mindblowing event the way this "documentary" has been produced is not. Well crafted, yes, but its lack of further detail and background had a heavy negative impact for me. If I was rating just for the event then it would absolutely be a 5 star review, as a newly produced bit of work it doesn't bring anything new to the table even with it all being new footage.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/04/apollo-11-movie-review.html
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Emma @ The Movies (1786 KP) rated Happiest Season (2020) in Movies
Jan 4, 2021
Happiest Season definitely makes a refreshing change for a mainstream Christmas movie, but it's a real shame it didn't make it to the big screen.
Abby and Harper are having the most wonderful Christmassy evening, and in the throws of the moment Harper invites Abby to Christmas with her family. There's just one problem though, her family don't know she's gay, and they think Abby is her roommate. Can they survive the holiday season without causing a scene?
As with any festive fodder, there is an element of predictability around it that I think helps with the comforting feeling of it all, and I don't find that an issue in these sorts of things. It's that reassurance that makes them enjoyable.
That being said...
There are a lot of things I found to be frustrating about this film. Maybe it's my relationship history playing a part in it, but there were many points that had me screaming at the screen... let's just look at the rest of it though.
Family drama, classic dynamic, and all the individual characters have a little something mad about them... but that has success in varying degrees for me. Dan Levy as John is horrendously underused, there's even a perfect opportunity to have him in another storyline (that I actually thought we were heading to) but they didn't take it. I found Sloane to be way too far into the bitchy side of the character, and that made her rather unbelievable, and again, there were things in her character that would have been fitting that didn't get included. And those two kids... spawn of Satan, they'll murder us in our sleep.
Kristen Stewart is very good in this, and I'm notoriously not a great fan of her roles. (Though her offerings have been getting progressively better.) I do feel like Abby was done wrong in this film and I would have preferred to see some different outcomes for her... but every situation felt natural and her interactions with Riley and John were high points throughout. Where I come unstuck a little is with Mackenzie Davis and Harper, partly a dislike for the character and partly Davis' style of acting, it just didn't hit the spot for me. I can't say who I could have seen in this role instead, but I think there are a few others that could have taken up the reins and given it a little more pizzazz.
Gold stars all round for Mary Holland as Jane though, so adorable, she must be protected at all costs.
The look of the whole film is so rich and fits the season perfectly. The locations, the outfits, can't fault a single bit there. Design was flawless, I would love to live in that town if that's the aesthetic there. And if I'm being honest, there's nothing bad about this film overall, my issues are entirely personal preferences about acting and story.
Even with my desire to see a different outcome to the film... I cried. And yes, that's because it's a Christmas film and I'm an emotional wreck, that's how this season works, remember?
Originally posted on: http://emmaatthemovies.blogspot.com/2021/01/happiest-season-movie-review.html
Abby and Harper are having the most wonderful Christmassy evening, and in the throws of the moment Harper invites Abby to Christmas with her family. There's just one problem though, her family don't know she's gay, and they think Abby is her roommate. Can they survive the holiday season without causing a scene?
As with any festive fodder, there is an element of predictability around it that I think helps with the comforting feeling of it all, and I don't find that an issue in these sorts of things. It's that reassurance that makes them enjoyable.
That being said...
There are a lot of things I found to be frustrating about this film. Maybe it's my relationship history playing a part in it, but there were many points that had me screaming at the screen... let's just look at the rest of it though.
Family drama, classic dynamic, and all the individual characters have a little something mad about them... but that has success in varying degrees for me. Dan Levy as John is horrendously underused, there's even a perfect opportunity to have him in another storyline (that I actually thought we were heading to) but they didn't take it. I found Sloane to be way too far into the bitchy side of the character, and that made her rather unbelievable, and again, there were things in her character that would have been fitting that didn't get included. And those two kids... spawn of Satan, they'll murder us in our sleep.
Kristen Stewart is very good in this, and I'm notoriously not a great fan of her roles. (Though her offerings have been getting progressively better.) I do feel like Abby was done wrong in this film and I would have preferred to see some different outcomes for her... but every situation felt natural and her interactions with Riley and John were high points throughout. Where I come unstuck a little is with Mackenzie Davis and Harper, partly a dislike for the character and partly Davis' style of acting, it just didn't hit the spot for me. I can't say who I could have seen in this role instead, but I think there are a few others that could have taken up the reins and given it a little more pizzazz.
Gold stars all round for Mary Holland as Jane though, so adorable, she must be protected at all costs.
The look of the whole film is so rich and fits the season perfectly. The locations, the outfits, can't fault a single bit there. Design was flawless, I would love to live in that town if that's the aesthetic there. And if I'm being honest, there's nothing bad about this film overall, my issues are entirely personal preferences about acting and story.
