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Ivana A. | Diary of Difference (1171 KP) rated Reverie in Books
Oct 5, 2020
I wanted to love Reverie by Ryan La Sala so much!
Reverie has a wonderful cover that draws you in immediately. The plot mentions a boy and a fantasy world that revolves around dreams. Everything I hoped this book would be – it wasn’t.
Kane is a gay teenager who is trying to pick up the pieces of his life back together after an attack leaves him with no memories of the past. He is in the search of who he is and who he was, and he discovers an alternate reality that he was involved in.
Reveries are worlds born from a person’s private fantasies, and once they manifest they can only be unraveled by bringing their conflicts to a resolution. Reveries have rules and plots, magic and monsters – anything you could wish for. And one wrong step can twist the entire thing into a lethal nightmare maze.
Sounds complicated already?
What if I told you that this is only from the blurb and the book doesn’t really explain these things at all?
Kane is an unraveler, together with The Others. Or at least he was, until one of The Others purged Kane of his memories. And here we are now, with Kane trying to solve the mystery and fight against evil.
I jumped into this book very eagerly, and was disappointing immediately, within the first couple of pages. The reveries and their whole concept were quite confusing, to the point of me not knowing whether the characters are now in a reverie, or in their real world.
Reverie had an amazing concept and it could’ve been done way better than this. I am just disappointed. It all seemed a bit messy and felt like it wasn’t thought through…
I didn’t connect with any of the characters, except for Kane, for the below reasons. And that was it… I didn’t care about any of the others, and there were quite a few characters.
One thing that annoyed me about Reverie, was the exaggeration of the #OwnVoices.
I am not against it, on the contrary! I love equality and I love diversity, and I share love everywhere and to everyone, and if you know me in real life, you will know this about me. We are all equal and different at the same time, and that is the unique thing that connects us all.
However, this book keeps mentioning that Kane is gay. And Kane is a lovely character. He is smart and he is brave. His memories were lost and is desperately trying to find out who he is, who he was, who are his true friends, who is good and who is evil. He doesn’t take for granted on what people tell him. He is AMAZING. Kane was so much more than just gay. But the author kept trying so hard to put an #OwnVoices hashtag on this book, that is was quite aggressive and off-putting. I love books that feature #OwnVoices, but Ryan, please – a little bit of modesty would’ve been nice.
I keep feeling this pressure of trying to write a book review that will not offend anyone, and I don’t mean to offend anyone, but I need to say that sometimes, there can be such a thing as “too much OwnVoicing” in a book. And we shouldn’t be afraid to point it out!
I am really sad about this one, guys. Honestly, I expected it to love it so bad, and now I feel down. I wouldn’t recommend it, but if you think you will love it, please pick it up. You are valid!
Reverie has a wonderful cover that draws you in immediately. The plot mentions a boy and a fantasy world that revolves around dreams. Everything I hoped this book would be – it wasn’t.
Kane is a gay teenager who is trying to pick up the pieces of his life back together after an attack leaves him with no memories of the past. He is in the search of who he is and who he was, and he discovers an alternate reality that he was involved in.
Reveries are worlds born from a person’s private fantasies, and once they manifest they can only be unraveled by bringing their conflicts to a resolution. Reveries have rules and plots, magic and monsters – anything you could wish for. And one wrong step can twist the entire thing into a lethal nightmare maze.
Sounds complicated already?
What if I told you that this is only from the blurb and the book doesn’t really explain these things at all?
Kane is an unraveler, together with The Others. Or at least he was, until one of The Others purged Kane of his memories. And here we are now, with Kane trying to solve the mystery and fight against evil.
I jumped into this book very eagerly, and was disappointing immediately, within the first couple of pages. The reveries and their whole concept were quite confusing, to the point of me not knowing whether the characters are now in a reverie, or in their real world.
Reverie had an amazing concept and it could’ve been done way better than this. I am just disappointed. It all seemed a bit messy and felt like it wasn’t thought through…
I didn’t connect with any of the characters, except for Kane, for the below reasons. And that was it… I didn’t care about any of the others, and there were quite a few characters.
One thing that annoyed me about Reverie, was the exaggeration of the #OwnVoices.
I am not against it, on the contrary! I love equality and I love diversity, and I share love everywhere and to everyone, and if you know me in real life, you will know this about me. We are all equal and different at the same time, and that is the unique thing that connects us all.
However, this book keeps mentioning that Kane is gay. And Kane is a lovely character. He is smart and he is brave. His memories were lost and is desperately trying to find out who he is, who he was, who are his true friends, who is good and who is evil. He doesn’t take for granted on what people tell him. He is AMAZING. Kane was so much more than just gay. But the author kept trying so hard to put an #OwnVoices hashtag on this book, that is was quite aggressive and off-putting. I love books that feature #OwnVoices, but Ryan, please – a little bit of modesty would’ve been nice.
I keep feeling this pressure of trying to write a book review that will not offend anyone, and I don’t mean to offend anyone, but I need to say that sometimes, there can be such a thing as “too much OwnVoicing” in a book. And we shouldn’t be afraid to point it out!
I am really sad about this one, guys. Honestly, I expected it to love it so bad, and now I feel down. I wouldn’t recommend it, but if you think you will love it, please pick it up. You are valid!
