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Night Reader Reviews (683 KP) rated Freiyon Fables: A Tail to Remember in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Freiyon Fables: Tail to Remember by Justin Hunt was a book that I could only compare to one other book and that would be Chronicles of Narnia by C. S. Lewis. The Prologue promises an amazing tale, yet I feel as if the book doesn't quite live up to it. So even though I compare it to Narnia in style it is nothing like it when it comes to the actual material. The complete book itself is separated into three smaller books (or parts) that is then spread out into chapters.
In A Tail to Remember a squirrel by the name of Micklang escapes from a zoo and in the process is electrocuted, giving his tail a lightning-bolt shape. He then falls into another world in an Alice in Wonderland – down the rabbit hole style. In this new world, Micklang receives dreams about his warrior-self telling hi how to become that version of himself. During his journey, Micklang makes some surprising new friends and is reunited with some he has met before in the human world. It is with these friends that Micklang travels this new world, mapping it out.
At one point Micklang comes across an island where his traveling companions are captured and must rescue them before their captors harm them. Then after abandoning ship in a bad storm Micklang finds himself on yet another island, but this one is home to only other lightning-tail animals. Towards the end, Micklang goes back to one of the first islands that he visited in this new world, now called Freiyon. It is there that Micklang and his friends fight in the first battle in a war between The Grabbers and King Karel. It is during this battle that Micklang’s story ends but it is not the end of the stories about Freiyon. This is because a little human boy is told about Freiyon by his mother and decides it is time for him to visit this land of talking animals.
What I liked best about this book is that it is a rare occasion when I can honestly say that the ending, specifically the Epilogue is my favorite part. The epilogue tied the entire story together with the prologue when frankly I originally was confused about how it all connected. This actually redeemed the entire book in some ways. What I did not like was that the talking animals and being in a different world or realm gave the book a Chronicles of Narnia feel. Normally that would be a good thing but in this case, the writing style felt simplified and rushed at the same time. Also, this book felt like it was intended for children up until book three. In Book Three: The Switch Between Stories the phrases “What the HELL” and “how the HELL” were both used and that doesn't feel kid-friendly.
It was hard for me to pick a target audience for this book. My best guess would be for early middle school students and late elementary students, age-wise anyway. This is because the length might make it difficult for some elementary students (and some parents may not be thrilled about all the violence, who knows). Yet the simplified writing style may (or may not) appeal to older readers. Most likely it would be dry and boring for anyone out of middle school. That being said I rate this book a 2 out of 4. This is because this story falls in that dangerous zone between being simple enough for young readers and having just enough detail to feel rushed. The action moves from one major event to another without much of a break in between yet the story is still interesting
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In A Tail to Remember a squirrel by the name of Micklang escapes from a zoo and in the process is electrocuted, giving his tail a lightning-bolt shape. He then falls into another world in an Alice in Wonderland – down the rabbit hole style. In this new world, Micklang receives dreams about his warrior-self telling hi how to become that version of himself. During his journey, Micklang makes some surprising new friends and is reunited with some he has met before in the human world. It is with these friends that Micklang travels this new world, mapping it out.
At one point Micklang comes across an island where his traveling companions are captured and must rescue them before their captors harm them. Then after abandoning ship in a bad storm Micklang finds himself on yet another island, but this one is home to only other lightning-tail animals. Towards the end, Micklang goes back to one of the first islands that he visited in this new world, now called Freiyon. It is there that Micklang and his friends fight in the first battle in a war between The Grabbers and King Karel. It is during this battle that Micklang’s story ends but it is not the end of the stories about Freiyon. This is because a little human boy is told about Freiyon by his mother and decides it is time for him to visit this land of talking animals.
What I liked best about this book is that it is a rare occasion when I can honestly say that the ending, specifically the Epilogue is my favorite part. The epilogue tied the entire story together with the prologue when frankly I originally was confused about how it all connected. This actually redeemed the entire book in some ways. What I did not like was that the talking animals and being in a different world or realm gave the book a Chronicles of Narnia feel. Normally that would be a good thing but in this case, the writing style felt simplified and rushed at the same time. Also, this book felt like it was intended for children up until book three. In Book Three: The Switch Between Stories the phrases “What the HELL” and “how the HELL” were both used and that doesn't feel kid-friendly.
