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Debbiereadsbook (1821 KP) rated Wisdom Check (Dungeons and Dating #2) in Books
Jan 20, 2022
loved that we are past the getting to know you stage!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Dungeons and Dating series, but it can be read as a stand-alone. I would say read book one, Strength Check, as a personal recommendation though! I loved that book!
As I did this one!
We hear about Caleb's divorce in book one, and here, it's all signed on the dotted line, and Sarah has moved out. He has Kaylee, his 2 year old daughter for a week at a time. Julian has crushed on Cal since the very beginning, calling him handsome. But Cal is hurting, and Jules is carrying the weight of his family on his shoulders.
I loved this, I really did.
Jules and Cal have been friends for a year, so there was none of the getting to know you stuff and I really liked that! The story jumps straight in.
Jules has lusted over Cal for all that time, but its really only NOW that Cal is noticing Jules, and I loved that he does wait. Granted. it isn't long after his divorce that he and Jules start something, but he does wait.
Jules carries a lot of weight on his shoulders. You can feel the weight of it pressing him down. It takes a health scare for his youngest brother for Jules to finally break down and get it all out: what he feels for his deceased mother, and his feelings for having to wait to fulfil his own dreams.
I loved that both Jules and Cal thought that this could be something big between them, but both of them had been hurt before.
I did NOT like Cal's ex-wife and how nasty she gets! But she really does get it back, once Cal and Jules get their act together!
Loved that Rox and Mel play a part here, and I loved all the supporting cast too.
Mason and Hunter are next and I look forward to reading their story, especially after the clues that are thrown about here!
But does Jasper get a story, Ms McIntyre?? Does he?? Puleeeeeeeeze say he does! Given as he professes to be a serial one-night-stand-er, it would be fun watching him fall, cos that boy will fall hard, I can just see it!
5 full and shiny stars
*same worded review will appear elsewhere
This is book 2 in the Dungeons and Dating series, but it can be read as a stand-alone. I would say read book one, Strength Check, as a personal recommendation though! I loved that book!
As I did this one!
We hear about Caleb's divorce in book one, and here, it's all signed on the dotted line, and Sarah has moved out. He has Kaylee, his 2 year old daughter for a week at a time. Julian has crushed on Cal since the very beginning, calling him handsome. But Cal is hurting, and Jules is carrying the weight of his family on his shoulders.
I loved this, I really did.
Jules and Cal have been friends for a year, so there was none of the getting to know you stuff and I really liked that! The story jumps straight in.
Jules has lusted over Cal for all that time, but its really only NOW that Cal is noticing Jules, and I loved that he does wait. Granted. it isn't long after his divorce that he and Jules start something, but he does wait.
Jules carries a lot of weight on his shoulders. You can feel the weight of it pressing him down. It takes a health scare for his youngest brother for Jules to finally break down and get it all out: what he feels for his deceased mother, and his feelings for having to wait to fulfil his own dreams.
I loved that both Jules and Cal thought that this could be something big between them, but both of them had been hurt before.
I did NOT like Cal's ex-wife and how nasty she gets! But she really does get it back, once Cal and Jules get their act together!
Loved that Rox and Mel play a part here, and I loved all the supporting cast too.
Mason and Hunter are next and I look forward to reading their story, especially after the clues that are thrown about here!
But does Jasper get a story, Ms McIntyre?? Does he?? Puleeeeeeeeze say he does! Given as he professes to be a serial one-night-stand-er, it would be fun watching him fall, cos that boy will fall hard, I can just see it!
5 full and shiny stars
*same worded review will appear elsewhere
Debbiereadsbook (1821 KP) rated Todd (Tangled Tentacles #3) by JP Sayle & Lisa Oliver in Books
Jun 29, 2022
doesn't quite hit the spot the other two do!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the Tangled Tentacles series, and you really SHOULD read books one, Alexi and two, Victor, before this one. There is stuff that happens in those books that is referenced here, but not fully explained. And, cos, you know, I said so!
I loved, I mean LOVED Alexi and Victor, and was looking forward to Todd, especially once I knew he gets 2 mates, dragons no less. But while I rally really REALLY liked this one, it doesn't quite hit the spot the other two do.
AND I can say, with fair certainty, why too. Which for me and a Sayle book?? Unheard of! The woman messes with my book head, and leaves me with so many freaking questions!
This book revolves around Todd, who is the youngest of 5, and an Omega. For the most part, being Omega means you are smaller, and weaker. Todd hates being Omega. So I was expecting a huge battle with Todd, finding his place with 2 mates, any mates really. But Todd, apart from the meeting and it's aftermath, just kinda goes with it, you know? Once Todd got the full story of Lucas and Ki, it was like "oh, ok then!)
AND
The search for the missing shifters is hardly mentioned here. The story focuses on the missing dragon EGGS and where they went, and who has been taking for so very long. The missing eggs mystery was all wrapped up with a big fat bow FAR too easily for my liking, I'm afraid!