Lee (2222 KP) rated Rose: A Love Story (2020) in Movies
Oct 14, 2020
Married couple Sam (Matt Stokoe) and Rose (Sophie Rundle) are living a quiet, simple life in a remote woodland farmhouse. While Rose spends her days indoors, tapping out a novel on a typewriter, Sam is out in the peaceful, snow-covered woods, setting traps and hunting animals. But, right from the outset, it’s clear that this is anything but a relaxing couples retreat.
As Sam cautiously goes about his work, rifle in hand, it’s obvious that he is alert and on edge, flinching at the slightest sounds that come from beyond the trees. Persistent, ominous music also informs us that something isn't quite right and succeeds in putting us quickly on edge too. And when Sam does return to the farmhouse, we learn that Rose has been locked inside, with all the windows boarded up, only the slightest slivers of light entering the gloomy rooms.
Sam and Rose are clearly a couple in love, their actions and conversations appearing genuine and normal. But occasionally the topic of conversation veers towards the unusual, and we continue to be drip-fed even more sinister clues as to what’s actually going on in their lives. When Rose cuts herself while preparing dinner, black veins pulse throughout her finger. Meanwhile, Sam heads off to an ultraviolet-lit room, where he attaches leeches to his body, casually sitting to read a book while they set to work, gorging on his blood. When the couple head outside for a walk one night, Rose wears a face mask while Sam doesn’t. And she talks of “a poison inside her”. You have a fairly good idea of what's going on, but the answers to any questions you have don't come easy, and we're constantly left guessing at which direction the movie is going to take.
Jennifer Sheridan’s feature directorial debut has a wonderfully claustrophobic feel to it, perfectly capturing the feeling of isolation against the beautiful backdrop of a Welsh forest in Winter. Questions hang throughout - how did Rose get this way, what kind of life did the couple lead beforehand, what actually is this illness doing or going to do to her? We're kept in suspense throughout and even when a young runaway called Amber stumbles across the couple, and stays with them overnight, the answers still don’t come easy. Amber just has to accept the fact that Sam is dropping his trousers in front of her in order to attach leeches to himself. And that she must sleep with the ultraviolet light on in her room...
As we neared the very end of the movie, I began to wonder if any of those answers would ever come, or if we would be left to make our own minds up. But thankfully a quick and frantic last-minute change of pace changed all of that, and still managed to end on something of a cliffhanger!
Writer Matt Stokoe (who also plays Sam) says of ‘Rose’ that while watching traditional vampire movies he was struck by the macabre, horror aspects of the vampire genre and the general avoidance of emotional depth shown in the figure of the ‘monster’. The result of his observations is a beautifully simple movie that focuses more on the love of a married couple than the monster that threatens to overpower their relationship. Sam shows that he will do anything for Rose as they struggle with her life-altering illness. Theirs is indeed a true love story.
As Sam cautiously goes about his work, rifle in hand, it’s obvious that he is alert and on edge, flinching at the slightest sounds that come from beyond the trees. Persistent, ominous music also informs us that something isn't quite right and succeeds in putting us quickly on edge too. And when Sam does return to the farmhouse, we learn that Rose has been locked inside, with all the windows boarded up, only the slightest slivers of light entering the gloomy rooms.
Sam and Rose are clearly a couple in love, their actions and conversations appearing genuine and normal. But occasionally the topic of conversation veers towards the unusual, and we continue to be drip-fed even more sinister clues as to what’s actually going on in their lives. When Rose cuts herself while preparing dinner, black veins pulse throughout her finger. Meanwhile, Sam heads off to an ultraviolet-lit room, where he attaches leeches to his body, casually sitting to read a book while they set to work, gorging on his blood. When the couple head outside for a walk one night, Rose wears a face mask while Sam doesn’t. And she talks of “a poison inside her”. You have a fairly good idea of what's going on, but the answers to any questions you have don't come easy, and we're constantly left guessing at which direction the movie is going to take.
Jennifer Sheridan’s feature directorial debut has a wonderfully claustrophobic feel to it, perfectly capturing the feeling of isolation against the beautiful backdrop of a Welsh forest in Winter. Questions hang throughout - how did Rose get this way, what kind of life did the couple lead beforehand, what actually is this illness doing or going to do to her? We're kept in suspense throughout and even when a young runaway called Amber stumbles across the couple, and stays with them overnight, the answers still don’t come easy. Amber just has to accept the fact that Sam is dropping his trousers in front of her in order to attach leeches to himself. And that she must sleep with the ultraviolet light on in her room...
As we neared the very end of the movie, I began to wonder if any of those answers would ever come, or if we would be left to make our own minds up. But thankfully a quick and frantic last-minute change of pace changed all of that, and still managed to end on something of a cliffhanger!
Writer Matt Stokoe (who also plays Sam) says of ‘Rose’ that while watching traditional vampire movies he was struck by the macabre, horror aspects of the vampire genre and the general avoidance of emotional depth shown in the figure of the ‘monster’. The result of his observations is a beautifully simple movie that focuses more on the love of a married couple than the monster that threatens to overpower their relationship. Sam shows that he will do anything for Rose as they struggle with her life-altering illness. Theirs is indeed a true love story.
Sarah (7799 KP) rated Spree (2020) in Movies
Jan 24, 2021
Different
In a world filled with YouTubers and social media influencers, it was inevitable that eventually we’d get a film shot in the style of a social media stream. We’ve seen similar with films like Unfriended and Searching, taking on the likes of social media whilst shot entirely from a webcam. However Spree is the first that I’ve seen that takes on social media almost entirely from live streaming or go pro recordings, and overall it’s a pretty decent attempt.