It was hard for me to pick a target audience for this book. My best guess would be for early middle school students and late elementary students, age-wise anyway. This is because the length might make it difficult for some elementary students (and some parents may not be thrilled about all the violence, who knows). Yet the simplified writing style may (or may not) appeal to older readers. Most likely it would be dry and boring for anyone out of middle school. That being said I rate this book a 2 out of 4. This is because this story falls in that dangerous zone between being simple enough for young readers and having just enough detail to feel rushed. The action moves from one major event to another without much of a break in between yet the story is still interesting
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I am honestly not completely sure about my thoughts on this play. I was so excited when it was announced that they would be releasing the script, especially since I will most likely not be able to see the stage production any time soon, but it left me in a weird mental state after reading it. Warning, there may be plot spoilers in this review, so read at your own peril. If you do not want to be spoiled, read the play first, then come back to my review.
I know that a play will never really be the same as reading a novel by good old JK, but it still felt so different from the rest of the Harry Potter series. I found myself wanting more out of it than I got. There was a lot of nostalgia for the other books that I felt when I was reading it. And I loved this play for that reason.
Now don't get me wrong, I really enjoyed the play. It was different, we got to see our Golden Trio all grown up, and see their interactions with other characters, including their children. I did, however, find myself getting angry at the characters--Harry and Ginny in particular. These two characters know, probably more than anyone else in this series, what it is like to be an outsider and to feel ostracized from other people. Yet they let their son feel the same way they did. To me, that sucks. They gave him huge shoes to fill in naming Albus what they did, but it seems that they never explained to him the meaning behind it. They let him hear all of the glorious stories of Dumbledore and Snape, but never let him in on the truth that both of those men were flawed individuals who messed up a lot. In not knowing that truth, Albus was made to think that he was not good enough. Again, super crappy thing to do to a child. Harry, you should know this!!
The plot itself was interesting. I think having to look at the past and see what changing any part of it could do to the future is something Albus, and even Harry, needed to understand. They must acknowledge the past, but still have the hope to look at the future. (Boom. Dumbledore style wisdom right there.) Even Scorpius needed to see what could happen. (By the way, I love Scorpius. I think he is my favorite of all of the children characters because he is adorable and so sassy.)
Just one question: WHERE WAS MY BOY TEDDY LUPIN?!?!?!?! I was looking for him the whole freaking play because I needed to see some of Remus and Tonks in another form, but we got NOTHING and I am upset. I was thinking of taking off another half star just for that fact alone, but I need to be not as bitter about it.
I cried while reading this. Whenever Albus was being self-deprecating, my heart broke even more. And Act 4 killed me. (SPOILERS) I sobbed when they were watching Voldy kill Lily and James. Straight up sobbed like a child.
I loved all of the stage directions and I think it would be very interesting to see how it all plays out on the stage. I honestly have no idea how they would do some of the effects.
Overall, it was a good addition to the Harry Potter novels. Was it as good or give me as many emotions as the novels did? No. But I enjoyed it for what it was.
I know that a play will never really be the same as reading a novel by good old JK, but it still felt so different from the rest of the Harry Potter series. I found myself wanting more out of it than I got. There was a lot of nostalgia for the other books that I felt when I was reading it. And I loved this play for that reason.
Now don't get me wrong, I really enjoyed the play. It was different, we got to see our Golden Trio all grown up, and see their interactions with other characters, including their children. I did, however, find myself getting angry at the characters--Harry and Ginny in particular. These two characters know, probably more than anyone else in this series, what it is like to be an outsider and to feel ostracized from other people. Yet they let their son feel the same way they did. To me, that sucks. They gave him huge shoes to fill in naming Albus what they did, but it seems that they never explained to him the meaning behind it. They let him hear all of the glorious stories of Dumbledore and Snape, but never let him in on the truth that both of those men were flawed individuals who messed up a lot. In not knowing that truth, Albus was made to think that he was not good enough. Again, super crappy thing to do to a child. Harry, you should know this!!
