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Jamie (131 KP) rated The Edible Woman in Books
May 24, 2017
An honest exploration of the roles of women, marriage, and entering adulthood
Marian is an average college-educated woman who lives with a roommate in a decent apartment, works for a survey company, is moderately good looking, and has a handsome fiancé who is on his way to being a big shot lawyer. It sounds like life altogether is going pretty well for Marian. Yet for some reason she feels empty, why?
The Edible Woman explores the themes of losing a sense of self with maturity. At work she is pushed around, her roommate Ainsley is inconsiderate, the landlady is judgmental, and her boyfriend Peter is self centered and makes snide comments at Marian’s expense, acting like he can barely tolerate her. With each encounter Marian puts aside her pride for the sake of avoiding conflict. Marian expresses her problems through eating, or the lack thereof, hinting at a potential eating disorder. Just as she feels inhibited in life, she suddenly feels inhibited with the kinds of food that she can eat.
As the story continues she begins to dread marriage and question the direction her life is going—becoming just as listless as her friend and former classmate Clara, who after marriage and three pregnancies just seems beaten down. Marian’s fiancé Peter is the stereotypical perfect bachelor: a man’s man that looks down on women and views marriage as a ball and chain. Peter pushes Marian around in order to mold her into a subservient woman. There is no longer any room for her thoughts, her feelings, or her desires from under his shadow.
But what about work? What are women’s roles in society and the work force? Throughout the story there are several women including Marian with college educations, yet none of them really have a stable career. Women are expected to be wives and mothers, there’s simply no time for an education or a job. In this case, their educations are ultimately viewed as their downfall due to the crushing reality of how little opportunity they would have. This was the very sad truth at the time the book was written and thankfully is not exactly the case now in most parts of the world.
Atwood tackles a large number of social issues throughout the book that I think would be important for any young woman. Adulthood, relationships, marriage, the choice between work and education versus starting a family, and lastly feminism—both good and bad. (Hint: Ainsely is a perfect example of a bad feminist.)
There are certain elements of the book that are becoming quite dated. Namely the typewriters, the social expectation that all women can be are housewives, and the limited ways that women can dress; These things might make it difficult for young women to look past and relate to the main character. Despite this the book is still incredibly relevant in the message that it brings about maintaining one’s individuality. I absolutely love this book and found a lot of my former self in it’s pages.
The Edible Woman explores the themes of losing a sense of self with maturity. At work she is pushed around, her roommate Ainsley is inconsiderate, the landlady is judgmental, and her boyfriend Peter is self centered and makes snide comments at Marian’s expense, acting like he can barely tolerate her. With each encounter Marian puts aside her pride for the sake of avoiding conflict. Marian expresses her problems through eating, or the lack thereof, hinting at a potential eating disorder. Just as she feels inhibited in life, she suddenly feels inhibited with the kinds of food that she can eat.
As the story continues she begins to dread marriage and question the direction her life is going—becoming just as listless as her friend and former classmate Clara, who after marriage and three pregnancies just seems beaten down. Marian’s fiancé Peter is the stereotypical perfect bachelor: a man’s man that looks down on women and views marriage as a ball and chain. Peter pushes Marian around in order to mold her into a subservient woman. There is no longer any room for her thoughts, her feelings, or her desires from under his shadow.
But what about work? What are women’s roles in society and the work force? Throughout the story there are several women including Marian with college educations, yet none of them really have a stable career. Women are expected to be wives and mothers, there’s simply no time for an education or a job. In this case, their educations are ultimately viewed as their downfall due to the crushing reality of how little opportunity they would have. This was the very sad truth at the time the book was written and thankfully is not exactly the case now in most parts of the world.
Atwood tackles a large number of social issues throughout the book that I think would be important for any young woman. Adulthood, relationships, marriage, the choice between work and education versus starting a family, and lastly feminism—both good and bad. (Hint: Ainsely is a perfect example of a bad feminist.)
There are certain elements of the book that are becoming quite dated. Namely the typewriters, the social expectation that all women can be are housewives, and the limited ways that women can dress; These things might make it difficult for young women to look past and relate to the main character. Despite this the book is still incredibly relevant in the message that it brings about maintaining one’s individuality. I absolutely love this book and found a lot of my former self in it’s pages.
It Could Have Been Fantastic
I feel very conflicted about this YA novel so please bear with me as I try to explain why!
The positives first. The plot is very interesting and well thought out. Although not entirely original it isn't your run of the mill haunted house story either.
The main characters are well rounded and sympathetic. They each have a strong voice and are relatable. The author is very good at creating tension and does not shy away from scary/unsettling images.
The narration and pace of the story feels perfect for a young adult book - no slow enough to be condescending but with simple sentence structures and short chapters that will help to encourage reluctant or not so confident readers to stick with it. I would certainly use this book in my teaching role for my higher level students - adults that struggle with literacy and/or have slight learning difficulties.
The messages that this story carries are important ones. The main message is especially vital for both male and female readers.
Now for the negative's. There is rather a lot of repetition in the story. Not just parts of the back story but actual sentences in a couple of instances. This did grow to be tiresome and, had I read this aged fourteen I would have felt the same way. Unfortunately this did tend to slow the story down at times. Reading the exact same joke from four chapters ago isn't great.