Spree is a 2020 comedy horror film starring Joe Keery as Kurt Kunkle, a failing social media influencer who works as a driver for a rideshare app called Spree. Fed up of his lack of viewers, Kurt decides to fit out his car with cameras and livestream “The Lesson”, where he instructs viewers on how to become famous on social media while picking up passengers and murdering them. One of the passengers he lets go is comedian Jessie Adams (Sasheer Zamata), a star and social media success who Kurt becomes obsessed with over the course of his murderous evening.
Spree is definitely a fun film. The comedic horror style works very well, especially in the first half although later on it does make way for a more serious side. There’s a decent amount of blood and gore too and it has a wonderfully cheesy B-movie vibe about it. What makes Spree so fun though is Joe Keery. His performance as an influencer is entirely believable and it’s his charisma and baby-faced innocence that makes this film watchable. He spends the entirety of the film like he’s high and hyped up on energy drinks and while this does make his performance a little over the top, this is exactly what Spree needs. David Arquette as Kurt’s dad also brings a lot of fun although his screen time is sadly lacking.
Despite Spree’s dark comedic feel, there’s a more serious story and commentary underlying this film. It might look as though it’s making light of social media influencers, but actually it’s making a rather serious point of the pressures and negatives of the constant need influencers have to be liked and obtain more followers. Kurt’s story is rather sad, and even the other characters like Jessie are shown to have their own stories but still stuck in the same social media behaviour. The live streams used to shoot most of this film, with the likes and comments from viewers, emphasise the pitfalls and real life issues with social media.
Admittedly this live stream method does get a little thin by the end of the 90 minute run time, and after the initial few murders, it’s only Keery’s performance that holds the film up to the end. It isn’t helped that aside from Kurt, none of his victims are particularly likeable and it makes them very difficult to relate to or care about. And this also goes for Jessie who despite her heroine status, becomes unlikeable due to how she too bows to the pressure of social media.
I’m not a fan of the YouTube and influencer revolution, so for me Spree was an interesting take on this and social media in general. It has a good point to make and a serious message, although this may be overshadowed by the dark comedy and horror. With a great turn from Joe Keery, it’s a fun film but not entirely memorable.
Spree is a 2020 comedy horror film starring Joe Keery as Kurt Kunkle, a failing social media influencer who works as a driver for a rideshare app called Spree. Fed up of his lack of viewers, Kurt decides to fit out his car with cameras and livestream “The Lesson”, where he instructs viewers on how to become famous on social media while picking up passengers and murdering them. One of the passengers he lets go is comedian Jessie Adams (Sasheer Zamata), a star and social media success who Kurt becomes obsessed with over the course of his murderous evening.
Spree is definitely a fun film. The comedic horror style works very well, especially in the first half although later on it does make way for a more serious side. There’s a decent amount of blood and gore too and it has a wonderfully cheesy B-movie vibe about it. What makes Spree so fun though is Joe Keery. His performance as an influencer is entirely believable and it’s his charisma and baby-faced innocence that makes this film watchable. He spends the entirety of the film like he’s high and hyped up on energy drinks and while this does make his performance a little over the top, this is exactly what Spree needs. David Arquette as Kurt’s dad also brings a lot of fun although his screen time is sadly lacking.
Despite Spree’s dark comedic feel, there’s a more serious story and commentary underlying this film. It might look as though it’s making light of social media influencers, but actually it’s making a rather serious point of the pressures and negatives of the constant need influencers have to be liked and obtain more followers. Kurt’s story is rather sad, and even the other characters like Jessie are shown to have their own stories but still stuck in the same social media behaviour. The live streams used to shoot most of this film, with the likes and comments from viewers, emphasise the pitfalls and real life issues with social media.
Admittedly this live stream method does get a little thin by the end of the 90 minute run time, and after the initial few murders, it’s only Keery’s performance that holds the film up to the end. It isn’t helped that aside from Kurt, none of his victims are particularly likeable and it makes them very difficult to relate to or care about. And this also goes for Jessie who despite her heroine status, becomes unlikeable due to how she too bows to the pressure of social media.
I’m not a fan of the YouTube and influencer revolution, so for me Spree was an interesting take on this and social media in general. It has a good point to make and a serious message, although this may be overshadowed by the dark comedy and horror. With a great turn from Joe Keery, it’s a fun film but not entirely memorable.
Eleanor Luhar (47 KP) rated True Calling in Books
Jun 24, 2019
This was free in the Amazon Kindle store and I thought it looked pretty cool, so I downloaded it a few months ago. Despite being just 369 pages long, it took me a shockingly long time to read...
Ariana is now a citizen of Novo, where only the fittest humans were transported after the near-destruction of planet Earth. From very early on, we are introduced to Zane through Ari's dreams - but she has no idea who he is, or why she can see him in her sleep. We don't discover Zane's identity until much further through the book.
A matchmaking system is set up for all eligible young people, taking the name of "The Calling." Ari realises her feelings for the popular Cal Remus, and is luckily given the opportunity to be matched with him. The whole deal with "The Calling" reminds me very much of books such as The Selection and ?Matched.
Things seem to be going pretty well (despite the fact that Ariana is appalled at the way the government is choosing who can love who) until Ariana's father disappears and leaves behind some vital information. Suddenly, Ari isn't sure whether Cal can really be trusted, and Zane is beginning to contact her directly through her mind.