THAT said, however, the way things develop between Todd, Lucas and Ki is sweet and smexy and hella hot! And the baby thing surprised me! Dragon eggs AND baby kracken?? So cute.
And we get the insight into the final two brothers and their stories. Markov, who is currently missing, and that darn commander. And then there is Kelvin and the F-B-freaking-I-guy who has got him all a-fluster.
I will read them, because I feel (book feelings, people, are very important!) there are some things we don't know about these boys yet, and what happened to their parents and whether they really ARE the final kracken alive on the planet (NOT counting babies, of course!)
I gave this 4.5 stars, but can't log that in some places so I'm rounding it . . . .
up to 5 full stars, cos I did love Todd, Lucas and Ki together.
*same worded review will appear elsewhere
This is book 3 in the Tangled Tentacles series, and you really SHOULD read books one, Alexi and two, Victor, before this one. There is stuff that happens in those books that is referenced here, but not fully explained. And, cos, you know, I said so!
I loved, I mean LOVED Alexi and Victor, and was looking forward to Todd, especially once I knew he gets 2 mates, dragons no less. But while I rally really REALLY liked this one, it doesn't quite hit the spot the other two do.
AND I can say, with fair certainty, why too. Which for me and a Sayle book?? Unheard of! The woman messes with my book head, and leaves me with so many freaking questions!
This book revolves around Todd, who is the youngest of 5, and an Omega. For the most part, being Omega means you are smaller, and weaker. Todd hates being Omega. So I was expecting a huge battle with Todd, finding his place with 2 mates, any mates really. But Todd, apart from the meeting and it's aftermath, just kinda goes with it, you know? Once Todd got the full story of Lucas and Ki, it was like "oh, ok then!)
AND
The search for the missing shifters is hardly mentioned here. The story focuses on the missing dragon EGGS and where they went, and who has been taking for so very long. The missing eggs mystery was all wrapped up with a big fat bow FAR too easily for my liking, I'm afraid!
THAT said, however, the way things develop between Todd, Lucas and Ki is sweet and smexy and hella hot! And the baby thing surprised me! Dragon eggs AND baby kracken?? So cute.
And we get the insight into the final two brothers and their stories. Markov, who is currently missing, and that darn commander. And then there is Kelvin and the F-B-freaking-I-guy who has got him all a-fluster.
I will read them, because I feel (book feelings, people, are very important!) there are some things we don't know about these boys yet, and what happened to their parents and whether they really ARE the final kracken alive on the planet (NOT counting babies, of course!)
I gave this 4.5 stars, but can't log that in some places so I'm rounding it . . . .
up to 5 full stars, cos I did love Todd, Lucas and Ki together.
*same worded review will appear elsewhere
BankofMarquis (1832 KP) rated The Whale (2022) in Movies
Mar 5, 2023
Raw and Honest
Give Brendan Fraser the Oscar already.
Hollywood loves a comeback story and the return of Fraser to the Hollywood "A" list is complete with his heart-wrenching, honest turn in Darren Aronofsky's THE WHALE. It is the type of comeback that is deserving of all the accolades and awards that has come his way.
Directed, with restraint not normally associated with Aronofsky, THE WHALE tells the tale of a College Professor who drowns his feelings in food. The film, based on the play (and screenplay) by Samuel D. Hunter follows this Professor, Charlie (Brendan Fraser of THE MUMMY fame) as he seeks to make amends with his estranged daughter as his obesity starts to take it's toll.
Since this is based on a stage play, most of the film takes place inside Charlie's apartment and the number of characters in this film are limited - and all of them hit their mark very well, thanks to the Best Direction that Aronofsky has ever achieved. He limits his usual histrionics, letting the camera focus on the faces and emotions of his characters, keeping movement to a minimum and engrossing the audience in the punch that these emotions provide. It is a shame that he was not Nominated for an Oscar for his work here, it is masterful.
Because of this - and the powerful script by Hunter - the cast of this film shines brightly. From Samantha Morton (MINORITY REPORT) to Ty Simpkins (JURASSIC WORLD) to Sadie Sink (Max Mayfield in Netflix' STRANGER THINGS), Aronofsky draws strong, raw and HONEST performances that elevate as each interact with each other.
Hong Chau (giving her 2nd straight strong performance following her work in the under-rated and under-appreciated THE MENU) is also Oscar Nominated (for Supporting Actress) for her work as Charlie's caregiver. It is a subtle, loving, emotional performance that touches the heart and her Oscar nomination is well deserved.
But, make no mistake about it, this film is Fraser's and he commands it from start to finish. Sure, the "fat suit" he is wearing that gives him the appearance of a 400 lb (+) obese man is jarring, but it is the raw emotions - rage, fear, sadness, hate, self-loathing and love - that Fraser is able to eminate through that wall of prosthetics that is truly astonishing. It is the performance of a career and one that will win him the Oscar.