Even with my desire to see a different outcome to the film... I cried. And yes, that's because it's a Christmas film and I'm an emotional wreck, that's how this season works, remember?
Originally posted on: http://emmaatthemovies.blogspot.com/2021/01/happiest-season-movie-review.html
Heather Cranmer (2721 KP) rated Local Woman Missing in Books
Jul 28, 2021
I had been after a good thriller for awhile, when I read about Local Woman Missing by Mary Kubica, my interest was piqued very much. I will say that this book certainly filled that thriller sized hole for sure!
As soon as I started reading Local Woman Missing, I was instantly transported inside the book. I kept trying to piece together what happened to Shelby, Delilah, and Meredith just to find out I was totally wrong each time. That's one of the beautiful things about this book, there are so many twists and turns! I loved all the plot twists which there were plenty. Just when it looked like one mystery was solved, the author would through in a twist. I loved how Mary Kubica had us going back and forth between present time to eleven years earlier when Meredith, Shelby, and Delilah all went missing. The world building is done fantastically, and the pacing is spot on. I found myself frantically reading each page to try to guess what would happen. I did like the way all the loose endings were tied up by the ending. There's nothing left to speculate which was a big plus in my book as I hate guessing what happened to each character. I like being told exactly what happens, and Kubica did just so.
I absolutely adored how each character was written. I could imagine each and every character in my mind. It was like I was right in the midst of the action with them. It was easy to imagine Meredith's husband Josh's panic when his wife and 6 year old daughter went missing. As a mother of a 6 year old myself, I think I would just go crazy! I could also feel Meredith's pain when things started to really go wrong for her. I really just wanted to be a friend to her because she seemed really sweet and down to Earth. Bea and Kate were two of my favorite characters. I thought they had such a great relationship, and I thought they were really great people for being so helping and warm towards everyone when things when Meredith and Delilah went missing. I enjoyed reading things from Kate's point of view to piece together everything that was going on after Meredith and Delilah went missing. Reading Leo's point of view was the most interesting for me. It was eye opening to see how having his sister and mom missing affected him. I really wanted to adopt little Leo as my own because reading what he endured really broke my heart at times.
Trigger warnings for Local Woman Missing include profanity, cheating on spouses, child abuse, kidnapping, violence, death, mentions of suicide, and drunk driving.
All in all, Local Woman Missing checks all the boxes to be a successful thriller such as a fascinating plot with a plethora of twists at turns throughout. I would definitely recommend Local Woman Missing by Mary Kubica to those aged 18+ who love to expect the unexpected. This book will not leave you disappointed one bit.
As soon as I started reading Local Woman Missing, I was instantly transported inside the book. I kept trying to piece together what happened to Shelby, Delilah, and Meredith just to find out I was totally wrong each time. That's one of the beautiful things about this book, there are so many twists and turns! I loved all the plot twists which there were plenty. Just when it looked like one mystery was solved, the author would through in a twist. I loved how Mary Kubica had us going back and forth between present time to eleven years earlier when Meredith, Shelby, and Delilah all went missing. The world building is done fantastically, and the pacing is spot on. I found myself frantically reading each page to try to guess what would happen. I did like the way all the loose endings were tied up by the ending. There's nothing left to speculate which was a big plus in my book as I hate guessing what happened to each character. I like being told exactly what happens, and Kubica did just so.
I absolutely adored how each character was written. I could imagine each and every character in my mind. It was like I was right in the midst of the action with them. It was easy to imagine Meredith's husband Josh's panic when his wife and 6 year old daughter went missing. As a mother of a 6 year old myself, I think I would just go crazy! I could also feel Meredith's pain when things started to really go wrong for her. I really just wanted to be a friend to her because she seemed really sweet and down to Earth. Bea and Kate were two of my favorite characters. I thought they had such a great relationship, and I thought they were really great people for being so helping and warm towards everyone when things when Meredith and Delilah went missing. I enjoyed reading things from Kate's point of view to piece together everything that was going on after Meredith and Delilah went missing. Reading Leo's point of view was the most interesting for me. It was eye opening to see how having his sister and mom missing affected him. I really wanted to adopt little Leo as my own because reading what he endured really broke my heart at times.
Trigger warnings for Local Woman Missing include profanity, cheating on spouses, child abuse, kidnapping, violence, death, mentions of suicide, and drunk driving.
All in all, Local Woman Missing checks all the boxes to be a successful thriller such as a fascinating plot with a plethora of twists at turns throughout. I would definitely recommend Local Woman Missing by Mary Kubica to those aged 18+ who love to expect the unexpected. This book will not leave you disappointed one bit.