A small section of this book takes place back on Earth, told from Zane's perspective. He's working for an underground resistance movement, and is still infatuated with Ariana. He gets training to try and help him communicate with her, and Ariana's father has bestowed a dying wish upon him; to keep Ari away from Cal.
Things get pretty complicated, and the love triangle is both predictable and not at the same time. Ari doesn't remember how much she loved Zane, but can sense that there was some emotion there. Cal's father is clearly opposed to his son being associated with Ariana, and is also a despicable man in himself. There are even hints as to Cal being untrustworthy, which was something I didn't actually expect.
It's kind of a typical dystopian YA novel, but it does have some good twists. My main problem was with the lack of time-keeping; I couldn't tell whether things happened over a course of a few days or multiple months. Even if the time-frame was specified in some places, it still didn't feel like it passed in the intended way.
Another thing is that the characters spoke in a rather unnatural language. Extravagant words were unnecessarily used, coupled with overly-simple phrases. It just sounded wrong.
It took me a long time to read a relatively short book, which is always a bad sign. It wasn't painfully hard to read, but I wasn't really begging to read on either. That being said, I read a little into the first chapter of the sequel, Beyond Reach, which is included at the end of this ebook, and I am rather curious as to what's going on. Still, I don't know if I'm willing to spend any money on it.
So this wasn't a great book, but it wasn't bad. Some parts felt as though the author was trying a bit too hard to make the book seem more professional, which always irritates me. I think 2.5 stars is an appropriate rating for this.
Ariana is now a citizen of Novo, where only the fittest humans were transported after the near-destruction of planet Earth. From very early on, we are introduced to Zane through Ari's dreams - but she has no idea who he is, or why she can see him in her sleep. We don't discover Zane's identity until much further through the book.
A matchmaking system is set up for all eligible young people, taking the name of "The Calling." Ari realises her feelings for the popular Cal Remus, and is luckily given the opportunity to be matched with him. The whole deal with "The Calling" reminds me very much of books such as The Selection and ?Matched.
Things seem to be going pretty well (despite the fact that Ariana is appalled at the way the government is choosing who can love who) until Ariana's father disappears and leaves behind some vital information. Suddenly, Ari isn't sure whether Cal can really be trusted, and Zane is beginning to contact her directly through her mind.
A small section of this book takes place back on Earth, told from Zane's perspective. He's working for an underground resistance movement, and is still infatuated with Ariana. He gets training to try and help him communicate with her, and Ariana's father has bestowed a dying wish upon him; to keep Ari away from Cal.
Things get pretty complicated, and the love triangle is both predictable and not at the same time. Ari doesn't remember how much she loved Zane, but can sense that there was some emotion there. Cal's father is clearly opposed to his son being associated with Ariana, and is also a despicable man in himself. There are even hints as to Cal being untrustworthy, which was something I didn't actually expect.
It's kind of a typical dystopian YA novel, but it does have some good twists. My main problem was with the lack of time-keeping; I couldn't tell whether things happened over a course of a few days or multiple months. Even if the time-frame was specified in some places, it still didn't feel like it passed in the intended way.
Another thing is that the characters spoke in a rather unnatural language. Extravagant words were unnecessarily used, coupled with overly-simple phrases. It just sounded wrong.
It took me a long time to read a relatively short book, which is always a bad sign. It wasn't painfully hard to read, but I wasn't really begging to read on either. That being said, I read a little into the first chapter of the sequel, Beyond Reach, which is included at the end of this ebook, and I am rather curious as to what's going on. Still, I don't know if I'm willing to spend any money on it.
So this wasn't a great book, but it wasn't bad. Some parts felt as though the author was trying a bit too hard to make the book seem more professional, which always irritates me. I think 2.5 stars is an appropriate rating for this.
Gareth von Kallenbach (980 KP) rated Yesterday (2019) in Movies
Jun 28, 2019
A Fun Musical About What Matters Most In Life
When the lights go out all over the world struggling singer-songwriter, Jack Malik (Himesh Patel), is blindsided by a double decker bus. The bus knocks him off his bike and sends him flying across the pavement where he lands unconscious. When he wakes up he is missing his beard and a couple of front teeth. He thinks it just been the worst end of the worst day of his life. But he couldn’t be more wrong. Earlier he had decided to give up his quest for fame and go back to being a teacher. Despite his best friend, manager, fan since grade school Ellie (Lily James) trying hard to convince him to not give up on his dreams. But days after the crash Jack is still ready to hang it up. Elle as a present for Jack leaving the hospital gives him a brand new guitar. Jack decides to play a song but a great guitar needs a great song so he plays Yesterday by The Beattles. When he is finished Elle is almost in tears, his friends Nick and Carol (Harry Michell and Sophia Di Marino) are in sock.
They want to know where he came up with this amazing song. Jack tells them the greatest pop band in history…The Beattles. But they have no idea who that is and neither does the rest of the world. Now Jack is the only person in the world who knows the songs of one of the top selling iconic bands in history. It’s not long before the world comes to know of Jack Malik the single greatest song writer of all time. But will he be found out as a fraud, will fame and money change him and most importantly will he leave behind the people he cares for most.