The book centres on one character and what happened to her. I felt that the sudden shift in her personality was rushed. More time should have been taken to really understand her and what happened to her.
The fact that she is automatically disbelieved is not great. It's a VERY sensitive subject and to have the rest of the characters do that could easily lodge the idea, in some young people's heads, that they would also be treated with scepticism.
A few times throughout the story there were errors. Mostly continuation errors but a couple of glaring mistakes. For example, two of the characters are playing a video game. Fallout 4. In the story one of the characters 'gets the guy' of the other. Fallout 4 is not a multiplayer game, a friend cannot 'get' you in any way.
Yes, a small thing but hugely annoying when you know that it is wrong. As Fallout 4 is such a popular game this will not go unnoticed by many young adults!
The ending did feel rather rushed. An extra chapter or two to explain what happened and to explore the feelings of the characters properly would have been nice.
So yes, this is an extremely mixed review. Most of the negative's are small and I would have given another star if not for the slightly mixed message surrounding the title character - I was disappointed with that.
The author is obviously very talented and writes perfectly for the YA market. Just a little more time and care would have made it awesome.
The positives first. The plot is very interesting and well thought out. Although not entirely original it isn't your run of the mill haunted house story either.
The main characters are well rounded and sympathetic. They each have a strong voice and are relatable. The author is very good at creating tension and does not shy away from scary/unsettling images.
The narration and pace of the story feels perfect for a young adult book - no slow enough to be condescending but with simple sentence structures and short chapters that will help to encourage reluctant or not so confident readers to stick with it. I would certainly use this book in my teaching role for my higher level students - adults that struggle with literacy and/or have slight learning difficulties.
The messages that this story carries are important ones. The main message is especially vital for both male and female readers.
Now for the negative's. There is rather a lot of repetition in the story. Not just parts of the back story but actual sentences in a couple of instances. This did grow to be tiresome and, had I read this aged fourteen I would have felt the same way. Unfortunately this did tend to slow the story down at times. Reading the exact same joke from four chapters ago isn't great.
The book centres on one character and what happened to her. I felt that the sudden shift in her personality was rushed. More time should have been taken to really understand her and what happened to her.
The fact that she is automatically disbelieved is not great. It's a VERY sensitive subject and to have the rest of the characters do that could easily lodge the idea, in some young people's heads, that they would also be treated with scepticism.
A few times throughout the story there were errors. Mostly continuation errors but a couple of glaring mistakes. For example, two of the characters are playing a video game. Fallout 4. In the story one of the characters 'gets the guy' of the other. Fallout 4 is not a multiplayer game, a friend cannot 'get' you in any way.
Yes, a small thing but hugely annoying when you know that it is wrong. As Fallout 4 is such a popular game this will not go unnoticed by many young adults!
The ending did feel rather rushed. An extra chapter or two to explain what happened and to explore the feelings of the characters properly would have been nice.
So yes, this is an extremely mixed review. Most of the negative's are small and I would have given another star if not for the slightly mixed message surrounding the title character - I was disappointed with that.
The author is obviously very talented and writes perfectly for the YA market. Just a little more time and care would have made it awesome.
Jamie (131 KP) rated Born a Crime: Stories from a South African Childhood in Books
Jul 22, 2017
Noah’s wit and charm (1 more)
Frank discussions of racism, poverty, and family
A stellar memoir
For those that don’t already know who Trevor Noah is, he is a comedian from South Africa that is now the current host of The Daily Show, taking the place of Jon Stewart when he retired. Trevor is an accomplished polyglot, speaking 9 languages fluently and has some fluency in several more. In much of his comedy he talks about his difficulties with racial identity having been born during apartheid to an African mother and a Swiss father. Apartheid was a system of institutionalized segregation in South Africa that lasted from the 1940’s to the 1990’s.
The book is bursting at the seams with humorous anecdotes about growing up as the wild child in his family. Getting in trouble, trying to outrun and outsmart his mom, committing petty crimes with friends, striking out with girls; Trevor’s life was colorful in no small part because of his mother. In interviews Trevor has stated that his memoir became sort of an open love letter to his mother, Patricia Noah–a fiercely independent woman that refused to be held down by her race or gender and sought to show her son the world outside of apartheid South Africa, who tried to save her son from the cruelty of the world.
“The world doesn’t love you. If the police get you, the police don’t love you. When I beat you, I’m trying to save you. When they beat you, they’re trying to kill you.”
The last chapters had me sobbing which was something that I hadn’t anticipated. Trevor mentions his step-father in the early chapters in passing, like a dark cloud that hung over his family’s life. I wasn’t prepared for the deeply troubling and heartbreaking portrait of a loving family ripped apart by abuse and the failures of law enforcement to prevent tragedy despite numerous attempts to get help.
I was already a fan of Trevor Noah, having watched some of his stand-up comedy and was overjoyed when he took over The Daily Show. From this memoir I have a newfound respect for Trevor not only for the horrendous abuse and racism he has endured, but how he allowed these things to shape who he is. He approaches issues of race, identity, poverty, and abuse with honesty and was able to articulate his feelings on topics that I have been struggling with for years. This memoir was surprisingly cathartic to me as someone that has struggled both with a mixed racial background and as a survivor of domestic abuse.