Welcome back, Brendan Fraser, the movies missed you.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Hollywood loves a comeback story and the return of Fraser to the Hollywood "A" list is complete with his heart-wrenching, honest turn in Darren Aronofsky's THE WHALE. It is the type of comeback that is deserving of all the accolades and awards that has come his way.
Directed, with restraint not normally associated with Aronofsky, THE WHALE tells the tale of a College Professor who drowns his feelings in food. The film, based on the play (and screenplay) by Samuel D. Hunter follows this Professor, Charlie (Brendan Fraser of THE MUMMY fame) as he seeks to make amends with his estranged daughter as his obesity starts to take it's toll.
Since this is based on a stage play, most of the film takes place inside Charlie's apartment and the number of characters in this film are limited - and all of them hit their mark very well, thanks to the Best Direction that Aronofsky has ever achieved. He limits his usual histrionics, letting the camera focus on the faces and emotions of his characters, keeping movement to a minimum and engrossing the audience in the punch that these emotions provide. It is a shame that he was not Nominated for an Oscar for his work here, it is masterful.
Because of this - and the powerful script by Hunter - the cast of this film shines brightly. From Samantha Morton (MINORITY REPORT) to Ty Simpkins (JURASSIC WORLD) to Sadie Sink (Max Mayfield in Netflix' STRANGER THINGS), Aronofsky draws strong, raw and HONEST performances that elevate as each interact with each other.
Hong Chau (giving her 2nd straight strong performance following her work in the under-rated and under-appreciated THE MENU) is also Oscar Nominated (for Supporting Actress) for her work as Charlie's caregiver. It is a subtle, loving, emotional performance that touches the heart and her Oscar nomination is well deserved.
But, make no mistake about it, this film is Fraser's and he commands it from start to finish. Sure, the "fat suit" he is wearing that gives him the appearance of a 400 lb (+) obese man is jarring, but it is the raw emotions - rage, fear, sadness, hate, self-loathing and love - that Fraser is able to eminate through that wall of prosthetics that is truly astonishing. It is the performance of a career and one that will win him the Oscar.
Welcome back, Brendan Fraser, the movies missed you.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Debbiereadsbook (1821 KP) rated Scoring Position (Hockey Ever After #2) in Books
Oct 20, 2022
loved this much more than book 1!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Hockey Ever After series. I don't think its fully necessary to read book one, Winging It, before this but it might give you a better picture of the world these players live in. And I really enjoyed that book. Dante and Gabe do pop up, but knowing their story isn't essential, just helpful, especially with Tom and Kitty (side characters) playing a large part here.
Ryan is traded out and his new team is a mess. Their star player, Nico, even more so. But Ryan can see that Nico is hurting, in more ways than one. Finding his sense of humour was a great start. The Ryan messed it all up. And just what is going on with the coach?
I really enjoyed book one, gave it 4 stars, but I found this a much more engaging read, a deeper emotion read. I loved it.
Neither man is in the closet, so there was none of the coming out issue. What there was, though, was a lot of anger on Nico's part and much was misplaced. Ryan needed him to focus that anger, on the ice, rather than punishing himself. Falling for the other gay teamn member was in neither man's plans but fate has a way, huh?
I loved that it really did creep up on them both. Yes there was attraction from the start but the feelings came later and they both fought it hard. Ryan messing up, though? THAT came out of nowhere and I did NOT see that coming! I was reading, and then I was "OH MY GOD, RYAN, WHAT ARE YOU DOING?!?!?!?!" out loud and my partner was somewhat shocked at me! Oh he does redeem himself, but I loved that Nico makes him work hard for that redemption. There is not a quick fix, either, and it does take time for them to be really together.
I loved that we caught up with Dante and Gabe from book one. And Tom and Kitty. I think this is a couple of years after Winging It, since Tom is captain of Ryan's new team, and has a couple of kids. Kitty surprised me though!
Are there any more planned?? I'm loving this series, but these authors are growing on me, as a duo.
5 full and shiny stars
*same worded review will appear elsewhere
This is book 2 in the Hockey Ever After series. I don't think its fully necessary to read book one, Winging It, before this but it might give you a better picture of the world these players live in. And I really enjoyed that book. Dante and Gabe do pop up, but knowing their story isn't essential, just helpful, especially with Tom and Kitty (side characters) playing a large part here.
Ryan is traded out and his new team is a mess. Their star player, Nico, even more so. But Ryan can see that Nico is hurting, in more ways than one. Finding his sense of humour was a great start. The Ryan messed it all up. And just what is going on with the coach?
I really enjoyed book one, gave it 4 stars, but I found this a much more engaging read, a deeper emotion read. I loved it.