This Danny Boyle (Trainspotting, Slumdog Millionaire) director comedy is original and well written, by Jack Barth (story) and RAbbey Mordue
ichard Curtis (screenplay). The story is part romantic comedy and part fantasy film. It’s original and fun but there are times that the story is clunky and oddly put together. There are times that feel like major events are skipped over. The soundtrack is definitely filled with The Beattles with some modern music sprinkled in, including Ed Sheerran who plays himself in the film. If you are a fan of The Beattles you will definitely enjoy the film and how they wind the music into the story. The cast is fun and fit well together. Patel is both awkward and troubled and he does a well in the lead. He also does a great job singing. Kate McKinnon (Ghostbusters, Saturday Night Live) is great as a money hungry music executive.
I admittedly am a huge fan of The Beattles and was very excited but premise of this film. At the very least I would be able to listen to good music for two hours. But I really enjoyed the originality and visuals that were put together. The story while clunky at times was overall fun to watch. When you thought it was predictable and knew where the film was taking you the story would divert slightly and surprise you. It is a fun date movie that worth the price of a movie ticket.
4 out of 5
http://sknr.net/2019/06/27/yesterday/
They want to know where he came up with this amazing song. Jack tells them the greatest pop band in history…The Beattles. But they have no idea who that is and neither does the rest of the world. Now Jack is the only person in the world who knows the songs of one of the top selling iconic bands in history. It’s not long before the world comes to know of Jack Malik the single greatest song writer of all time. But will he be found out as a fraud, will fame and money change him and most importantly will he leave behind the people he cares for most.
This Danny Boyle (Trainspotting, Slumdog Millionaire) director comedy is original and well written, by Jack Barth (story) and RAbbey Mordue
ichard Curtis (screenplay). The story is part romantic comedy and part fantasy film. It’s original and fun but there are times that the story is clunky and oddly put together. There are times that feel like major events are skipped over. The soundtrack is definitely filled with The Beattles with some modern music sprinkled in, including Ed Sheerran who plays himself in the film. If you are a fan of The Beattles you will definitely enjoy the film and how they wind the music into the story. The cast is fun and fit well together. Patel is both awkward and troubled and he does a well in the lead. He also does a great job singing. Kate McKinnon (Ghostbusters, Saturday Night Live) is great as a money hungry music executive.
I admittedly am a huge fan of The Beattles and was very excited but premise of this film. At the very least I would be able to listen to good music for two hours. But I really enjoyed the originality and visuals that were put together. The story while clunky at times was overall fun to watch. When you thought it was predictable and knew where the film was taking you the story would divert slightly and surprise you. It is a fun date movie that worth the price of a movie ticket.
4 out of 5
http://sknr.net/2019/06/27/yesterday/
Emma @ The Movies (1786 KP) rated Green Book (2018) in Movies
Sep 25, 2019
It's always nice getting advanced screenings, but two months in advance has to be some sort of record. By the fact that the entire audience went "what?!" when the title card came up it was a very well kept secret screening.
I'm so pleased that this played to a packed screen. We lost maybe a dozen people within the first five minutes, which I think just goes to show how much of an unknown it was because normally people will leave immediately. I had seen it on the app, but not read the synopsis or seen a trailer so it was brilliant to be able to go into the film without any prejudgment.
Mahershala Ali and Viggo Mortensen make a wonderful duo. They bounce of each other really well throughout the whole film.
One of the things I was dying to know was who was playing the piano. I'm reliably informed by IMDb's trivia that Kris Bowers who is the film's composer is Ali's piano double. I have no idea how they do that considering that a fair amount of the shots show Ali playing. It was certainly well done.
The film shows yet another important story in a well thought out and sensitive way. Hidden Figures, Marshall and now Green Book. We're seeing sides of history that we hardly knew of before. The Green Book was a complete shock of a discovery to me and this certainly made me want to research more on the topic.
Ultimately this story is about friendship and acceptance in the face of adversity. It's good to see the circle of change in Tony, and the ending paints the hopeful picture of what would unfold in the future.
I feel a little bit harsh only giving this four and a half stars. While Mortensen and Cardellini were spot on, Ali left me a little disappointed. I have loved him ever since The 4400 and it's been great seeing him in so many shows and films since then. This role obviously has some very powerful moments, and while he delivered them with grace I couldn't help noticing that something was missing. There was one point where he delivers a poignant speech to Tony and I realised that is was lacking the emotional kicker. It felt detached. Whether it was script, acting or just the natural way of the character I'm not sure, it had the potential to bring me to tears and yet... dry eyes.
That is honestly the only glitch in this wonderful film. I got home and I couldn't sleep because I was still buzzing from the screening. (I'm paying for that now.) I read the comments on Twitter and I was really struck by how many people loved it. This deserves to win awards on a lot of counts, I just hope that it gets the recognition it deserves.
When I got my Unlimited card I wasn't convinced that I'd go and see a lot of films (yes I know, what a joke!), and certainly without the card I would never have seen this. At home I never used to pick films that I'd have to "think about". Unlimited has changed the way I watch movies and given me the opportunity to see incredible productions like this. That to me is well worth the money.
What you should do
You should absolutely see this. Not quite a child friendly as Hidden Figures was but it offers another great insight into the past.
Movie thing you wish you could take home
Just a fraction of that musical talent would be incredible.
I'm so pleased that this played to a packed screen. We lost maybe a dozen people within the first five minutes, which I think just goes to show how much of an unknown it was because normally people will leave immediately. I had seen it on the app, but not read the synopsis or seen a trailer so it was brilliant to be able to go into the film without any prejudgment.