Bob Mann (459 KP) rated The Suicide Squad (2021) in Movies
Aug 10, 2021
Anarchic and very funny script, with some great visual gags (1 more)
Elba, Davis and Robbie all great. As is new name Daniela Melchior.
What a difference a "The" makes! The original "Suicide Squad" from 2016 was a botched and lacklustre affair, getting just 5/10 from me. James Gunn's semi-reboot is hyper-violent, overlong, totally ludicrous but a whole bunch of fun.
Positives:
- "From the horribly beautiful mind of James Gunn" gushes the trailer. But in this case, they ain't kidding. The film is (at times) hugely inventive in its visual gags as well as its dialogue. On the DC/Marvel superhero spectrum, this is right up at the "Ragnarok" end in terms of comedy value. It made me guffaw a good dozen times.
- To match that, the action scenes are suitably ludicrous and over-the-top. They feature the most "out there" big-boss since Mr Stay Puft terrorised New York in the original "Ghostbusters"!
- All the cast seem to be having a blast, which carries you, as the audience, along with the fun. Both Viola Davis and Idris Elba add real gravitas at the middle of it all, but Robbie's reprise of Harley Quinn tends to get all the best lines and the most memorable sequences. Her petal-strewn decimation of a platoon of security guards is something to behold.
- But of the lesser-known names, it's Daniela Melchior who really stood out for me as Cleo Cazo - Ratcatcher 2. This appears to be the first non-Portuguese feature she's done, and a great future beckons I think. Such extraordinary screen presence! Loved her character too: a "millennial" who sleeps in and questions what an OHP is!
- Great music choices, as you would expect from the "Guardians of the Galaxy" guy.
Negatives:
- Like Polka-Dot's mum, the comedy style is all over the place! (You have to have watched the movie to understand that gag!). I guess that's true of any comedy, but a number of the jokes feel contrived and didn't fully land.
- There is just so much gratuitous violence in this one that I am frankly amazed that the BBFC awarded it only a UK "15" certificate (this is my second query in a row to the BBFC - they need to employ me!). I reckon this will prove to have the highest body count of any movie in 2021. It's all done in a comic-book style, but when "Army of the Dead" (review still to follow) gets an "18", I'm not quite sure why this is much different.
Summary Thoughts on "The Suicide Squad": I'd mentally set myself up to really hate this one. But the opposite turned out to be true. As a comedy it made me laugh like a drain at times, and although some of the violence went somewhat over the top for me, I thought it to be a fine summer popcorn blockbuster (but very much for adults).
(For the full graphical review, please check out One Mann's Movies on the web, Facebook and Tiktok. Thanks).
Positives:
- "From the horribly beautiful mind of James Gunn" gushes the trailer. But in this case, they ain't kidding. The film is (at times) hugely inventive in its visual gags as well as its dialogue. On the DC/Marvel superhero spectrum, this is right up at the "Ragnarok" end in terms of comedy value. It made me guffaw a good dozen times.
- To match that, the action scenes are suitably ludicrous and over-the-top. They feature the most "out there" big-boss since Mr Stay Puft terrorised New York in the original "Ghostbusters"!
- All the cast seem to be having a blast, which carries you, as the audience, along with the fun. Both Viola Davis and Idris Elba add real gravitas at the middle of it all, but Robbie's reprise of Harley Quinn tends to get all the best lines and the most memorable sequences. Her petal-strewn decimation of a platoon of security guards is something to behold.
- But of the lesser-known names, it's Daniela Melchior who really stood out for me as Cleo Cazo - Ratcatcher 2. This appears to be the first non-Portuguese feature she's done, and a great future beckons I think. Such extraordinary screen presence! Loved her character too: a "millennial" who sleeps in and questions what an OHP is!
- Great music choices, as you would expect from the "Guardians of the Galaxy" guy.
Negatives:
- Like Polka-Dot's mum, the comedy style is all over the place! (You have to have watched the movie to understand that gag!). I guess that's true of any comedy, but a number of the jokes feel contrived and didn't fully land.
- There is just so much gratuitous violence in this one that I am frankly amazed that the BBFC awarded it only a UK "15" certificate (this is my second query in a row to the BBFC - they need to employ me!). I reckon this will prove to have the highest body count of any movie in 2021. It's all done in a comic-book style, but when "Army of the Dead" (review still to follow) gets an "18", I'm not quite sure why this is much different.
Summary Thoughts on "The Suicide Squad": I'd mentally set myself up to really hate this one. But the opposite turned out to be true. As a comedy it made me laugh like a drain at times, and although some of the violence went somewhat over the top for me, I thought it to be a fine summer popcorn blockbuster (but very much for adults).
(For the full graphical review, please check out One Mann's Movies on the web, Facebook and Tiktok. Thanks).