The plot itself was interesting. I think having to look at the past and see what changing any part of it could do to the future is something Albus, and even Harry, needed to understand. They must acknowledge the past, but still have the hope to look at the future. (Boom. Dumbledore style wisdom right there.) Even Scorpius needed to see what could happen. (By the way, I love Scorpius. I think he is my favorite of all of the children characters because he is adorable and so sassy.)
Just one question: WHERE WAS MY BOY TEDDY LUPIN?!?!?!?! I was looking for him the whole freaking play because I needed to see some of Remus and Tonks in another form, but we got NOTHING and I am upset. I was thinking of taking off another half star just for that fact alone, but I need to be not as bitter about it.
I cried while reading this. Whenever Albus was being self-deprecating, my heart broke even more. And Act 4 killed me. (SPOILERS) I sobbed when they were watching Voldy kill Lily and James. Straight up sobbed like a child.
I loved all of the stage directions and I think it would be very interesting to see how it all plays out on the stage. I honestly have no idea how they would do some of the effects.
Overall, it was a good addition to the Harry Potter novels. Was it as good or give me as many emotions as the novels did? No. But I enjoyed it for what it was.
Ross (3284 KP) rated The Wind and the Void in Books
Sep 27, 2017
Having loved the first book in the series, and mostly enjoyed the second, I had hoped the slight dip in form of the second book would be overcome as the series comes to a conclusion. If anything, I would say the slump continues. Ryuu becomes even more irritating and self-obsessed, though the continuing development of Moriko as (in my view) the most important character was a good aspect. I really grew to like Akira more than I had thought, he comes across as someone who wants to do the right thing, personal impacts aside.
I may have zoned out for a few pages, but I'm sure Tenchi had promised to tell Ryuu the secret history of the nightblades and why they left the three kingdoms - but this never seemed to arrive. This would be such an important part of the background to the whole trilogy but I don't remember the resolution I was expecting (but it could have happened while I was getting off the train and my concentration was on other things).
Again, Ryan Kirk's writing style makes it easy to read, but this book was full of typos which I found quite jarring.
The plot basically mimics the first two stories - again the strongest opponent Ryuu has ever faced must be beaten. However, Ryuu's development to do so doesn't really seem believable, it just ... happens.
Again, for me Ryuu mirrors Rand al Thor's character - he becomes less likable or interesting the more powerful he gets.
Overall, I am glad I finished trilogy but I still feel a few too many loose ends were left untied, some fairly significant.
I probably will return to the world of the three kingdoms in the future follow-on series but maybe not immediately.
I may have zoned out for a few pages, but I'm sure Tenchi had promised to tell Ryuu the secret history of the nightblades and why they left the three kingdoms - but this never seemed to arrive. This would be such an important part of the background to the whole trilogy but I don't remember the resolution I was expecting (but it could have happened while I was getting off the train and my concentration was on other things).
Again, Ryan Kirk's writing style makes it easy to read, but this book was full of typos which I found quite jarring.
The plot basically mimics the first two stories - again the strongest opponent Ryuu has ever faced must be beaten. However, Ryuu's development to do so doesn't really seem believable, it just ... happens.
Again, for me Ryuu mirrors Rand al Thor's character - he becomes less likable or interesting the more powerful he gets.
Overall, I am glad I finished trilogy but I still feel a few too many loose ends were left untied, some fairly significant.
I probably will return to the world of the three kingdoms in the future follow-on series but maybe not immediately.
Elli H Burton (1288 KP) rated The Mersey Girls in Books
Jun 15, 2019
Soul Warming
Now, I don't want to spoil anything as I really hope other avid readers will have a read of this book.
One of the main characters in the beginning sort of, fizzles out which is a shame as, it was that character that started the story.
The chapters are so long and I like to stop at a chapter as it's a good stopping point but the whole 394 pages is split into a mere 13 chapters.
The book involves two sides that run concurrently quite well, similarities and differences are seen easily but the timeline is difficult to keep up with.