This was a wonderful memoir that really showcased that even in the darkest of places one can still find hope and strength in love. It was both insightful and laugh out loud funny, even if some of the humor could be viewed as highly offensive. I really enjoyed this memoir and am happy that I read it, it’s definitely going down on my shelf as a favorite.
The book is bursting at the seams with humorous anecdotes about growing up as the wild child in his family. Getting in trouble, trying to outrun and outsmart his mom, committing petty crimes with friends, striking out with girls; Trevor’s life was colorful in no small part because of his mother. In interviews Trevor has stated that his memoir became sort of an open love letter to his mother, Patricia Noah–a fiercely independent woman that refused to be held down by her race or gender and sought to show her son the world outside of apartheid South Africa, who tried to save her son from the cruelty of the world.
“The world doesn’t love you. If the police get you, the police don’t love you. When I beat you, I’m trying to save you. When they beat you, they’re trying to kill you.”
The last chapters had me sobbing which was something that I hadn’t anticipated. Trevor mentions his step-father in the early chapters in passing, like a dark cloud that hung over his family’s life. I wasn’t prepared for the deeply troubling and heartbreaking portrait of a loving family ripped apart by abuse and the failures of law enforcement to prevent tragedy despite numerous attempts to get help.
I was already a fan of Trevor Noah, having watched some of his stand-up comedy and was overjoyed when he took over The Daily Show. From this memoir I have a newfound respect for Trevor not only for the horrendous abuse and racism he has endured, but how he allowed these things to shape who he is. He approaches issues of race, identity, poverty, and abuse with honesty and was able to articulate his feelings on topics that I have been struggling with for years. This memoir was surprisingly cathartic to me as someone that has struggled both with a mixed racial background and as a survivor of domestic abuse.
This was a wonderful memoir that really showcased that even in the darkest of places one can still find hope and strength in love. It was both insightful and laugh out loud funny, even if some of the humor could be viewed as highly offensive. I really enjoyed this memoir and am happy that I read it, it’s definitely going down on my shelf as a favorite.
Haley Mathiot (9 KP) rated Lips Touch: Three Times in Books
Apr 27, 2018
Lips Touch: Three Times by Laini Taylor
Genre: Young Adult, paranormal/fantasy, romance
ISBN: 9780545055857
Published: October 1st 2009 by Arthur A. Levine Books
Rating: 5
Three stories. Three kisses, all with horrible—or wonderful?—consequences. Goblins hunt girls who long for what they don't have. The most beautiful voice can't be heard, even by a lover, or all who hear it will die. A young girl has been thrown into something she never chose, for a reason she doesn't know, with memories that aren't her own. Welcome to paranormal love.
These stories were fantastic. There were three things that stuck out about them:
1. None of them had happyland syndrome (description of Happyland Syndrome here: http://haleymathiot.blogspot.com/2010/06/unique-phrases-call-for-definitions.html) endings where everything wraps up perfectly. In fact only one of them ends at the end of the story: the others solve the main conflict and wrap up nicely. Taylor didn't have to write all the way to the end because I knew what was going to happen and was satisfied exploring the rest in my mind.
2. They pulled me into the story with the first sentence. There was no "I'm going to give this a try and maybe it'll be worth reading." No, it was enchanting and enticing from the first word, and it was because of the creativity in the prose and the language.
3. Great writing. Beautiful intricate descriptions that stuck with me and gave me the feelings Taylor wanted me to have—whether they be enticing and sensual, or terrifying and upsetting.
Here are my thoughts on the individual short stories:
Goblin Fruit
Really?… Wow… why was that so good even though it had a horrible ending?… and was it really that horrible? Yes, it really was. I had to double check and make sure that it really was the end! I'd been wondering for a while 'can an author write a good book with a good ending that isn't happy?' answer, Yes. Laini Taylor can.
Spicy Little Curses Such As These
This story was horrid and sweet at the same time. I had a thought of how the story would end, but the ending turned out to be much different. It wasn't perfect, but it was perfect enough to leave me smiling and feeling satisfied for the characters.
The Hatchling
I could not visualize how this story would have a happy ending, and it certainly wasn't perfect—there is one character whom I still fear for her sanity. But I was so amazed an the unwinding of the mysteries and secrets of the plot and was more pleased than I thought I would be with the conclusion.
For wonderful writing, creativity, and fantastic characters, I give this one five stars and two thumbs up—get it, first chance you can.
Content/recommendation: Ages 15+ for some language, little sensuality. No explicit violence or language, no sex.
This review is copyright Haley Mathiot and Night Owl Reviews 2010. Original Review: http://haleymathiot.blogspot.com/2010/10/review-lips-touch-three-times.html
Genre: Young Adult, paranormal/fantasy, romance
ISBN: 9780545055857
Published: October 1st 2009 by Arthur A. Levine Books
Rating: 5
Three stories. Three kisses, all with horrible—or wonderful?—consequences. Goblins hunt girls who long for what they don't have. The most beautiful voice can't be heard, even by a lover, or all who hear it will die. A young girl has been thrown into something she never chose, for a reason she doesn't know, with memories that aren't her own. Welcome to paranormal love.
These stories were fantastic. There were three things that stuck out about them:
1. None of them had happyland syndrome (description of Happyland Syndrome here: http://haleymathiot.blogspot.com/2010/06/unique-phrases-call-for-definitions.html) endings where everything wraps up perfectly. In fact only one of them ends at the end of the story: the others solve the main conflict and wrap up nicely. Taylor didn't have to write all the way to the end because I knew what was going to happen and was satisfied exploring the rest in my mind.