Mahershala Ali and Viggo Mortensen make a wonderful duo. They bounce of each other really well throughout the whole film.
One of the things I was dying to know was who was playing the piano. I'm reliably informed by IMDb's trivia that Kris Bowers who is the film's composer is Ali's piano double. I have no idea how they do that considering that a fair amount of the shots show Ali playing. It was certainly well done.
The film shows yet another important story in a well thought out and sensitive way. Hidden Figures, Marshall and now Green Book. We're seeing sides of history that we hardly knew of before. The Green Book was a complete shock of a discovery to me and this certainly made me want to research more on the topic.
Ultimately this story is about friendship and acceptance in the face of adversity. It's good to see the circle of change in Tony, and the ending paints the hopeful picture of what would unfold in the future.
I feel a little bit harsh only giving this four and a half stars. While Mortensen and Cardellini were spot on, Ali left me a little disappointed. I have loved him ever since The 4400 and it's been great seeing him in so many shows and films since then. This role obviously has some very powerful moments, and while he delivered them with grace I couldn't help noticing that something was missing. There was one point where he delivers a poignant speech to Tony and I realised that is was lacking the emotional kicker. It felt detached. Whether it was script, acting or just the natural way of the character I'm not sure, it had the potential to bring me to tears and yet... dry eyes.
That is honestly the only glitch in this wonderful film. I got home and I couldn't sleep because I was still buzzing from the screening. (I'm paying for that now.) I read the comments on Twitter and I was really struck by how many people loved it. This deserves to win awards on a lot of counts, I just hope that it gets the recognition it deserves.
When I got my Unlimited card I wasn't convinced that I'd go and see a lot of films (yes I know, what a joke!), and certainly without the card I would never have seen this. At home I never used to pick films that I'd have to "think about". Unlimited has changed the way I watch movies and given me the opportunity to see incredible productions like this. That to me is well worth the money.
What you should do
You should absolutely see this. Not quite a child friendly as Hidden Figures was but it offers another great insight into the past.
Movie thing you wish you could take home
Just a fraction of that musical talent would be incredible.
Emma @ The Movies (1786 KP) rated Bumblebee (2018) in Movies
Sep 25, 2019
I'm really torn by this film. I enjoyed it but at the same time it isn't amazing. It's got all the classic formulas in it. Charlie is still trying to make sense of her father's death. Bumblebee is trying to remember who he is. Together they help each other... it really could be one of many films.
Something I'm pleased to discover is that other people were getting Herbie vibes from this. In the notes I was jotting down for my review I put "this would make a pretty good Herbie story". And then I pondered the possibility that Herbie was a Transformer who was broken and stuck in his Beetle shape.
The opening battle on Cyberton is surprisingly natural considering it's made up of CGId robots. It makes for a great opening. But I wasn't wowed. I should have been blown away by the effects and I just wasn't.
Bumblebee as a character was a real joy. After his memory is damaged he's basically back to being a scared little boy and the animation reflects that incredibly well. Everything about him is inquisitive and childlike, and all the little touches are there to really bring him to life. He's very human in the moments before he gets his memory back.
There are so many of his scenes that were genuinely pleasing to watch. Him waving at Charlie as she chases after them. The cassette tapes. The extended toilet paper prank and house demolition scenes. Probably my favourite bit though is where he's sitting in the forest and she's trying to fix him, his fidgeting is adorable.
When it comes to the cast feels like we've got the members of a comedy working on a drama/action film. They work well with what they've got and we get some enjoyable performances but there's nothing that really sticks in the memory.
I still enjoyed Bumblebee but I can't say that I found it to be any better than previous films in the franchise, certainly not on the action and graphics side of things. The soundtrack is full of some classic tunes that are very well placed, and the overall vibe of that combined with everything else is spot on for the 80s. You do forget it's set in 1987 though, which means that little things pop up like the TV and the technology that the military have and you feel like the films has already dated.
This is the first Transformers movie to get a PG rating in the UK, previously they've all been rated 12. It's definitely family friendly... but... it reminds me more and more of Herbie every moment I think about it.
As a last thought... seriously, Charlie? You have your moments. "If we're driving down the street and we see someone you have to hide"... if you're driving down the street he's a car anyway, hiding would make it more obvious that he's not just a car. You draw more attention to Bee than he does. Blindfolding yourself with Memo's shirt (weird moment in the film by the way, creepily out of place) and then standing out the sunroof? That won't make you more noticeable to passersby.
What you should do
It's an enjoyable film and should make for a fun family outing. I don't think there's any particular rush to see it in the cinema though.
Movie thing you wish you could take home
Who wouldn't want they're own Transformer who can change into any car it wants AND can dance?!
Something I'm pleased to discover is that other people were getting Herbie vibes from this. In the notes I was jotting down for my review I put "this would make a pretty good Herbie story". And then I pondered the possibility that Herbie was a Transformer who was broken and stuck in his Beetle shape.
The opening battle on Cyberton is surprisingly natural considering it's made up of CGId robots. It makes for a great opening. But I wasn't wowed. I should have been blown away by the effects and I just wasn't.
Bumblebee as a character was a real joy. After his memory is damaged he's basically back to being a scared little boy and the animation reflects that incredibly well. Everything about him is inquisitive and childlike, and all the little touches are there to really bring him to life. He's very human in the moments before he gets his memory back.