Although it's lovely that it includes some traditional Irish names, it's hard to read as someone who isn't familiar with them. I also had to google some words and phrases to just make sure I know what it is. For example: Clodagh is a name of a character and I am still not 100% how that is pronounced and what a curragh is.
The plot is very serene - meaning theres no massive things happening just lots of little ones. Not massive drama and although it is slightly romantic, it's quite bland in that, a love story is intruded and that's sort of it, it doesn't seem to cook up it goes from raw to cooked so to speak. The stories core plot is ended sweetly yet kind of anti-climactic. Made me smile but it wasn't as wonderful as I feel it could have been.
Despite this I found the read pleasant, certainly something someone should read if they are a fan of Historical Romances.
One of the main characters in the beginning sort of, fizzles out which is a shame as, it was that character that started the story.
The chapters are so long and I like to stop at a chapter as it's a good stopping point but the whole 394 pages is split into a mere 13 chapters.
The book involves two sides that run concurrently quite well, similarities and differences are seen easily but the timeline is difficult to keep up with.
Although it's lovely that it includes some traditional Irish names, it's hard to read as someone who isn't familiar with them. I also had to google some words and phrases to just make sure I know what it is. For example: Clodagh is a name of a character and I am still not 100% how that is pronounced and what a curragh is.
The plot is very serene - meaning theres no massive things happening just lots of little ones. Not massive drama and although it is slightly romantic, it's quite bland in that, a love story is intruded and that's sort of it, it doesn't seem to cook up it goes from raw to cooked so to speak. The stories core plot is ended sweetly yet kind of anti-climactic. Made me smile but it wasn't as wonderful as I feel it could have been.
Despite this I found the read pleasant, certainly something someone should read if they are a fan of Historical Romances.
Kelly (279 KP) rated Ghost Stories (2018) in Movies
Jan 15, 2019
This would not be out of place in the Twilight Zone
In a time where the audience has become accustomed to jumpy Hollywood horrors, it’s hard to create a horror that provokes the viewer. Ghost stories does this well.
The film itself follows paranormal sceptic, professor Phillip Goodman, as he tries to unpick and denounce three separate cases. The bulk of the film centres around these three cases, all three cases play on the audiences inner fears of the unknown - I’m sure we have all scared ourselves at some point by objects that look differently to what they are in the shadows of the night! To me, the second case, Simon’s story, was the most disturbing simply for how jumpy and scared the character Simon clearly was with the situation. I was a little confused by the ending to Mike’s story, although I understand that it was necessary to move the story to the next stage, I did feel that more explanation was needed.
The format of this film played out like an episode of the Twilight Zone, including the unexpected twist in the end. This too me was what made the film more compelling. Following the big reveal, I spent a little time revisiting each of the cases, and some of the unusual behaviours of the characters and apparitions made more sense.
The acting within the film was good and believable- I am a fan of Martin Freeman, which did draw me to the movie, and although some of the script was a little bizarre, he did act well.
In conclusion, the film was not scary enough to lose sleep over, however it is disturbing enough to make me think and consider my own views on the paranormal.
The film itself follows paranormal sceptic, professor Phillip Goodman, as he tries to unpick and denounce three separate cases. The bulk of the film centres around these three cases, all three cases play on the audiences inner fears of the unknown - I’m sure we have all scared ourselves at some point by objects that look differently to what they are in the shadows of the night! To me, the second case, Simon’s story, was the most disturbing simply for how jumpy and scared the character Simon clearly was with the situation. I was a little confused by the ending to Mike’s story, although I understand that it was necessary to move the story to the next stage, I did feel that more explanation was needed.
The format of this film played out like an episode of the Twilight Zone, including the unexpected twist in the end. This too me was what made the film more compelling. Following the big reveal, I spent a little time revisiting each of the cases, and some of the unusual behaviours of the characters and apparitions made more sense.
The acting within the film was good and believable- I am a fan of Martin Freeman, which did draw me to the movie, and although some of the script was a little bizarre, he did act well.
In conclusion, the film was not scary enough to lose sleep over, however it is disturbing enough to make me think and consider my own views on the paranormal.