2. They pulled me into the story with the first sentence. There was no "I'm going to give this a try and maybe it'll be worth reading." No, it was enchanting and enticing from the first word, and it was because of the creativity in the prose and the language.
3. Great writing. Beautiful intricate descriptions that stuck with me and gave me the feelings Taylor wanted me to have—whether they be enticing and sensual, or terrifying and upsetting.
Here are my thoughts on the individual short stories:
Goblin Fruit
Really?… Wow… why was that so good even though it had a horrible ending?… and was it really that horrible? Yes, it really was. I had to double check and make sure that it really was the end! I'd been wondering for a while 'can an author write a good book with a good ending that isn't happy?' answer, Yes. Laini Taylor can.
Spicy Little Curses Such As These
This story was horrid and sweet at the same time. I had a thought of how the story would end, but the ending turned out to be much different. It wasn't perfect, but it was perfect enough to leave me smiling and feeling satisfied for the characters.
The Hatchling
I could not visualize how this story would have a happy ending, and it certainly wasn't perfect—there is one character whom I still fear for her sanity. But I was so amazed an the unwinding of the mysteries and secrets of the plot and was more pleased than I thought I would be with the conclusion.
For wonderful writing, creativity, and fantastic characters, I give this one five stars and two thumbs up—get it, first chance you can.
Content/recommendation: Ages 15+ for some language, little sensuality. No explicit violence or language, no sex.
This review is copyright Haley Mathiot and Night Owl Reviews 2010. Original Review: http://haleymathiot.blogspot.com/2010/10/review-lips-touch-three-times.html
Haley Mathiot (9 KP) rated Along for the Ride in Books
Apr 27, 2018
Sarah Dessen caught me by the cover: I’m a bike rider. So I approached this book with eagerness, and it paid. The story was compelling, as Dessen’s novels always are, and they force you to read just one more chapter. I got to the end of the book, and wished there were more chapters. I re-read the last chapter a few times, just because it was so perfect. So so perfect. It solved all the problems in the book, didn’t leave you hanging, and made you smile and whisper to yourself “yes.”
She’s academically focused to the point that she runs to her studies when she’s afraid of choices, she’s developed a sleeping disorder from her parent’s fights before they divorced, and now she’s visiting her dad and his new wife and newborn baby for the summer, simply for lack of anything else to do. But Auden is named after a poet that nobody knows about, has forgotten how to ride a bike, and made a bad first impression with her new co-workers. She meets a quiet boy named Eli with too many secrets and all the right answers. She missed prom because her date was just like her—to school-centered to care about having fun in life. She never had a food fight, she never broke curfew, and she’s never been to a bar (“it’s a rite of passage!”). Eli is astonished that anyone could get through the first eighteen years of their life without going bowling at least once, and sets out to help her experience everything she missed. But now that she has the answers to the things she missed in life, and can see the next step and the decisions she has to make, she has to choose to “get back on that bike,” even when she falls down.
The characters in this story were so relatable. I understood exactly how Auden felt (even though I did build a tree-house in third grade) and could feel her confusion in this strange new social world of hers, the surprise of showing up at work one day and discovering “hey, whoa. How did this happen? I have friends now!” I was blown away when I found out Eli’s mysteries, and loved Maggie even more when she showed her true colors. All characters have their fatal flaws, and these ones do too, but it makes them real people, not just fairy-tales. Her father was a selfish jerk, but he had his commitments—he just needed to prioritize his family over his novel. Her mother was a hard shell—but she could learn to talk about her feelings, and open up. Leah looked like a snob until you got to know her. And Eli… well, I’ll let you discover Eli the way you need to discover him…
I will probably buy this book when it shows up at my little used book store (because I’m too broke to buy it full price) and put it on my bookshelf with my name in the cover, and read it again, and again, and again… because I truly loved it. Thank you, Sarah Dessen, for writing good YA fiction.
She’s academically focused to the point that she runs to her studies when she’s afraid of choices, she’s developed a sleeping disorder from her parent’s fights before they divorced, and now she’s visiting her dad and his new wife and newborn baby for the summer, simply for lack of anything else to do. But Auden is named after a poet that nobody knows about, has forgotten how to ride a bike, and made a bad first impression with her new co-workers. She meets a quiet boy named Eli with too many secrets and all the right answers. She missed prom because her date was just like her—to school-centered to care about having fun in life. She never had a food fight, she never broke curfew, and she’s never been to a bar (“it’s a rite of passage!”). Eli is astonished that anyone could get through the first eighteen years of their life without going bowling at least once, and sets out to help her experience everything she missed. But now that she has the answers to the things she missed in life, and can see the next step and the decisions she has to make, she has to choose to “get back on that bike,” even when she falls down.