Neither man is in the closet, so there was none of the coming out issue. What there was, though, was a lot of anger on Nico's part and much was misplaced. Ryan needed him to focus that anger, on the ice, rather than punishing himself. Falling for the other gay teamn member was in neither man's plans but fate has a way, huh?
I loved that it really did creep up on them both. Yes there was attraction from the start but the feelings came later and they both fought it hard. Ryan messing up, though? THAT came out of nowhere and I did NOT see that coming! I was reading, and then I was "OH MY GOD, RYAN, WHAT ARE YOU DOING?!?!?!?!" out loud and my partner was somewhat shocked at me! Oh he does redeem himself, but I loved that Nico makes him work hard for that redemption. There is not a quick fix, either, and it does take time for them to be really together.
I loved that we caught up with Dante and Gabe from book one. And Tom and Kitty. I think this is a couple of years after Winging It, since Tom is captain of Ryan's new team, and has a couple of kids. Kitty surprised me though!
Are there any more planned?? I'm loving this series, but these authors are growing on me, as a duo.
5 full and shiny stars
*same worded review will appear elsewhere
Purple Phoenix Games (2266 KP) rated Ticket to Ride in Tabletop Games
Jan 9, 2020
I am one of the remaining few who reviewers who haven’t put in their two cents on Ticket to Ride. Why? Is it bad? No. Am I lazy? No. It’s really because I don’t think I have anything new to say about it that hasn’t already been said a hundred times. So this review on this game will be a little different from me. Instead of going over the rules and such (however truncated they typically are from me) I will question how well this game has aged for me.
Ticket to Ride is one of those games that has really hit it big in the mass market. You can find it all over in big box stores, in FLGS, online, secondary market, just everywhere. But why? And for this long? Ticket to Ride (TTR) came out in 2004. A mere 15 years ago. While that doesn’t really sound like a long time, in contrast to today’s game industry it is an eternity. With thousands upon thousands of games being released into the market through direct publish, Kickstarter/crowd funding, and big releases at conventions it’s hard to believe that you can still find this hanging with the exciting, fresh new games.
What I truly believe is magical about this game is its simplicity. “You have two main options: take some cards or play some cards.” When you can start a teach of a game by saying that, your players are invested right away because they know you aren’t going to bog them down with rules upon rules. “If you decide to take cards you can take these colored train cards or you can take new route ticket cards.” So now players have two choices from gaining cards. “If you decide to play cards you need to play cards of a color and number matching whichever route between two connecting cities on the map you like.” Done. The game is explained. Yeah, you can fight me about the endgame scoring stuff like longest route and whatnot, but for new gamers, you have explained this classic in three sentences. It’s so beautiful when a game allows you to teach it so quickly.
But that surely means that this is an easy game, right? With so few rules and such. Well, no. It’s not really “easy” at all. While your main rules are light, the strategy and tactics during play can cause feelings of joy and delight as well as frustration and concern as you see someone claim the route you need to connect to two cities on the map. Of course, you can’t explain that to your new players right away. You want them to experience these feelings organically and fully. It’s what makes TTR a really great game: having your well-laid plans just shot to smithereens by the guy who can’t tell the difference between the white train cars and the wild rainbow train cars.
DISCLAIMER: I play with the 1910 expansion, which is a MUST. The larger cards are way easier to play with. See photo below with comparisons from base game on bottom with the larger 1910 cards above. YMMV, but I will always play using this expansion. -T
Components. Let’s compare components to some current or newer games. The game board is laid out really well, and the artwork is sparse and not over-busy on the board. This is a HUGE plus for me. I like nothing more than for the board to offer thematic elements and feeling without pelting my eyes with too much distraction. The cards were a bad choice. Not because the art or the quality on them is bad – because that’s not what I am saying. The size of the cards was a poor choice. I did purchase the 1910 expansion and simply will not play my copy without it. I recently played TTR for GenCan’t 2019 at my FLGS with OG base cards and found myself dreaming of the 1910 cards. The score tracker discs are of industry-standard quality for scoring discs. The plastic train car pieces are still just as wonderful to handle and play with as are many other more modern components. Seriously just as good. TTR components (and really, most of the time Days of Wonder components in general) are really great.
So do I still enjoy playing it? You betcha, don’tcha know. I still love seeing the board in front of me, agonizing over the route tickets I am dealt, and trying to decide if I should go for the New York to Los Angeles, or keep it simple with multiple routes along the Mississippi River. I still love the panic that ensues when I see people hoarding train cards, just knowing that they will soon be on the attack and their train car collection will dwindle to almost endgame levels in too few rounds for me to complete my masterpiece. I guess I still really love it.
Is Ticket to Ride my favorite game? No. But I’ll tell you what. I hadn’t played it in a couple years, and after this weekend’s play, it has moved up on my list by several spaces. It still holds a special place in my heart, and also the hearts of my team. That’s why Purple Phoenix Games gives Ticket to Ride a retrospective 20 / 24. It’s still great!