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Merissa (12911 KP) rated Strength Check (Dungeons and Dating #1) in Books
Sep 17, 2021 (Updated Jul 14, 2023)
STRENGTH CHECK is the first book in the Dungeons and Dating series, and we start off with Roxie. She has just opened a board game café with her two best friends and has no room in her life for romance. Her self-esteem has been severely battered and she has hidden herself from the world. Melody (Mel) has moved to San Francisco from Philly and rents out a room in Roxie's home. Both of them feel attraction but, due to baggage, neither makes a move.
Miscommunication is a theme where romance is concerned. After all, if everyone just said what they thought, there wouldn't be any books! BUT there seemed to be just a tad too much here for me. I really wanted to slap both Roxie and Mel upside the head. I was cheering when they finally got together!
Found families is a wonderful theme for me. I adore it, and this was no exception. Roxie's found family are divine and I really can't wait for future stories so I can get to meet each of them in closer detail.
This is a slow-burn, steamy romance with fun, frolics, and family. It is also sad in places, leaving me wanting their book now. Sorry, not saying who as I don't want to spoil it.
First in a series and absolutely recommended by me. Just be prepared to be frustrated at the two of them! 😉
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 17, 2021
Miscommunication is a theme where romance is concerned. After all, if everyone just said what they thought, there wouldn't be any books! BUT there seemed to be just a tad too much here for me. I really wanted to slap both Roxie and Mel upside the head. I was cheering when they finally got together!
Found families is a wonderful theme for me. I adore it, and this was no exception. Roxie's found family are divine and I really can't wait for future stories so I can get to meet each of them in closer detail.
This is a slow-burn, steamy romance with fun, frolics, and family. It is also sad in places, leaving me wanting their book now. Sorry, not saying who as I don't want to spoil it.
First in a series and absolutely recommended by me. Just be prepared to be frustrated at the two of them! 😉
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 17, 2021
ClareR (5879 KP) rated Sun of Blood and Ruin in Books
Mar 10, 2024
It’s not often I have something negative to say about a book (you may have noticed), because I really try to choose books that I know I’ll enjoy. After all, who wants to read something they don’t enjoy? I did have high hopes that Sun of Blood and Ruin would be so much more. I was excited that this book was using Mesoamerican mythology and a bit of Mexican history, something I know nothing about.
I remember watching Zoro as a child, and this book felt like that in places. Except Pantera is female - she is a ‘master’ swords-person, a magician and a shapeshifter. So far, so good. Leonora de Las Casas Tlazohtzin is her alter-ego (or is it the other way round? Im never sure which way round it should be) - it’s a great disguise. She is the sister of the regent of New Spain, and promised to the Spanish Prince - who will ever guess that she’s really Pantera?
What didn’t quite gel with me was the way the story was put together. It didn’t feel like a cohesive novel, more like exciting shorts that had been joined together. I think if I’d read this as a graphic novel or a series of short stories, I would have enjoyed it so much more. The second half of the novel is far better than the first half, I will say that.
Perhaps I’m not the right audience for this book? I do like this genre though, and I do read a fair bit of YA Fantasy, so I’m really not so sure it’s that. It looks as though there will be a follow up, and I’d be interested to see if the style is in any way improved and where the story is going next - so this book is definitely a “like” from me.
I remember watching Zoro as a child, and this book felt like that in places. Except Pantera is female - she is a ‘master’ swords-person, a magician and a shapeshifter. So far, so good. Leonora de Las Casas Tlazohtzin is her alter-ego (or is it the other way round? Im never sure which way round it should be) - it’s a great disguise. She is the sister of the regent of New Spain, and promised to the Spanish Prince - who will ever guess that she’s really Pantera?
What didn’t quite gel with me was the way the story was put together. It didn’t feel like a cohesive novel, more like exciting shorts that had been joined together. I think if I’d read this as a graphic novel or a series of short stories, I would have enjoyed it so much more. The second half of the novel is far better than the first half, I will say that.
Perhaps I’m not the right audience for this book? I do like this genre though, and I do read a fair bit of YA Fantasy, so I’m really not so sure it’s that. It looks as though there will be a follow up, and I’d be interested to see if the style is in any way improved and where the story is going next - so this book is definitely a “like” from me.