The characters in this story were so relatable. I understood exactly how Auden felt (even though I did build a tree-house in third grade) and could feel her confusion in this strange new social world of hers, the surprise of showing up at work one day and discovering “hey, whoa. How did this happen? I have friends now!” I was blown away when I found out Eli’s mysteries, and loved Maggie even more when she showed her true colors. All characters have their fatal flaws, and these ones do too, but it makes them real people, not just fairy-tales. Her father was a selfish jerk, but he had his commitments—he just needed to prioritize his family over his novel. Her mother was a hard shell—but she could learn to talk about her feelings, and open up. Leah looked like a snob until you got to know her. And Eli… well, I’ll let you discover Eli the way you need to discover him…
I will probably buy this book when it shows up at my little used book store (because I’m too broke to buy it full price) and put it on my bookshelf with my name in the cover, and read it again, and again, and again… because I truly loved it. Thank you, Sarah Dessen, for writing good YA fiction.
Acanthea Grimscythe (300 KP) rated Bird Box in Books
May 16, 2018
If you're looking for something that is fast-paced and just might give you an anxiety attack, Josh Malerman's debut novel Bird Box may be exactly what you need. Set in the very near future, Bird Box is a book that simultaneously takes place during and after the apocalypse. Human beings find their minds under assault by an unseen force, one that drives them toward homicidal and suicidal tendencies. The only way to remain safe is to never, ever open your eyes.
Imagine with me what living in a world, robbed suddenly of sight, might be like. We rely heavily on our senses and, as an avid reader, I highly value my ability to be able to see the written word. I can't even begin to fathom what it would be like to find myself forced into an eternally dark void, and never have I thought of a scenario in which I would choose to be blind.
In Bird Box, Malorie and her children aren't given that option. Stranded in a home that is not her own, and faced with dwindling supplies and a lack of social interaction with anyone but her two children, Malorie must embark on a dangerous mission to find a new, safer haven for her small family: only their destination isn't very close to them, and they are not alone. There's a fourth party traveling with them and they are helpless to identify the newcomer.
The entire story does not follow that journey alone, though. In fact, it simultaneously takes place prior to Malorie's endeavor, introducing us to an entire cast of characters ranging from lovable to untrustworthy; from the purely innocent to those whose madness goes beyond all help. Though I'm not a huge fan of the constant back and forth chronology (in fact, I find it to be extremely distracting), the manner in which Malerman reveals bits and pieces of his story is crucial to progression: it gives readers the opportunity to develop their own feelings for Malorie and how she handles her problems. I also found that the odd way in which he split the story kept me reading, if only because more often that not, I found myself wondering how or why something was the way it was presently if, at the beginning of the end, everything seemed to be headed in a totally different direction.
Like most stories that take place after the world as we know it has met its doom, whether by nuclear fallout, bio-warfare, or the collapse of government, Bird Box brings out the best, and more readily, the worst in people. They become desperate or panicked, sometimes to the point that their actions defy all logic: such as the voluntary or involuntary blinding of oneself to avoid madness. Perhaps I so easily love post-apocalyptic books for that reason alone. They have a habit of reminding us exactly how pathetic and disgusting our own race can be; how often we are willing to put ourselves first, despite the suffering of others, should the situation call for it.
Imagine with me what living in a world, robbed suddenly of sight, might be like. We rely heavily on our senses and, as an avid reader, I highly value my ability to be able to see the written word. I can't even begin to fathom what it would be like to find myself forced into an eternally dark void, and never have I thought of a scenario in which I would choose to be blind.
In Bird Box, Malorie and her children aren't given that option. Stranded in a home that is not her own, and faced with dwindling supplies and a lack of social interaction with anyone but her two children, Malorie must embark on a dangerous mission to find a new, safer haven for her small family: only their destination isn't very close to them, and they are not alone. There's a fourth party traveling with them and they are helpless to identify the newcomer.
The entire story does not follow that journey alone, though. In fact, it simultaneously takes place prior to Malorie's endeavor, introducing us to an entire cast of characters ranging from lovable to untrustworthy; from the purely innocent to those whose madness goes beyond all help. Though I'm not a huge fan of the constant back and forth chronology (in fact, I find it to be extremely distracting), the manner in which Malerman reveals bits and pieces of his story is crucial to progression: it gives readers the opportunity to develop their own feelings for Malorie and how she handles her problems. I also found that the odd way in which he split the story kept me reading, if only because more often that not, I found myself wondering how or why something was the way it was presently if, at the beginning of the end, everything seemed to be headed in a totally different direction.
Like most stories that take place after the world as we know it has met its doom, whether by nuclear fallout, bio-warfare, or the collapse of government, Bird Box brings out the best, and more readily, the worst in people. They become desperate or panicked, sometimes to the point that their actions defy all logic: such as the voluntary or involuntary blinding of oneself to avoid madness. Perhaps I so easily love post-apocalyptic books for that reason alone. They have a habit of reminding us exactly how pathetic and disgusting our own race can be; how often we are willing to put ourselves first, despite the suffering of others, should the situation call for it.
Acanthea Grimscythe (300 KP) rated Demon Seed: A novel of terror to horrify you this Halloween in Books
May 16, 2018
One of the things I’ve noticed when I’m running around between thrift stores is an abundance of Dean Koontz novels. That said, I’ve definitely been stockpiling them up, and the first one I read out of my Koontz pile is Demon Seed. Demon Seed is told from a rather peculiar perspective: that of a computer with artificial intelligence. Before I delve deeper into my thoughts on Demon Seed, I would like to note that this is a copy of the 1997 release, and not the original novel published in 1973. There are differences in the two books, however because I have not happened to lay hands upon the original version, I am unable to compare or contrast their contents. As such, my review is based solely upon the second version of the book, which is told solely from the perspective of Proteus, the artificial intelligence program that is all too frighteningly real.