Ticket to Ride is one of those games that has really hit it big in the mass market. You can find it all over in big box stores, in FLGS, online, secondary market, just everywhere. But why? And for this long? Ticket to Ride (TTR) came out in 2004. A mere 15 years ago. While that doesn’t really sound like a long time, in contrast to today’s game industry it is an eternity. With thousands upon thousands of games being released into the market through direct publish, Kickstarter/crowd funding, and big releases at conventions it’s hard to believe that you can still find this hanging with the exciting, fresh new games.
What I truly believe is magical about this game is its simplicity. “You have two main options: take some cards or play some cards.” When you can start a teach of a game by saying that, your players are invested right away because they know you aren’t going to bog them down with rules upon rules. “If you decide to take cards you can take these colored train cards or you can take new route ticket cards.” So now players have two choices from gaining cards. “If you decide to play cards you need to play cards of a color and number matching whichever route between two connecting cities on the map you like.” Done. The game is explained. Yeah, you can fight me about the endgame scoring stuff like longest route and whatnot, but for new gamers, you have explained this classic in three sentences. It’s so beautiful when a game allows you to teach it so quickly.
But that surely means that this is an easy game, right? With so few rules and such. Well, no. It’s not really “easy” at all. While your main rules are light, the strategy and tactics during play can cause feelings of joy and delight as well as frustration and concern as you see someone claim the route you need to connect to two cities on the map. Of course, you can’t explain that to your new players right away. You want them to experience these feelings organically and fully. It’s what makes TTR a really great game: having your well-laid plans just shot to smithereens by the guy who can’t tell the difference between the white train cars and the wild rainbow train cars.
DISCLAIMER: I play with the 1910 expansion, which is a MUST. The larger cards are way easier to play with. See photo below with comparisons from base game on bottom with the larger 1910 cards above. YMMV, but I will always play using this expansion. -T
Components. Let’s compare components to some current or newer games. The game board is laid out really well, and the artwork is sparse and not over-busy on the board. This is a HUGE plus for me. I like nothing more than for the board to offer thematic elements and feeling without pelting my eyes with too much distraction. The cards were a bad choice. Not because the art or the quality on them is bad – because that’s not what I am saying. The size of the cards was a poor choice. I did purchase the 1910 expansion and simply will not play my copy without it. I recently played TTR for GenCan’t 2019 at my FLGS with OG base cards and found myself dreaming of the 1910 cards. The score tracker discs are of industry-standard quality for scoring discs. The plastic train car pieces are still just as wonderful to handle and play with as are many other more modern components. Seriously just as good. TTR components (and really, most of the time Days of Wonder components in general) are really great.
So do I still enjoy playing it? You betcha, don’tcha know. I still love seeing the board in front of me, agonizing over the route tickets I am dealt, and trying to decide if I should go for the New York to Los Angeles, or keep it simple with multiple routes along the Mississippi River. I still love the panic that ensues when I see people hoarding train cards, just knowing that they will soon be on the attack and their train car collection will dwindle to almost endgame levels in too few rounds for me to complete my masterpiece. I guess I still really love it.
Is Ticket to Ride my favorite game? No. But I’ll tell you what. I hadn’t played it in a couple years, and after this weekend’s play, it has moved up on my list by several spaces. It still holds a special place in my heart, and also the hearts of my team. That’s why Purple Phoenix Games gives Ticket to Ride a retrospective 20 / 24. It’s still great!
An Amish Christmas Bakery (4 Stories)
Beth Wiseman, Amy Clipston, Kelly Irvin and Kathleen Fuller
8.7
Rate It
Book
Cookies and Cheer by Amy Clipston: Alyssa Byler dreaming of the next holiday window display for...
Amish Romance Amish Fiction
TheDefunctDiva (304 KP) rated The Boondock Saints (1999) in Movies
Sep 26, 2017
B is for Bad A**
Contains spoilers, click to show
This entertaining action film opens with aerial views of Boston and narration of the Lord's Prayer on St. Patty's Day. Soon, we are introduced to two Irish brothers, Connor and Murphy MacManus. The terrible twosome work in a meat-packing plant: in their spare time, they slaughter evildoers. What could be better? With their black shirts, black blazers, and blue jeans, the brothers seem like Mormon missionaries gone horribly wrong.
Connor and Murphy (played by Sean Patrick Flanery and Norman Reedus), fall into the
profession of murdering bad guys quite by accident. Initially, the fact that they killed a Russian crime lord, and his associate, after a bar fight seems a coincidental act of self-defense. They are hailed, at first, as heroes. They somehow continue to avoid prosecution, though from the beginning they are being pursued by FBI agent Paul Smecker. They start targeting the crime lords on purpose, and they eventually end up being hunted by a more ominous figure, the legendary hitman Il Duce.