There are so many of his scenes that were genuinely pleasing to watch. Him waving at Charlie as she chases after them. The cassette tapes. The extended toilet paper prank and house demolition scenes. Probably my favourite bit though is where he's sitting in the forest and she's trying to fix him, his fidgeting is adorable.
When it comes to the cast feels like we've got the members of a comedy working on a drama/action film. They work well with what they've got and we get some enjoyable performances but there's nothing that really sticks in the memory.
I still enjoyed Bumblebee but I can't say that I found it to be any better than previous films in the franchise, certainly not on the action and graphics side of things. The soundtrack is full of some classic tunes that are very well placed, and the overall vibe of that combined with everything else is spot on for the 80s. You do forget it's set in 1987 though, which means that little things pop up like the TV and the technology that the military have and you feel like the films has already dated.
This is the first Transformers movie to get a PG rating in the UK, previously they've all been rated 12. It's definitely family friendly... but... it reminds me more and more of Herbie every moment I think about it.
As a last thought... seriously, Charlie? You have your moments. "If we're driving down the street and we see someone you have to hide"... if you're driving down the street he's a car anyway, hiding would make it more obvious that he's not just a car. You draw more attention to Bee than he does. Blindfolding yourself with Memo's shirt (weird moment in the film by the way, creepily out of place) and then standing out the sunroof? That won't make you more noticeable to passersby.
What you should do
It's an enjoyable film and should make for a fun family outing. I don't think there's any particular rush to see it in the cinema though.
Movie thing you wish you could take home
Who wouldn't want they're own Transformer who can change into any car it wants AND can dance?!
Emma @ The Movies (1786 KP) rated Downton Abbey (2019) in Movies
Sep 28, 2019
Firstly, and slightly off topic, I wanted to mention the actual event of this being released. The sheer volume of screenings was amazing and I would be really interested in knowing how many people attended at my cinema. The other thing that amused me was what I would consider to be really stereotypical advertising. Most of the audience when I went were younger than me so I'm not sure that Cunnard and health related advertising was really their sort of thing (I did appreciate the back pain tip though.)
Despite having never seen a full episode of Downton I still enjoyed the film, they did (what felt like) an incredibly good job of filling in the blanks in the backstory. I'm sure there were still bits missing but I was certainly handed enough to understand everything that what going on.
The other thing that was a great benefit to the film was the fact that everyone had been acting these parts, and with each other, for years. The interactions were great and the ensemble made for a brilliant production. I'm not going to go into the individual main actors, it seems a little redundant considering how well established the Downton world is. All the actors brought a great feeling of history to their roles and I can't argue with their success.
All this praise can't go on forever though, I did have some issues with the storyline. The main arc seemed to work well but some of the smaller threads left me shrugging. We have Tom who is sought out by a gentleman played by Stephen Campbell Moore. This part was rather fleeting, and that perplexed me. Trying to avoid spoilers... if I told someone this part of the story out of context combined with the description of the film I would expect them to think it was a major part of the film, and not just something that goes as quickly as it arrived. Then we have Barrow (I really hope I've got that character name right), he has his own little story that plays alongside the main one as we see him put out during the tensions at Downton. I don't object to this storyline, but I don't see that it made any impact on the rest of the film, there was certainly nothing in it that couldn't have been achieved in the main setting. All it really did was give him somewhere to go that wasn't the house.
I was very aware throughout that this "film" felt like a Christmas special. There were a lot of bits to it that were left open and didn't tie together at the end... which is exactly how you'd expect a series to end to lead into another. I came out wondering if I'd missed something about a new series. I probably would have been happier having seen this as a TV special... although I obviously wouldn't have seen it had it been on TV because I don't watch the series. The whole thing has a very homely feel to it which I just don't think works in a cinema setting. That being said, I did enjoy myself and I'm sure that fans of the series would have enjoyed it more than I did.
Read the full review extras here: http://emmaatthemovies.blogspot.com/2019/09/downton-abbey-movie-review.html
Despite having never seen a full episode of Downton I still enjoyed the film, they did (what felt like) an incredibly good job of filling in the blanks in the backstory. I'm sure there were still bits missing but I was certainly handed enough to understand everything that what going on.
The other thing that was a great benefit to the film was the fact that everyone had been acting these parts, and with each other, for years. The interactions were great and the ensemble made for a brilliant production. I'm not going to go into the individual main actors, it seems a little redundant considering how well established the Downton world is. All the actors brought a great feeling of history to their roles and I can't argue with their success.
All this praise can't go on forever though, I did have some issues with the storyline. The main arc seemed to work well but some of the smaller threads left me shrugging. We have Tom who is sought out by a gentleman played by Stephen Campbell Moore. This part was rather fleeting, and that perplexed me. Trying to avoid spoilers... if I told someone this part of the story out of context combined with the description of the film I would expect them to think it was a major part of the film, and not just something that goes as quickly as it arrived. Then we have Barrow (I really hope I've got that character name right), he has his own little story that plays alongside the main one as we see him put out during the tensions at Downton. I don't object to this storyline, but I don't see that it made any impact on the rest of the film, there was certainly nothing in it that couldn't have been achieved in the main setting. All it really did was give him somewhere to go that wasn't the house.