The idea of a computer striking fear into someone’s heart is a bit of an oddball, but with the idea of artificial intelligence an all too possible reality, fear over what could happen should the AI take control of itself and evolve is real. In Demon Seed that science is taken too far when Proteus takes control of his own programming and not only stalks the recently divorced Susan Harris, but holds her captive within her own home. With a plan for the ideal race of humans on its mind, Proteus sets forth on a horrifying adventure to create for himself the perfect body, and poor Susan is a key player in his endeavor.
As a premise, especially for something originally written in the early 70’s, the idea behind Demon Seed is intriguing. I find Proteus to be a very disturbing character, and the way in which Koontz pens Proteus gives me chills. I remember once, a long time ago, having a similar feeling while reading a novel by P. T. Deutermann, in which the occasional chapter was in the killer’s perspective. I don’t remember the name of the book, only the fact that I was left nerve-wracked. Koontz’s Proteus is not too far off from that mark and the mere fact that Koontz is able to capture that essence of a true sociopath with an inanimate object (if I can really call Proteus that) probably factors into my opinion on the book the most. The other characters, and to some degree Susan as well, strike me as a bit one-dimensional. They have a single, solitary purpose and while they possess wildly different backgrounds, the way in which the story progresses does not leave room for the development of feelings toward the characters.
Demon Seed is an extremely quick read, and if you’ve got the time to sit for a few hours and thumb through its pages, I’d definitely recommend it. While it isn’t among my favorite books, and only receives a passing “meh” score from me, it was enjoyable. The linear plot line, told from a single, solitary perspective, makes it an easy read as well. There is also a movie adaptation of the novel, but it is not presently on my to-watch list.
The idea of a computer striking fear into someone’s heart is a bit of an oddball, but with the idea of artificial intelligence an all too possible reality, fear over what could happen should the AI take control of itself and evolve is real. In Demon Seed that science is taken too far when Proteus takes control of his own programming and not only stalks the recently divorced Susan Harris, but holds her captive within her own home. With a plan for the ideal race of humans on its mind, Proteus sets forth on a horrifying adventure to create for himself the perfect body, and poor Susan is a key player in his endeavor.
As a premise, especially for something originally written in the early 70’s, the idea behind Demon Seed is intriguing. I find Proteus to be a very disturbing character, and the way in which Koontz pens Proteus gives me chills. I remember once, a long time ago, having a similar feeling while reading a novel by P. T. Deutermann, in which the occasional chapter was in the killer’s perspective. I don’t remember the name of the book, only the fact that I was left nerve-wracked. Koontz’s Proteus is not too far off from that mark and the mere fact that Koontz is able to capture that essence of a true sociopath with an inanimate object (if I can really call Proteus that) probably factors into my opinion on the book the most. The other characters, and to some degree Susan as well, strike me as a bit one-dimensional. They have a single, solitary purpose and while they possess wildly different backgrounds, the way in which the story progresses does not leave room for the development of feelings toward the characters.
Demon Seed is an extremely quick read, and if you’ve got the time to sit for a few hours and thumb through its pages, I’d definitely recommend it. While it isn’t among my favorite books, and only receives a passing “meh” score from me, it was enjoyable. The linear plot line, told from a single, solitary perspective, makes it an easy read as well. There is also a movie adaptation of the novel, but it is not presently on my to-watch list.
graveyardgremlin (7194 KP) rated The Wicked and the Just in Books
Feb 15, 2019
<i>The Wicked and the Just</i> doesn't have much in the way of a plot, it more focuses on the everyday lives of two very different girls in 13th century Wales, one who's English and lives inside the walls of Caernarvon, the other a Welsh servant, who lives outside the walls, than on any particular focal point. This changes in the latter part of the book when an event that has been gnawing at the fringes suddenly erupts.
My first impression of Cecily is that she's a colossal brat. She's English, thinks she's better than the Welsh (while also fearing they're going to kill her) and her so-called "betters" as well, pouts and connives to get her father to do as she wants, complains...a lot, and doesn't seem to like anyone other than the friends she was forced to leave behind, her father (sometimes), and her dog. But can you blame her if that's how she was raised and didn't know any better? My feelings about her ran the gamut, as did her behavior, it had its ups and downs as does just about anyone. She can be quite funny with her sly remarks or thoughts, but she can also be cruel, kind, loathsome, understanding, and pathetic. Everytime I thought I was about to like her, she'd do something terrible and I thought her lower than dirt, then she'd have her eyes opened to see her surroundings and then she didn't seem so bad. It went like that quite a lot, and by the end, I felt quite bad for her. Gwinny, on the other hand, though while I didn't like her exactly, I understood her right away and sympathized with her position. She is one angry and vengeful person, who through sheer willpower, somehow manages to hold most of it back. The sections told through her eyes are usually shorter than Cecily's, but they get right to the point and have enough information that I didn't feel anything necessary was excluded. The interactions between the two girls are fraught with dislike, loathing, and begrudging understanding, before it all starts over again. Until the last section the characters are the main plot, where after that point the story really explodes into a fast-paced, suspenseful read, which I'll not spoil if you're not familiar with that part of history (I wasn't). You couldn't tear this book from my hands during these last sixty pages if you tried, I was absolutely riveted. The emotions were high, the situations scary, and more than anything it made me grateful. Grateful to have a roof over my head, grateful for the food I can afford to eat, just grateful all around that I don't have to live as the Welsh did, as many others did in the course of history. A word of warning, as with changing circumstances in life there is no concrete ending to the story, which suits the book well. It ends while just beginning and I can't think of a more fitting finish to the story. A good, solid, thought-provoking novel that has a possible crossover appeal to both history-loving teens and adults.