Willem Dafoe gets an A for awesome in my book for his performance as FBI agent Paul Smecker. Smecker is a homosexual, and he is not apologetic about it. In fact, he draws attention to his orientation in many scenes. Particularly memorable is the moment where he corrects an officer’s use of the word “symbology” by hissing a pronounced s: “ssssymbolism.” Later in the film, Dafoe even gets the opportunity to use his feminine wiles by dressing in drag, a visual experience which I promise is as disconcerting as it sounds.
The presentation of Smecker’s crime scene explanations was particularly impressive. The crime scene was shown first, and the events that created it unfolded in retrospect as Smecker described the scene. Enhanced by the intensity of the score, Dafoe offered a memorable narration of an epic shootout, during which he resembles an insane conductor.
The writing in this film was great, with witty one-liners throughout to break the tension. There were several moments in the film where one wonders if the brothers’ success is due to dumb luck or divinity. The MacManus twins certainly seem to believe that their cause is a righteous one.
I must also acknowledge the score, by Jeff Danna, which beautifully compliments the opening sequence and the rest of the film. The score even includes a variation of a hymn, infused with a beat you can dance to.
I love a good revenge film, and this is one for the ages. To sum up my complex feelings about the vigilante-style justice in this film, I must end with a quote by Connor MacManus: "I'm strangely comfortable with it."
Connor and Murphy (played by Sean Patrick Flanery and Norman Reedus), fall into the
profession of murdering bad guys quite by accident. Initially, the fact that they killed a Russian crime lord, and his associate, after a bar fight seems a coincidental act of self-defense. They are hailed, at first, as heroes. They somehow continue to avoid prosecution, though from the beginning they are being pursued by FBI agent Paul Smecker. They start targeting the crime lords on purpose, and they eventually end up being hunted by a more ominous figure, the legendary hitman Il Duce.
Willem Dafoe gets an A for awesome in my book for his performance as FBI agent Paul Smecker. Smecker is a homosexual, and he is not apologetic about it. In fact, he draws attention to his orientation in many scenes. Particularly memorable is the moment where he corrects an officer’s use of the word “symbology” by hissing a pronounced s: “ssssymbolism.” Later in the film, Dafoe even gets the opportunity to use his feminine wiles by dressing in drag, a visual experience which I promise is as disconcerting as it sounds.
The presentation of Smecker’s crime scene explanations was particularly impressive. The crime scene was shown first, and the events that created it unfolded in retrospect as Smecker described the scene. Enhanced by the intensity of the score, Dafoe offered a memorable narration of an epic shootout, during which he resembles an insane conductor.
The writing in this film was great, with witty one-liners throughout to break the tension. There were several moments in the film where one wonders if the brothers’ success is due to dumb luck or divinity. The MacManus twins certainly seem to believe that their cause is a righteous one.
I must also acknowledge the score, by Jeff Danna, which beautifully compliments the opening sequence and the rest of the film. The score even includes a variation of a hymn, infused with a beat you can dance to.
I love a good revenge film, and this is one for the ages. To sum up my complex feelings about the vigilante-style justice in this film, I must end with a quote by Connor MacManus: "I'm strangely comfortable with it."
Haley Mathiot (9 KP) rated Birthmarked (Birthmarked, #1) in Books
Apr 27, 2018
Gaia is a midwife, apprentice to her mother. But her job is not just to deliver the babies: it’s to take the first three of the month to the city within the wall away from their families, to “Advance” them and let them join the government there. Gaia has never questioned the government—until she has to advance a baby herself, until her innocent parents are taken away, until she sees the injustice that happens behind the wall… Gaia’s only wish is to get her parents back, safely outside the wall, and then flee to the Dead Forest—which may or may not exist—but when she finally gets in, a series of events makes her question what is really right, who she loves, and what she lives for.
When I first started Birthmarked, I had a hard time getting through the first chapter. The thought of these people taking the newborn babies away from their parents to live in the richer society but away from the ones who loved them made me sick to my stomach, and I almost put it down completely. It also struck me as familiar, and I realized later that it was the whole concept of taking the children away. It reminded me of The Hunger Games, and I didn’t want a lousy play-off. But I couldn’t stop reading, because it was just so good. Good thing I didn’t stop.
The plot had me guessing every step of the way. It was completely unpredictable and I’m still reeling from it.
The writing was beautiful and descriptive, so visual that I could see everything exactly. It almost had a rhythmic feel to it.
The characters were wonderful. Gaia is a strong willed girl, willing to do anything for the people she loves. The other characters are quickly defined and unique. Gaia’s father is a sweet wonderful man, and her mother was strong and beautiful like Gaia herself.
One of the things I love about this book is the realness behind everything—the dialogue, the feelings, even the romance. Especially the romance. I hate it when the main characters get crushes for each other within the first paragraph of the book. In Birthmarked, I didn’t see it coming until maybe halfway through the book (and that was only because the character just kept reappearing). I love that!