I was very aware throughout that this "film" felt like a Christmas special. There were a lot of bits to it that were left open and didn't tie together at the end... which is exactly how you'd expect a series to end to lead into another. I came out wondering if I'd missed something about a new series. I probably would have been happier having seen this as a TV special... although I obviously wouldn't have seen it had it been on TV because I don't watch the series. The whole thing has a very homely feel to it which I just don't think works in a cinema setting. That being said, I did enjoy myself and I'm sure that fans of the series would have enjoyed it more than I did.
Read the full review extras here: http://emmaatthemovies.blogspot.com/2019/09/downton-abbey-movie-review.html
Darren (1599 KP) rated Clownado (2019) in Movies
Sep 2, 2019
Thoughts on Clownado
Characters – Big Ronnie is the abusive husband and circus performer that killed Savanna’s lover and forced her into an embarrassing and humiliating performance for his show. After he becomes cursed, along with his fellow performers, he gets caught in the position of being able to transport through tornadoes, where they look to kill anyone and everyone. Savanna is the wife of Big Ronnie, she is trying to leave him, only to find her plan shattered and herself forced into performing in his circus, she puts the curse on them with a friend before going on the run, only for the circus performers not to leave her alone. Hunter is a trucker who picks us Dion, he knows the town well and is willing to do a good deed to help a stranger or a friend. Dion is the black Elvis impersonator who gets questioned about his look by everyone he meets, he helps along the way in the battle against the killer clowns.
Performances – The performances in this film are wildly over the top, which only helps with the tone of the film, John O’Hare as the leader of the clowns goes full evil in his performance, while Rachel Lagen shows just how much of a victim she is. When it comes to the rest of the cast, everybody knows who they are playing through this film.
Story – The story here follows a vengeful clown and his circus performers that use tornadoes to transport around the world in search for the woman that put the curse on them, as they look to pile up the body count, while everybody else is looking for a way to stop their evil once and for all. First thing is first, if you liked Sharknado, you will understand how to watch a film with this tone, you can’t take anything you see in this story seriously, but you aren’t meant to, we get a gimmick storyline, which does everything it needs to, to make you laugh at certain moments that are bonkers, that is designed to embrace this. We do get the idea of strangers working together, with a full range of colourful characters, as well as having plenty of bloodshed along the way, giving this story a fun grindhouse feel at times too.
Comedy/Horror – The comedy in this film comes from the over the top style of the kills and Big Ronnie’s actions, the horror comes from the bloodshed, with the clowns being over powered and will to kill with any means.
Settings – The film is set in a small town, which usually sees people pass through it, most characters know each other or have dealt with people behaving the same way, which shows us just how they will come together to look to survive the clownado.
Special Effects – The effects in the film are blood splatter heavy, they do tend to be extremely close up on the wounds which does add to the effects of shock value of the damage caused by the clowns.
Scene of the Movie – The first clownado.
That Moment That Annoyed Me – While filled with blood, the close ups of the body damage, sometimes, hide away from the reaction on the victims face.
Final Thoughts – This is a truly over the top idea, that like Sharknado works to bring one of the most popular horror figures, clowns to a new way to haunt people.
Overall: Purely Fun Horror Comedy.
Characters – Big Ronnie is the abusive husband and circus performer that killed Savanna’s lover and forced her into an embarrassing and humiliating performance for his show. After he becomes cursed, along with his fellow performers, he gets caught in the position of being able to transport through tornadoes, where they look to kill anyone and everyone. Savanna is the wife of Big Ronnie, she is trying to leave him, only to find her plan shattered and herself forced into performing in his circus, she puts the curse on them with a friend before going on the run, only for the circus performers not to leave her alone. Hunter is a trucker who picks us Dion, he knows the town well and is willing to do a good deed to help a stranger or a friend. Dion is the black Elvis impersonator who gets questioned about his look by everyone he meets, he helps along the way in the battle against the killer clowns.
Performances – The performances in this film are wildly over the top, which only helps with the tone of the film, John O’Hare as the leader of the clowns goes full evil in his performance, while Rachel Lagen shows just how much of a victim she is. When it comes to the rest of the cast, everybody knows who they are playing through this film.
Story – The story here follows a vengeful clown and his circus performers that use tornadoes to transport around the world in search for the woman that put the curse on them, as they look to pile up the body count, while everybody else is looking for a way to stop their evil once and for all. First thing is first, if you liked Sharknado, you will understand how to watch a film with this tone, you can’t take anything you see in this story seriously, but you aren’t meant to, we get a gimmick storyline, which does everything it needs to, to make you laugh at certain moments that are bonkers, that is designed to embrace this. We do get the idea of strangers working together, with a full range of colourful characters, as well as having plenty of bloodshed along the way, giving this story a fun grindhouse feel at times too.
Comedy/Horror – The comedy in this film comes from the over the top style of the kills and Big Ronnie’s actions, the horror comes from the bloodshed, with the clowns being over powered and will to kill with any means.
Settings – The film is set in a small town, which usually sees people pass through it, most characters know each other or have dealt with people behaving the same way, which shows us just how they will come together to look to survive the clownado.
Special Effects – The effects in the film are blood splatter heavy, they do tend to be extremely close up on the wounds which does add to the effects of shock value of the damage caused by the clowns.
Scene of the Movie – The first clownado.
That Moment That Annoyed Me – While filled with blood, the close ups of the body damage, sometimes, hide away from the reaction on the victims face.
Final Thoughts – This is a truly over the top idea, that like Sharknado works to bring one of the most popular horror figures, clowns to a new way to haunt people.
Overall: Purely Fun Horror Comedy.