Originally reviewed: September 10
Received: Amazon Vine
My first impression of Cecily is that she's a colossal brat. She's English, thinks she's better than the Welsh (while also fearing they're going to kill her) and her so-called "betters" as well, pouts and connives to get her father to do as she wants, complains...a lot, and doesn't seem to like anyone other than the friends she was forced to leave behind, her father (sometimes), and her dog. But can you blame her if that's how she was raised and didn't know any better? My feelings about her ran the gamut, as did her behavior, it had its ups and downs as does just about anyone. She can be quite funny with her sly remarks or thoughts, but she can also be cruel, kind, loathsome, understanding, and pathetic. Everytime I thought I was about to like her, she'd do something terrible and I thought her lower than dirt, then she'd have her eyes opened to see her surroundings and then she didn't seem so bad. It went like that quite a lot, and by the end, I felt quite bad for her. Gwinny, on the other hand, though while I didn't like her exactly, I understood her right away and sympathized with her position. She is one angry and vengeful person, who through sheer willpower, somehow manages to hold most of it back. The sections told through her eyes are usually shorter than Cecily's, but they get right to the point and have enough information that I didn't feel anything necessary was excluded. The interactions between the two girls are fraught with dislike, loathing, and begrudging understanding, before it all starts over again. Until the last section the characters are the main plot, where after that point the story really explodes into a fast-paced, suspenseful read, which I'll not spoil if you're not familiar with that part of history (I wasn't). You couldn't tear this book from my hands during these last sixty pages if you tried, I was absolutely riveted. The emotions were high, the situations scary, and more than anything it made me grateful. Grateful to have a roof over my head, grateful for the food I can afford to eat, just grateful all around that I don't have to live as the Welsh did, as many others did in the course of history. A word of warning, as with changing circumstances in life there is no concrete ending to the story, which suits the book well. It ends while just beginning and I can't think of a more fitting finish to the story. A good, solid, thought-provoking novel that has a possible crossover appeal to both history-loving teens and adults.
Originally reviewed: September 10
Received: Amazon Vine
Kristy H (1252 KP) rated Give Me Your Hand in Books
Mar 10, 2019
Dark, intense, and compelling psychological thriller
Kit Owens is surviving high school but not living up to her true potential when Diane Fleming arrives at her school. Diane awakens a fire in Kit and the two form an unlikely friendship that propels Kit to academic success in her senior year. She and Diane study together and push each other to reach to be the best. Kit can't help but feel bad for her friend, who lives with her grandfather after the death of her dad. But all that changes when Diane shares an explosive secret with Kit, one that changes the way she views Diane and basically ends their friendship. Ten years later, Kit has tried to put Diane (and her secret) behind her. She's working in the lab of a female scientist, Dr. Severin, whom she's idolized for years--a woman Diane first helped introduce her to. But when Dr. Severin earns a prestigious grant and Kit learns that Diane is suddenly in the running for one of the coveted spots to work with the Doctor on the research, the past comes rushing back. Soon Diane and Kit find themselves over their head, with secrets and horror lurking around every corner.
So, I wasn't sure I was going to enjoy this one as I started it, but it grew on me. It's not really a pleasant read, at all, and none of the characters are ones you'll really love, but it's very compelling and there's a slow, foreboding creepiness that keeps you reading. I read this one quickly, as it's dark, twisty, and intense and very easy-to-read (as in, a page-turner, not the subject matter).
"My mom always say, you don't have a self until you have a secret." ~Diane
The novel flips between the "then" and "now" format, with Kit narrating to us. It's a female-centered book, and it easily depicts women's uphill battle in the workplace. It also shows the complicated feelings of our female characters: Kit has a lot of thoughts. Her struggle from a poor high school student to doctor is a fascinating one, even if I found her hard to empathize with. You won't necessarily agree with a lot of these characters' (sometimes outlandish) choices, but you'll find them oddly fascinating. I enjoyed how the novel delved into the darkness of friendship--and some of the competition that can come with it. Diane and Kit's relationship is dark and intense, as is the entire novel, really. The secrets that layer this book unravel slowly and eerily, and it really does keep you reading.
I especially thought this one was redeemed or bolstered by its ending; often a thriller is so good and then deflates at the end, but I actually thought this one got a little better at the end. The ending is really well-done, and I didn't feel let down whatsoever.
Overall, this is a dark, intense, and compelling psychological thriller. It's not exactly packed with loveable characters, but they are flawed, interesting, and--at times--quite creepy. You'll be drawn in by its twisty plot and complicated portrayal of friendship and secrets.
So, I wasn't sure I was going to enjoy this one as I started it, but it grew on me. It's not really a pleasant read, at all, and none of the characters are ones you'll really love, but it's very compelling and there's a slow, foreboding creepiness that keeps you reading. I read this one quickly, as it's dark, twisty, and intense and very easy-to-read (as in, a page-turner, not the subject matter).