The ending, though, left me hanging a little. It wasn’t as horrible as The Hunger Games endings have been (hurry up, Suzanne!) but it did leave me saying “but… but… but….awww dang….” I shall be sitting on the edge of my seat, waiting for the sequel. And there better be a sequel.
Content: Clean of sex, language, and violence.
Recommendation: Ages 12+ Adults will love it, too!
When I first started Birthmarked, I had a hard time getting through the first chapter. The thought of these people taking the newborn babies away from their parents to live in the richer society but away from the ones who loved them made me sick to my stomach, and I almost put it down completely. It also struck me as familiar, and I realized later that it was the whole concept of taking the children away. It reminded me of The Hunger Games, and I didn’t want a lousy play-off. But I couldn’t stop reading, because it was just so good. Good thing I didn’t stop.
The plot had me guessing every step of the way. It was completely unpredictable and I’m still reeling from it.
The writing was beautiful and descriptive, so visual that I could see everything exactly. It almost had a rhythmic feel to it.
The characters were wonderful. Gaia is a strong willed girl, willing to do anything for the people she loves. The other characters are quickly defined and unique. Gaia’s father is a sweet wonderful man, and her mother was strong and beautiful like Gaia herself.
One of the things I love about this book is the realness behind everything—the dialogue, the feelings, even the romance. Especially the romance. I hate it when the main characters get crushes for each other within the first paragraph of the book. In Birthmarked, I didn’t see it coming until maybe halfway through the book (and that was only because the character just kept reappearing). I love that!
The ending, though, left me hanging a little. It wasn’t as horrible as The Hunger Games endings have been (hurry up, Suzanne!) but it did leave me saying “but… but… but….awww dang….” I shall be sitting on the edge of my seat, waiting for the sequel. And there better be a sequel.
Content: Clean of sex, language, and violence.
Recommendation: Ages 12+ Adults will love it, too!
*＊✿❀ Maki ❀✿＊* (7 KP) rated Crown of Midnight in Books
May 3, 2018
Crown of Midnight was a wonderful sequel - it improved on pretty much everything from the first book.
Celaena doesn't really do much assassination? Now she's the King's Champion, and it's her job. <spoiler>Well, okay - maybe there's still not too much assassination going on. But there's definitely more action!</spoiler>
That pesky love triangle gets completely done away with (which makes me question why it was an issue in the first place, aside from being there to create drama), and in its place a believable, sweet romance is started.
(I am Team Chaol. All the way.)
Dorian actually grows as a character, and is more than just a stereotypical womanizer.
Even the scope of the story is larger. Where the first book was primarily centered around the castle, Crown of Midnight actually gives us a look at the city. Or, well, certain parts of it, at any rate. And while the threat is still the same vague threat as the first book, by the end, things start to fall into place about what exactly happened ten years ago, and where magic disappeared to.
I really enjoyed this one, which was nice, given my lukewarm feelings about the first book in the series. A good portion of my change of opinion is because of the growth of Dorian and Chaol - particularly Chaol.
I am a sucker for many things in fantasy. I love a good assassin. I love magic, especially when the magic system is well thought out. I love thieves. And I also love loyal knights who have to deal with the bombshell of finding out that everything they thought they were protecting was a lie.
Just watching Chaol fight to reconcile his old loyalties and what he grew up believing with what he now knows to be the truth was beautiful. He goes through an amazing amount of character development, and is easily the most complex character in the story. (Which is why I'm Team Chaol. Even though Celaena doesn't really deserve him.)
He actually reminded me a lot of Darres, from the [b:Vampire Game, Volume 01|282294|Vampire Game, Volume 01|JUDAL|https://d.gr-assets.com/books/1343116853s/282294.jpg|273847] manga. Dang it. I need to reread that entire series.
Unfortunately, Celaena stopped me from absolutely adoring this book. She didn't grow very much as a character - in places she actually seemed to regress - and the "twist" was painfully predictable. Even if I hadn't guessed it back at the start of the first book, based on the type of story this is, there's more than enough to pick up on what's going on.
So my reaction was less, <i>"GASP!!!"</i> and more, <i>"Why has nobody else figured this out???"</i>
Especially the king. You'd think he'd be all over that.
Celaena doesn't really do much assassination? Now she's the King's Champion, and it's her job. <spoiler>Well, okay - maybe there's still not too much assassination going on. But there's definitely more action!</spoiler>
That pesky love triangle gets completely done away with (which makes me question why it was an issue in the first place, aside from being there to create drama), and in its place a believable, sweet romance is started.
(I am Team Chaol. All the way.)
Dorian actually grows as a character, and is more than just a stereotypical womanizer.
Even the scope of the story is larger. Where the first book was primarily centered around the castle, Crown of Midnight actually gives us a look at the city. Or, well, certain parts of it, at any rate. And while the threat is still the same vague threat as the first book, by the end, things start to fall into place about what exactly happened ten years ago, and where magic disappeared to.