"My mom always say, you don't have a self until you have a secret." ~Diane
The novel flips between the "then" and "now" format, with Kit narrating to us. It's a female-centered book, and it easily depicts women's uphill battle in the workplace. It also shows the complicated feelings of our female characters: Kit has a lot of thoughts. Her struggle from a poor high school student to doctor is a fascinating one, even if I found her hard to empathize with. You won't necessarily agree with a lot of these characters' (sometimes outlandish) choices, but you'll find them oddly fascinating. I enjoyed how the novel delved into the darkness of friendship--and some of the competition that can come with it. Diane and Kit's relationship is dark and intense, as is the entire novel, really. The secrets that layer this book unravel slowly and eerily, and it really does keep you reading.
I especially thought this one was redeemed or bolstered by its ending; often a thriller is so good and then deflates at the end, but I actually thought this one got a little better at the end. The ending is really well-done, and I didn't feel let down whatsoever.
Overall, this is a dark, intense, and compelling psychological thriller. It's not exactly packed with loveable characters, but they are flawed, interesting, and--at times--quite creepy. You'll be drawn in by its twisty plot and complicated portrayal of friendship and secrets.
Lee (2222 KP) rated Wild Rose (2018) in Movies
Mar 20, 2019 (Updated Mar 20, 2019)
A Star Is Born
I've talked before about how disappointed I was with 'A Star Is Born' last year. An overrated movie of two halves, with an incredible first half and a dire second half. What I wanted from that movie was the story of a girl chasing a dream, culminating in the birth of a star and an epic singing finale. That all happened in the first half though, with the second half spiraling into boring filler territory. Wild Rose tells the story of Rose-Lynn, a down on her luck, aspiring country singer with dreams of becoming a star. It more closely follows that story I was looking for than 'A Star Is Born' did and is a much better movie overall, despite remaining fairly average throughout. If you put Sheridan Smith in the lead role, this could have just as easily been shown on ITV as their latest big weeknight drama series.
Things kick off with Rose-Lynn (Jessie Buckley) being released from a year in prison where she served time for drug charges. Before anything else, she meets up with a friend to catch up on some sex before heading over to her mums house (Julie Walters). Mum has been looking after Rose-Lynn's two young kids, aged 5 and 8, for the last year and it's clear the bond between mum and children has taken a serious hit. She doesn't exactly make any effort to reconnect with her children either, pulling on her cowboy boots and heading down to Glasgows Grand Ole Opry to try and pick up the regular singing slot she held there before winding up in jail. Rose-Lynn is a huge country music fan, and has plans to head over to Nashville in order to try and become a star.
Rose-Lynn lands a day job, cleaning for a wealthy couple in their large house. The lady of the house, Susannah (Sophie Okonedo) takes a shine to Rose-Lynn and after her children hear her belting out a song while cleaning, goes out of her way to try and help her. Using her connections to get a demo video to BBC Radio 2 legend 'Whispering' Bob Harris and even landing Rose-Lynn a gig at her 50th birthday party with a view to getting her wealthy guests to help 'crowdfund' Rose-Lynn.
Rose-Lynn is not a very likeable character for much of this movie. Selfish, annoying and with questionable life choices and actions. But that's the whole idea - to manipulate our feelings towards her. She's played wonderfully by Jessie Buckley and as her character grows and learns from life, we begin to like her that little bit more too. I was worried that if she eventually did find her way to Nashville, we'd see her become this huge star and I would have felt cheated if that were the case. Without heading too much into spoiler territory, I'll just say that things don't exactly work out that way. It's an unexpected but welcome change in direction, and leads to an incredible and emotional final number.
Things kick off with Rose-Lynn (Jessie Buckley) being released from a year in prison where she served time for drug charges. Before anything else, she meets up with a friend to catch up on some sex before heading over to her mums house (Julie Walters). Mum has been looking after Rose-Lynn's two young kids, aged 5 and 8, for the last year and it's clear the bond between mum and children has taken a serious hit. She doesn't exactly make any effort to reconnect with her children either, pulling on her cowboy boots and heading down to Glasgows Grand Ole Opry to try and pick up the regular singing slot she held there before winding up in jail. Rose-Lynn is a huge country music fan, and has plans to head over to Nashville in order to try and become a star.
Rose-Lynn lands a day job, cleaning for a wealthy couple in their large house. The lady of the house, Susannah (Sophie Okonedo) takes a shine to Rose-Lynn and after her children hear her belting out a song while cleaning, goes out of her way to try and help her. Using her connections to get a demo video to BBC Radio 2 legend 'Whispering' Bob Harris and even landing Rose-Lynn a gig at her 50th birthday party with a view to getting her wealthy guests to help 'crowdfund' Rose-Lynn.
Rose-Lynn is not a very likeable character for much of this movie. Selfish, annoying and with questionable life choices and actions. But that's the whole idea - to manipulate our feelings towards her. She's played wonderfully by Jessie Buckley and as her character grows and learns from life, we begin to like her that little bit more too. I was worried that if she eventually did find her way to Nashville, we'd see her become this huge star and I would have felt cheated if that were the case. Without heading too much into spoiler territory, I'll just say that things don't exactly work out that way. It's an unexpected but welcome change in direction, and leads to an incredible and emotional final number.