I really enjoyed this one, which was nice, given my lukewarm feelings about the first book in the series. A good portion of my change of opinion is because of the growth of Dorian and Chaol - particularly Chaol.
I am a sucker for many things in fantasy. I love a good assassin. I love magic, especially when the magic system is well thought out. I love thieves. And I also love loyal knights who have to deal with the bombshell of finding out that everything they thought they were protecting was a lie.
Just watching Chaol fight to reconcile his old loyalties and what he grew up believing with what he now knows to be the truth was beautiful. He goes through an amazing amount of character development, and is easily the most complex character in the story. (Which is why I'm Team Chaol. Even though Celaena doesn't really deserve him.)
He actually reminded me a lot of Darres, from the [b:Vampire Game, Volume 01|282294|Vampire Game, Volume 01|JUDAL|https://d.gr-assets.com/books/1343116853s/282294.jpg|273847] manga. Dang it. I need to reread that entire series.
Unfortunately, Celaena stopped me from absolutely adoring this book. She didn't grow very much as a character - in places she actually seemed to regress - and the "twist" was painfully predictable. Even if I hadn't guessed it back at the start of the first book, based on the type of story this is, there's more than enough to pick up on what's going on.
So my reaction was less, <i>"GASP!!!"</i> and more, <i>"Why has nobody else figured this out???"</i>
Especially the king. You'd think he'd be all over that.
Rachel King (13 KP) rated Finding the Light of Jesus in Books
Feb 11, 2019
When I first started to read this book, I realized very quickly how simply written this book is. The first ten chapters read as if I were sitting in a therapy session with the author and she were talking to me. They are written without much emphasis on detail, and seemed to focus largely on how a person feels in regards to stress and depression. Though the author writes extensively on the light of Jesus, she does not quote a single Bible verse, though she attempts to paraphrase a few - without citations. The beginning and end of each of these ten chapters also contain a poem she wrote and calls prayers, though the poetry is badly written and has little resemblance to an actual prayer, in my opinion. Also scattered through the chapters are activities that the author recommends for the reader, such as journaling and answering questions.
The final chapter is actually a collection of prayers and reflections that the reader is supposed to follow over the course of seven days. This is followed by a section of "Conversations With Jesus" that focus on different topics such as anger, jealousy, being overwhelmed, and fear. This is followed by five pages in which she quotes a scripture from the New American Bible, and leaves a blank space for the reader to journal the answers to her questions about the scripture verse. This is followed by more of her prayers and a further 30 days of prayer and reflection.
Overall, the author presents a Jesus that is only concerned about a person's feelings, whom the author seems to believe that everyone has inside of him or her from birth. She further indicates that everyone goes to heaven, and Jesus' strongest quality is being a "light." No mention is made of the basic precepts of Bible-based Christianity, such as sin, salvation, and the resurrection of Jesus Christ. Instead she writes things that seem to contradict parts of scripture, such as stating that Jesus does not judge us and that we are the "light," as well as what I previously mentioned about everyone going to heaven. In the context of that paragraph, I almost expected the author to write that we are all Jesus. I also noticed while reading that nowhere does she ever refer to Him as Jesus Christ either. The entire book has a vague New Age feel, as many of the things Tuttle writes mimic the doctrine of a New Age Jesus.
The author, Cindy Tuttle, has a background of working in the mental health industry for more than twenty-five years. Based on what I have read in this book, I have no doubt that she is good at her job and finds great success with her patients, but I do not find this book of the same calibur.
The final chapter is actually a collection of prayers and reflections that the reader is supposed to follow over the course of seven days. This is followed by a section of "Conversations With Jesus" that focus on different topics such as anger, jealousy, being overwhelmed, and fear. This is followed by five pages in which she quotes a scripture from the New American Bible, and leaves a blank space for the reader to journal the answers to her questions about the scripture verse. This is followed by more of her prayers and a further 30 days of prayer and reflection.
Overall, the author presents a Jesus that is only concerned about a person's feelings, whom the author seems to believe that everyone has inside of him or her from birth. She further indicates that everyone goes to heaven, and Jesus' strongest quality is being a "light." No mention is made of the basic precepts of Bible-based Christianity, such as sin, salvation, and the resurrection of Jesus Christ. Instead she writes things that seem to contradict parts of scripture, such as stating that Jesus does not judge us and that we are the "light," as well as what I previously mentioned about everyone going to heaven. In the context of that paragraph, I almost expected the author to write that we are all Jesus. I also noticed while reading that nowhere does she ever refer to Him as Jesus Christ either. The entire book has a vague New Age feel, as many of the things Tuttle writes mimic the doctrine of a New Age Jesus.
The author, Cindy Tuttle, has a background of working in the mental health industry for more than twenty-five years. Based on what I have read in this book, I have no doubt that she is good at her job and finds great success with her patients, but I do not find this book of the same calibur.